US-NYhsa **HC 380/870

Hispanic Society Library, New York, United States

manuscript of polyphony: 1608

Archive	Hispanic Society Library, New York, United States (US-NYhsa)
Shelfmark	**HC 380/870
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	590 x 400 mm
Other Identifiers	CCM: NYorkH 870
Notations	black void mensural
Copyists	? Estremera, Pedro de (–1632) Text and Music scribal concordance [73] Text and Music
Relationships	Hiersemann Antiquariat (owner) The Hispanic Society (owner) Olmeda de San Jose, Federico (1865–1909) (owner) Palace and Monastery of El Escorial (copied at)
Provenance	Palace and Monastery of El Escorial , San Lorenzo de El Escorial, Spain
Contents	Contains 24 compositions, 22 from 3 composers, 2 are anonymous.

General Description

Scribal concordances with MontsM 750, NYorkH 278, and NYorkH 861 (Charles Manns). Copied at the Escorial (Charles Manns), possibly by Fray Pedro de Estremera. Inventoried at San Pedro in Lerma in 1632. Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society c. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

DIAMM, 2017

Binding

Original covers of dark brown leather on boards, tooled in gold with ornamental designs.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1608 (date at end of index).

DIAMM, 2017

Ruling

Staff height 28

DIAMM, 2017

Foliation

Original ink foliation, 1-123 (omits one folio between ff. 119/120; last two folios both numbered '123')

DIAMM, 2017

Decoration

Large plain inked initials in black or red; one painted initial (f. 1'). Double-line borders, some rubrics, and attributions in red ink.

DIAMM, 2017

Index

Original index on verso of unnumbered flyleaf at beginning lists all pieces in order of appearance (one piece listed out of order)

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Magnificats, 1 canticle, 2 psalms, 3 motets = 23

R. Ceballos-4, Morales-16, Rogier-1, anon-2

i + 125 paper folios, 585 x 430. Original ink foliation, 1-123 (omits one folio between ff. 119/120; last two folios both numbered "123"). Original covers of dark brown leather on boards, tooled in gold with ornamental designs. Original index on verso of unnumbered flyleaf at beginning lists all pieces in order of appearance (one piece listed out of order). Scribal concordances with MontsM 750, NYorkH 278, and NYorkH 861 (Charles Manns). Staff height 28. Large plain inked initials in black or red; one painted initial (f. 1'). Double-line borders, some rubrics, and attributions in red ink.

1608 (date at end of index). Copied at the Escorial (Charles Manns). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society ca. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–7r	Magnificat primi toni: Anima Mea [K.914]	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v–7r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
7v–13r	Magnificat secundi toni: Anima mea [K.915]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Anima mea [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 7v–13r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/5
13v–19r	Magnificat tertii toni: Anima mea [K.916]	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Anima mea [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 13v–19r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
19v–25r	Magnificat quarti toni: Anima mea [K.917]	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Anima mea [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 19v–25r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
25v–32r	Magnificat quinti toni: Anima mea [K.918]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Anima mea [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 25v–32r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4
32v–38r	Magnificat sexti toni: Anima mea [K.919]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 32v–38r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4
38v–44r	Magnificat septimi toni: Anima mea [K.920]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Anima mea [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 38v–44r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4
44v–50r	Magnificat octavi toni: Anima mea [K.921]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 44v–50r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4
50v–57r	Magnificat primi toni: Et exultavit [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 50v–57r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
57v–64r	Magnificat secundi toni: Et exultavit [K.915]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Et exultavit [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–64r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
64v–71r	Magnificat tertii toni: Et exultavit [K.916]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Et exultavit [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 64v–71r Source Attribution: Morales Number of voices: 4/6
71v–77r	Magnificat quarti toni: Et exultavit [K.917]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Et exultavit [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 71v–77r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/5
77v–84r	Magnificat quinti toni: Et exultavit [K.918]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Et exultavit [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 77v–84r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
84v–91r	Magnificat sexti toni: Et exultavit [K.919]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Et exultavit [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 84v–91r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
91v–98r	Magnificat septimi toni: Et exultavit [K.920]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Et exultavit [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 91v–98r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
98v–105r	Magnificat octavi toni: Et exultavit [K.921]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Et exultavit [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 98v–105r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/6
105v–108r	Magnificat (Anima mea)	-	-
Magnificat (Anima mea) - Appears on: 105v–108r Genres: Magnificat Number of voices: 4/5
109v–117r	Qui habitat	zaballos	Ceballos, Rodrigo de (ca. 1525–1581)
Qui habitat Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 109v–117r Genres: Motet Source Attribution: zaballos Number of voices: 4
116v–118r	Ecce nunc (4vv)	Zaballos	Ceballos, Rodrigo de (ca. 1525–1581)
Ecce nunc (4vv) Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 116v–118r Genres: Motet Source Attribution: Zaballos Number of voices: 4
118v–119br	Nunc dimittis	zaballos	Ceballos, Rodrigo de (ca. 1525–1581)
Nunc dimittis Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 118v–119br Genres: Motet Source Attribution: zaballos Number of voices: 4
119bv–121r	In manus tuas	Zaballos	Ceballos, Rodrigo de (ca. 1525–1581)
In manus tuas Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 119bv–121r Genres: Motet Source Attribution: Zaballos Number of voices: 4
121v–122r	Custodi nos	-	Ceballos, Rodrigo de (ca. 1525–1581)
Custodi nos Ceballos, Rodrigo de (ca. 1525–1581) Appears on: 121v–122r Genres: Motet Number of voices: 4
122v–123r	Salva nos	philippe Rogier	Rogier, Philippe (ca. 1561–1596)
Salva nos Rogier, Philippe (ca. 1561–1596) Appears on: 122v–123r Genres: Motet Source Attribution: philippe Rogier Number of voices: 4
123v–123br	(Lumen) Ad revelationem	-	Anonymous
(Lumen) Ad revelationem Anonymous Appears on: 123v–123br Genres: Motet Number of voices: 4 General Note In festo purificationis B. Mariae virginis. Inter distribuendas candelas.

Composer	Compositions
Anonymous	(Lumen) Ad revelationem – 123v–123br Magnificat (Anima mea) – 105v–108r
Ceballos, Rodrigo de (ca. 1525-1581)	Custodi nos – 121v–122r Ecce nunc (4vv) – 116v–118r In manus tuas – 119bv–121r Nunc dimittis – 118v–119br Qui habitat – 109v–117r
Morales, Cristóbal de (ca. 1500-1553)	Magnificat octavi toni: Anima mea [K.921] – 44v–50r Magnificat octavi toni: Et exultavit [K.921] – 98v–105r Magnificat primi toni: Anima Mea [K.914] – 1v–7r Magnificat primi toni: Et exultavit [K.914] – 50v–57r Magnificat quarti toni: Anima mea [K.917] – 19v–25r Magnificat quarti toni: Et exultavit [K.917] – 71v–77r Magnificat quinti toni: Anima mea [K.918] – 25v–32r Magnificat quinti toni: Et exultavit [K.918] – 77v–84r Magnificat secundi toni: Anima mea [K.915] – 7v–13r Magnificat secundi toni: Et exultavit [K.915] – 57v–64r Magnificat septimi toni: Anima mea [K.920] – 38v–44r Magnificat septimi toni: Et exultavit [K.920] – 91v–98r Magnificat sexti toni: Anima mea [K.919] – 32v–38r Magnificat sexti toni: Et exultavit [K.919] – 84v–91r Magnificat tertii toni: Anima mea [K.916] – 13v–19r Magnificat tertii toni: Et exultavit [K.916] – 64v–71r
Rogier, Philippe (ca. 1561-1596)	Salva nos – 122v–123r

Composition	Composers (? Uncertain)	Folios / Pages
(Lumen) Ad revelationem	Anonymous	123v–123br
Custodi nos	Ceballos, Rodrigo de (ca. 1525–1581)	121v–122r
Ecce nunc (4vv)	Ceballos, Rodrigo de (ca. 1525–1581)	116v–118r
In manus tuas	Ceballos, Rodrigo de (ca. 1525–1581)	119bv–121r
Magnificat (Anima mea)	-	105v–108r
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	44v–50r
Magnificat octavi toni: Et exultavit [K.921]	Morales, Cristóbal de (ca. 1500–1553)	98v–105r
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	1v–7r
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	50v–57r
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	19v–25r
Magnificat quarti toni: Et exultavit [K.917]	Morales, Cristóbal de (ca. 1500–1553)	71v–77r
Magnificat quinti toni: Anima mea [K.918]	Morales, Cristóbal de (ca. 1500–1553)	25v–32r
Magnificat quinti toni: Et exultavit [K.918]	Morales, Cristóbal de (ca. 1500–1553)	77v–84r
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	7v–13r
Magnificat secundi toni: Et exultavit [K.915]	Morales, Cristóbal de (ca. 1500–1553)	57v–64r
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	38v–44r
Magnificat septimi toni: Et exultavit [K.920]	Morales, Cristóbal de (ca. 1500–1553)	91v–98r
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	32v–38r
Magnificat sexti toni: Et exultavit [K.919]	Morales, Cristóbal de (ca. 1500–1553)	84v–91r
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	13v–19r
Magnificat tertii toni: Et exultavit [K.916]	Morales, Cristóbal de (ca. 1500–1553)	64v–71r
Nunc dimittis	Ceballos, Rodrigo de (ca. 1525–1581)	118v–119br
Qui habitat	Ceballos, Rodrigo de (ca. 1525–1581)	109v–117r
Salva nos	Rogier, Philippe (ca. 1561–1596)	122v–123r

‡ denotes primary source study

‡ Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, 17: p.278-282.

Kirk, D. 1993. Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms. Mus. 1. McGill University, PhD. Pages: 54, 63, 83-5, 89, 105-6.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.

Fillingham, D. 1980. Fray Martín de Villanueva and music at El Escorial. Brandeis University, BA thesis.

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 31, 73-5. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 748-9. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 171-2. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 151. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 128, 306. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 49-50. Notes: physical description; contents list.

Penney, Clara Louisa. 1904-1954. A History of The Hispanic Society of America Museum and Library 1904-1954, with a Survey of the Collections. New York. Pages: 380, 392. Notes: mention of MS; facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description