US-NYhsa **HC 380/870

Hispanic Society Library, New York, United States

manuscript of polyphony: 1608

Archive Hispanic Society Library, New York, United States (US-NYhsa)
Shelfmark **HC 380/870
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 590 x 400 mm
Other Identifiers
  • CCM: NYorkH 870
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 24 pieces from 4 composers
General Description

Scribal concordances with MontsM 750, NYorkH 278, and NYorkH 861 (Charles Manns). Copied at the Escorial (Charles Manns), possibly by Fray Pedro de Estremera. Inventoried at San Pedro in Lerma in 1632. Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society c. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

DIAMM, 2017
Binding

Original covers of dark brown leather on boards, tooled in gold with ornamental designs.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1608 (date at end of index).

DIAMM, 2017
Ruling

Staff height 28

DIAMM, 2017
Foliation

Original ink foliation, 1-123 (omits one folio between ff. 119/120; last two folios both numbered '123')

DIAMM, 2017
Decoration

Large plain inked initials in black or red; one painted initial (f. 1'). Double-line borders, some rubrics, and attributions in red ink.

DIAMM, 2017
Index

Original index on verso of unnumbered flyleaf at beginning lists all pieces in order of appearance (one piece listed out of order)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 Magnificats, 1 canticle, 2 psalms, 3 motets = 23

R. Ceballos-4, Morales-16, Rogier-1, anon-2

i + 125 paper folios, 585 x 430. Original ink foliation, 1-123 (omits one folio between ff. 119/120; last two folios both numbered "123"). Original covers of dark brown leather on boards, tooled in gold with ornamental designs. Original index on verso of unnumbered flyleaf at beginning lists all pieces in order of appearance (one piece listed out of order). Scribal concordances with MontsM 750, NYorkH 278, and NYorkH 861 (Charles Manns). Staff height 28. Large plain inked initials in black or red; one painted initial (f. 1'). Double-line borders, some rubrics, and attributions in red ink.

1608 (date at end of index). Copied at the Escorial (Charles Manns). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society ca. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–7r Magnificat primi toni: Anima Mea [K.914] morales
Appears on: 1v–7r
Genres: BVM, Canticle, Magnificat
Source Attribution: morales
7v–13r Magnificat secundi toni: Anima mea [K.915] Morales
Appears on: 7v–13r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
13v–19r Magnificat tertii toni: Anima mea [K.916] morales
Appears on: 13v–19r
Genres: BVM, Canticle, Magnificat
Source Attribution: morales
19v–25r Magnificat quarti toni: Anima mea [K.917] morales
Appears on: 19v–25r
Genres: BVM, Canticle, Magnificat
Source Attribution: morales
25v–32r Magnificat quinti toni: Anima mea [K.918] Morales
Appears on: 25v–32r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
32v–38r Magnificat sexti toni: Anima mea [K.919] Morales
Appears on: 32v–38r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
38v–44r Magnificat septimi toni: Anima mea [K.920] Morales
Appears on: 38v–44r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
44v–50r Magnificat octavi toni: Anima mea [K.921] Morales
Appears on: 44v–50r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
50v–57r Magnificat primi toni: Et exultavit [K.914] Morales
Appears on: 50v–57r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
57v–64r Magnificat secundi toni: Et exultavit [K.915] Morales
Appears on: 57v–64r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
64v–71r Magnificat tertii toni: Et exultavit [K.916] Morales
Appears on: 64v–71r
Source Attribution: Morales
71v–77r Magnificat quarti toni: Et exultavit [K.917] Morales
Appears on: 71v–77r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
77v–84r Magnificat quinti toni: Et exultavit [K.918] Morales
Appears on: 77v–84r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
84v–91r Magnificat sexti toni: Et exultavit [K.919] Morales
Appears on: 84v–91r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
91v–98r Magnificat septimi toni: Et exultavit [K.920] Morales
Appears on: 91v–98r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
98v–105r Magnificat octavi toni: Et exultavit [K.921] Morales
Appears on: 98v–105r
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
105v–108r Magnificat (Anima mea) - -
Appears on: 105v–108r
Genres: Magnificat
109v–117r Qui habitat zaballos
Appears on: 109v–117r
Genres: Motet
Source Attribution: zaballos
116v–118r Ecce nunc (4vv) Zaballos
Appears on: 116v–118r
Genres: Motet
Source Attribution: Zaballos
118v–119br Nunc dimittis zaballos
Appears on: 118v–119br
Genres: Motet
Source Attribution: zaballos
119bv–121r In manus tuas Zaballos
Appears on: 119bv–121r
Genres: Motet
Source Attribution: Zaballos
121v–122r Custodi nos -
Appears on: 121v–122r
Genres: Motet
122v–123r Salva nos philippe Rogier
Appears on: 122v–123r
Genres: Motet
Source Attribution: philippe Rogier
123v–123br (Lumen) Ad revelationem - Anonymous
Appears on: 123v–123br
Genres: Motet
General Note

In festo purificationis B. Mariae virginis. Inter distribuendas candelas.

Composition Composers (? Uncertain) Folios / Pages
(Lumen) Ad revelationem Anonymous 123v–123br
Custodi nos 121v–122r
Ecce nunc (4vv) 116v–118r
In manus tuas 119bv–121r
Magnificat (Anima mea) - 105v–108r
Magnificat octavi toni: Anima mea [K.921] 44v–50r
Magnificat octavi toni: Et exultavit [K.921] 98v–105r
Magnificat primi toni: Anima Mea [K.914] 1v–7r
Magnificat primi toni: Et exultavit [K.914] 50v–57r
Magnificat quarti toni: Anima mea [K.917] 19v–25r
Magnificat quarti toni: Et exultavit [K.917] 71v–77r
Magnificat quinti toni: Anima mea [K.918] 25v–32r
Magnificat quinti toni: Et exultavit [K.918] 77v–84r
Magnificat secundi toni: Anima mea [K.915] 7v–13r
Magnificat secundi toni: Et exultavit [K.915] 57v–64r
Magnificat septimi toni: Anima mea [K.920] 38v–44r
Magnificat septimi toni: Et exultavit [K.920] 91v–98r
Magnificat sexti toni: Anima mea [K.919] 32v–38r
Magnificat sexti toni: Et exultavit [K.919] 84v–91r
Magnificat tertii toni: Anima mea [K.916] 13v–19r
Magnificat tertii toni: Et exultavit [K.916] 64v–71r
Nunc dimittis 118v–119br
Qui habitat 109v–117r
Salva nos 122v–123r

denotes primary source study

Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.278-282.

Kirk, D. 1993. Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms. Mus. 1. McGill University, PhD. Pages: 54, 63, 83-5, 89, 105-6.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.

Fillingham, D. 1980. Fray Martín de Villanueva and music at El Escorial. Brandeis University, BA thesis.

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography.  Detroit. Pages: 31, 73-5. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 748-9. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 171-2. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 151. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 128, 306. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XVII, 49-50. Notes: physical description; contents list.

Penney, Clara Louisa. 1904-1954. A History of The Hispanic Society of America Museum and Library 1904-1954, with a Survey of the Collections.  New York. Pages: 380, 392. Notes: mention of MS; facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description