Scribal concordance with NYorkH 871 (Charles Manns). Copied at the Escorial (Charles Manns), possibly by Fray Pedro de Estremera. Inventoried at the collegial church of San Pedro, Lerma, in 1632 (KirkChur p.220). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society c. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.
US-NYhsa **HC 380/869
Hispanic Society Library, New York, United States
manuscript of polyphony: before 1632
| Archive | Hispanic Society Library, New York, United States (US-NYhsa) |
|---|---|
| Shelfmark | **HC 380/869 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 580 x 410 mm |
| Other Identifiers |
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| Contents | Contains 16 compositions from 1 composer. |
General Description
Binding
Original covers of leather on boards, tooled in gold with two eagles and other ornamental designs.
Notation
black void mensural
Ruling
Staff height 29
Foliation
Original irregular foliation.
Decoration
Some text in red ink.
Index
Original index.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
16 Magnificats
Morales-16
107 paper folios, 590 x 410. Original foliation, irregular. Original covers of leather on boards, tooled in gold with two eagles and other ornamental designs. Original index. Scribal concordance with NYorkH 871 (Charles Manns). Staff height 28. Some text in red ink.
Early 17th century. Copied at the Escorial (Charles Manns). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society ca. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.
The inventory could not be loaded.
‡ denotes primary source study
‡ Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, 17: p.278-282.
Kirk, D. 1993. Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms. Mus. 1. McGill University, PhD. Pages: 54, 63, 83-4, 89-90, 105, 220.
Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 748-9. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 171-2. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 151-2. Notes: contents list; concordances; incipits.
Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271. Notes: contents list (partial); concordances (partial).
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 128. Notes: physical description; contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description