US-NYhsa **HC 380/869

Hispanic Society Library, New York, United States

manuscript of polyphony: before 1632

Archive	Hispanic Society Library, New York, United States (US-NYhsa)
Shelfmark	**HC 380/869
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	580 x 410 mm
Other Identifiers	CCM: NYorkH 869
Notations	black void mensural
Copyists	? Estremera, Pedro de (–1632) Music
Relationships	Palace and Monastery of El Escorial (copied at) Olmeda de San Jose, Federico (1865–1909) (owner) The Hispanic Society (owner) Hiersemann Antiquariat (owner) Church of San Pedro, Lerma (owner)
Provenance	Palace and Monastery of El Escorial , San Lorenzo de El Escorial, Spain
Contents	Contains 16 compositions from 1 composer.

General Description

Scribal concordance with NYorkH 871 (Charles Manns). Copied at the Escorial (Charles Manns), possibly by Fray Pedro de Estremera. Inventoried at the collegial church of San Pedro, Lerma, in 1632 (KirkChur p.220). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society c. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

DIAMM, 2017

Binding

Original covers of leather on boards, tooled in gold with two eagles and other ornamental designs.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 29

DIAMM, 2017

Foliation

Original irregular foliation.

DIAMM, 2017

Decoration

Some text in red ink.

DIAMM, 2017

Index

Original index.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

16 Magnificats

Morales-16

107 paper folios, 590 x 410. Original foliation, irregular. Original covers of leather on boards, tooled in gold with two eagles and other ornamental designs. Original index. Scribal concordance with NYorkH 871 (Charles Manns). Staff height 28. Some text in red ink.

Early 17th century. Copied at the Escorial (Charles Manns). Once owned by Federico Olmeda de San José (1865-1909) of Burgos, a Spanish organist, historian, and bibliophile; acquired by The Hispanic Society ca. 1910 at Hiersemann Antiquariat sale of items from Olmeda's library.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1v–7r	Magnificat primi toni: Anima Mea [K.914]	4	Christophori morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v–7r Genres: BVM, Canticle, Magnificat Source Attribution: Christophori morales Number of voices: 4
7v–14r	Magnificat secundi toni: Anima mea [K.915]	4/5	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Anima mea [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 7v–14r Genres: BVM, Canticle, Magnificat Source Attribution: Morales Number of voices: 4/5
14v–20r	Magnificat tertii toni: Anima mea [K.916]	4	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Anima mea [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 14v–20r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
20v–26r	Magnificat quarti toni: Anima mea [K.917]	4	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Anima mea [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 20v–26r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
26v–32r	Magnificat quinti toni: Anima mea [K.918]	-	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Anima mea [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 26v–32r Genres: BVM, Canticle, Magnificat Source Attribution: morales
32v–38r	Magnificat sexti toni: Anima mea [K.919]	4	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Anima mea [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 32v–38r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
38v–44r	Magnificat septimi toni: Anima mea [K.920]	4	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Anima mea [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 38v–44r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
44v–50r	Magnificat octavi toni: Anima mea [K.921]	4	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Anima mea [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 44v–50r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4
50v–57r	Magnificat primi toni: Et exultavit [K.914]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 50v–57r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6
57v–64r	Magnificat secundi toni: Et exultavit [K.915]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat secundi toni: Et exultavit [K.915] Morales, Cristóbal de (ca. 1500–1553) Appears on: 57v–64r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6
64v–71r	Magnificat tertii toni: Et exultavit [K.916]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Et exultavit [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 64v–71r Source Attribution: morales Number of voices: 4/6
71v–77r	Magnificat quarti toni: Et exultavit [K.917]	4/5	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quarti toni: Et exultavit [K.917] Morales, Cristóbal de (ca. 1500–1553) Appears on: 71v–77r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/5
77v–84r	Magnificat quinti toni: Et exultavit [K.918]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat quinti toni: Et exultavit [K.918] Morales, Cristóbal de (ca. 1500–1553) Appears on: 77v–84r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6
84v–93r	Magnificat sexti toni: Et exultavit [K.919]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat sexti toni: Et exultavit [K.919] Morales, Cristóbal de (ca. 1500–1553) Appears on: 84v–93r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6
93v–100r	Magnificat septimi toni: Et exultavit [K.920]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat septimi toni: Et exultavit [K.920] Morales, Cristóbal de (ca. 1500–1553) Appears on: 93v–100r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6
100v–107r	Magnificat octavi toni: Et exultavit [K.921]	4/6	morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat octavi toni: Et exultavit [K.921] Morales, Cristóbal de (ca. 1500–1553) Appears on: 100v–107r Genres: BVM, Canticle, Magnificat Source Attribution: morales Number of voices: 4/6

Composer	Compositions
Morales, Cristóbal de (ca. 1500-1553)	Magnificat octavi toni: Anima mea [K.921] – 44v–50r Magnificat octavi toni: Et exultavit [K.921] – 100v–107r Magnificat primi toni: Anima Mea [K.914] – 1v–7r Magnificat primi toni: Et exultavit [K.914] – 50v–57r Magnificat quarti toni: Anima mea [K.917] – 20v–26r Magnificat quarti toni: Et exultavit [K.917] – 71v–77r Magnificat quinti toni: Anima mea [K.918] – 26v–32r Magnificat quinti toni: Et exultavit [K.918] – 77v–84r Magnificat secundi toni: Anima mea [K.915] – 7v–14r Magnificat secundi toni: Et exultavit [K.915] – 57v–64r Magnificat septimi toni: Anima mea [K.920] – 38v–44r Magnificat septimi toni: Et exultavit [K.920] – 93v–100r Magnificat sexti toni: Anima mea [K.919] – 32v–38r Magnificat sexti toni: Et exultavit [K.919] – 84v–93r Magnificat tertii toni: Anima mea [K.916] – 14v–20r Magnificat tertii toni: Et exultavit [K.916] – 64v–71r

Composer

Compositions

Morales, Cristóbal de (ca. 1500-1553)

Magnificat octavi toni: Anima mea [K.921] – 44v–50r
Magnificat octavi toni: Et exultavit [K.921] – 100v–107r
Magnificat primi toni: Anima Mea [K.914] – 1v–7r
Magnificat primi toni: Et exultavit [K.914] – 50v–57r
Magnificat quarti toni: Anima mea [K.917] – 20v–26r
Magnificat quarti toni: Et exultavit [K.917] – 71v–77r
Magnificat quinti toni: Anima mea [K.918] – 26v–32r
Magnificat quinti toni: Et exultavit [K.918] – 77v–84r
Magnificat secundi toni: Anima mea [K.915] – 7v–14r
Magnificat secundi toni: Et exultavit [K.915] – 57v–64r
Magnificat septimi toni: Anima mea [K.920] – 38v–44r
Magnificat septimi toni: Et exultavit [K.920] – 93v–100r
Magnificat sexti toni: Anima mea [K.919] – 32v–38r
Magnificat sexti toni: Et exultavit [K.919] – 84v–93r
Magnificat tertii toni: Anima mea [K.916] – 14v–20r
Magnificat tertii toni: Et exultavit [K.916] – 64v–71r

Composition	Composers (? Uncertain)	Folios / Pages
Magnificat octavi toni: Anima mea [K.921]	Morales, Cristóbal de (ca. 1500–1553)	44v–50r
Magnificat octavi toni: Et exultavit [K.921]	Morales, Cristóbal de (ca. 1500–1553)	100v–107r
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	1v–7r
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	50v–57r
Magnificat quarti toni: Anima mea [K.917]	Morales, Cristóbal de (ca. 1500–1553)	20v–26r
Magnificat quarti toni: Et exultavit [K.917]	Morales, Cristóbal de (ca. 1500–1553)	71v–77r
Magnificat quinti toni: Anima mea [K.918]	Morales, Cristóbal de (ca. 1500–1553)	26v–32r
Magnificat quinti toni: Et exultavit [K.918]	Morales, Cristóbal de (ca. 1500–1553)	77v–84r
Magnificat secundi toni: Anima mea [K.915]	Morales, Cristóbal de (ca. 1500–1553)	7v–14r
Magnificat secundi toni: Et exultavit [K.915]	Morales, Cristóbal de (ca. 1500–1553)	57v–64r
Magnificat septimi toni: Anima mea [K.920]	Morales, Cristóbal de (ca. 1500–1553)	38v–44r
Magnificat septimi toni: Et exultavit [K.920]	Morales, Cristóbal de (ca. 1500–1553)	93v–100r
Magnificat sexti toni: Anima mea [K.919]	Morales, Cristóbal de (ca. 1500–1553)	32v–38r
Magnificat sexti toni: Et exultavit [K.919]	Morales, Cristóbal de (ca. 1500–1553)	84v–93r
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	14v–20r
Magnificat tertii toni: Et exultavit [K.916]	Morales, Cristóbal de (ca. 1500–1553)	64v–71r

‡ denotes primary source study

‡ Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, 17: p.278-282.

Kirk, D. 1993. Churching the Shawms in Renaissance Spain: Lerma, Archivo de San Pedro Ms. Mus. 1. McGill University, PhD. Pages: 54, 63, 83-4, 89-90, 105, 220.

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 748-9. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 171-2. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 151-2. Notes: contents list; concordances; incipits.

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 128. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description