D-Nla Fenitzer IV. 224 2°

Landeskirchliches Archiv, Nürnberg (Nuremberg), Germany

manuscript of polyphony: 1577-8

Archive Landeskirchliches Archiv, Nürnberg (Nuremberg), Germany (D-Nla)
Shelfmark Fenitzer IV. 224 2°
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 492 x 351 mm
Other Identifiers
  • CCM: NurLA 224
Notations
  • black void mensural
Copyists
Relationships
External Authorities
Provenance
Contents 61 pieces from 7 composers
General Description

Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820B, NurGN 8820Q, NurLA 28, NurLA 33, and other manuscripts not within scope of this catalogue (see RubIC and ButlerLM for discussion of complex). Variant script on some folios possibly a different form of Lindner's hand, or may be work of second, unidentified scribe (ButlerLM). Magnificat at end of manuscript incorporates several German sacred pieces for Christmas. Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Moved in 17th century to library of Jacob Fenitzer, a Nuremberg cutler; later housed in Lorenzkirche. Transferred at an unknown time to Nuremberg Stadtbibliothek, then to Landeskirchliches Archiv.

DIAMM, 2017
Physical Description

One original folio missing at end.

DIAMM, 2017
Binding

Original covers of light brown tooled leather over wooden boards, with brass clasps, edges, and bosses; white spine, restored. Front covers stamped with letter 'M' and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe

DIAMM, 2017
Watermark

Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1577-8 (RubIC).

DIAMM, 2017
Foliation

New pencil foliation, 1-25; 25a; 26-30; 30a-d; 31-69; 69a; 70-279; 279a-b; 280-306.

DIAMM, 2017
Foliation

Other numberings: Modern pencil numbering of pieces or groups of pieces, 1-28. Blank folios: 18', 25a, 30a, 30b, 30c, 30d, 40', 53', 69'-69a, 80', 100', 226', 279'-279a, 279b-279b'

DIAMM, 2017
Decoration

Plain block initials, voice designations, rubrics, and some text in red ink.

DIAMM, 2017
Index

Original index on f. 1 lists all pieces except two Magnificats, in order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 18 Magnificats, 22 psalms, 7 hymns, 5 motets, 4 Invitatories, 2 Deo gratias, 1 Amen, 1 set (6 items) of responses = 61

Hähnel [Gall:]-1, Lassus-16, Morales-1, (Resinarius)-1, Riccio-1, (Walter)-1, anon-40

i + 314 + i paper folios, 492 x 351. One original folio missing at end. New pencil foliation, 1-25; 25a; 26-30; 30a-d; 31-69; 69a; 70-279; 279a-b; 280-306. Modern pencil numbering of pieces or groups of pieces, 1-28. Blank folios: 18', 25a, 30a, 30b, 30c, 30d, 40', 53', 69'-69a, 80', 100', 226', 279'-279a, 279b-279b'; blank staves only on ff. 25', 30', 30a', 30b', 30c'. Original covers of light brown tooled leather over wooden boards, with brass clasps, edges, and bosses; white spine, restored. Front covers stamped with letter "M" and medallion incorporating arms of city of Nuremberg and arms of Paumgartner family. Back covers stamped with representation of St. Egidien ministering to a wounded roe. Original index on f. 1 lists all pieces except two Magnificats, in order of appearance.

Copied by Friedrich Lindner, who also wrote BerlDS 40023, NurGN 8820B, NurGN 8820Q, NurLA 28, NurLA 33, and other manuscripts not within scope of this catalogue (see RubIC and ButlerLM for discussion of complex). Variant script on some folios possibly a different form of Lindner's hand, or may be work of second, unidentified scribe (ButlerLM). Plain block initials, voice designations, rubrics, and some text in red ink. Watermark: Nuremberg shield surmounted by coronet (generally resembles Briquet #916ff). Magnificat at end of manuscript incorporates several German sacred pieces for Christmas.

1577-8 (RubIC). Copied in Nuremberg, for use at the Church of St. Egidien. Commissioned by Nuremberg city council; prepared under direction of Friedrich Lindner (ca. 1542-1597), cantor at St. Egidien, and Hieronymus Paumgartner, Jr., council administrator for church affairs. Moved in 17th century to library of Jacob Fenitzer, a Nuremberg cutler; later housed in Lorenzkirche. Transferred at an unknown time to Nuremberg Stadtbibliothek, then to Landeskirchliches Archiv.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Deus in adjutorium (6vv) - Anonymous
Appears on: (1)
Genres: Response
(2) Missa Paschale: Kyrie Gall:
Appears on: (2)
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Gall:
(3) Amen - Anonymous

Amen

Anonymous
Appears on: (3)
Genres: Response
(4) Deus in adjutorium (falsobordone) - Anonymous
Appears on: (4)
Genres: Fauxbourdon/faburden, Response
(5) Deus in adjutorium (5vv) Riccio
Appears on: (5)
Genres: Response
Source Attribution: Riccio
(6) Deus in adjutorium - Anonymous

Deus in adjutorium

Anonymous
Appears on: (6)
Genres: Response
(7) Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: (7)
Genres: Benedicamus Domino
(8) Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: (8)
Genres: Benedicamus Domino
(9a) Coeli enarrant gloriam Dei (falsobordone, t.1) - Anonymous
Appears on: (9a)
Genres: Fauxbourdon/faburden, Psalm
(9b) Domine Dominus noster (falsobordone, t.1) - Anonymous
Appears on: (9b)
Genres: Fauxbourdon/faburden, Psalm
(9c) Confitebor tibi Domine (falsobordone, t.2) - Anonymous
Appears on: (9c)
Genres: Fauxbourdon/faburden, Psalm
(9d) Deus judicium tuum (falsobordone, t.3) - Anonymous
Appears on: (9d)
Genres: Fauxbourdon/faburden, Psalm
(9e) Credidi propter quod locutus sum (falsobordone, t.3) - Anonymous
Appears on: (9e)
Genres: Fauxbourdon/faburden, Psalm
(9f) De profundis clamavi (falsobordone, t.4) - Anonymous
Appears on: (9f)
Genres: Fauxbourdon/faburden, Psalm
(9g) Laetatus sum (falsobordone, t. 4) - Anonymous
Appears on: (9g)
Genres: Fauxbourdon/faburden, Psalm
(9h) Deus Deorum Dominus locutus est (falsobordone, t.4) - Anonymous
Appears on: (9h)
Genres: Fauxbourdon/faburden, Psalm
(9i) Beatus vir qui timet Dominum (falsobordone, t.4) - Anonymous
Appears on: (9i)
Genres: Fauxbourdon/faburden, Psalm
(9j) In te Domine speravi (falsobordone, t.4) - Anonymous
Appears on: (9j)
Genres: Fauxbourdon/faburden, Psalm
(9k) Lauda anima mea Dominum (falsobordone, t.6) - Anonymous
Appears on: (9k)
Genres: Fauxbourdon/faburden, Psalm
(9l) Exaudi Deus deprecationem meam (falsobordone, t.6) - Anonymous
Appears on: (9l)
Genres: Fauxbourdon/faburden, Psalm
(9m) Deus misereatur nostri (falsobordone, t.6) - Anonymous
Appears on: (9m)
Genres: Fauxbourdon/faburden, Psalm
(9o) Dixit Dominus Domino meo (falsobordone, t.7) - Anonymous
Appears on: (9o)
Genres: Fauxbourdon/faburden, Psalm
(9p) Omnes gentes plaudite (falsobordone, t.7) - Anonymous
Appears on: (9p)
Genres: Fauxbourdon/faburden, Psalm
(9q) Quam dilecta tabernacula tua Domine (falsobordone, t.7) - Anonymous
Appears on: (9q)
Genres: Fauxbourdon/faburden, Psalm
(9r) Laudate pueri Dominum (falsobordone, t.8) - Anonymous
Appears on: (9r)
Genres: Fauxbourdon/faburden, Psalm
(9s) Memento Domine David (falsobordone, t.8) - Anonymous
Appears on: (9s)
Genres: Fauxbourdon/faburden, Psalm
(9t) Domine quid multiplicati (falsobordone, t.8) - Anonymous
Appears on: (9t)
Genres: Fauxbourdon/faburden, Psalm
(9w) Laudate Dominum quoniam bonus est psalmus (falsobordone, t.7) - Anonymous
Appears on: (9w)
Genres: Fauxbourdon/faburden, Psalm
(10) Miserere mei Deus (falsobordone) - Anonymous
Appears on: (10)
Genres: Fauxbourdon/faburden, Psalm
(11) Miserere mei Deus (falsobordone) In exitu Israel (falsobordone, tonus peregrinus) - Anonymous
Appears on: (11)
Genres: Fauxbourdon/faburden, Psalm
(12) Judaea et Jerusalem nolite timere - Anonymous
Appears on: (12)
Genres: Responsory
(13) Verbum caro factum est [V & Rep only] - Anonymous
Appears on: (13)
Genres: Responsory
(14) [Fuerunt sine querela] Calicem Domini biberunt - Anonymous
Appears on: (14)
Genres: Responsory
(15) [Dum transisset Sabbatum] Ut venientes ungerent Jesum - Anonymous
Appears on: (15)
Genres: Responsory
(16) Vita sanctorum decus angelorum - Anonymous
Appears on: (16)
Genres: Responsory
General Note

(different from no. 20)

(17) Aparuerunt apostolis disperditae linguae II: Seditque supra singulos eorum spiritus III: Loquebantur variis linguis apostoli (anon)
Appears on: (17)
Genres: Motet
Source Attribution: (anon)
(18) A solis ortus cardine - Anonymous
Appears on: (18)
Genres: Responsory
(19) Christe qui lux es et dies - Anonymous
Appears on: (19)
Genres: Responsory
(20) Vita sanctorum decus angelorum - Anonymous
Appears on: (20)
Genres: Responsory
General Note

(different from no. 16)

(21) Aperiatur terra (responses to Vesper versicles) - Anonymous
Appears on: (21)
Genres: Response
(22) O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli (anon)
Appears on: (22)
Genres: Motet
Source Attribution: (anon)
(23) Veni redemptor gentium - Anonymous
Appears on: (23)
Genres: Responsory
(24) Rex Christe factor omnium (stanzas 2 & 6 only) - Anonymous
Appears on: (24)
Genres: Responsory
101v Magnificat primi toni (5vv): Et exultavit [NR 9] -
Appears on: 101v
Genres: BVM, Canticle, Magnificat
(25b) Magnificat secundi toni (5vv): Et exultavit [NR 10] -
Appears on: (25b)
Genres: BVM, Canticle, Magnificat
(25v) Magnificat tertii toni (5vv): Et exultavit [NR 11] -
Appears on: (25v)
Genres: BVM, Canticle, Magnificat
(25d) Magnificat quarti toni (5vv): Et exultavit [NR 12] -
Appears on: (25d)
Genres: BVM, Canticle, Magnificat
(25e) Magnificat quinti toni (5vv): Et exultavit [NR 13] -
Appears on: (25e)
Genres: BVM, Canticle, Magnificat
(25f) Magnificat sexti toni (5vv): Et exultavit [NR 14] -
Appears on: (25f)
Genres: BVM, Canticle, Magnificat
(25g) Magnificat septimi toni (5vv): Et exultavit [NR 15] -
Appears on: (25g)
Genres: BVM, Canticle, Magnificat
(25h) Magnificat octavi toni (5vv): Et exultavit [NR 16] -
Appears on: (25h)
Genres: BVM, Canticle, Magnificat
223v Magnificat primi toni (4vv) [NR 17] Lassus
Appears on: 223v
Genres: BVM, Canticle, Magnificat
Source Attribution: Lassus
(26b) Magnificat secundi toni (4vv) [NR 18] -
Appears on: (26b)
Genres: BVM, Canticle, Magnificat
(26c) Magnificat tertii toni (4vv) [NR 19] -
Appears on: (26c)
Genres: BVM, Canticle, Magnificat
(26d) Magnificat quarti toni (4vv) [NR 20] -
Appears on: (26d)
Genres: BVM, Canticle, Magnificat
(26e) Magnificat quinti toni (4vv) [NR 21] -
Appears on: (26e)
Genres: BVM, Canticle, Magnificat
(26f) Magnificat sexti toni (4vv) [NR 22] -
Appears on: (26f)
Genres: BVM, Canticle, Magnificat
(26g) Magnificat septimi toni (4vv) [NR 23] -
Appears on: (26g)
Genres: BVM, Canticle, Magnificat
(26h) Magnificat octavi toni (4vv) [NR 24] -
Appears on: (26h)
Genres: BVM, Canticle, Magnificat
279a v–290 Magnificat octavi toni: Anima mea [K.921] Morales
Appears on: 279a v–290
Genres: BVM, Canticle, Magnificat
Source Attribution: Morales
290v–306v Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] - Anonymous
Appears on: 290v–306v
Genres: BVM, Canticle, Magnificat
Composer Compositions
Anonymous
Galliculus, Johannes
Lassus, Orlande de (ca. 1532–1594)
Morales, Cristóbal de (ca. 1500–1553)
Resinarius, Balthasar
Riccio, Teodoro
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
[Dum transisset Sabbatum] Ut venientes ungerent Jesum Anonymous (15)
[Fuerunt sine querela] Calicem Domini biberunt Anonymous (14)
A solis ortus cardine Anonymous (18)
Amen Anonymous (3)
Aparuerunt apostolis disperditae linguae II: Seditque supra singulos eorum spiritus III: Loquebantur variis linguis apostoli (17)
Aperiatur terra (responses to Vesper versicles) Anonymous (21)
Beatus vir qui timet Dominum (falsobordone, t.4) Anonymous (9i)
Benedicamus Domino Anonymous (7)
Benedicamus Domino Anonymous (8)
Christe qui lux es et dies Anonymous (19)
Coeli enarrant gloriam Dei (falsobordone, t.1) Anonymous (9a)
Confitebor tibi Domine (falsobordone, t.2) Anonymous (9c)
Credidi propter quod locutus sum (falsobordone, t.3) Anonymous (9e)
De profundis clamavi (falsobordone, t.4) Anonymous (9f)
Deus Deorum Dominus locutus est (falsobordone, t.4) Anonymous (9h)
Deus in adjutorium Anonymous (6)
Deus in adjutorium (5vv) (5)
Deus in adjutorium (6vv) Anonymous (1)
Deus in adjutorium (falsobordone) Anonymous (4)
Deus judicium tuum (falsobordone, t.3) Anonymous (9d)
Deus misereatur nostri (falsobordone, t.6) Anonymous (9m)
Dixit Dominus Domino meo (falsobordone, t.7) Anonymous (9o)
Domine Dominus noster (falsobordone, t.1) Anonymous (9b)
Domine quid multiplicati (falsobordone, t.8) Anonymous (9t)
Exaudi Deus deprecationem meam (falsobordone, t.6) Anonymous (9l)
In te Domine speravi (falsobordone, t.4) Anonymous (9j)
Judaea et Jerusalem nolite timere Anonymous (12)
Laetatus sum (falsobordone, t. 4) Anonymous (9g)
Lauda anima mea Dominum (falsobordone, t.6) Anonymous (9k)
Laudate Dominum quoniam bonus est psalmus (falsobordone, t.7) Anonymous (9w)
Laudate pueri Dominum (falsobordone, t.8) Anonymous (9r)
Magnificat octavi toni (4vv) [NR 24] (26h)
Magnificat octavi toni (5vv): Et exultavit [NR 16] (25h)
Magnificat octavi toni: Anima mea [K.921] 279a v–290
Magnificat primi toni (4vv) [NR 17] 223v
Magnificat primi toni (5vv): Et exultavit [NR 9] 101v
Magnificat quarti toni (4vv) [NR 20] (26d)
Magnificat quarti toni (5vv): Et exultavit [NR 12] (25d)
Magnificat quinti toni (4vv) [NR 21] (26e)
Magnificat quinti toni (5vv): Et exultavit [NR 13] (25e)
Magnificat secundi toni (4vv) [NR 18] (26b)
Magnificat secundi toni (5vv): Et exultavit [NR 10] (25b)
Magnificat septimi toni (4vv) [NR 23] (26g)
Magnificat septimi toni (5vv): Et exultavit [NR 15] (25g)
Magnificat sexti toni (4vv) [NR 22] (26f)
Magnificat sexti toni (5vv): Et exultavit [NR 14] (25f)
Magnificat sexti toni: Et exultavit [K.327] [with: In dulci jubilo; O Maria reine Magd; Hodie apparui; Joseph, lieber Joseph mein] Anonymous 290v–306v
Magnificat tertii toni (4vv) [NR 19] (26c)
Magnificat tertii toni (5vv): Et exultavit [NR 11] (25v)
Memento Domine David (falsobordone, t.8) Anonymous (9s)
Miserere mei Deus (falsobordone) Anonymous (10)
Miserere mei Deus (falsobordone) In exitu Israel (falsobordone, tonus peregrinus) Anonymous (11)
Missa Paschale: Kyrie (2)
O lux beata trinitas et principalis 3 Deo patri sit gloria eiusque soli (22)
Omnes gentes plaudite (falsobordone, t.7) Anonymous (9p)
Quam dilecta tabernacula tua Domine (falsobordone, t.7) Anonymous (9q)
Rex Christe factor omnium (stanzas 2 & 6 only) Anonymous (24)
Veni redemptor gentium Anonymous (23)
Verbum caro factum est [V & Rep only] Anonymous (13)
Vita sanctorum decus angelorum Anonymous (16)
Vita sanctorum decus angelorum Anonymous (20)

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 432. Notes: contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 660-73, 737, 825, 871, 885ff. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 152. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271ff. Notes: contents list (partial); concordances (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 211. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 832. Notes: mention of MS.

Rubsamen, Walter H. 1957. The International 'Catholic' Repertoire of a Lutheran Church in Nürnberg (1574-1597). Annales Musicologiques, 229-327. Notes: physical description; contents list; concordances; mention of MS; discussion.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XIII,xxxii-xxxiii. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description