D-Mbs Mus. MS 13

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: After 1552

Archive Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark Mus. MS 13
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 510 x 365 mm
Other Identifiers
  • CCM: MunBS 13
  • olim (Former shelfmark): H.C. 8; MaiM 126
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Germany
Contents Contains 27 compositions, 26 from 9 composers, 1 is anonymous.
General Description

Ff. 3'-25 and ff. 59'-108 probably copied by Ludwig Daser; ff. 27'-58 and ff. 129'-212 possibly copied by Peter Steydl; motet on ff. 111'-127 copied by unidentified scribe. Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79).

DIAMM, 2017
Physical Description

Some folios damaged by ink corrosion, but most music still legible

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW)

DIAMM, 2017
Watermark

coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

After 1552 (BenteNW)

DIAMM, 2017
Foliation

Modern pencil foliation, 1-212, by J. J. Maier.

DIAMM, 2017
Foliation

Other numberings: Modern numbering of pieces, 1-16.

DIAMM, 2017
Decoration

Inked calligraphic initials on ff. 111'-112; no other decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Passion, 15 motets = 16

Bhoris-1, Clemens non Papa-5, Clemens non Papa/(Crecquillon)-2, Daser-4, (Longaval/Obrecht/Venture)-1, (Senfl)-1, anon-2

212 paper folios, 510 x 365. Some folios damaged by ink corrosion, but most music still legible. Modern pencil foliation, 1-212, by J. J. Maier. Modern numbering of pieces, 1-16. Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW). No index. Ff. 3'-25 and ff. 59'-108 probably copied by Ludwig Daser; ff. 27'-58 and ff. 129'-212 possibly copied by Peter Steydl (see general index for other manuscripts copied by the same scribes); motet on ff. 111'-127 copied by unidentified scribe. Inked calligraphic initials on ff. 111'-112; no other decoration. Watermark is coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

After 1552 (BenteNW). Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 752-3. Notes: contents list (partial); concordances (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26: 84-108. Notes: contents list (partial); concordances (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 320-1. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 30: 275-310. Pages: 299. Notes: contents list (partial); concordances (partial).

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 325. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 182-4, 228, passim. Notes: physical description; contents list; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2.  Wiesbaden. Pages: 76. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 25 & 27: 273-324:(XXV)253-82:(XXVII). Pages: XXV, 306. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1.  Wiesbaden. Pages: 20. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 18: 85-150. Pages: 122-31. Notes: contents list (partial); concordances (partial).

Schmidt, Günther. 1960. Grundsätzliche Bemerkungen zur Geschichte der Passionshistorie. Archiv für Musikwissenschaft, 17: 100-25. Pages: 103. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1956. Das Opus musicum des Jacob Praetorius von 1566. Acta Musicologica, 28: 96-121. Pages: 113. Notes: contents list (partial); concordances (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 88. Notes: physical description; contents list; concordances (partial).

Moorefield, Arthur Albert. None. An Introduction to Johannes Galliculus. Musicological Studies, vol. 18.  Brooklyn. Pages: 117. Notes: contents list (partial).

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Edward Tambling

Saturday, 4 June, 2022

Confiteor deo patri identified as by Maistre Jhan, confirmed in RISM 1549/3

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description