E-MO MS 771

Monasterio de S Maria, Montserrat, Spain

manuscript of polyphony: c. 1540

Archive Monasterio de S Maria, Montserrat, Spain (E-MO)
Shelfmark MS 771
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 550 x 385 mm
Other Identifiers
  • CCM: MontsM 771
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents Contains 20 compositions from 7 composers.
General Description

Copied by a single scribe ('Mary of Hungary's scribe' (GGTMontserrat)), who also wrote MontsM 769, MontsM 776, and ff. 66'-90 of MontsM 765. Copied in Brussels, at the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain), Regent of the Netherlands 1531-55. Subsequent history same as for MontsM 765; manuscript listed as #38 in both inventories of Philip II's books.

DIAMM, 2017
Binding

Rebound in new covers, but original brown leather spine preserved.

DIAMM, 2017
Watermark

Letter 'P' with '4' & four-petalled flower, not in Briquet.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 20

DIAMM, 2017
Foliation

New pencil foliation, 1-158

DIAMM, 2017
Decoration

Spaces left for large initials, but none added. Voice part names written vertically in red ink

DIAMM, 2019
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses

Appenzeller [Benedictus]-2, Gascongne-1, Hesdin-1, Lupi-1, Moulu-1, Verelst-1, anon-1

158 paper folios, 550 x 385. New pencil foliation, 1-158. Blank folios: 1, 28'-29, 52'-53, 72'-73, 95'-96, 114'-115, 130'-131, 143'-144, 158'. Rebound in new covers, but original brown leather spine preserved. No index. Copied by a single scribe, who also wrote MontsM 769, MontsM 776, and ff. 66'-90 of MontsM 765. Staff height 20. Titles in red and black ink; space left for decorative initials, but initials never added. Watermark (letter "P" with four-petalled flower) not in Briquet.

Ca. 1540. Copied in Brussels, at the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain), Regent of the Netherlands 1531-55. Subsequent history same as for MontsM 765; manuscript listed as #38 in both inventories of Philip II's books.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Thompson, Glenda Goss. 1988. Spanish-Netherlandish Musical Relationships in the Sixteenth Century: Mary of Hungary's Manuscripts at Montserrat. '. Musique des Pays-Bas anciens. Musique espagnole ancienne (+/-1450 -- +/- 1650), Colloquia Europalia III. 69-113. Louvain. Notes: physical description (partial), contents list; concordances (partial).

Manns, Charles Gregor. 1977. The Manuscripts Montserrat 774 and 775. University of Illinois, Unpublished Master's thesis. Pages: l-2, 5-6, 15. Notes: physical description (partial); contents list (partial).

Olivar, Alexandre. 1977. Catàleg dels Manuscrits de la Biblioteca del Monestir de Montserrat.  Montserrat. Pages: 177. Notes: physical description; contents list.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2.  American Institute of Musicology. Pages: 115. Notes: contents list (partial); concordances (partial).

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 79-80, 85-6, 523-5. Notes: contents list; concordances (partial); incipits (partial).

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 89. Notes: contents list (partial); concordances (partial).

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 398. Notes: contents list (partial); concordances (partial).

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 4, 22, 27. Notes: mention of MS; contents list (partial); concordances (partial).

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle.  Brussels, 1867-88. Reprinted New York. Pages: VIII, 369. Notes: mention of MS.

Lenaerts, René Bernard (editor). 1960. Drie Missen van Pierre de La Rue. Monumenta Musicae Belgicae, vol. VIII. <em>NederlandsePolyfonieuitspannseBronnen</em>MonumentaMusicaeBelgicaeVol.IX(1963). Berchem-Antwerpen. Pages: IX, viii-ix, 31-75. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Lenaerts, René Bernard. 1957. Niederländische Polyphone Musik in der Bibliothek von Montserrat. Festschrift für Joseph Schmidt-Görg zum 60. Geburtstag, 196-201. Bonn. Pages: 198. Notes: physical description (partial); contents list.

Pujol O.S.B., David. 1950, 1952. Maniscritos de Mùsica Neerlandesa conservados en la Biblioteca del Monasterio de Montserrat. Atti del Congresso Internazionale di Musica Sacra ... (Roma, 25-30 Maggio 1950), 319-22. Tournai. Notes: physical description (partial); contents list.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XIII, 1487. Notes: contents list (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description