E-MO MS 765

Monasterio de S Maria, Montserrat, Spain

manuscript of polyphony: c. 1540

Archive	Monasterio de S Maria, Montserrat, Spain (E-MO)
Shelfmark	MS 765
Image Availability	DIAMM does not have images of this source.
Surface	Parchment
Numbering System	Foliation
Measurements	505 x 360 mm
Other Identifiers	CCM: MontsM 765
Notations	black void mensural
Copyists	scribal concordance [74] Text and Music
Relationships	Real Convento de las Senoras de la Encarnaçion (owner) Benedictine Monastery of Montserrat, Spain (owner) Philip II (1527–1598) (owner) Mary of Hungary (1505–1558) (patron)
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	court of Mary of Hungary , Brussels, Belgium
Contents	16 pieces from 1 composers

General Description

Described in 1602 inventory as 'libro de Benedictus' - implying that all pieces are by Appenzeller, though half are anonymously transmitted. Copied in Brussels, at the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain), Regent of the Netherlands 1531-55. Copied by one main scribe; ff. 66'-90 copied by a different scribe, who also wrote MontsM 769, 771, and 776.

(GGTMontserrat however identifies 'at least' 4 scribes: (i) the scribe "a l'oiseau" ff. 1-48v, 91v-143; (ii) 'scribe II' ff. 48v-62; (iii) 'large letters scribe' ff. 62v-66; (iv) 'Mary of Hungary's scribe' ff.66v-90.)

Taken to Valladolid in 1556 following Mary's retirement to Spain; later moved to Guadalajara. Passed in 1558 to Mary's nephew, Philip II, King of Spain (1527-98); listed as #25 in 1602 and 1620 inventories of Philip's books. Purchased in 1620 by Real Convento de las Senoras de la Encarnaçion in Madrid; acquired from the Encarnaçion by Benedictine monastery at Montserrat, probably during 1920's.

DIAMM, 2019

Physical Description

Undetermined number of opening folios missing (GGTMontserrat). Some folios have been damaged by vandals: miniatures and initials have been cut out, resulting in the loss of some music.

DIAMM, 2019

Binding

Original covers of brown leather over boards, tooled with ornamental designs; suede leather spine; brass buckles and corners

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 22.

DIAMM, 2017

Foliation

New pencil foliation, 1-143 (one original folio is missing between the new ff. 1/2).

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Requiem Mass, 1 Magnificat fragment, 7 motets = 13

Appenzeller [Benedictus]-6 + 7?

143 parchment folios, 505 x 360. Some folios damaged by vandals (miniatures and initials cut out, with loss of some music). New pencil foliation, 1-143 (one original folio missing between new ff. 1/2). Original covers of brown leather over boards, tooled with ornamental designs; suede leather spine; brass buckles and corners. No index. Copied by one main scribe; ff. 66'-90 copied by a different scribe, who also wrote MontsM 769, 771, and 776. Staff height 22. Inked calligraphic initials.

Ca. 1540. Copied in Brussels, at the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain), Regent of the Netherlands 1531-55. Taken to Valladolid in 1556 following Mary's retirement to Spain; later moved to Guadalajara. Passed in 1558 to Mary's nephew, Philip II, King of Spain (1527-98); listed as #25 in 1602 and 1620 inventories of Philip's books. Purchased in 1620 by Real Convento de las Senoras de la Encarnaçion in Madrid; acquired from the Encarnaçion by Benedictine monastery at Montserrat, probably during 1920's.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	... sicut erat in principio	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
... sicut erat in principio Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 1r Genres: Motet Source Attribution: (anon.) General Note incomplete; originally 5 or 6vv
1v–33	Missa [Paschalis]	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa [Paschalis] Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 1v–33 Genres: Kyrie eleison, Mass Ordinary Source Attribution: (anon.) General Note opening Kyrie mutilated with loss of music
33v–40	Christus passus est - 1a pars (of 2): Christus passus est pro nobis vobis	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Christus passus est - 1a pars (of 2): Christus passus est pro nobis vobis Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 33v–40 Genres: Motet Source Attribution: Benedictus
33v–40	Christus passus est - 2a pars (of 2): Tradebat autem judicanti se iniuste	-	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Christus passus est - 2a pars (of 2): Tradebat autem judicanti se iniuste Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 33v–40 Genres: Motet
40v–62	Missa Hodie beata virgo Maria	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa Hodie beata virgo Maria Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 40v–62 Genres: Mass Ordinary Source Attribution: (anon.)
62v–66	Mater digna Dei venie via	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Mater digna Dei venie via Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 62v–66 Genres: Motet Source Attribution: (anon.)
66v–86	Missa Benedictus Dominus Deus	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa Benedictus Dominus Deus Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 66v–86 Genres: Mass Ordinary Source Attribution: Benedictus
86v–90	Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 86v–90 Genres: Motet Source Attribution: Benedictus Concordances = RISM 1539-11, f. 12r; RISM 1553-6, no.30
86v–90	Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite	-	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 86v–90 Genres: Motet
91v–112	Missa Pardonne moy	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa Pardonne moy Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 91v–112 Genres: Mass Ordinary Source Attribution: Benedictus
112v–116	Inviolata - 1a pars (of 2): Inviolata integra et casta es Maria	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Inviolata - 1a pars (of 2): Inviolata integra et casta es Maria Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 112v–116 Genres: Motet Source Attribution: Benedictus
112v–116	Inviolata - 2a pars (of 2): O benigna, o regina, o Maria	-	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Inviolata - 2a pars (of 2): O benigna, o regina, o Maria Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 112v–116 Genres: Motet
116v–133	Missa Requiem	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Missa Requiem Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 116v–133 Genres: Mass Ordinary, Requiem Source Attribution: (anon.)
133v–138	Peccantem me	Benedictus	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Peccantem me Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 133v–138 Genres: Motet Source Attribution: Benedictus Concordances a different setting from the one printed in RISM 1545-2, 1553-9, (1556)-9
138v–140	Vidi aquam	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Vidi aquam Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 138v–140 Genres: Motet Source Attribution: (anon.)
140v–143	Asperges me	(anon.)	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Asperges me Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 140v–143 Genres: Motet Source Attribution: (anon.)

Composer	Compositions
Appenzeller, Benedictus (ca. 1480–ca. 1558)	... sicut erat in principio – 1r Asperges me – 140v–143 Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus – 86v–90 Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite – 86v–90 Christus passus est - 1a pars (of 2): Christus passus est pro nobis vobis – 33v–40 Christus passus est - 2a pars (of 2): Tradebat autem judicanti se iniuste – 33v–40 Inviolata - 1a pars (of 2): Inviolata integra et casta es Maria – 112v–116 Inviolata - 2a pars (of 2): O benigna, o regina, o Maria – 112v–116 Mater digna Dei venie via – 62v–66 Missa Benedictus Dominus Deus – 66v–86 Missa Hodie beata virgo Maria – 40v–62 Missa Pardonne moy – 91v–112 Missa Requiem – 116v–133 Missa [Paschalis] – 1v–33 Peccantem me – 133v–138 Vidi aquam – 138v–140

Composer

Compositions

Appenzeller, Benedictus (ca. 1480–ca. 1558)

... sicut erat in principio – 1r
Asperges me – 140v–143
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus – 86v–90
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite – 86v–90
Christus passus est - 1a pars (of 2): Christus passus est pro nobis vobis – 33v–40
Christus passus est - 2a pars (of 2): Tradebat autem judicanti se iniuste – 33v–40
Inviolata - 1a pars (of 2): Inviolata integra et casta es Maria – 112v–116
Inviolata - 2a pars (of 2): O benigna, o regina, o Maria – 112v–116
Mater digna Dei venie via – 62v–66
Missa Benedictus Dominus Deus – 66v–86
Missa Hodie beata virgo Maria – 40v–62
Missa Pardonne moy – 91v–112
Missa Requiem – 116v–133
Missa [Paschalis] – 1v–33
Peccantem me – 133v–138
Vidi aquam – 138v–140

Composition	Composers (? Uncertain)	Folios / Pages
... sicut erat in principio	Appenzeller, Benedictus (ca. 1480–ca. 1558)	1r
Asperges me	Appenzeller, Benedictus (ca. 1480–ca. 1558)	140v–143
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus	Appenzeller, Benedictus (ca. 1480–ca. 1558)	86v–90
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite	Appenzeller, Benedictus (ca. 1480–ca. 1558)	86v–90
Christus passus est - 1a pars (of 2): Christus passus est pro nobis vobis	Appenzeller, Benedictus (ca. 1480–ca. 1558)	33v–40
Christus passus est - 2a pars (of 2): Tradebat autem judicanti se iniuste	Appenzeller, Benedictus (ca. 1480–ca. 1558)	33v–40
Inviolata - 1a pars (of 2): Inviolata integra et casta es Maria	Appenzeller, Benedictus (ca. 1480–ca. 1558)	112v–116
Inviolata - 2a pars (of 2): O benigna, o regina, o Maria	Appenzeller, Benedictus (ca. 1480–ca. 1558)	112v–116
Mater digna Dei venie via	Appenzeller, Benedictus (ca. 1480–ca. 1558)	62v–66
Missa [Paschalis]	Appenzeller, Benedictus (ca. 1480–ca. 1558)	1v–33
Missa Benedictus Dominus Deus	Appenzeller, Benedictus (ca. 1480–ca. 1558)	66v–86
Missa Hodie beata virgo Maria	Appenzeller, Benedictus (ca. 1480–ca. 1558)	40v–62
Missa Pardonne moy	Appenzeller, Benedictus (ca. 1480–ca. 1558)	91v–112
Missa Requiem	Appenzeller, Benedictus (ca. 1480–ca. 1558)	116v–133
Peccantem me	Appenzeller, Benedictus (ca. 1480–ca. 1558)	133v–138
Vidi aquam	Appenzeller, Benedictus (ca. 1480–ca. 1558)	138v–140

‡ denotes primary source study

Jas, Eric. 1994. Another Mass by Benedictus Appenzeller. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 99-114. Pages: 99-100. Notes: mention of MS; contents (partial).

Thompson, Glenda Goss. 1988. Spanish-Netherlandish Musical Relationships in the Sixteenth Century: Mary of Hungary's Manuscripts at Montserrat. '. Musique des Pays-Bas anciens. Musique espagnole ancienne (+/-1450 -- +/- 1650), Colloquia Europalia III. 69-113. Louvain. Notes: physical description (partial), contents list; concordances (partial).

Manns, Charles Gregor. 1977. The Manuscripts Montserrat 774 and 775. University of Illinois, Unpublished Master's thesis. Pages: 1-2, 10. Notes: physical description (partial).

Olivar, Alexandre. 1977. Catàleg dels Manuscrits de la Biblioteca del Monestir de Montserrat. Montserrat. Pages: 172-3. Notes: physical description; contents list.

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 79-84, 508-9, 521-35. Notes: physical description (partial); contents list; concordances; incipits (partial); mention of MS; discussion.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 89. Notes: mention of MS.

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle. Brussels, 1867-88. Reprinted New York. Pages: VII, 479, 487; VIII, 373. Notes: mention of MS.

Lenaerts, René Bernard. 1957. Niederländische Polyphone Musik in der Bibliothek von Montserrat. Festschrift für Joseph Schmidt-Görg zum 60. Geburtstag, 196-201. Bonn. Pages: 197. Notes: physical description (partial); contents list (partial).

Pujol O.S.B., David. 1950, 1952. Maniscritos de Mùsica Neerlandesa conservados en la Biblioteca del Monasterio de Montserrat. Atti del Congresso Internazionale di Musica Sacra ... (Roma, 25-30 Maggio 1950), 319-22. Tournai. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-MO MS 765

Monasterio de S Maria, Montserrat, Spain

manuscript of polyphony: c. 1540

General Description

Physical Description

Binding

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

Concordances

Concordances

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017