I-Mfd MS Librone 24

Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy

manuscript of polyphony: Early 17th Century

Archive	Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Milano (Milan), Italy (I-Mfd)
Shelfmark	MS Librone 24
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Mixed Foliation and Pagination
Measurements	425 x 282-5 mm
Other Identifiers	CCM: MilD 24
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships	Milan Cathedral (copied at)
Provenance	Milan Cathedral , Milano (Milan), Italy
Contents	16 pieces from 6 composers

General Description

Copied by one main scribe and one or more additional scribes. Copied in Milan, for use by the cathedral choir.

DIAMM, 2017

Physical Description

Some folios damaged by ink corrosion, but damaged leaves repaired.

DIAMM, 2017

Binding

Modern covers of light brown leather on boards, with studs and clasps.

DIAMM, 2017

Watermark

1) fleur-de-lis within circle; (2) bird (or flower?) within circle, surmounted by crown.

DIAMM, 2017

Liminary Note

Title page on f. I: 'Vincentij Pell'grini / Canonici Pisau: / Missarum lib: / Primus,' followed by coat of arms.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil foliation, I-II; modern ink pagination, 1-269 (p. 270 not numbered).

DIAMM, 2017

Foliation

F. I', f. II', and p. 1 are blank; blank staves only on pp. 30-31, 66, 88, 96, 136-137, 147-149, 151-153, 270.

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Requiem Mass, 14 Mass Proper sections, 4 Magnificats, 2 Magnificat fragments, 3 hymns, 10 motets, 5 sets of falsobordone psalm formulas = 41

G. Animuccia-1, Meldert-1, Morales-2, Pellegrini-8, Victoria-2, anon-27

i + ii + 135 + i paper folios, 425 x 282-5. Some folios damaged by ink corrosion, but damaged leaves repaired. Modern pencil foliation, I-II; modern ink pagination, 1-269 (p. 270 not numbered). F. I', f. II', and p. 1 are blank; blank staves only on pp. 30-31, 66, 88, 96, 136-137, 147-149, 151-153, 270. Modern covers of light brown leather on boards, with studs and clasps. Title page on f. I: "Vincentij Pell'grini / Canonici Pisau: / Missarum lib: / Primus," followed by coat of arms. "Index Missarum" on f. II lists four Masses (two now missing). Copied by one main scribe and one or more additional scribes. Inked calligraphic initials. Watermarks: (1) fleur-de-lis within circle; (2) bird (or flower?) within circle, surmounted by crown.

Early 17th Century. Copied in Milan, for use by the cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Missa Estote fortes in bello	Pellegrini	Pellegrini, Vincenzo
Missa Estote fortes in bello Pellegrini, Vincenzo Appears on: 2 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Pellegrini
32–34	Magnificat primi toni: Anima Mea [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 32–34 Genres: BVM, Canticle, Magnificat Source Attribution: Morales General Note two 'primi toni' magnificats by Morales are at 32 & 254; not clear which is 'Anima mea', which 'Et exultavit'
34	Magnificat extract: Fecit potentiam	Animuccia	Animuccia, Giovanni (ca. 1520–1571)
Magnificat extract: Fecit potentiam Animuccia, Giovanni (ca. 1520–1571) Appears on: 34 Genres: BVM, Canticle, Magnificat Source Attribution: Animuccia
46	[in nativitate Domini]	-	Anonymous
[in nativitate Domini] Anonymous Appears on: 46 Genres: Motet
74	[in nativitate BVM]	Pellegrini	Pellegrini, Vincenzo
[in nativitate BVM] Pellegrini, Vincenzo Appears on: 74 Genres: Motet Source Attribution: Pellegrini
80	[introit]	Pellegrini	Pellegrini, Vincenzo
[introit] Pellegrini, Vincenzo Appears on: 80 Genres: Introit Source Attribution: Pellegrini
92	Asperges me Domine	Pellegrini	Pellegrini, Vincenzo
Asperges me Domine Pellegrini, Vincenzo Appears on: 92 Genres: Motet Source Attribution: Pellegrini
98	Missa Sine nomine (5v)	Pellegrini	Pellegrini, Vincenzo
Missa Sine nomine (5v) Pellegrini, Vincenzo Appears on: 98 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Pellegrini
138	Regina caeli (6vv)	Pellegrini	Pellegrini, Vincenzo
Regina caeli (6vv) Pellegrini, Vincenzo Appears on: 138 Genres: Marian antiphon, Motet, Regina caeli laetare Source Attribution: Pellegrini
154	Missa defunctorum (Requiem) (5vv)	-	Anonymous
Missa defunctorum (Requiem) (5vv) Anonymous Appears on: 154 Genres: Mass Ordinary, Requiem
208	[Benedictio pontificalis]	-	Anonymous
[Benedictio pontificalis] Anonymous Appears on: 208 Genres: Motet
238	[Hymnus in nativitate Domini]	Pellegrini	Pellegrini, Vincenzo
[Hymnus in nativitate Domini] Pellegrini, Vincenzo Appears on: 238 Genres: Hymn Source Attribution: Pellegrini
244	Ave maris stella Sumens illud ave	da Vittoria	Victoria, Tomas Luis de (1548–1611)
Ave maris stella Sumens illud ave Victoria, Tomas Luis de (1548–1611) Appears on: 244 Genres: Hymn Source Attribution: da Vittoria
246	Magnificat primi toni	da Vittoria	Victoria, Tomas Luis de (1548–1611)
Magnificat primi toni Victoria, Tomas Luis de (1548–1611) Appears on: 246 Genres: BVM, Canticle, Magnificat Source Attribution: da Vittoria General Note not clear whether this Magnificat is 'Anima mea' or 'Et exultavit'
254	Magnificat primi toni: Et exultavit [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Et exultavit [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 254 Genres: BVM, Canticle, Magnificat Source Attribution: Morales General Note two 'primi toni' magnificats by Morales are at 32 & 254; not clear which is 'Anima mea', which 'Et exultavit'
266	Magnificat primi toni	Maldaert	Meldert, Lienhart
Magnificat primi toni Meldert, Lienhart Appears on: 266 Genres: BVM, Canticle, Magnificat Source Attribution: Maldaert

Composer	Compositions
Animuccia, Giovanni (ca. 1520–1571)	Magnificat extract: Fecit potentiam – 34
Anonymous	Missa defunctorum (Requiem) (5vv) – 154 [Benedictio pontificalis] – 208 [in nativitate Domini] – 46
Meldert, Lienhart	Magnificat primi toni – 266
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Anima Mea [K.914] – 32–34 Magnificat primi toni: Et exultavit [K.914] – 254
Pellegrini, Vincenzo	Asperges me Domine – 92 Missa Estote fortes in bello – 2 Missa Sine nomine (5v) – 98 Regina caeli (6vv) – 138 [Hymnus in nativitate Domini] – 238 [in nativitate BVM] – 74 [introit] – 80
Victoria, Tomas Luis de (1548–1611)	Ave maris stella Sumens illud ave – 244 Magnificat primi toni – 246

Composition	Composers (? Uncertain)	Folios / Pages
[Benedictio pontificalis]	Anonymous	208
[Hymnus in nativitate Domini]	Pellegrini, Vincenzo	238
[in nativitate BVM]	Pellegrini, Vincenzo	74
[in nativitate Domini]	Anonymous	46
[introit]	Pellegrini, Vincenzo	80
Asperges me Domine	Pellegrini, Vincenzo	92
Ave maris stella Sumens illud ave	Victoria, Tomas Luis de (1548–1611)	244
Magnificat extract: Fecit potentiam	Animuccia, Giovanni (ca. 1520–1571)	34
Magnificat primi toni	Victoria, Tomas Luis de (1548–1611)	246
Magnificat primi toni	Meldert, Lienhart	266
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	32–34
Magnificat primi toni: Et exultavit [K.914]	Morales, Cristóbal de (ca. 1500–1553)	254
Missa defunctorum (Requiem) (5vv)	Anonymous	154
Missa Estote fortes in bello	Pellegrini, Vincenzo	2
Missa Sine nomine (5v)	Pellegrini, Vincenzo	98
Regina caeli (6vv)	Pellegrini, Vincenzo	138

‡ denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 147. Notes: contents list (partial); concordances (partial); incipits (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXVII, 271. Notes: contents list (partial); concordances (partial).

Sartori, Claudio. 1957. La Cappella Musicale del Duomo di Milano: Catalogo delle Musiche dell'Archivio. Milan. Pages: 287-8. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Liminary Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description