I-Ma MS A.10 Sup.

Biblioteca Ambrosiana, Milano, Italy

partbook: c. 1530-45

Archive	Biblioteca Ambrosiana, Milano, Italy (I-Ma)
Shelfmark	MS A.10 Sup.
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Measurements	160 x 220 mm
Other Identifiers	CCM: MilA 10
Notations	black void mensural
Copyists	Rore, Cipriano de (ca. 1515–1565) Music
Relationships	Rore, Cipriano de (ca. 1515–1565) (owner) Luzzaschi, Luzzasco (owner) Borromeo, Federigo (1564–1631) (owner) d'Este, Ercole II (1508–1559) (patron)
External Links	images
Provenance	Brescia? Italy
Contents	Contains 3 compositions from 1 composer.

General Description

A set of small partbooks bound into one volume in order: tenor, quintus, cantus, altus, bassus. Copied by two scribes, one of whom was Cipriano de Rore. (Owens argues that the two hands are both Rore's & thus the whole ms autograph.) Possibly copied in Brescia (Jessie Ann Owens) as a sketchbook used by the composer Rore.

Brought to Ferrara in 1546 when Rore began serving at the court of Ercole II d'Este (1508-59). Manuscript given to Rore's pupil Luzzasco Luzzaschi in 1559; Luzzaschi presented it in 1606 to Cardinal Federigo Borromeo (1564-1631), Archbishop of Milan and founder of Biblioteca Ambrosiana. (Affidavit by Luzzaschi bound in at beginning discusses his acquisition of the manuscript).

DIAMM, 2017

Binding

Early 17th century(?) covers of white leather, with ornamental wreath design in gold

DIAMM, 2017

Watermark

(1) crossbow; (2) ox head with cross.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 1 textless piece (incomplete) = 3

(Rore)-3

5 paper partbooks, now bound together as composite manuscript of 21 folios, 160 x 220. Modern pencil foliation, 1-21. Early 17th century(?) covers of white leather, with ornamental wreath design in gold. No index. Copied by two scribes, one of whom was Cipriano de Rore. No decoration. Watermarks: (1) crossbow; (2) ox head with cross.

Ca. 1530-45. Possibly copied in Brescia (Jessie Ann Owens). A sketchbook used by the composer Rore; brought to Ferrara in 1546 when Rore began serving at the court of Ercole II d'Este (1508-59). Manuscript given to Rore's pupil Luzzasco Luzzaschi in 1559; Luzzaschi presented it in 1606 to Cardinal Federigo Borromeo (1564-1631), Archbishop of Milan and founder of Biblioteca Ambrosiana. (Affidavit by Luzzaschi bound in at beginning discusses his acquisition of the manuscript).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
2–3v	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	5	-	Rore, Cipriano de (ca. 1515–1565)
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] Rore, Cipriano de (ca. 1515–1565) Appears on: 2–3v Genres: Motet Number of voices: 5 Layout tenor
4	Sub tuum presidium [Milan A.10]	4	-	Rore, Cipriano de (ca. 1515–1565)
Sub tuum presidium [Milan A.10] Rore, Cipriano de (ca. 1515–1565) Appears on: 4 Genres: Motet Number of voices: 4 Layout tenor
5v	[fragment: re fa mi fa sol la]	5	-	Rore, Cipriano de (ca. 1515–1565)
[fragment: re fa mi fa sol la] Rore, Cipriano de (ca. 1515–1565) Appears on: 5v Genres: textless Number of voices: 5 Layout tenor
6–7v	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	5	-	Rore, Cipriano de (ca. 1515–1565)
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] Rore, Cipriano de (ca. 1515–1565) Appears on: 6–7v Genres: Motet Number of voices: 5 Layout quintus
9v	[fragment: re fa mi fa sol la]	5	-	Rore, Cipriano de (ca. 1515–1565)
[fragment: re fa mi fa sol la] Rore, Cipriano de (ca. 1515–1565) Appears on: 9v Genres: textless Number of voices: 5 Layout quintus
10–11v	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	5	-	Rore, Cipriano de (ca. 1515–1565)
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] Rore, Cipriano de (ca. 1515–1565) Appears on: 10–11v Genres: Motet Number of voices: 5 Layout cantus
11v–12	Sub tuum presidium [Milan A.10]	4	-	Rore, Cipriano de (ca. 1515–1565)
Sub tuum presidium [Milan A.10] Rore, Cipriano de (ca. 1515–1565) Appears on: 11v–12 Genres: Motet Number of voices: 4 Layout cantus
13v	[fragment: re fa mi fa sol la]	5	-	Rore, Cipriano de (ca. 1515–1565)
[fragment: re fa mi fa sol la] Rore, Cipriano de (ca. 1515–1565) Appears on: 13v Genres: textless Number of voices: 5 Layout cantus
14–15v	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	5	-	Rore, Cipriano de (ca. 1515–1565)
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] Rore, Cipriano de (ca. 1515–1565) Appears on: 14–15v Genres: Motet Number of voices: 5 Layout altus
16	Sub tuum presidium [Milan A.10]	4	-	Rore, Cipriano de (ca. 1515–1565)
Sub tuum presidium [Milan A.10] Rore, Cipriano de (ca. 1515–1565) Appears on: 16 Genres: Motet Number of voices: 4 Layout altus
17v	[fragment: re fa mi fa sol la]	5	-	Rore, Cipriano de (ca. 1515–1565)
[fragment: re fa mi fa sol la] Rore, Cipriano de (ca. 1515–1565) Appears on: 17v Genres: textless Number of voices: 5 Layout altus
18–19v	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	5	-	Rore, Cipriano de (ca. 1515–1565)
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] Rore, Cipriano de (ca. 1515–1565) Appears on: 18–19v Genres: Motet Number of voices: 5 Layout bassus
19v–20	Sub tuum presidium [Milan A.10]	4	-	Rore, Cipriano de (ca. 1515–1565)
Sub tuum presidium [Milan A.10] Rore, Cipriano de (ca. 1515–1565) Appears on: 19v–20 Genres: Motet Number of voices: 4 Layout bassus
21v	[fragment: re fa mi fa sol la]	5	-	Rore, Cipriano de (ca. 1515–1565)
[fragment: re fa mi fa sol la] Rore, Cipriano de (ca. 1515–1565) Appears on: 21v Genres: textless Number of voices: 5 Layout bassus

Composer	Compositions
Rore, Cipriano de (ca. 1515-1565)	Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 14–15v Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 6–7v Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 2–3v Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 18–19v Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 10–11v Sub tuum presidium [Milan A.10] – 4 Sub tuum presidium [Milan A.10] – 16 Sub tuum presidium [Milan A.10] – 19v–20 Sub tuum presidium [Milan A.10] – 11v–12 [fragment: re fa mi fa sol la] – 5v [fragment: re fa mi fa sol la] – 21v [fragment: re fa mi fa sol la] – 9v [fragment: re fa mi fa sol la] – 13v [fragment: re fa mi fa sol la] – 17v

Composer

Compositions

Rore, Cipriano de (ca. 1515-1565)

Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 14–15v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 6–7v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 2–3v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 18–19v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias] – 10–11v
Sub tuum presidium [Milan A.10] – 4
Sub tuum presidium [Milan A.10] – 16
Sub tuum presidium [Milan A.10] – 19v–20
Sub tuum presidium [Milan A.10] – 11v–12
[fragment: re fa mi fa sol la] – 5v
[fragment: re fa mi fa sol la] – 21v
[fragment: re fa mi fa sol la] – 9v
[fragment: re fa mi fa sol la] – 13v
[fragment: re fa mi fa sol la] – 17v

Composition	Composers (? Uncertain)	Folios / Pages
[fragment: re fa mi fa sol la]	Rore, Cipriano de (ca. 1515–1565)	5v
[fragment: re fa mi fa sol la]	Rore, Cipriano de (ca. 1515–1565)	9v
[fragment: re fa mi fa sol la]	Rore, Cipriano de (ca. 1515–1565)	13v
[fragment: re fa mi fa sol la]	Rore, Cipriano de (ca. 1515–1565)	17v
[fragment: re fa mi fa sol la]	Rore, Cipriano de (ca. 1515–1565)	21v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	Rore, Cipriano de (ca. 1515–1565)	2–3v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	Rore, Cipriano de (ca. 1515–1565)	6–7v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	Rore, Cipriano de (ca. 1515–1565)	10–11v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	Rore, Cipriano de (ca. 1515–1565)	14–15v
Miserere mei Deus (5vv) [2p: Ecce enim; 3p: Ne projicias]	Rore, Cipriano de (ca. 1515–1565)	18–19v
Sub tuum presidium [Milan A.10]	Rore, Cipriano de (ca. 1515–1565)	4
Sub tuum presidium [Milan A.10]	Rore, Cipriano de (ca. 1515–1565)	11v–12
Sub tuum presidium [Milan A.10]	Rore, Cipriano de (ca. 1515–1565)	16
Sub tuum presidium [Milan A.10]	Rore, Cipriano de (ca. 1515–1565)	19v–20

‡ denotes primary source study

Owens, Jessie Ann. 1984. The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process. Journal of the American Musicological Society, 37: 270-98. Notes: description of ms; contents list; discussion.

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 231, 234-5. Notes: physical description (partial); contents list (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 40. Notes: mention of MS.

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle. Brussels, 1867-88. Reprinted New York. Pages: VI, 132-5. Notes: physical description (partial); contents list.

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xiii-xiv, xvi, 198-213. Notes: physical description (partial); contents list; texts; facsimile (partial); mention of MS; discussion.

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 14-9, 327. Notes: physical description (partial); contents list; discussion.

Amelli, Ambrogio M. 1909, 1910. Indice dei Codici Manoscritti della Biblioteca Ambrosiana. Rivista delle Biblioteche e degli Archivi, 20 (1909), 142-72; 21 (1910): 39-46,58-78,151-8,183-92. Pages: XXI, 187. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-Ma MS A.10 Sup.

Biblioteca Ambrosiana, Milano, Italy

partbook: c. 1530-45

General Description

Binding

Watermark

Notation

Census Catalogue of Music Description

Layout

Layout

Layout

Layout

Layout

Layout

Layout

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Layout

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017