E-PAbm 6832 (862)

Fundación Bartolomé March, Palma de Mallorca, Spain

manuscript of polyphony: Late 16th century

Archive Fundación Bartolomé March, Palma de Mallorca, Spain (E-PAbm)
Shelfmark 6832 (862)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 294 x 212 mm
Other Identifiers
  • CCM: MadM 6832
  • olim (Former shelfmark): Biblioteca de la Casa del Duque de Medinaceli, MS 607
  • olim (Former shelfmark): E-Mb MS R. 6832 (862)
Notations
  • black void mensural
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships
External Links
Provenance
  • Spain
Contents Contains 137 compositions, 131 from 16 composers, 6 are anonymous.
General Description

Copied by a single scribe. Four repertorial sections: (1) motets and hymns; (2) Magnificats; (3) Masses; (4) secular pieces. Significant focus on the works of Morales, which cover 620 of its 808 pages (StevnsnS): section three includes the almost complete set of his Masses; motet models for the Masses appear in the first section; and the second section contains the complete Magnificats of Morales.

Copied in Spain. Once owned by Luis Jesús Fernandez de Cordoba y Salabert, 17th Duke of Medinaceli (1880-1956); may have belonged to Medinaceli family from an early period. Acquired in 1970's by the lawyer and financier Bartolomé March Servera of Madrid.

DIAMM, 2017
Physical Description

Many folios damaged by ink corrosion

DIAMM, 2017
Binding

Rebound in modern covers of maroon leather, with metal clasps and double slipcase.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Modern pencil pagination, 1-816.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

22 Masses, 1 Requiem Mass, 18 Magnificats, 1 Te Deum, 4 hymns, 25 motets, 11 Spanish secular pieces = 82

Basurto-1, Carreira-1, (Flécha)-3, Gombert-1, Gombert/(C. Festa)-1, Guerrero-2, F. Layolle-1, Andreas López-3, Morales-37, Mouton-3, Ortiz-1, Penet-1, (Rein)-1, Richafort-1, Sermisy [Claudin]-1, Verdelot-1, Verdelot/(Richafort)-1, anon-22

i + 408 + i paper folios, 294 x 212. Many folios damaged by ink corrosion. Modern pencil pagination, 1-816. Rebound in modern covers of maroon leather, with metal clasps and double slipcase. No index. Copied by a single scribe. Staff height 15. No initials or decoration. Four repertorial sections: (1) motets and hymns; (2) Magnificats; (3) Masses; (4) secular pieces. Section (3) includes several parody Masses by Morales; motet models for these Masses appear in first section.

Late 16th century. Copied in Spain. Once owned by Luis Jesús Fernandez de Cordoba y Salabert, 17th Duke of Medinaceli (1880-1956); may have belonged to Medinaceli family from an early period. Acquired in 1970's by the lawyer and financier Bartolomé March Servera of Madrid.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1 Vulnerasti cor meum (2p. Veni in ortum meum) - -
Appears on: 1
Genres: Motet
General Note

reproduced in Angles, "Morales - Opera Omnia I - Missarum Liber Primus"

6 Gaude Barbara beata summe polens (2p. Gaude quia meruisti impetrare) - -
Appears on: 6
Genres: Motet
10 Benedicta es caelorum regina - -
Appears on: 10
Genres: Motet
14–15 O magnum mysterium - -
Appears on: 14–15
Genres: Motet
16–17 Dominus Jesus in qua nocte - -
Appears on: 16–17
Genres: Motet
18–19 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur - -
Appears on: 18–19
Genres: Motet
18–19 O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae - -
Appears on: 18–19
Genres: Motet
20–21 Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima) - -
Appears on: 20–21
Genres: Motet
22–23 Ego dormivi - -
Appears on: 22–23
Genres: Motet
24 Veni sponsa Christi - -
Appears on: 24
Genres: Motet
32 Ave Maria - -
Appears on: 32
Genres: Ave Maria, Motet
38 Si bona suscepimus de manu Domini - -
Appears on: 38
Genres: Motet
42 Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam - -
Appears on: 42
Genres: Motet
42 Descendit angelus - 2a pars (of 2): Ne timeas Zacharia quoniam - -
Appears on: 42
Genres: Motet
46 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines - -
Appears on: 46
Genres: Motet
46–47 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit - -
Appears on: 46–47
Genres: Motet
48 Gabriel archangelus apparuit Zachariae - -
Appears on: 48
Genres: Motet
52–53 Sancte Joannes apostoli et evangelista - -
Appears on: 52–53
Genres: Motet
54–55 Inter natos mulierum - -
Appears on: 54–55
Genres: Motet
56–57 Adveniente quae Christum gestabat - -
Appears on: 56–57
Genres: Motet
58–59 O admirabile commercium - -
Appears on: 58–59
Genres: Motet
60 Aspice Domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge - -
Appears on: 60
Genres: Motet
General Note

reproduced in Angles, "Morales - Opera Omnia I - Missarum Liber Primus"

66–67 Regina coeli - -
Appears on: 66–67
Genres: Regina caeli laetare
68–69 Resurrexit sicut dixit - -
Appears on: 68–69
Genres: Motet
70 Te Deum laudamus - -
Appears on: 70
Genres: Te Deum
74 Ave maris stella - -
Appears on: 74
Genres: Ave maris stella, Hymn
78 Pange lingua gloriosi - -
Appears on: 78
Genres: Hymn
82 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) - -
Appears on: 82
Genres: Motet
86–91 Magnificat primi toni: Anima Mea [K.914] - -
Appears on: 86–91
Genres: BVM, Canticle, Magnificat
92–95 Magnificat secundi toni: Anima mea [K.915] - -
Appears on: 92–95
Genres: BVM, Canticle, Magnificat
96–101 Magnificat tertii toni: Anima mea [K.916] - -
Appears on: 96–101
Genres: BVM, Canticle, Magnificat
102–107 Magnificat quarti toni: Anima mea [K.917] - -
Appears on: 102–107
Genres: BVM, Canticle, Magnificat
108–113 Magnificat quinti toni: Anima mea [K.918] - -
Appears on: 108–113
Genres: BVM, Canticle, Magnificat
114–119 Magnificat sexti toni: Anima mea [K.919] - -
Appears on: 114–119
Genres: BVM, Canticle, Magnificat
120–125 Magnificat septimi toni: Anima mea [K.920] - -
Appears on: 120–125
Genres: BVM, Canticle, Magnificat
126–131 Magnificat octavi toni: Anima mea [K.921] - -
Appears on: 126–131
Genres: BVM, Canticle, Magnificat
132–137 Magnificat primi toni: Et exultavit [K.914] - -
Appears on: 132–137
Genres: BVM, Canticle, Magnificat
138–145 Magnificat secundi toni: Et exultavit [K.915] - -
Appears on: 138–145
Genres: BVM, Canticle, Magnificat
146–153 Magnificat tertii toni: Et exultavit [K.916] - -
Appears on: 146–153
154–159 Magnificat quarti toni: Et exultavit [K.917] - -
Appears on: 154–159
Genres: BVM, Canticle, Magnificat
160–167 Magnificat quinti toni: Et exultavit [K.918] - -
Appears on: 160–167
Genres: BVM, Canticle, Magnificat
168–173 Magnificat sexti toni: Et exultavit [K.919] - -
Appears on: 168–173
Genres: BVM, Canticle, Magnificat
174–179 Magnificat septimi toni: Et exultavit [K.920] - -
Appears on: 174–179
Genres: BVM, Canticle, Magnificat
180–186 Magnificat octavi toni: Et exultavit [K.921] - -
Appears on: 180–186
Genres: BVM, Canticle, Magnificat
186–197 Magnificat quarti toni [K.248] 4 - Anonymous
Appears on: 186–197
Genres: BVM, Canticle, Magnificat
Number of voices: 4
General Note

setting of all verses. Reduced (to 3vv) in verses 5, 9, 10

202–220 Missa de Bomba - - Anonymous

Missa de Bomba

Anonymous
Appears on: 202–220
Genres: Mass Ordinary
General Note

embedded in a section of the Medinaceli ms devote to Morales masses: possibly by him? (or contemporaneously thought to be by him?)

220–247 Missa L'homme armé (4vv): KGCSA - -
Appears on: 220–247
Genres: Mass Ordinary
248–260 Missa Caça (4vv): Kyrie - -
Appears on: 248–260
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
248–260 Missa Caça (4vv): Gloria (2 partes) - -
Appears on: 248–260
Genres: Gloria (et in terra pax), Mass Ordinary
248–260 Missa Caça (4vv): Credo (2 partes) - -
Appears on: 248–260
Genres: Credo (patrem omnipotentem), Mass Ordinary
248–260 Missa Caça (4vv): Sanctus - -
Appears on: 248–260
Genres: Mass Ordinary, Sanctus [& Benedictus]
248–260 Missa Caça (4vv): Agnus Dei (I) - -
Appears on: 248–260
Genres: Agnus Dei, Mass Ordinary
Concordances

single Agnus, which is not the same as the Santiago Codex version

260–282 Missa de Batalla - - Anonymous

Missa de Batalla

Anonymous
Appears on: 260–282
Genres: Mass Ordinary
General Note

embedded in a section of the Medinaceli ms devote to Morales masses: possibly by him? (or contemporaneously thought to be by him?)

282 Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius - -
Appears on: 282
Genres: Motet
282 Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum - -
Appears on: 282
Genres: Motet
306–341 Missa L’homme armé quarti toni (5vv): Kyrie. - -
Appears on: 306–341
Genres: Kyrie eleison, Mass Ordinary
306–341 Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. - -
Appears on: 306–341
Genres: Gloria (et in terra pax), Mass Ordinary
306–341 Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. - -
Appears on: 306–341
Genres: Credo (patrem omnipotentem), Mass Ordinary
306–341 Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. - -
Appears on: 306–341
Genres: Mass Ordinary, Sanctus [& Benedictus]
306–341 Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. - -
Appears on: 306–341
Genres: Agnus Dei, Mass Ordinary
342–383 Missa de Beata Virgine (5vv) = Missa Domina: Kyrie - -
Appears on: 342–383
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
342–383 Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme - -
Appears on: 342–383
Genres: Gloria (et in terra pax), Mass Ordinary
342–383 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces - -
Appears on: 342–383
Genres: Credo (patrem omnipotentem), Mass Ordinary
342–383 Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces - -
Appears on: 342–383
Genres: Mass Ordinary, Sanctus [& Benedictus]
342–383 Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces - -
Appears on: 342–383
Genres: Agnus Dei, Mass Ordinary
384–419 Missa Si bona suscepimus: Kyrie - -
Appears on: 384–419
Genres: Kyrie eleison, Mass Ordinary
384–419 Missa Si bona suscepimus: Gloria: 2 partes - -
Appears on: 384–419
Genres: Gloria (et in terra pax), Mass Ordinary
384–419 Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces - -
Appears on: 384–419
Genres: Credo (patrem omnipotentem), Mass Ordinary
384–419 Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces - -
Appears on: 384–419
Genres: Mass Ordinary, Sanctus [& Benedictus]
384–419 Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III - -
Appears on: 384–419
Genres: Agnus Dei, Mass Ordinary
420–449 Missa Quem dicunt homines: Kyrie. - -
Appears on: 420–449
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
420–449 Missa Quem dicunt homines: Gloria: 2 partes. - -
Appears on: 420–449
Genres: Gloria (et in terra pax), Mass Ordinary
420–449 Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. - -
Appears on: 420–449
Genres: Credo (patrem omnipotentem), Mass Ordinary
420–449 Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. - -
Appears on: 420–449
Genres: Mass Ordinary, Sanctus [& Benedictus]
420–449 Missa Quem dicunt homines: Agnus I. Agnus II: 6 voces. - -
Appears on: 420–449
Genres: Agnus Dei, Mass Ordinary
450–481 Missa Mille regrets: Kyrie - -
Appears on: 450–481
Genres: Kyrie eleison, Mass Ordinary
450–481 Missa Mille regrets: Gloria - -
Appears on: 450–481
Genres: Gloria (et in terra pax), Mass Ordinary
450–481 Missa Mille regrets: Credo - -
Appears on: 450–481
Genres: Credo (patrem omnipotentem), Mass Ordinary
450–481 Missa Mille regrets: Sanctus - -
Appears on: 450–481
Genres: Mass Ordinary, Sanctus [& Benedictus]
450–481 Missa Mille regrets: Agnus Dei - -
Appears on: 450–481
Genres: Agnus Dei, Mass Ordinary
482–507 Missa Ave maris stella: Kyrie - -
Appears on: 482–507
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
482–507 Missa Ave maris stella: Gloria: 2 partes. - -
Appears on: 482–507
Genres: Gloria (et in terra pax), Mass Ordinary
482–507 Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. - -
Appears on: 482–507
Genres: Mass Ordinary
482–507 Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. - -
Appears on: 482–507
Genres: Mass Ordinary, Sanctus [& Benedictus]
482–507 Missa Ave maris stella: Agnus I. Agnus II. - -
Appears on: 482–507
Genres: Agnus Dei, Mass Ordinary
508–532 Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 2 - Kyrie - -
Appears on: 508–532
Genres: Kyrie eleison, Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 4 - Sequentia, Pie Jesu Domine - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 6 - Sanctus - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
508–532 Missa Requiem (5vv): 7 - Agnus Dei - -
Appears on: 508–532
Genres: Agnus Dei, Mass Ordinary, Requiem
508–532 Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis - -
Appears on: 508–532
Genres: Mass Ordinary, Requiem
532–563 Missa Quaeramus cum pastoribus: Kyrie - -
Appears on: 532–563
Genres: Kyrie eleison, Mass Ordinary
532–563 Missa Quaeramus cum pastoribus: Gloria - -
Appears on: 532–563
Genres: Gloria (et in terra pax), Mass Ordinary
532–563 Missa Quaeramus cum pastoribus: Credo - -
Appears on: 532–563
Genres: Credo (patrem omnipotentem), Mass Ordinary
532–563 Missa Quaeramus cum pastoribus: Sanctus - -
Appears on: 532–563
Genres: Mass Ordinary, Sanctus [& Benedictus]
532–563 Missa Quaeramus cum pastoribus: Agnus Dei - -
Appears on: 532–563
Genres: Agnus Dei, Mass Ordinary
564–585 Missa Gaude Barbara: Kyrie. - -
Appears on: 564–585
Genres: Kyrie eleison, Mass Ordinary
564–585 Missa Gaude Barbara: Gloria: 2 partes. - -
Appears on: 564–585
Genres: Gloria (et in terra pax), Mass Ordinary
564–585 Missa Gaude Barbara: Credo: 3 partes. - -
Appears on: 564–585
Genres: Credo (patrem omnipotentem), Mass Ordinary
564–585 Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. - -
Appears on: 564–585
Genres: Mass Ordinary, Sanctus [& Benedictus]
564–585 Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. - -
Appears on: 564–585
Genres: Agnus Dei, Mass Ordinary
586–607 Missa Benedicta es caelorum regina: Kyrie - -
Appears on: 586–607
Genres: Kyrie eleison, Mass Ordinary
586–607 Missa Benedicta es caelorum regina: Gloria - -
Appears on: 586–607
Genres: Gloria (et in terra pax), Mass Ordinary
586–607 Missa Benedicta es caelorum regina: Credo - -
Appears on: 586–607
Genres: Credo (patrem omnipotentem), Mass Ordinary
586–607 Missa Benedicta es caelorum regina: Sanctus - -
Appears on: 586–607
Genres: Mass Ordinary, Sanctus [& Benedictus]
586–607 Missa Benedicta es caelorum regina: Agnus - -
Appears on: 586–607
Genres: Agnus Dei, Mass Ordinary
608–626 Missa Ut, re, mi, fa, sol, la: Kyrie - -
Appears on: 608–626
Genres: Kyrie eleison, Mass Ordinary
608–626 Missa Ut, re, mi, fa, sol, la: Gloria - -
Appears on: 608–626
Genres: Gloria (et in terra pax), Mass Ordinary
608–626 Missa Ut, re, mi, fa, sol, la: Credo - -
Appears on: 608–626
Genres: Credo (patrem omnipotentem), Mass Ordinary
608–626 Missa Ut, re, mi, fa, sol, la: Sanctus - -
Appears on: 608–626
Genres: Mass Ordinary, Sanctus [& Benedictus]
608–626 Missa Ut, re, mi, fa, sol, la: Agnus Dei - -
Appears on: 608–626
Genres: Agnus Dei, Mass Ordinary
626–649 Missa Ave maris stella: Kyrie - -
Appears on: 626–649
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
626–649 Missa Ave maris stella: Gloria: 2 partes. - -
Appears on: 626–649
Genres: Gloria (et in terra pax), Mass Ordinary
626–649 Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. - -
Appears on: 626–649
Genres: Mass Ordinary
626–649 Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. - -
Appears on: 626–649
Genres: Mass Ordinary, Sanctus [& Benedictus]
626–649 Missa Ave maris stella: Agnus I. Agnus II. - -
Appears on: 626–649
Genres: Agnus Dei, Mass Ordinary
650–675 Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. - -
Appears on: 650–675
Genres: Mass Ordinary, Sanctus [& Benedictus]
650–675 Missa Aspice Domine: Kyrie - -
Appears on: 650–675
Genres: Kyrie eleison, Mass Ordinary
650–675 Missa Aspice Domine: Gloria (2 partes) - -
Appears on: 650–675
Genres: Gloria (et in terra pax), Mass Ordinary
650–675 Missa Aspice Domine: Credo (4 partes) - -
Appears on: 650–675
Genres: Credo (patrem omnipotentem), Mass Ordinary
650–675 Missa Aspice Domine: Agnus I. Agnus II: 5 voces - -
Appears on: 650–675
Genres: Agnus Dei, Mass Ordinary
General Note

with Agnus II not in printed sources

676–695 Missa de Beata Vergine (4vv) - -
Appears on: 676–695
Genres: Mass Ordinary
696–719 Missa Vulnerasti cor meum - -
Appears on: 696–719
Genres: Mass Ordinary
720–749 Missa Tu es vas electionis: Kyrie - -
Appears on: 720–749
Genres: Kyrie eleison, Mass Ordinary
720–749 Missa Tu es vas electionis: Gloria: 2 partes - -
Appears on: 720–749
Genres: Gloria (et in terra pax), Mass Ordinary
720–749 Missa Tu es vas electionis: Credo: 3 partes Crucifixus: 3 voces - -
Appears on: 720–749
Genres: Credo (patrem omnipotentem), Mass Ordinary
720–749 Missa Tu es vas electionis: Sanctus mit: Pleni: 3 voces, Osanna I, Benedictus, Osanna II - -
Appears on: 720–749
Genres: Mass Ordinary, Sanctus [& Benedictus]
720–749 Missa Tu es vas electionis: Agnus I. Agnus II: 5 voces - -
Appears on: 720–749
Genres: Agnus Dei, Mass Ordinary
750–770 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie - -
Appears on: 750–770
Genres: Kyrie eleison, Mass Ordinary
750–770 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. - -
Appears on: 750–770
Genres: Gloria (et in terra pax), Mass Ordinary
750–770 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. - -
Appears on: 750–770
Genres: Credo (patrem omnipotentem), Mass Ordinary
750–770 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. - -
Appears on: 750–770
Genres: Mass Ordinary, Sanctus [& Benedictus]
750–770 Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. - -
Appears on: 750–770
Genres: Agnus Dei, Mass Ordinary
770–772 Bomba, bomba, agua fuera - - Anonymous
Appears on: 770–772
Genres: Canzon
General Note

No apparent connection with the 'Missa de Bomba' in this ms.

800–801 Barbara yo soy tuyo 3 -
Appears on: 800–801
Genres: Canzon
Number of voices: 3
802 Teresa, Teresaza, Teresona, Teresuela 4 -
Appears on: 802
Genres: Canzon
Number of voices: 4
803 Ay, ay, que no ay amor - -
Appears on: 803
Genres: Canzon
804–805 Ay que el alma se me parte - -
Appears on: 804–805
Genres: Canzon
806 Hero del alta torre - -
Appears on: 806
Genres: Canzon
[-] Ay que el alma se me parte - - Anonymous
Appears on: [-]
Genres: Canzon
Composer Compositions
Anonymous
Basurto, Juan Garcia de (ca. 1490-1547)
Carreira, Antonio
Despres, Josquin (ca. 1450-1521)
Festa, Costanzo (ca. 1485-1545)
Fevin, Antoine de (ca. 1470-ca. 1512)
Gombert, Nicolas (ca. 1495-ca. 1560)
Guerrero, Francisco
Layolle, Francesco de
Lopez, Andre
Morales, Cristóbal de (ca. 1500-1553)
Mouton, Jean (ca. 1459-1522)
Ortiz, Diego
Penet, Hilaire (ca. 1501)
Richafort, Jean (ca. 1480-ca. 1550)
Sermisy, Claudin de (ca. 1490-1562)
Verdelot, Philippe (ca. 1480-ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Adveniente quae Christum gestabat 56–57
Aspice Domine quia facta est desolata II: Muro tuo inexpugnabili circumcinge 60
Ave Maria 32
Ave maris stella 74
Ay que el alma se me parte 804–805
Ay que el alma se me parte Anonymous [-]
Ay, ay, que no ay amor 803
Barbara yo soy tuyo 800–801
Benedicta es caelorum regina 10
Bomba, bomba, agua fuera Anonymous 770–772
Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam 42
Descendit angelus - 2a pars (of 2): Ne timeas Zacharia quoniam 42
Domini est terra - 1a pars (of 2): Domini est terra et plenitudo eius 282
Domini est terra - 2a pars (of 2): Haec est generatio querentium Dominum 282
Dominus Jesus in qua nocte 16–17
Ego dormivi 22–23
Exaltata est Sancta Dei genetrix (2p. Virgo prudentissima) 20–21
Gabriel archangelus apparuit Zachariae 48
Gaude Barbara beata summe polens (2p. Gaude quia meruisti impetrare) 6
Hero del alta torre 806
Inter natos mulierum 54–55
Magnificat octavi toni: Anima mea [K.921] 126–131
Magnificat octavi toni: Et exultavit [K.921] 180–186
Magnificat primi toni: Anima Mea [K.914] 86–91
Magnificat primi toni: Et exultavit [K.914] 132–137
Magnificat quarti toni [K.248] Anonymous 186–197
Magnificat quarti toni: Anima mea [K.917] 102–107
Magnificat quarti toni: Et exultavit [K.917] 154–159
Magnificat quinti toni: Anima mea [K.918] 108–113
Magnificat quinti toni: Et exultavit [K.918] 160–167
Magnificat secundi toni: Anima mea [K.915] 92–95
Magnificat secundi toni: Et exultavit [K.915] 138–145
Magnificat septimi toni: Anima mea [K.920] 120–125
Magnificat septimi toni: Et exultavit [K.920] 174–179
Magnificat sexti toni: Anima mea [K.919] 114–119
Magnificat sexti toni: Et exultavit [K.919] 168–173
Magnificat tertii toni: Anima mea [K.916] 96–101
Magnificat tertii toni: Et exultavit [K.916] 146–153
Missa Aspice Domine: Agnus I. Agnus II: 5 voces 650–675
Missa Aspice Domine: Credo (4 partes) 650–675
Missa Aspice Domine: Gloria (2 partes) 650–675
Missa Aspice Domine: Kyrie 650–675
Missa Aspice Domine: Sanctus with: Osanna, Benedictus: 3 voces. 650–675
Missa Ave maris stella: Agnus I. Agnus II. 482–507
Missa Ave maris stella: Agnus I. Agnus II. 626–649
Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. 482–507
Missa Ave maris stella: Credo: 4 partes Et resurrexit: 4 voces. 626–649
Missa Ave maris stella: Gloria: 2 partes. 482–507
Missa Ave maris stella: Gloria: 2 partes. 626–649
Missa Ave maris stella: Kyrie 482–507
Missa Ave maris stella: Kyrie 626–649
Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. 482–507
Missa Ave maris stella: Sanctus with: Pleni: 3 voces,Benedictus: 3 voces. 626–649
Missa Benedicta es caelorum regina: Agnus 586–607
Missa Benedicta es caelorum regina: Credo 586–607
Missa Benedicta es caelorum regina: Gloria 586–607
Missa Benedicta es caelorum regina: Kyrie 586–607
Missa Benedicta es caelorum regina: Sanctus 586–607
Missa Caça (4vv): Agnus Dei (I) 248–260
Missa Caça (4vv): Credo (2 partes) 248–260
Missa Caça (4vv): Gloria (2 partes) 248–260
Missa Caça (4vv): Kyrie 248–260
Missa Caça (4vv): Sanctus 248–260
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Agnus I. Agnus II. 750–770
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Credo: 3 partes. 750–770
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Gloria: 2 partes. 750–770
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Kyrie 750–770
Missa cortilla = Missa Fa, re, ut, fa, sol, la: Sanctus mit: Pleni, Osanna, Benedictus. 750–770
Missa de Batalla Anonymous 260–282
Missa de Beata Vergine (4vv) 676–695
Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces 342–383
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 342–383
Missa de Beata Virgine (5vv) = Missa Domina: Gloria [Tro] Spiritus et alme 342–383
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 342–383
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 342–383
Missa de Bomba Anonymous 202–220
Missa Gaude Barbara: Agnus I. Agnus II: 5 voces. 564–585
Missa Gaude Barbara: Credo: 3 partes. 564–585
Missa Gaude Barbara: Gloria: 2 partes. 564–585
Missa Gaude Barbara: Kyrie. 564–585
Missa Gaude Barbara: Sanctus with: Pleni, Osanna I, Benedictus: 3 voces, Osanna II5v. 564–585
Missa L'homme armé (4vv): KGCSA 220–247
Missa L’homme armé quarti toni (5vv): Agnus I. Agnus II. 306–341
Missa L’homme armé quarti toni (5vv): Credo: 3 partes Et resurrexit: 3 voces. 306–341
Missa L’homme armé quarti toni (5vv): Gloria: 2 partes. 306–341
Missa L’homme armé quarti toni (5vv): Kyrie. 306–341
Missa L’homme armé quarti toni (5vv): Sanctus with: Benedictus. 306–341
Missa Mille regrets: Agnus Dei 450–481
Missa Mille regrets: Credo 450–481
Missa Mille regrets: Gloria 450–481
Missa Mille regrets: Kyrie 450–481
Missa Mille regrets: Sanctus 450–481
Missa Quaeramus cum pastoribus: Agnus Dei 532–563
Missa Quaeramus cum pastoribus: Credo 532–563
Missa Quaeramus cum pastoribus: Gloria 532–563
Missa Quaeramus cum pastoribus: Kyrie 532–563
Missa Quaeramus cum pastoribus: Sanctus 532–563
Missa Quem dicunt homines: Agnus I. Agnus II: 6 voces. 420–449
Missa Quem dicunt homines: Credo: 4 partes Et resurrexit: 4 voces. 420–449
Missa Quem dicunt homines: Gloria: 2 partes. 420–449
Missa Quem dicunt homines: Kyrie. 420–449
Missa Quem dicunt homines: Sanctus with: Osanna,Benedictus: 4 voces. 420–449
Missa Requiem (5vv): 1 - Introitus (Requiem aeternam) 508–532
Missa Requiem (5vv): 2 - Kyrie 508–532
Missa Requiem (5vv): 3 - Graduale (Requiem aeternam) 508–532
Missa Requiem (5vv): 4 - Sequentia, Pie Jesu Domine 508–532
Missa Requiem (5vv): 5 - Offertorium, [Domine Jesu Christe] Libera animas omnium 508–532
Missa Requiem (5vv): 6 - Sanctus 508–532
Missa Requiem (5vv): 7 - Agnus Dei 508–532
Missa Requiem (5vv): 8 - Communio, [Lux aeterna] Luceat eis 508–532
Missa Si bona suscepimus: Agnus I. Agnus II: 3 voces. Agnus III 384–419
Missa Si bona suscepimus: Credo: 3 partes Crucifixus: 4 voces 384–419
Missa Si bona suscepimus: Gloria: 2 partes 384–419
Missa Si bona suscepimus: Kyrie 384–419
Missa Si bona suscepimus: Sanctus with: Pleni: 4 voces, Osanna, Benedictus: 4 voces 384–419
Missa Tu es vas electionis: Agnus I. Agnus II: 5 voces 720–749
Missa Tu es vas electionis: Credo: 3 partes Crucifixus: 3 voces 720–749
Missa Tu es vas electionis: Gloria: 2 partes 720–749
Missa Tu es vas electionis: Kyrie 720–749
Missa Tu es vas electionis: Sanctus mit: Pleni: 3 voces, Osanna I, Benedictus, Osanna II 720–749
Missa Ut, re, mi, fa, sol, la: Agnus Dei 608–626
Missa Ut, re, mi, fa, sol, la: Credo 608–626
Missa Ut, re, mi, fa, sol, la: Gloria 608–626
Missa Ut, re, mi, fa, sol, la: Kyrie 608–626
Missa Ut, re, mi, fa, sol, la: Sanctus 608–626
Missa Vulnerasti cor meum 696–719
O admirabile commercium 58–59
O magnum mysterium 14–15
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 18–19
O sacrum convivium - 2a pars (of 2): Mens impletur gratia et future gloriae 18–19
Pange lingua gloriosi 78
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 46
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 46–47
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) 82
Regina coeli 66–67
Resurrexit sicut dixit 68–69
Sancte Joannes apostoli et evangelista 52–53
Si bona suscepimus de manu Domini 38
Te Deum laudamus 70
Teresa, Teresaza, Teresona, Teresuela 802
Veni sponsa Christi 24
Vulnerasti cor meum (2p. Veni in ortum meum) 1

denotes primary source study

Diego Pacheco, Cristina. 2016. Cristóbal de Morales en Espagne: ses premières œuvres et le manuscrit de Valladolid. 304. Lyon: Symétrie Recherche. 978-2-914373-92-0.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 146. Notes: contents list (partial); concordances (partial); incipits (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 42, 68, 70, 73, 83, 135, 315, 321-2. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Stevenson, Robert. 1952-3. Music Research in Spanish Libraries. Notes, 10: 49-57. Pages: 53-5. Notes: physical description (partial); contents list (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XI, 57ff, Facs. 8-10; XV, 31ff; XVI, 20; XVII, 48ff; XX, 13; XXI, 9ff; XXIV, 7ff; XL,[11ff], 19-27,34-49. Notes: contents list (partial); transcription (partial); texts (partial); facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description