D-Lr Mus.ant.pract.K.N.150

Ratsbücherei, Lüneburg, Germany

partbook: c. 1575-1620

Archive Ratsbücherei, Lüneburg, Germany (D-Lr)
Shelfmark Mus.ant.pract.K.N.150
Image Availability DIAMM does not have images of this source.
Numbering System None
Measurements 157 x 210 mm
Other Identifiers
  • CCM: LuneR 150
  • olim (Former shelfmark): 28.795
Notations
  • black void mensural
External Authorities
Provenance
  • Lüneburg, Bavaria, Germany
Contents 107 pieces from 46 composers
General Description

A single Altus partbook. Copied by 41 scribes, most of whom signed and dated the pieces they copied. Copied in Lüneburg, apparently for society of amateur musicians; scribes include several Lüneburg clergymen. Probably bequeathed by later owner to Lüneburg Ratsbücherei during 17th or 18th century.

DIAMM, 2017
Extent

143 ff.

DIAMM, 2023
Binding

Original covers of white tooled leather

DIAMM, 2017
Watermark

(1) crown; (2) leaf (neither listed in Briquet)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1575-1620 (dates in manuscript).

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-104 (nos. 105-107 added in modern hand).

DIAMM, 2017
Foliation

No original foliation or pagination. Modern pencil foliation added in 2009

DIAMM, 2023
Decoration

A few plain inked initials; no other decoration.

DIAMM, 2017
Index

Original 'index cantionum' on last two folios (f. 142r-143r) lists pieces alphabetically by title

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 1 hymn, 98 motets, 6 German sacred pieces = 106 + 1 duplicate = 107

Arcadelt/(Verdelot)-1, Caen/(Lupus/Richafort)-1, Chustrovius-1, Clemens non Papa-16, (Clemens non Papa/Manchicourt)-1, (Crecquillon)-1, E. Dedekind-1, Dressler-3, Erbach-1, C. Festa-1, Händl-7, Hartmann-1, (Hellinck/Senfl/Verdelot)-1, Hoyoul-2, Josquin/(Caen)-1, Lassus-19, (Lechner)-1, (Manchicourt/Sandrin)-1, Meiland-1, Morley-1, (Paminger)-2, (Phinot)-1, C. Praetorius-1, (Regnart)-2, (Richafort/Verdelot)-1, Rivulo-1, Rosthius-2, Schede-1, Senfl-3, Steffens-1, (Stoltzer)-1, Tonsor-1, Viadana-1, Vulpius-1, Walter-1, Wanningus-1, anon-23

1 paper partbook (A-143 folios), 157 x 210. No foliation or pagination; original numbering of pieces, 1-107 (some numbers in modern hand). Original covers of white tooled leather. Original index on last two folios lists pieces alphabetically by title. Copied by 41 scribes, most of whom signed and dated the pieces they copied. A few plain inked initials; no other decoration. Two watermarks, neither listed in Briquet: (1) crown; (2) leaf.

Ca. 1575-1620 (dates in manuscript). Copied in Lüneburg, apparently for society of amateur musicians; scribes include several Lüneburg clergymen. Probably bequeathed by later owner to Lüneburg Ratsbücherei during 17th or 18th century.

Vol 4

Composers: Add "(Burck)-2," "(Josquin/Senfl)-1," and "(Rein)-1"; change "anon-23" to "anon-19."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Benedicam Dominum in omni tempore (2p. In Domino laudabitur anima mea) Orland: d: Lass: [= Lassus]
Appears on: 2–3
Genres: Motet
Source Attribution: Orland: d: Lass: [= Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicam dominum in omni tempore semper II: In domino laudabitur anima mea
3v–5 Si Deus pro nobis quis contra nos (2p. Certus suum enim quia neque mors) Anon. Anonymous
Appears on: 3v–5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos II: Certus suum enim quia neque mors
5v–6v Si bona suscepimus de manu Domini [Richafort/Verdelot]
Appears on: 5v–6v
Genres: Motet
Source Attribution: [Richafort/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
7–9 Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Arnoldus Caen/[Lupus/Richafort]
Appears on: 7–9
Genres: Motet
Source Attribution: Arnoldus Caen/[Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Ierusalem luge et exue te vestibus II: Deduc quasi torrentem lachrymas
9–11 Si diligis me Simon Petre pasce oves (2p. Si oportuerit me mori tecum) Clemens non Papa
Appears on: 9–11
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Si diligis me Simon Petre pasce oves II: Si oportuerit me mori tecum
11–11v Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/Senfl]
Appears on: 11–11v
Genres: Motet
Source Attribution: [Jonckers/Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet nolite timere 14.5
12–13 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) Constantinus Festa
Appears on: 12–13
Genres: Motet
Source Attribution: Constantinus Festa
Voice: [no designation]
Languages: Latin
Voice Text: Ierusalem quae occidis prophetas et lapidas [= Florentia tempus est penitentie]
13–18v Confitemini Domino quoniam bonus quoniam (2p. Omnes gentes circumdederunt me; 3p. Castigans castigavit me Dominus) [Paminger]
Appears on: 13–18v
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Confitemini domino quoniam bonus quoniam II: Omnes gentes circumdederunt me III: Castigans castigavit me dominus
18v–20 Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) [Paminger]
Appears on: 18v–20
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos II: Quis igitur nos separabit a dilectione
20v–22 Confitebor tibi Domine in toto corde (8vv, LV189) [Lassus]
Appears on: 20v–22
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde meo
Layout

parts for A1 (verso) and A2 (recto)

22v–23 Contere Domine fortitudinem inimicorum (2p. Miserere nostri Domine te enim) Anon. Anonymous
Appears on: 22v–23
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Contere domine fortitudinem inimicorum
23–23v In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 23–23v
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
25–25v Gratia Dei salvati sumus non ex nobis [Burck]
Appears on: 25–25v
Genres: Motet
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Gratia dei salvati sumus non ex nobis
26–26v Certus sermo et dignus quem modis omnibus [Burck]
Appears on: 26–26v
Genres: Motet
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Certus sermo et dignus quem modis omnibus
27–29v In honore Christi filii Dei jubilemus (2p. Caeleste beneficium Christi incarnatio) [Clemens non Papa]
Appears on: 27–29v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: In honore Christi filii dei iubilemus II: Coeleste beneficium Christi incarnatio
29v–31v Jesu Christe fili Dei peccatorum consolator (= O Maria vernans) (2p. Tu lux pulchra tu medela tu pax) Clemens non Papa
Appears on: 29v–31v
Genres: Contrafactum, Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Iesu Christe fili dei peccatorum consolator II: Tu lux pulcra tu tutela tu pax
31v–32 Bonum sero comessantibus à deo altera Anon. Anonymous
Appears on: 31v–32
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Bonum sero comessantibus à deo altera
32v–33 Mundus transit et concupiscentia eius [Clemens non Papa]
Appears on: 32v–33
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Mundus transit et concupiscentia eius
33–35 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) [Clemens non Papa/Manchicourt]
Appears on: 33–35
Genres: Motet
Source Attribution: [Clemens non Papa/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
35–36 Domine Jesu Christe respicere digneris Clem: non Papa
Appears on: 35–36
Genres: Motet
Source Attribution: Clem: non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Domine Iesu Christe respicere digneris
36–37 Confitemini Domino et invocate (2p. Narrate omnia) (5vv) [Lassus]
Appears on: 36–37
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitemini domino et invocate nomen eius II: Narrate omnia mirabilia eius
37v–38 Ego me diligentes diligo et qui mane Clemens non Papa
Appears on: 37v–38
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ego me diligentes diligo et qui mane
38v–39 In me transierunt irae tuae Orlandus di Lassus
Appears on: 38v–39
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: In me transierunt irae tuae et terrores
39v–40v Omnia quae fecisti nobis Domine in vero Orlandus di Lassus
Appears on: 39v–40v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Omnia quae fecisti nobis domine in vero
40v–42v Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa
Appears on: 40v–42v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de coelo cum luce superna II: Respondit miles quis tu es domine?
43–44v Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) Clemens non Papa
Appears on: 43–44v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Virgines prudentes ornate lampades vestras II: Media autem nocte clamor factus est
45–46 Judica me Deus et discerne causam 17.8 (2p. Et introibo ad altare Dei) Josq. de Prees/[Caen]
Appears on: 45–46
Genres: Motet
Source Attribution: Josq. de Prees/[Caen]
Voice: [no designation]
Languages: Latin
Voice Text: Judica me deus et discerna causam meam 17.8 II: [Et introibo ad altare dei] Ad eum
46v–48v Domine Deus exercituum fortis et potens (2p. Igitur Domine dissipa gentes qui volunt) [Clemens non Papa]
Appears on: 46v–48v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus exercituum fortis et potens II: Igitur domine dissipa gentes que bella
48v–50v Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) [Clemens non Papa]
Appears on: 48v–50v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende domine II: Ecce in tenebris sedeo et lumen
50v–51v Audi tellus magni maris nimbus audi Anon. Anonymous
Appears on: 50v–51v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Audi tellus magni maris nimbus audi
Concordances

A contrafact of the pavane "La Bataille" - see BrinzingS 1998

Item Bibliography

Brinzing, Armin. 1998. Studien zur instrumentalen Ensemblemusik im deutschsprachigen Raum des 16. Jahrhunderts. Abhandlungen zur Musikgeschichte.  Pages: 95.

52–53 Suspiret corde quia placere Deo (= Sospiri miei d'oime) Anon.
Appears on: 52–53
Genres: Contrafactum, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Suspiret corde quia placere deo
Concordances

also appears with Latin contrafact text in RISM A/I: S 2229 (no.2).

53v–54 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 53v–54
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
54v–55 Sancta Trinitas unus Deus miserere nobis (8vv) [Phinot]
Appears on: 54v–55
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
55–56 Beatam trinitatem patrem et filium (2p. Miserere populo tuo sanguine Christus) (= O trinitas et Deitas alma tibi omnes) [Rein]
Appears on: 55–56
Genres: Contrafactum, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Beatam trinitatem patrem [et] filium II: Miserere populo tuo sanguine Christi
56 Pange lingua gloriosi corporis misterium 2 Nobis natus nobis datus ex intacta Anon. Anonymous
Appears on: 56
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis misterium] 2 Nobis natus nobis datus ex intacta
56v–57 O admirabile commercium creator generis [Stoltzer]
Appears on: 56v–57
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
57–58 Viri Galilaei quid aspicitis in caelum Anon.
Appears on: 57–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei quid aspicitis in caelum
58–59 Ascendit Deus in jubilatione (2p. Et Dominus in voce tubae; 3p. Gloria patri et filio) [Paminger]
Appears on: 58–59
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in jubilatione alleluia II: Et dominus in voce tubae alleluia III: Gloria patri et filio et spiritui
69v–60v Exaudi Domine orationem meam et ne contemne (2p. Contristatus sum in cogitatione mea; 3p. Deduc me Domine ad portum salutis) Clemens non Papa
Appears on: 69v–60v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Exaudi domine orationem meam et ne contemne [II: Contristatus sum in cogitatione mea] (Pars III designated as Pars II, Pars II not copied here) III: Deduc me domine ad portum salutis
General Note

Pars III designated as Pars II, Pars II (Contristatus sum) not copied here

61 Canamus grates deo creatori qui sua bonitate Anon. Anonymous
Appears on: 61
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Canamus grates deo creatori qui sua bonitate
61v–62v Dum complerentur dies Pentecostes erant omnes Archadelt/[Verdelot]
Appears on: 61v–62v
Genres: Motet
Source Attribution: Archadelt/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies penthecostes
62v–63 Nun bitten wir den heiligen geist (5vv) Iohan: Walther
Appears on: 62v–63
Genres: Motet, Veni sancte spiritus
Source Attribution: Iohan: Walther
Voice: [no designation]
Languages: German
Voice Text: Nu bitten wir den heiligen geist
63–64 Gloria tibi Domine gloria tibi sancte Clemens non Papa
Appears on: 63–64
Genres: Response
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi domine gloria tibi sancte
64–65 Sic Deus dilexit mundum ut filium suum (2p. Venite ad me omnes qui onerati) Franciscus de Rivulo
Appears on: 64–65
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum II: Venite ad me omnes qui laboratis
65 Gott sei lob und dank der uns giebt Christophorus Praetorius
Appears on: 65
Genres: Sacred Song
Source Attribution: Christophorus Praetorius
Voice: [no designation]
Languages: German
Voice Text: Gott sei lob und danck der uns giebt
65v–66v Ecce nunc benedicite Dominum omnes servi Domini Anon. Anonymous
Appears on: 65v–66v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nunc benedicite domino omnes servi
67–68 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] Ludovicus Senfflius
Appears on: 67–68
Genres: Motet
Source Attribution: Ludovicus Senfflius
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
68v–69 Angelus ad pastores ait annuntio vobis Orlandus di Lassus
Appears on: 68v–69
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Angelus ad pastores ait annuncio vobis
69v–71v Lapidabant Stephanum (2p. Impetum fecerunt) Clemens non Papa
Appears on: 69v–71v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Lapidabant Stephanum invocantem et dicentem II: Impetum fecerunt unanimiter in eum
71v–72v De ore prudentis procedit mel alleluia Orlandus [de Lassus]
Appears on: 71v–72v
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: De ore prudentis procedit mel alleluia
73–74 O beatum virum Martinum antistitem qui nec (2p. Domine si adhuc populo tuo sum) [Clemens non Papa]
Appears on: 73–74
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: O beatum virum Martinum antistitem II: Domine si adhuc populo tuo
74v–75 Amen dico vobis si quis sermonem meum Gallus Dresslerus
Appears on: 74v–75
Genres: Motet
Source Attribution: Gallus Dresslerus
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Amen dico vobis si quis sermonem meum
75v–76 Haec est voluntas eius qui misit me Gallus Dresslerus
Appears on: 75v–76
Genres: Motet
Source Attribution: Gallus Dresslerus
Voice: [no designation]
Languages: Latin
Voice Text: Haec est voluntas eius qui misit me
76v–77 Resurrexit Dominus de sepulchro alleluia Iohannes Wanningus
Appears on: 76v–77
Genres: Motet
Source Attribution: Iohannes Wanningus
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexit dominus de sepulchro alleluia
77–78 Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur) Ludo: Senfel
Appears on: 77–78
Genres: Motet
Source Attribution: Ludo: Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu II: Qui prophetice prompsisti ero mors III: Qui expansis in cruce manibus
78–79 Surrexit pastor bonus qui animam suam Orland: [de Lassus]
Appears on: 78–79
Genres: Motet
Source Attribution: Orland: [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus qui animam suam
79–79v Philippe qui videt me alleluia (6vv, M84) Lud: Senff:
Appears on: 79–79v
Genres: Alleluia, Motet
Source Attribution: Lud: Senff:
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me alleluia
80–81 Ite in orbem universum predicate dicentes [Ivo de Vento]
Appears on: 80–81
Genres: Motet
Source Attribution: [Ivo de Vento]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum predicate dicentes
81–82 Factus est repente de caelo sonus (2p. Spiritus Domini replevit orbem terrarum) Anon.
Appears on: 81–82
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Factus est repente de caelo sonus
82–83v Honor virtus et potestas et imperium (2p. Trinitati lux perhennis unitate) Anon. Anonymous
Appears on: 82–83v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Honor virtus et potestas et imperium II: Trinitati lux perhennis unitate
83v–84 Elisabeth Zachariae magnum virum genuit [Tonsor]
Appears on: 83v–84
Genres: Motet
Source Attribution: [Tonsor]
Voice: [no designation]
Languages: Latin
Voice Text: Elisabeth Zachariae magnum virum genuit
84v–86v Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) Clemens non Papa
Appears on: 84v–86v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Concussum est mare et contremuit terra II: Factum est silentium in coelo
86v–87v Vespera nunc [jam] venit nobiscum Christo maneto Gallus Dresselerus
Appears on: 86v–87v
Genres: Motet
Source Attribution: Gallus Dresselerus
Voice: [no designation]
Languages: Latin
Voice Text: Vespera iam venit nobiscum Christe
87v–90 Erhalt uns Herr bei Deinem wort und steur (2p. Gott heilger geist du tröster werth; 3p. Verlay uns frieden gnadiglich Herr; 4p. Gib unserm fursten und aller obrigkeit) Paulus Schedius Melissus
Appears on: 87v–90
Genres: Motet
Source Attribution: Paulus Schedius Melissus
Voice: [no designation]
Languages: German
Voice Text: Erholt uns Herr by deinem wort und steur
90v–91 Dulcis memoria et suavis recordatio (= Doulce memoire) [Manchicourt/Sandrin]
Appears on: 90v–91
Genres: Motet
Source Attribution: [Manchicourt/Sandrin]
Voice: [no designation]
Languages: Latin, German
Voice Text: Dulcis memoria et suavis recordatio (Alternate text underlaid: "Ich gedenck an dich allezeit") [= Doulce memoire en plaisir consommée]
General Note

Alternate text underlaid: "Ich gedenck an dich allezeit"

91v–92 Haec est vita aeterna ut cognoscant te [Chustrovius]
Appears on: 91v–92
Genres: Motet
Source Attribution: [Chustrovius]
Voice: [no designation]
Languages: Latin
Voice Text: Haec est vita aeterna ut cognoscant te [= #100]
92v–93 Tollite jugum meum super vos dicit Dominus [Regnart]
Appears on: 92v–93
Genres: Motet
Source Attribution: [Regnart]
Voice: [no designation]
Languages: Latin
Voice Text: Tollite iugum meum super vos dicit dominus
93v–95 Repleatur os meum laude tua ut hymnum (2p. Exsurge gloria mea exsurge psalterium) Iacobus Hendel [= Händl]
Appears on: 93v–95
Genres: Motet
Source Attribution: Iacobus Hendel [= Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Repleatur os meum laude tua ut hymnum II: Exurge gloria mea exurge psalterium
95–96 Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) Jacobus Hendel
Appears on: 95–96
Genres: Motet
Source Attribution: Jacobus Hendel
Voice: [no designation]
Languages: Latin
Voice Text: Gratia dei sum id quod sum et gratia II: Bonum certamen certavi cursu ne consummavi
96v–97 Multae tribulationes iustorum et de his Iacobus Handl
Appears on: 96v–97
Genres: Motet
Source Attribution: Iacobus Handl
Voice: [no designation]
Languages: Latin
Voice Text: Multae tribulationes iustorum et de his
97v–98 Ite in orbem universum et praedicate Euricius Dedekindt
Appears on: 97v–98
Genres: Motet
Source Attribution: Euricius Dedekindt
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et praedicate
98v–99 Cantate Domino canticum novum quia mirabilia Bald. Hoyoul
Appears on: 98v–99
Genres: Motet
Source Attribution: Bald. Hoyoul
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum quia mirabilia
99v–100 Peccata mea Domine sicut sagittae infixa Orland. [de Lassus]
Appears on: 99v–100
Genres: Motet
Source Attribution: Orland. [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Peccata mea domine sicut sagittae infixa
100v–102 Nunc dimittis servum tuum Domine (2p. Lumen ad revelationum gentium et gloriam) [Burck]
Appears on: 100v–102
Genres: Canticle
Source Attribution: [Burck]
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum domine II: Lumen ad revelationem gentium
102v–103 Conserva me Domine quoniam speravi in te Michaël Tonsor
Appears on: 102v–103
Genres: Motet
Source Attribution: Michaël Tonsor
Voice: [no designation]
Languages: Latin
Voice Text: Conserva me domine quoniam speravi in te
103v–104 Benedixisti Domine terram tuam avertisti Orland. [de Lassus]
Appears on: 103v–104
Genres: Motet, Offertory
Source Attribution: Orland. [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Benedixisti domine terram tuam avertisti
104v–105 Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) Iacobus Handl
Appears on: 104v–105
Genres: Motet
Source Attribution: Iacobus Handl
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum panis vitae patris vestri manducaverunt
105–108 Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) [Clemens non Papa]
Appears on: 105–108
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalene et altera Maria ibant II: Cito euntes dicite discipulis eius
109–109v Elisabeth Zachariae magnum virum genuit (2p. Johannes est nomen eius vinum et siceram) Jacob Handl
Appears on: 109–109v
Genres: Motet
Source Attribution: Jacob Handl
Voice: [no designation]
Languages: Latin
Voice Text: Elizabeth Zachariae magnum virum genuit II: Iohannes est nomen eius vinum et siceram
110–110v Domine exaudi oracionem meam et clamor Anon. Anonymous
Appears on: 110–110v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine exaudi oracionem meam et clamor
111–111v Pater noster qui es in caelis [Knöfel]
Appears on: 111–111v
Genres: Motet
Source Attribution: [Knöfel]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in coelis
112–114 Non auferetur sceptrum de Juda neque (2p. Lavabit in vino stolam suam et sanguine) Meilandus
Appears on: 112–114
Genres: Motet
Source Attribution: Meilandus
Voice: [no designation]
Languages: Latin
Voice Text: Non auferetur sceptrum de Juda neque II: Lavabit in vino stolam suam
114–115 Decantabat populus Israel alleluia (7vv) [Lassus]
Appears on: 114–115
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus Israel alleluia
115–116 In convertendo Dominus captivitatem Sion [Lechner]
Appears on: 115–116
Genres: Motet
Source Attribution: [Lechner]
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Syon
116v–117 Laudate pueri Dominum laudate nomen Orl: [de Lassus]
Appears on: 116v–117
Genres: Motet
Source Attribution: Orl: [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Laudate pueri dominum laudate nomen
117v–118 Deus tu conversus vivificabis nos et plebs Orland. [de Lassus]
Appears on: 117v–118
Genres: Motet, Offertory
Source Attribution: Orland. [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus tu conversus vivificabis nos et plebs
118v–119 Ego sum via et veritas et vita Bald. Hoyul [= Hoyoul]
Appears on: 118v–119
Genres: Motet
Source Attribution: Bald. Hoyul [= Hoyoul]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum via et veritas et vita
119v–121 Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) [Regnart]
Appears on: 119v–121
Genres: Motet
Source Attribution: [Regnart]
Voice: [no designation]
Languages: Latin
Voice Text: Intuemini quantus sit iste qui ingreditur II: Occurrite illi dicentes ecce advenit
121v–122 Quam benignus es (2p. O beatum hominem) [Lassus]
Appears on: 121v–122
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Quam benignus es O domine deus omnibus II: O beatum hominem cui tu protectores
122v–123 Legem pone mihi Domine viam justificationum (2p. Da mihi intellectum et scrutabor legem) [Lassus]
Appears on: 122v–123
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Legem pone mihi domine viam iustificationum II: Da mihi intellectum et scrutabor
123v–124v Domine Dominus noster quam admirabile est Christian Erbach
Appears on: 123v–124v
Genres: Motet
Source Attribution: Christian Erbach
Voice: [no designation]
Languages: Latin
Voice Text: Domine dominus noster quam admirabile
125–126 Domine Dominus noster quam admirabile est (6vv) Orlandus di Lassus
Appears on: 125–126
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Domine dominus noster quam admirabile
126–127v In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) Orland. [de Lassus]
Appears on: 126–127v
Genres: Motet
Source Attribution: Orland. [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
128–128v Deus misereatur nostri et benedicat nobis Orl: [de Lassus]
Appears on: 128–128v
Genres: Motet
Source Attribution: Orl: [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
129–130 Deus canticum novum cantabo tibi in psalterio (2p. Quia delectasti me Domine in factura) Orlandi [de Lassus]
Appears on: 129–130
Genres: Motet
Source Attribution: Orlandi [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Deus canticum novum cantabo tibi in psalterio II: Quia delectasti me domine in factura
130 Laus et perennis gloria Deo patri et filio (8vv) Iaco: Han: [= Händl]
Appears on: 130
Genres: Motet
Source Attribution: Iaco: Han: [= Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Laus et perennis gloria deo patri et filio
130v In angst und noth schreÿ ich zu meinem Gott (= In every place fierce Love alas assails) Thomas Morley Anglus
Appears on: 130v
Genres: Contrafactum, Motet
Source Attribution: Thomas Morley Anglus
Voice: [no designation]
Languages: German
Voice Text: In angst und noth schreÿ ich zu meinem Gott [= In every place fierce Love alas assails]
131–131v Jam de somno in quo tam diu misera Ludovicus Viadana Italus
Appears on: 131–131v
Genres: Motet
Source Attribution: Ludovicus Viadana Italus
Voice: [no designation]
Languages: Latin
Voice Text: Iam de somno in quo tam diu misera
132–132v Dilectus meus descendit in ortum suum Joh: Stephani Holsatus [= Steffens]
Appears on: 132–132v
Genres: Motet
Source Attribution: Joh: Stephani Holsatus [= Steffens]
Voice: [no designation]
Languages: Latin
Voice Text: Dilectus meus descendit in hortum suum
133–133v Haec est vita aeterna ut cognoscant te Joh. Chustrov[ius]
Appears on: 133–133v
Genres: Motet
Source Attribution: Joh. Chustrov[ius]
Voice: [no designation]
Languages: Latin
Voice Text: Haec est vita aeterna ut cognoscant te [= #66]
133v–134 Gaudens gaudebo in Domino et exultabit Anon. Anonymous
Appears on: 133v–134
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaudens gaudebo in domino et exultabit
134v–135v Ecce quam bonum et quam jocundum habitare Melchior Vulpius
Appears on: 134v–135v
Genres: Motet
Source Attribution: Melchior Vulpius
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam jucundum
135v–137 Nun lob mein Seel den Herren wass in mir ist Anon.
Appears on: 135v–137
Genres: Chorale, Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Nun lob mein Seel den Herren wass in mir ist
137v–138 Turris fortissima nomen Domini ad ipsum Nicolai Rosthii [= Rosthius]
Appears on: 137v–138
Genres: Motet
Source Attribution: Nicolai Rosthii [= Rosthius]
Voice: [no designation]
Languages: Latin
Voice Text: Turris fortissima nomen domini ad ipsum
138v–139v Laetatus sum in his quae dicta sunt (2p. Rogate quae ad pacem sunt Jerusalem) Nicolai Rosthii
Appears on: 138v–139v
Genres: Motet
Source Attribution: Nicolai Rosthii
Voice: [no designation]
Languages: Latin
Voice Text: Laetatus sum in his quae dicta sunt II: Rogate quae ad pacem sunt Jerusalem
140–141 Wie nach einer wasserquelle ein hirsch Hartmanni [= Hartmann]
Appears on: 140–141
Genres: Motet
Source Attribution: Hartmanni [= Hartmann]
Voice: [no designation]
Languages: German
Voice Text: Wie nach einer wasserquelle ein hirsch
141–141v Veniet tempus in quo salvabitur populus [Händl]
Appears on: 141–141v
Genres: Motet
Source Attribution: [Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Veniet tempus in quo salvabitur populus
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Burck, Joachim à (1546–1610)
Caen, Arnold
Chustrovius, Johannes
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Dedekind, Euricius
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Erbach, Christian (ca. 1568–1635)
Festa, Costanzo (ca. 1485–1545)
Handl (Gallus), Jacobus (1550–1591)
Hartmann, Heinrich
Hellinck, Lupus (ca. 1494–1541)
Hoyoul, Balduin
Jonckers, Maistre Gosse
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Morley, Thomas (ca. 1557–1602)
Paminger, Leonhard (1495–1567)
Phinot, Dominique
Praetorius, Christoph
Regnart, Jacob (ca. 1540–1599)
Rein, Conrad (ca. 1475–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Rivulo, Franziscus de
Rost, Nicolaus
Rupsch, Conrad
Sandrin, Pierre (ca. 1490–ca. 1560)
Schede, Paul Melissus
Senfl, Ludwig (ca. 1486–ca. 1543)
Steffens, Johann
Stoltzer, Thomas (ca. 1480–1526)
Tonsor, Michael
Vento, Ivo de
Verdelot, Philippe (ca. 1480–ca. 1532)
Viadana, Lodovico (ca. 1560–1627)
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Walter, Johann (1496–1570)
Wanning, Johannes (1537–1603)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Amen dico vobis si quis sermonem meum 74v–75
Angelus ad pastores ait annuntio vobis 68v–69
Ascendit Deus in jubilatione (2p. Et Dominus in voce tubae; 3p. Gloria patri et filio) 58–59
Audi tellus magni maris nimbus audi Anonymous 50v–51v
Beatam trinitatem patrem et filium (2p. Miserere populo tuo sanguine Christus) (= O trinitas et Deitas alma tibi omnes) 55–56
Benedicam Dominum in omni tempore (2p. In Domino laudabitur anima mea) 2–3
Benedixisti Domine terram tuam avertisti 103v–104
Bonum sero comessantibus à deo altera Anonymous 31v–32
Canamus grates deo creatori qui sua bonitate Anonymous 61
Cantate Domino canticum novum quia mirabilia 98v–99
Certus sermo et dignus quem modis omnibus 26–26v
Concussum est mare et contremuit terra (2p. Factum est silentium in caelo dum draco) 84v–86v
Confitebor tibi Domine in toto corde (8vv, LV189) 20v–22
Confitemini Domino et invocate (2p. Narrate omnia) (5vv) 36–37
Confitemini Domino quoniam bonus quoniam (2p. Omnes gentes circumdederunt me; 3p. Castigans castigavit me Dominus) 13–18v
Conserva me Domine quoniam speravi in te 102v–103
Contere Domine fortitudinem inimicorum (2p. Miserere nostri Domine te enim) Anonymous 22v–23
De ore prudentis procedit mel alleluia 71v–72v
Decantabat populus Israel alleluia (7vv) 114–115
Deus canticum novum cantabo tibi in psalterio (2p. Quia delectasti me Domine in factura) 129–130
Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) 48v–50v
Deus misereatur nostri et benedicat nobis 128–128v
Deus tu conversus vivificabis nos et plebs 117v–118
Dilectus meus descendit in ortum suum 132–132v
Domine Deus exercituum fortis et potens (2p. Igitur Domine dissipa gentes qui volunt) 46v–48v
Domine Dominus noster quam admirabile est 123v–124v
Domine Dominus noster quam admirabile est (6vv) 125–126
Domine exaudi oracionem meam et clamor Anonymous 110–110v
Domine Jesu Christe respicere digneris 35–36
Dulcis memoria et suavis recordatio (= Doulce memoire) 90v–91
Dum complerentur dies Pentecostes erant omnes 61v–62v
Ecce Dominus veniet nolite timere 14.5 11–11v
Ecce nunc benedicite Dominum omnes servi Domini Anonymous 65v–66v
Ecce quam bonum et quam jocundum habitare 134v–135v
Ego me diligentes diligo et qui mane 37v–38
Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) 104v–105
Ego sum via et veritas et vita 118v–119
Elisabeth Zachariae magnum virum genuit 83v–84
Elisabeth Zachariae magnum virum genuit (2p. Johannes est nomen eius vinum et siceram) 109–109v
Erhalt uns Herr bei Deinem wort und steur (2p. Gott heilger geist du tröster werth; 3p. Verlay uns frieden gnadiglich Herr; 4p. Gib unserm fursten und aller obrigkeit) 87v–90
Exaudi Domine orationem meam et ne contemne (2p. Contristatus sum in cogitatione mea; 3p. Deduc me Domine ad portum salutis) 69v–60v
Factus est repente de caelo sonus (2p. Spiritus Domini replevit orbem terrarum) 81–82
Gaudens gaudebo in Domino et exultabit Anonymous 133v–134
Gloria tibi Domine gloria tibi sancte 63–64
Gott sei lob und dank der uns giebt 65
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) (5vv) [Proprium in gallicantu] 67–68
Gratia Dei salvati sumus non ex nobis 25–25v
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) 95–96
Haec est vita aeterna ut cognoscant te 91v–92
Haec est vita aeterna ut cognoscant te 133–133v
Haec est voluntas eius qui misit me 75v–76
Honor virtus et potestas et imperium (2p. Trinitati lux perhennis unitate) Anonymous 82–83v
In angst und noth schreÿ ich zu meinem Gott (= In every place fierce Love alas assails) 130v
In convertendo Dominus captivitatem Sion 115–116
In honore Christi filii Dei jubilemus (2p. Caeleste beneficium Christi incarnatio) 27–29v
In me transierunt irae tuae 38v–39
In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) 126–127v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 23–23v
Intuemini quandus sit iste qui ingreditur (2p. Occurrite illi dicentes ecce advenit) 119v–121
Ite in orbem universum et praedicate 97v–98
Ite in orbem universum predicate dicentes 80–81
Jam de somno in quo tam diu misera 131–131v
Jam non dicam vos servos sed amicos (8vv) 53v–54
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 7–9
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 12–13
Jesu Christe fili Dei peccatorum consolator (= O Maria vernans) (2p. Tu lux pulchra tu medela tu pax) 29v–31v
Judica me Deus et discerne causam 17.8 (2p. Et introibo ad altare Dei) 45–46
Laetatus sum in his quae dicta sunt (2p. Rogate quae ad pacem sunt Jerusalem) 138v–139v
Lapidabant Stephanum (2p. Impetum fecerunt) 69v–71v
Laudate pueri Dominum laudate nomen 116v–117
Laus et perennis gloria Deo patri et filio (8vv) 130
Legem pone mihi Domine viam justificationum (2p. Da mihi intellectum et scrutabor legem) 122v–123
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 105–108
Multae tribulationes iustorum et de his 96v–97
Mundus transit et concupiscentia eius 32v–33
Non auferetur sceptrum de Juda neque (2p. Lavabit in vino stolam suam et sanguine) 112–114
Nun bitten wir den heiligen geist (5vv) 62v–63
Nun lob mein Seel den Herren wass in mir ist 135v–137
Nunc dimittis servum tuum Domine (2p. Lumen ad revelationum gentium et gloriam) 100v–102
O admirabile commercium creator generis 56v–57
O beatum virum Martinum antistitem qui nec (2p. Domine si adhuc populo tuo sum) 73–74
Omnia quae fecisti nobis Domine in vero 39v–40v
Pange lingua gloriosi corporis misterium 2 Nobis natus nobis datus ex intacta Anonymous 56
Pater noster qui es in caelis 111–111v
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) 33–35
Peccata mea Domine sicut sagittae infixa 99v–100
Philippe qui videt me alleluia (6vv, M84) 79–79v
Quam benignus es (2p. O beatum hominem) 121v–122
Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur) 77–78
Repleatur os meum laude tua ut hymnum (2p. Exsurge gloria mea exsurge psalterium) 93v–95
Resurrexit Dominus de sepulchro alleluia 76v–77
Sancta Trinitas unus Deus miserere nobis (8vv) 54v–55
Si bona suscepimus de manu Domini 5v–6v
Si Deus pro nobis quis contra nos (2p. Certus suum enim quia neque mors) Anonymous 3v–5
Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) 18v–20
Si diligis me Simon Petre pasce oves (2p. Si oportuerit me mori tecum) 9–11
Sic Deus dilexit mundum ut filium suum (2p. Venite ad me omnes qui onerati) 64–65
Surrexit pastor bonus qui animam suam 78–79
Suspiret corde quia placere Deo (= Sospiri miei d'oime) 52–53
Tollite jugum meum super vos dicit Dominus 92v–93
Turris fortissima nomen Domini ad ipsum 137v–138
Veniet tempus in quo salvabitur populus 141–141v
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) 40v–42v
Vespera nunc [jam] venit nobiscum Christo maneto 86v–87v
Virgines prudentes ornate lampades vestras (2p. Media autem nocte clamor factus est) 43–44v
Viri Galilaei quid aspicitis in caelum 57–58
Wie nach einer wasserquelle ein hirsch 140–141

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1, 802. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 789. Notes: contents list (partial); concordances (partial).

Silbiger, Alexander. 1977. An Unknown Partbook of Early Sixteenth Century Polyphony. Studi Musicali, 43-67. Pages: 58. Notes: contents list (partial); concordances (partial).

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: I, 221. Notes: contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Walter, Horst. 1967. Musikgeschichte der Stadt Lüneburg.  Tutzing. Pages: 34-5. Notes: physical description (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 120. Notes: contents list (partial); concordances (partial).

Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 1-27,459. Pages: 5-8, 10, 21, 24. Notes: physical description (partial); contents list (partial); concordances (partial).

Welter, Friedrich. 1950. Katalog der Musikalien der Ratsbücherei Lüneburg.  Lippstadt. Pages: 27. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Contents Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description