F-Pn Rés. 1431

Bibliothèque nationale de France, Département de la Musique, Paris, France

fragmentary partbook: Early 16th century

Archive Bibliothèque nationale de France, Département de la Musique, Paris, France (F-Pn)
Shelfmark Rés. 1431
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 123 x 196 mm
Other Identifiers
  • CCM: ParisBNC 1431
  • olim (Former shelfmark): F-Pc Rés. 1431
Notations
  • black void mensural
Copyists
External Authorities
Provenance
  • France
Contents 8 pieces from 3 composers
General Description

A fragmentary Tenor partbook. Copied by a single scribe (identified by Rifkin as Jean Michel). Copied in France.

DIAMM, 2017
Binding

Rebound in modern covers of black cardboard, with brown spine and corners.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 10.5 and 11.5

DIAMM, 2017
Foliation

Original ink foliation, 139-146, on upper right rectos.

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

i paper + 8 parchment + i paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 motets, 1 French secular piece* = 4

*"La belle se sied" (ff. 141'-143) has French secular text underlaid throughout, but incipit "Stabat mater dolorosa" appears at beginning of Pars I, and incipit "Eya mater" appears at beginning of Pars II.

Copinet-1, A. Févin-2, Prioris-1

1 fragmentary partbook (T-i paper + 8 parchment + i paper folios), 123 x 196. Original ink foliation, 139-146, on upper right rectos. Rebound in modern covers of black cardboard, with brown spine and corners. No index. Copied by a single scribe. Staff height 10.5 and 11.5. Inked calligraphic initials.

Early 16th century. Copied in France.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
139v–140 Rogamus per patris - 1a pars (of 2): Rogamus per patris pulchritudine -
Coppini, Alessandro (ca. 1456–1527)

Rogamus per patris - 1a pars (of 2): Rogamus per patris pulchritudine

Coppini, Alessandro (ca. 1456–1527)
Appears on: 139v–140
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O gamus per patris pulchritudine
140v–141 Rogamus per patris - 2a pars (of 2): Pulcherrime adiuvate nos -
Coppini, Alessandro (ca. 1456–1527)

Rogamus per patris - 2a pars (of 2): Pulcherrime adiuvate nos

Coppini, Alessandro (ca. 1456–1527)
Appears on: 140v–141
Genres: Motet
141v–142 Stabat mater / La belle se sied - 1a pars (of 2): Stabat mater / La belle se sied -
Prioris, Johannes (Denis, Dionisius) (–1515)

Stabat mater / La belle se sied - 1a pars (of 2): Stabat mater / La belle se sied

Prioris, Johannes (Denis, Dionisius) (–1515)
Appears on: 141v–142
Genres: Chanson, Motet, Stabat Mater
General Note

French secular text underlaid throughout, but incipit “Stabat mater dolorosa” appears at beginning of Pars I, and incipit “Eya mater” appears at beginning of Pars II.
142v–143 Stabat mater / La belle se sied - 1a pars (of 2): Eya mater / La belle se sied au pie de la tour -
Prioris, Johannes (Denis, Dionisius) (–1515)

Stabat mater / La belle se sied - 1a pars (of 2): Eya mater / La belle se sied au pie de la tour

Prioris, Johannes (Denis, Dionisius) (–1515)
Appears on: 142v–143
Genres: Chanson, Motet, Stabat Mater
General Note

French secular text underlaid throughout, but incipit “Stabat mater dolorosa” appears at beginning of Pars I, and incipit “Eya mater” appears at beginning of Pars II.
143v–144 Laetabundus exultet - 1a pars (of 2): Laetabundus exultet -
Fevin, Antoine de (ca. 1470–ca. 1512)

Laetabundus exultet - 1a pars (of 2): Laetabundus exultet

Fevin, Antoine de (ca. 1470–ca. 1512)
Appears on: 143v–144
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laetabundus exultet
144v–145 Laetabundus exultet - 2a pars (of 2): Cedrus alta Libani -
Fevin, Antoine de (ca. 1470–ca. 1512)

Laetabundus exultet - 2a pars (of 2): Cedrus alta Libani

Fevin, Antoine de (ca. 1470–ca. 1512)
Appears on: 144v–145
Genres: Motet
145v–146 Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum captivam duxit -
Fevin, Antoine de (ca. 1470–ca. 1512)

Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum captivam duxit

Fevin, Antoine de (ca. 1470–ca. 1512)
Appears on: 145v–146
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum
146v Ascendens Christus - 2a pars (of 2):O Rex gloriae Domini -
Fevin, Antoine de (ca. 1470–ca. 1512)

Ascendens Christus - 2a pars (of 2):O Rex gloriae Domini

Fevin, Antoine de (ca. 1470–ca. 1512)
Appears on: 146v
Genres: Motet
General Note

incomplete
Composer Compositions
Coppini, Alessandro (ca. 1456–1527)
Fevin, Antoine de (ca. 1470–ca. 1512)
Prioris, Johannes (Denis, Dionisius) (–1515)
Composition Composers (? Uncertain) Folios / Pages
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum captivam duxit
Fevin, Antoine de (ca. 1470–ca. 1512)
145v–146
Ascendens Christus - 2a pars (of 2):O Rex gloriae Domini
Fevin, Antoine de (ca. 1470–ca. 1512)
146v
Laetabundus exultet - 1a pars (of 2): Laetabundus exultet
Fevin, Antoine de (ca. 1470–ca. 1512)
143v–144
Laetabundus exultet - 2a pars (of 2): Cedrus alta Libani
Fevin, Antoine de (ca. 1470–ca. 1512)
144v–145
Rogamus per patris - 1a pars (of 2): Rogamus per patris pulchritudine
Coppini, Alessandro (ca. 1456–1527)
139v–140
Rogamus per patris - 2a pars (of 2): Pulcherrime adiuvate nos
Coppini, Alessandro (ca. 1456–1527)
140v–141
Stabat mater / La belle se sied - 1a pars (of 2): Eya mater / La belle se sied au pie de la tour
Prioris, Johannes (Denis, Dionisius) (–1515)
142v–143
Stabat mater / La belle se sied - 1a pars (of 2): Stabat mater / La belle se sied
Prioris, Johannes (Denis, Dionisius) (–1515)
141v–142

‡ denotes primary source study

Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 113-126. Notes: identifies scribe as Jean Michel.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description