E-TZ Archivo Ms. 5

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: 16th century

Archive	Archivo Capitular de la Catedral, Tarazona, Spain (E-TZ)
Shelfmark	Archivo Ms. 5
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	400 x 269 mm
Other Identifiers	CCM: TarazC 5
Notations	black void mensural
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony
Provenance	Tarazona? Spain Zaragoza (Saragossa)? Spain
Contents	48 pieces from 16 composers

General Description

Composite of three originally separate sections bound together in 17th century: Part I = new ff. 1-24; Part II = new ff. 25-64; Part III = new ff. 65-94. Part I copied by several scribes; Parts II-III copied by one main scribe and several additional scribes. Part I probably copied in Saragossa; Parts II-III probably copied in Tarazona (HardieP). Possibly copied in Palència or Valladolid (RussellB).

Cristina Urchueguía, 2010

Physical Description

Several original folios now missing at various places; some folios frayed, torn, separated from binding threads, or damaged by ink corrosion, but most music still legible.

Cristina Urchueguía, 2010

Binding

Original covers lost; modern cloth binding now includes two other music manuscripts not within scope of this catalogue.

Cristina Urchueguía, 2010

Watermark

(1) sun with initials "M A"; (2) generally resembles Briquet #13154; (3) crowned eagle; (4) circle with initials "I M", surmounted by cross; (5) mermaid. Reproduced in HardieP, 55-8.

Cristina Urchueguía, 2010

Notation

black void mensural

Cristina Urchueguía, 2010

Foliation

Modern pencil foliation, 1-94, on lower right rectos; new ff. 26-64 also have original ink foliation, i-xxxviiii, on upper right rectos. Several other foliation systems, incomplete and inaccurate.

Cristina Urchueguía, 2010

Decoration

Inked calligraphic initials.

Cristina Urchueguía, 2010

Index

Index on new f. 1 probably added in 17th century; reflects present ordering of contents in composite volume.

Cristina Urchueguía, 2010

Surface

paper

Cristina Urchueguía, 2010

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass (incomplete), 1 K-S-A Mass (incomplete), 1 Requiem Mass, 2 Requiem Mass sections (incomplete), 3 Kyries, 2 Credo sections, 4 Magnificats, 5 psalms, 2 office hymns, 1 processional hymn, 1 Lamentation, 15 motets, 1 litany, 3 Benedicamus dominos = 42

(Anchieta)-1, Basurto-1 + 1?, Basurto-Pastrana-(Brumel)-(Ockeghem)-anon-1, Gómez-1, Pastrana-6, Pastrana/(Jaquet of Mantua)-1, Peñalosa-2, Peñalosa/(Anchieta)-1, Ribaflecha-1, Robledo-1, Rubio-1, Sticheler? [Joannes Stiche]-2, (F. Torre)-1, anon-21

94 paper folios of an original 100 or more, 400 x 269. Composite of three originally separate sections bound together in 17th century: Part I = new ff. 1-24; Part II = new ff. 25-64; Part III = new ff. 65-94. Several original folios now missing at various places; some folios frayed, torn, separated from binding threads, or damaged by ink corrosion, but most music still legible. Modern pencil foliation, 1-94, on lower right rectos; new ff. 26-64 also have original ink foliation, i-xxxviiii, on upper right rectos. Several other foliation systems, incomplete and inaccurate. Original covers lost; modern cloth binding now includes two other music manuscripts not within scope of this catalogue.

Index on new f. 1 probably added in 17th century; reflects present ordering of contents in composite volume. Part I copied by several scribes; Parts II-III copied by one main scribe and several additional scribes. Inked calligraphic initials. Watermarks (reproduced in HardieP, 55-8): (1) sun with initials "M A"; (2) generally resembles Briquet #13154; (3) crowned eagle; (4) circle with initials "I M", surmounted by cross; (5) mermaid.

Part I: second half of 16th century; Parts II-III: first half of 16th century. Part I probably copied in Saragossa; Parts II-III probably copied in Tarazona (HardieP). Possibly copied in Palència or Valladolid (RussellB).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Requiem (Gradual only Cantus, Tenor. Communio only Altus, Bassus)	-	Anonymous
Requiem (Gradual only Cantus, Tenor. Communio only Altus, Bassus) Anonymous Appears on: 1v–2 Genres: Requiem Voice: [no designation] Languages: Latin Voice Text: [Requiem] Gradual (only Cantus, Tenor). Communio(only Altus, Bassus).
2v–10	Missa: Kyrie fragment. Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus.	-	Anonymous
Missa: Kyrie fragment. Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus. Anonymous Appears on: 2v–10 Genres: Agnus Dei, Credo (patrem omnipotentem), Kyrie eleison, Mass Ordinary, Sacred Song Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie (fragment). Credo (fragment). Sanctus (with: Benedictus: 3 voces). Agnus.
10v–11	Peccatem me	-	Anonymous
Peccatem me Anonymous Appears on: 10v–11 Genres: Responsory
11v–12	Dic nobis Maria	-	Anonymous
Dic nobis Maria Anonymous Appears on: 11v–12 Genres: Motet
12v–14	Domine si fuisses hic	-	Anonymous
Domine si fuisses hic Anonymous Appears on: 12v–14 Genres: Motet
14v–16	Domine Rex Deus	-	Anonymous
Domine Rex Deus Anonymous Appears on: 14v–16 Genres: Motet
17	Ad te levavi	Rubio	Rubio
Ad te levavi Rubio Appears on: 17 Genres: Psalm Source Attribution: Rubio
17v–19	Cum invocarem	-	Anonymous
Cum invocarem Anonymous Appears on: 17v–19 Genres: Psalm
19v–21	Oravit Salomon	-	Anonymous
Oravit Salomon Anonymous Appears on: 19v–21 Genres: Motet
21v–22	Et incarnatus (Ad petendam pluviam )	Melchor Robledo	Robledo, Melchor
Et incarnatus (Ad petendam pluviam ) Robledo, Melchor Appears on: 21v–22 Genres: Contrafactum, Credo (patrem omnipotentem), Motet Source Attribution: Melchor Robledo Voice: [no designation] Languages: Latin Voice Text: Ad petendam pluviam [Et incarnatus]
22v–23	Psallite Deo nostro	-	Anonymous
Psallite Deo nostro Anonymous Appears on: 22v–23 Genres: Motet
23v–24	Credo quod redemptor meus	-	Anonymous
Credo quod redemptor meus Anonymous Appears on: 23v–24 Genres: Motet
24v–25	Te lucis ante terminum	-	Anonymous
Te lucis ante terminum Anonymous Appears on: 24v–25 Genres: Hymn
25v–27	Gloria laus et honor	Penalosa	Penalosa, Francisco de
Gloria laus et honor Penalosa, Francisco de Appears on: 25v–27 Genres: Hymn Source Attribution: Penalosa Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor
27v–30	Kyrie [Tro] Qui expansis	-	Anonymous
Kyrie [Tro] Qui expansis Anonymous Appears on: 27v–30 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kirie feriados [Kyries feriados] / Kyrie (Tropus: Qui expansis, Qui prophetice).
27v–30	Kyrie [Tro] Qui propheticae promisisti	-	Anonymous
Kyrie [Tro] Qui propheticae promisisti Anonymous Appears on: 27v–30 Genres: Mass Ordinary, Troped Kyrie
30v–31	Christus DOminus factus est obediens	-	Anonymous
Christus DOminus factus est obediens Anonymous Appears on: 30v–31 Genres: Motet
31v–37	Magnificat octavi toni. Et exultavit [K.957]	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Magnificat octavi toni. Et exultavit [K.957] Pastrana, Pedro de (1490–ca. 1558) Appears on: 31v–37 Genres: BVM, Canticle, Magnificat Source Attribution: Pastrana
37v–45	Magnificat. Anima mea	Gómez	Gomez
Magnificat. Anima mea Gomez Appears on: 37v–45 Genres: BVM, Canticle, Magnificat Source Attribution: Gómez
45v–51	Magnificat Quarti Toni: Et exultavit [K.838]	Pastrana	Pastrana, Pedro de (1490–ca. 1558) (?) Mantua, Jacquet de (1483–1559)
Magnificat Quarti Toni: Et exultavit [K.838] Pastrana, Pedro de (1490–ca. 1558) (?) Mantua, Jacquet de (1483–1559) Appears on: 45v–51 Genres: BVM, Canticle, Magnificat Source Attribution: Pastrana
51v–57	Magnificat sexti toni. Et exultavit [K.956]	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Magnificat sexti toni. Et exultavit [K.956] Pastrana, Pedro de (1490–ca. 1558) Appears on: 51v–57 Genres: BVM, Canticle, Magnificat Source Attribution: Pastrana
57v–61	Lamentation: Quomodo obtexit	[anon]	Mouton, Jean (ca. 1459–1522)
Lamentation: Quomodo obtexit Mouton, Jean (ca. 1459–1522) Appears on: 57v–61 Genres: Lamentations Source Attribution: [anon]
61v–64	Beatus es et bene tibi erit	-	Yñiguez, Pedro
Beatus es et bene tibi erit Yñiguez, Pedro Appears on: 61v–64 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beatus es et bene tibi
64v–65	Ave maris stella	Iohannis Stiche	Estiche, Johannes
Ave maris stella Estiche, Johannes Appears on: 64v–65 Genres: Ave maris stella, Hymn Source Attribution: Iohannis Stiche Voice: [no designation] Languages: Latin Voice Text: Ave maris stella
65v–66	Et incarnatus.	Iohannis Stiche	Estiche, Johannes
Et incarnatus. Estiche, Johannes Appears on: 65v–66 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Iohannis Stiche Voice: [no designation] Languages: Latin Voice Text: Et incarnatus.
66v–67	Kyrie eleison	Penalosa	Penalosa, Francisco de
Kyrie eleison Penalosa, Francisco de Appears on: 66v–67 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Penalosa Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie
67v–68	Kyrie in feriis	-	Monte, Christoforus de (?)
Kyrie in feriis Monte, Christoforus de (?) Appears on: 67v–68 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie in feriis
68v–73	In agendis mortuorum: Introitus. Kyrie. Graduale	Basurto	Basurto, Juan Garcia de (ca. 1490–1547)
In agendis mortuorum: Introitus. Kyrie. Graduale Basurto, Juan Garcia de (ca. 1490–1547) Appears on: 68v–73 Genres: Gradual, Introit, Kyrie eleison, Requiem Source Attribution: Basurto Voice: [no designation] Languages: Latin, Greek Voice Text: In agendis mortuorum: Introitus. Kyrie. Graduale
73v–74	In agendis mortuorum: Sicut cervus (Responsory)	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
In agendis mortuorum: Sicut cervus (Responsory) Pastrana, Pedro de (1490–ca. 1558) Appears on: 73v–74 Genres: Responsory Source Attribution: Pastrana Voice: [no designation] Languages: Latin Voice Text: In agendis mortuorum: Tractus
74–75	In agendis mortuorum: Sicut cervus (duo) (Responsory)	-	Anonymous
In agendis mortuorum: Sicut cervus (duo) (Responsory) Anonymous Appears on: 74–75 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: In agendis mortuorum: Duo [Requiem] [4 voces]/ Tractus: 2 voces
75v–82	In agendis mortuorum: Sanctus with Benedictus. Agnus, Communio, Libera me.	-	Basurto, Juan Garcia de (ca. 1490–1547)
In agendis mortuorum: Sanctus with Benedictus. Agnus, Communio, Libera me. Basurto, Juan Garcia de (ca. 1490–1547) Appears on: 75v–82 Genres: Agnus Dei, Mass Ordinary, Requiem, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: In agendis mortuorum: Sanctus (with Benedictus). Agnus.
82v–83	Ne recorderis (Responsorium)	-	Sanabria, Juan de
Ne recorderis (Responsorium) Sanabria, Juan de Appears on: 82v–83 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: In agendis mortuorum: [Ne recorderis] Responsorium General Note See Inventar Tarazona Nr. 11, s. 1.3.3, S. 364
83v–84	Qui Lazarum (Responsorium)	-	Reynaldus, Fr.
Qui Lazarum (Responsorium) Reynaldus, Fr. Appears on: 83v–84 Genres: Responsory Voice: [no designation] Languages: Latin Voice Text: In agendis mortuorum: [Qui lazarum]Responsorium
84v–95	In te Domine speravi	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
In te Domine speravi Pastrana, Pedro de (1490–ca. 1558) Appears on: 84v–95 Genres: Responsory Source Attribution: Pastrana
85v–87	Domine Jesu Christe qui hora diei ultima	Penalosa	Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)
Domine Jesu Christe qui hora diei ultima Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?) Appears on: 85v–87 Genres: Motet Source Attribution: Penalosa Voice: [no designation] Languages: Latin Voice Text: Domine Iesu Christe qui hora diei ultima
87v–88	Miserere mei Deus	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Miserere mei Deus Pastrana, Pedro de (1490–ca. 1558) Appears on: 87v–88 Genres: Responsory Source Attribution: Pastrana Voice: [no designation] Languages: insufficient Voice Text: 3 Psalmen, 1 Motette
88v–89	Tibi soli peccavi	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Tibi soli peccavi Pastrana, Pedro de (1490–ca. 1558) Appears on: 88v–89 Genres: Responsory Source Attribution: Pastrana
89v–90	Pater dimitte illis	-	Pastrana, Pedro de (1490–ca. 1558)
Pater dimitte illis Pastrana, Pedro de (1490–ca. 1558) Appears on: 89v–90 Genres: Responsory
90v–91	Dic nobis Maria	Basurto	Basurto, Juan Garcia de (ca. 1490–1547)
Dic nobis Maria Basurto, Juan Garcia de (ca. 1490–1547) Appears on: 90v–91 Genres: Motet Source Attribution: Basurto Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria
90v–91	Benedicamus Domino	[Basurto]	Basurto, Juan Garcia de (ca. 1490–1547)
Benedicamus Domino Basurto, Juan Garcia de (ca. 1490–1547) Appears on: 90v–91 Genres: Benedicamus Domino, Motet Source Attribution: [Basurto] Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
91v–92	Benedicamus Domino	Pastrana	Pastrana, Pedro de (1490–ca. 1558)
Benedicamus Domino Pastrana, Pedro de (1490–ca. 1558) Appears on: 91v–92 Genres: Benedicamus Domino Source Attribution: Pastrana
92v–93	Benedicamus Domino	Ribafrecha	Ribaflecha, Martin de
Benedicamus Domino Ribaflecha, Martin de Appears on: 92v–93 Genres: Benedicamus Domino, Motet Source Attribution: Ribafrecha Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
93v–94v	Missa feriales: Kyrie eleison, Sanctus with: Pleni, Osanna: fragment. Agnus fragment.	-	Penalosa, Francisco de
Missa feriales: Kyrie eleison, Sanctus with: Pleni, Osanna: fragment. Agnus fragment. Penalosa, Francisco de Appears on: 93v–94v Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin, Greek Voice Text: Feriales. Chirie eleiyson [Missa ferial]: Kyrie. Sanctus (with: Pleni, Osanna: fragment). Agnus (fragment).
[95v]–[96]	Et incarnatus est [entered in index; lost]	-	Penalosa, Francisco de
Et incarnatus est [entered in index; lost] Penalosa, Francisco de Appears on: [95v]–[96] Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Et incarnatus est: entered in index; lost
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	Anonymous
[Unknown Title] Appears on: [-]
[not present?]	Litaniae: Kyrie qui expansis in cruce	-	Penalosa, Francisco de
Litaniae: Kyrie qui expansis in cruce Penalosa, Francisco de Appears on: [not present?] Genres: Litany, Liturgical work Voice: [no designation] Languages: Latin, Greek Voice Text: Litaniae: Kyrie qui expansis in cruce
[not present?]	Qui meditabitur in lege	-	Anonymous
Qui meditabitur in lege Anonymous Appears on: [not present?] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui meditabitur in lege

Composer	Compositions
Anchieta, Juan de (1462–1523)	Domine Jesu Christe qui hora diei ultima – 85v–87
Anonymous	Christus DOminus factus est obediens – 30v–31 Credo quod redemptor meus – 23v–24 Cum invocarem – 17v–19 Dic nobis Maria – 11v–12 Domine Rex Deus – 14v–16 Domine si fuisses hic – 12v–14 In agendis mortuorum: Sicut cervus (duo) (Responsory) – 74–75 Kyrie [Tro] Qui expansis – 27v–30 Kyrie [Tro] Qui propheticae promisisti – 27v–30 Missa: Kyrie fragment. Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus. – 2v–10 Oravit Salomon – 19v–21 Peccatem me – 10v–11 Psallite Deo nostro – 22v–23 Qui meditabitur in lege – [not present?] Requiem (Gradual only Cantus, Tenor. Communio only Altus, Bassus) – 1v–2 Te lucis ante terminum – 24v–25
Basurto, Juan Garcia de (ca. 1490–1547)	Benedicamus Domino – 90v–91 Dic nobis Maria – 90v–91 In agendis mortuorum: Introitus. Kyrie. Graduale – 68v–73 In agendis mortuorum: Sanctus with Benedictus. Agnus, Communio, Libera me. – 75v–82
Estiche, Johannes	Ave maris stella – 64v–65 Et incarnatus. – 65v–66
Gomez	Magnificat. Anima mea – 37v–45
Mantua, Jacquet de (1483–1559)	Magnificat Quarti Toni: Et exultavit [K.838] – 45v–51
Monte, Christoforus de	(?) Kyrie in feriis – 67v–68
Mouton, Jean (ca. 1459–1522)	Lamentation: Quomodo obtexit – 57v–61
Pastrana, Pedro de (1490–ca. 1558)	Benedicamus Domino – 91v–92 In agendis mortuorum: Sicut cervus (Responsory) – 73v–74 In te Domine speravi – 84v–95 (?) Magnificat Quarti Toni: Et exultavit [K.838] – 45v–51 Magnificat octavi toni. Et exultavit [K.957] – 31v–37 Magnificat sexti toni. Et exultavit [K.956] – 51v–57 Miserere mei Deus – 87v–88 Pater dimitte illis – 89v–90 Tibi soli peccavi – 88v–89
Penalosa, Francisco de	(?) Domine Jesu Christe qui hora diei ultima – 85v–87 Et incarnatus est [entered in index; lost] – [95v]–[96] Gloria laus et honor – 25v–27 Kyrie eleison – 66v–67 Litaniae: Kyrie qui expansis in cruce – [not present?] Missa feriales: Kyrie eleison, Sanctus with: Pleni, Osanna: fragment. Agnus fragment. – 93v–94v
Reynaldus, Fr.	Qui Lazarum (Responsorium) – 83v–84
Ribaflecha, Martin de	Benedicamus Domino – 92v–93
Robledo, Melchor	Et incarnatus (Ad petendam pluviam ) – 21v–22
Rubio	Ad te levavi – 17
Sanabria, Juan de	Ne recorderis (Responsorium) – 82v–83
Yñiguez, Pedro	Beatus es et bene tibi erit – 61v–64

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi	Rubio	17
Ave maris stella	Estiche, Johannes	64v–65
Beatus es et bene tibi erit	Yñiguez, Pedro	61v–64
Benedicamus Domino	Basurto, Juan Garcia de (ca. 1490–1547)	90v–91
Benedicamus Domino	Pastrana, Pedro de (1490–ca. 1558)	91v–92
Benedicamus Domino	Ribaflecha, Martin de	92v–93
Christus DOminus factus est obediens	Anonymous	30v–31
Credo quod redemptor meus	Anonymous	23v–24
Cum invocarem	Anonymous	17v–19
Dic nobis Maria	Anonymous	11v–12
Dic nobis Maria	Basurto, Juan Garcia de (ca. 1490–1547)	90v–91
Domine Jesu Christe qui hora diei ultima	Anchieta, Juan de (1462–1523) Penalosa, Francisco de (?)	85v–87
Domine Rex Deus	Anonymous	14v–16
Domine si fuisses hic	Anonymous	12v–14
Et incarnatus (Ad petendam pluviam )	Robledo, Melchor	21v–22
Et incarnatus est [entered in index; lost]	Penalosa, Francisco de	[95v]–[96]
Et incarnatus.	Estiche, Johannes	65v–66
Gloria laus et honor	Penalosa, Francisco de	25v–27
In agendis mortuorum: Introitus. Kyrie. Graduale	Basurto, Juan Garcia de (ca. 1490–1547)	68v–73
In agendis mortuorum: Sanctus with Benedictus. Agnus, Communio, Libera me.	Basurto, Juan Garcia de (ca. 1490–1547)	75v–82
In agendis mortuorum: Sicut cervus (duo) (Responsory)	Anonymous	74–75
In agendis mortuorum: Sicut cervus (Responsory)	Pastrana, Pedro de (1490–ca. 1558)	73v–74
In te Domine speravi	Pastrana, Pedro de (1490–ca. 1558)	84v–95
Kyrie [Tro] Qui expansis	Anonymous	27v–30
Kyrie [Tro] Qui propheticae promisisti	Anonymous	27v–30
Kyrie eleison	Penalosa, Francisco de	66v–67
Kyrie in feriis	Monte, Christoforus de (?)	67v–68
Lamentation: Quomodo obtexit	Mouton, Jean (ca. 1459–1522)	57v–61
Litaniae: Kyrie qui expansis in cruce	Penalosa, Francisco de	[not present?]
Magnificat octavi toni. Et exultavit [K.957]	Pastrana, Pedro de (1490–ca. 1558)	31v–37
Magnificat Quarti Toni: Et exultavit [K.838]	Pastrana, Pedro de (1490–ca. 1558) (?) Mantua, Jacquet de (1483–1559)	45v–51
Magnificat sexti toni. Et exultavit [K.956]	Pastrana, Pedro de (1490–ca. 1558)	51v–57
Magnificat. Anima mea	Gomez	37v–45
Miserere mei Deus	Pastrana, Pedro de (1490–ca. 1558)	87v–88
Missa feriales: Kyrie eleison, Sanctus with: Pleni, Osanna: fragment. Agnus fragment.	Penalosa, Francisco de	93v–94v
Missa: Kyrie fragment. Credo fragment. Sanctus with: Benedictus: 3 voces. Agnus.	Anonymous	2v–10
Ne recorderis (Responsorium)	Sanabria, Juan de	82v–83
Oravit Salomon	Anonymous	19v–21
Pater dimitte illis	Pastrana, Pedro de (1490–ca. 1558)	89v–90
Peccatem me	Anonymous	10v–11
Psallite Deo nostro	Anonymous	22v–23
Qui Lazarum (Responsorium)	Reynaldus, Fr.	83v–84
Qui meditabitur in lege	Anonymous	[not present?]
Requiem (Gradual only Cantus, Tenor. Communio only Altus, Bassus)	Anonymous	1v–2
Te lucis ante terminum	Anonymous	24v–25
Tibi soli peccavi	Pastrana, Pedro de (1490–ca. 1558)	88v–89

‡ denotes primary source study

Calahorra Martínez, Pedro (editor). 1995. Autores hispanos de los siglos XV-XVI de los Ms. 2 y 5 de la catedral de Tarazona. Polifonia Aragonesa. Zaragoza. Notes: contents list (partial); transcription (partial).

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 52-75, 115, 143-4, 149, 189ff, 283-5, 428-38. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Russell, Eleanor. 1979. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 1-37. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165-6 [referred to as MS 4]. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Sevillano, Justo. 1961. Catálogo musical del Archivo Capitular de Tarazona. Anuário Musical, 149-76. Pages: 157-8. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 125 [referred to as MS 4] XXIV, 9 [information incorrect: Morales' Missa Ut re mi fa sol la not in TarazC 5]. Notes: physical description (partial); contents list; concordances (partial); transcription (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-TZ Archivo Ms. 5

Archivo Capitular de la Catedral, Tarazona, Spain

manuscript of polyphony: 16th century

General Description

Physical Description

Binding

Watermark

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017