D-Sl Cod. mus. I 2° 3

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1562

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 3
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 515 x 395 mm
Other Identifiers
  • CCM: StuttL 3
  • olim (Former shelfmark): MS Musica folio I 3
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 17 pieces from 11 composers
General Description

Copied by Johann Chamerhueber (inscription on f. 188). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

DIAMM, 2017
Binding

Original covers of tooled leather over pasteboard, repaired in 1938.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1562 (date on f. 188).

DIAMM, 2017
Foliation

Original ink foliation, 1-188 (one folio between new ff. 143/144 not numbered).

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Index

Original index on f. [i] lists pieces in order of appearance (one piece listed out of proper sequence)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 motets, 1 Latin/German sacred piece, 1 German sacred piece = 17

(Arcadelt)-1, Braetel-1, Brandt-1, Clemens non Papa-5, Crecquillon-1, Hemmel-4, Lassus-1, Lusitano-1, Mouton/(Josquin/ Willaert)-1, (Werrecore)-1

i + 189 paper folios, 515 x 395. Original ink foliation, 1-188 (one folio between new ff. 143/144 not numbered). Original covers of tooled leather over pasteboard, repaired in 1938. Original index on f. [i] lists pieces in order of appearance (one piece listed out of proper sequence). Copied by Johann Chamerhueber (inscription on f. 188); see general index for other manuscripts copied by the same scribe. No initials or decoration.

1562 (date on f. 188). Copied in Stuttgart, for use by court chapel of Christoph, Duke of Württemberg (1515-68).

Vol 4

Composers: Change "Crecquillon-l" to "Crecquillon/(Morales)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–7 Dies est laetitiae (7vv) Sigismundus Hemelius
Appears on: 1v–7
Genres: Motet
Source Attribution: Sigismundus Hemelius
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos Domine vigilantes
7v–28 In principio erat verbum (2p. Fuit homo missus) -
Appears on: 7v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum
General Note

II. Fuit homo missus

28v–35 In dulci jubilo -
Appears on: 28v–35
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci jubilo
35v–45 Pater noster qui es in caelis (8vv) -
Appears on: 35v–45
Genres: Motet, Pater noster
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster
45v–50 Circumdederunt me dolores -
Appears on: 45v–50
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me dolores
50v–65 Beati omnes (2p. Ecce sic benedicitur) -
Appears on: 50v–65
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes
General Note

II. Ecce sic benedicitur

65v–72 Veni sancte spiritus et emitte caelitus -
Appears on: 65v–72
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus
72v–85 Hoc est praeceptum meum ut diligatis (2p. Mementote sermonis mei quem ego dixi) -
Appears on: 72v–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hoc est praeceptum meum
General Note

II. Mementote sermones mei

85v–103 Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae) -
Appears on: 85v–103
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra
General Note

II. Populus eius

103v–118 Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in oram vestimenti) -
Appears on: 103v–118
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum
General Note

II. Quod descendit

118v–130 Verbum caro factum est et habitavit (2p. Plenum gratia et veritate; 3p. In principio erat verbum et verbum) -
Appears on: 118v–130
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est
General Note

II. Plenum gratio III. In principio erat verbum

130v–143 Andreas Christi famulus II. Dilexit Andream Dominus -
Appears on: 130v–143
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Andreas Christi famulus
General Note

II. Dilexit Andream

144v–159 O magnum misterium et admirabile sacramentum (2p. Domine audivi auditum tuum et timui) -
Appears on: 144v–159
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O magnum mysterium
General Note

II. Domine audivi

159v–164 Uns ist begorn ein khindelein -
Appears on: 159v–164
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Uns ist begorn ein khindelein
164v–171 Jesus Christus venit in mundum ut peccatores -
Appears on: 164v–171
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jesus Christus venit
171v–185 Non relinquam vos orphanos (2p. Vado parare vobis) -
Appears on: 171v–185
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Non relinquam vos orphanos
General Note

II. Vado parare vobis

185v–188 Salva nos Domine vigilantes custodi nos (6vv) -
Appears on: 185v–188
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos Domine vigilantes
Composition Composers (? Uncertain) Folios / Pages
Andreas Christi famulus II. Dilexit Andream Dominus 130v–143
Beati omnes (2p. Ecce sic benedicitur) 50v–65
Circumdederunt me dolores 45v–50
Dies est laetitiae (7vv) 1v–7
Ecce quam bonum et quam jocundum habitare (2p. Quod descendit in oram vestimenti) 103v–118
Hoc est praeceptum meum ut diligatis (2p. Mementote sermonis mei quem ego dixi) 72v–85
In dulci jubilo 28v–35
In principio erat verbum (2p. Fuit homo missus) 7v–28
Jesus Christus venit in mundum ut peccatores 164v–171
Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae) 85v–103
Non relinquam vos orphanos (2p. Vado parare vobis) 171v–185
O magnum misterium et admirabile sacramentum (2p. Domine audivi auditum tuum et timui) 144v–159
Pater noster qui es in caelis (8vv) 35v–45
Salva nos Domine vigilantes custodi nos (6vv) 185v–188
Uns ist begorn ein khindelein 159v–164
Veni sancte spiritus et emitte caelitus 65v–72
Verbum caro factum est et habitavit (2p. Plenum gratia et veritate; 3p. In principio erat verbum et verbum) 118v–130

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 389, 808. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 8-9. Notes: physical description; contents list; concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 105, 124, 133, 136, 139. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 67-71. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 834. Notes: physical description (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 25-6, passim. Notes: physical description (partial); mention of MS; discussion.

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 4-5. Notes: physical description (partial); contents list.

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Vicente Parrilla

Saturday, 10 August, 2019

Link to images on Stuttgart Library website added

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description