Copied by one main scribe and seven additional scribes. Probably of south German or Austrian origin.
D-Rp C 98
Bischöfliche Zentralbibliothek, Regensburg, Germany
manuscript of polyphony: Early 16th century
| Archive | Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp) |
|---|---|
| Shelfmark | C 98 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 404 x 274 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
|
| Contents | Contains 29 compositions, 5 from 4 composers, 24 are anonymous. |
General Description
Binding
Original covers of brown leather over cardboard, stamped with floral and fleur-de-lis designs.
Watermark
(1) anchor in circle surmounted by six-pointed star (not in Briquet); (2) flower with four petals (not in Briquet).
Notation
black void mensural
Ruling
Staff height 23
Foliation
New pencil foliation, 1-127 + 127a-166.
Foliation
Other numberings: Modern pencil numbering of 'Salve Regina' settings.
Decoration
Space left for decorative initials, but only a few plain inked initials actually inscribed
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Mass Proper sections, 1 Magnificat, 1 hymn, 23 motets (mostly "Salve Regina ' ' settings), 2 sets of responses = 29
(Isaac)-1, (Josquin)-1, (La Rue)-2, (Obrecht)-1, anon-24
167 paper folios, 404 x 274. New pencil foliation, 1-127 + 127a-166. Modern pencil numbering of "Salve Regina" settings. Original covers of brown leather over cardboard, stamped with floral and fleur-de-lis designs. No index. Copied by one main scribe and seven additional scribes. Staff height 23. Space left for decorative initials, but only a few plain inked initials actually inscribed. Watermarks: (1) anchor in circle surmounted by six-pointed star (not in Briquet); (2) flower with four petals (not in Briquet).
Early 16th century. Probably of south German or Austrian origin.
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‡ denotes primary source study
Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26: 84-108. Notes: contents list (partial); concordances (partial).
Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 27: 86-92. Notes: contents list (partial); concordances (partial).
Noblitt, Thomas L. 1974. Manuscript Mus. l/D/506 of the Sächsische Landesbibliothek, Dresden {olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1126). Musica Disciplina, 28: 81-127. Pages: 91. Notes: contents list (partial); concordances (partial).
Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 50, 6l, 73ff, 155-72, 228-70, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Nagle, Sister Mary Ellen. 1972. The Structural Role of the Cantus Firmus in the Motets of Jacob Obrecht. University of Michigan, Unpublished Ph.D. dissertation. Pages: 9. Notes: contents list (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158. Notes: contents list (partial); incipits (partial).
Davison, Nigel St. John. 1961. The Motets of Pierre de 1a Rue. Edinburgh University, Unpublished D.Mus. thesis. Pages: 103. Notes: contents list (partial); concordances (partial).
Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: II, fasc. 1, iii. Notes: physical description; contents list (partial); concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description