D-Rp C 98

Bischöfliche Zentralbibliothek, Regensburg, Germany

manuscript of polyphony: Early 16th century

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	C 98
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	404 x 274 mm
Other Identifiers	CCM: RegB C98
Notations	black void mensural
Provenance	Southern Germany or Austria
Contents	29 pieces from 5 composers

General Description

Copied by one main scribe and seven additional scribes. Probably of south German or Austrian origin.

DIAMM, 2017

Binding

Original covers of brown leather over cardboard, stamped with floral and fleur-de-lis designs.

DIAMM, 2017

Watermark

(1) anchor in circle surmounted by six-pointed star (not in Briquet); (2) flower with four petals (not in Briquet).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 23

DIAMM, 2017

Foliation

New pencil foliation, 1-127 + 127a-166.

DIAMM, 2017

Foliation

Other numberings: Modern pencil numbering of 'Salve Regina' settings.

DIAMM, 2017

Decoration

Space left for decorative initials, but only a few plain inked initials actually inscribed

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections, 1 Magnificat, 1 hymn, 23 motets (mostly "Salve Regina ' ' settings), 2 sets of responses = 29

(Isaac)-1, (Josquin)-1, (La Rue)-2, (Obrecht)-1, anon-24

167 paper folios, 404 x 274. New pencil foliation, 1-127 + 127a-166. Modern pencil numbering of "Salve Regina" settings. Original covers of brown leather over cardboard, stamped with floral and fleur-de-lis designs. No index. Copied by one main scribe and seven additional scribes. Staff height 23. Space left for decorative initials, but only a few plain inked initials actually inscribed. Watermarks: (1) anchor in circle surmounted by six-pointed star (not in Briquet); (2) flower with four petals (not in Briquet).

Early 16th century. Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–5	Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae	-	Rue, Pierre de la (ca. 1452–1518)
Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae Rue, Pierre de la (ca. 1452–1518) Appears on: 1v–5 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
5v–16	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 5v–16 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
16v–30	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 16v–30 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
30v–39	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 30v–39 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
39v–49	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 39v–49 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
49v–59	Salve regina mater misericordiae	-	Rue, Pierre de la (ca. 1452–1518)
Salve regina mater misericordiae Rue, Pierre de la (ca. 1452–1518) Appears on: 49v–59 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
59v–70	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 59v–70 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
71v–80	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 71v–80 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
81v–90	Salve regina (6vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	-	Obrecht, Jacobus (ca. 1457–1505)
Salve regina (6vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Obrecht, Jacobus (ca. 1457–1505) Appears on: 81v–90 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
91v–95	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 91v–95 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
95v–100	Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum	-	Despres, Josquin (ca. 1450–1521)
Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum Despres, Josquin (ca. 1450–1521) Appears on: 95v–100 Genres: BVM, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
100v–109	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 100v–109 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
109v–119	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 109v–119 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
119v–120	Hic erit magnus et filius altissimi	-	Anonymous
Hic erit magnus et filius altissimi Anonymous Appears on: 119v–120 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hic erit magnus et filius altissimi
120v–121	Mater misericordiae tu nos ab hoste protege	-	Anonymous
Mater misericordiae tu nos ab hoste protege Anonymous Appears on: 120v–121 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Mater misericordiae tu nos ab hoste protege
122v–127	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 122v–127 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
127v–130	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 127v–130 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
130v–133	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 130v–133 Genres: Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
133v–134	Domine ad adjuvandum me festina gloria	-	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 133v–134 Genres: Offertory, Proper Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum me festina
134v–135	Sanctificavit Dominus tabernaculum suum	-	Anonymous
Sanctificavit Dominus tabernaculum suum Anonymous Appears on: 134v–135 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Sanctificavit dominus tabernaculum suum
135v–139	[Urbs Jerusalem beata] Nova veniens e caelo	-	Anonymous
[Urbs Jerusalem beata] Nova veniens e caelo Anonymous Appears on: 135v–139 Genres: Hymn
139v–146	Magnificat sexti toni: Et exultavit [K.330]	-	Anonymous
Magnificat sexti toni: Et exultavit [K.330] Anonymous Appears on: 139v–146 Genres: BVM, Canticle, Magnificat
146v–148	O quam metuendus est locus iste vere	-	Anonymous
O quam metuendus est locus iste vere Anonymous Appears on: 146v–148 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: O quam metuendus est locus iste vere
148v–150	Terribilis est locus iste Vs. Quam dilecta tabernacula tua	-	Anonymous
Terribilis est locus iste Vs. Quam dilecta tabernacula tua Anonymous Appears on: 148v–150 Genres: Introit, Proper Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste
150v–151	(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc	-	Anonymous
(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc Anonymous Appears on: 150v–151 Genres: Response Voice: [no designation] Languages: Latin Voice Text: Et cum spiritu
151v–158	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 151v–158 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
158v–163	Salve regina mater misericordiae	-	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 158v–163 Genres: Marian antiphon, Motet, Salve Regina Voice: [no designation] Languages: Latin Voice Text: Salve regina
163v–164	Gloria tibi Domine	-	Anonymous
Gloria tibi Domine Anonymous Appears on: 163v–164 Genres: Response Voice: [no designation] Languages: Latin Voice Text: Gloria tibi domine
164v–167	Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	-	Isaac, Heinrich (ca. 1450–1517)
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 164v–167 Genres: Sequence Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur

Composer	Compositions
Anonymous	(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc – 150v–151 Domine ad adjuvandum me festina gloria – 133v–134 Gloria tibi Domine – 163v–164 Hic erit magnus et filius altissimi – 119v–120 Magnificat sexti toni: Et exultavit [K.330] – 139v–146 Mater misericordiae tu nos ab hoste protege – 120v–121 O quam metuendus est locus iste vere – 146v–148 Salve regina mater misericordiae – 151v–158 Salve regina mater misericordiae – 122v–127 Salve regina mater misericordiae – 71v–80 Salve regina mater misericordiae – 130v–133 Salve regina mater misericordiae – 91v–95 Salve regina mater misericordiae – 5v–16 Salve regina mater misericordiae – 16v–30 Salve regina mater misericordiae – 30v–39 Salve regina mater misericordiae – 39v–49 Salve regina mater misericordiae – 59v–70 Salve regina mater misericordiae – 100v–109 Salve regina mater misericordiae – 109v–119 Salve regina mater misericordiae – 127v–130 Salve regina mater misericordiae – 158v–163 Sanctificavit Dominus tabernaculum suum – 134v–135 Terribilis est locus iste Vs. Quam dilecta tabernacula tua – 148v–150 [Urbs Jerusalem beata] Nova veniens e caelo – 135v–139
Despres, Josquin (ca. 1450–1521)	Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum – 95v–100
Isaac, Heinrich (ca. 1450–1517)	Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] – 164v–167
Obrecht, Jacobus (ca. 1457–1505)	Salve regina (6vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 81v–90
Rue, Pierre de la (ca. 1452–1518)	Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae – 1v–5 Salve regina mater misericordiae – 49v–59

Composition	Composers (? Uncertain)	Folios / Pages
(set of responsories) Et cum spiritu - Gloria tibi - Amen - etc	Anonymous	150v–151
[Urbs Jerusalem beata] Nova veniens e caelo	Anonymous	135v–139
Domine ad adjuvandum me festina gloria	Anonymous	133v–134
Gloria tibi Domine	Anonymous	163v–164
Hic erit magnus et filius altissimi	Anonymous	119v–120
Magnificat sexti toni: Et exultavit [K.330]	Anonymous	139v–146
Mater misericordiae tu nos ab hoste protege	Anonymous	120v–121
O quam metuendus est locus iste vere	Anonymous	146v–148
Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum	Despres, Josquin (ca. 1450–1521)	95v–100
Salve regina (6vv) Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Obrecht, Jacobus (ca. 1457–1505)	81v–90
Salve regina mater misericordiae	Anonymous	5v–16
Salve regina mater misericordiae	Anonymous	16v–30
Salve regina mater misericordiae	Anonymous	30v–39
Salve regina mater misericordiae	Anonymous	39v–49
Salve regina mater misericordiae	Rue, Pierre de la (ca. 1452–1518)	49v–59
Salve regina mater misericordiae	Anonymous	59v–70
Salve regina mater misericordiae	Anonymous	71v–80
Salve regina mater misericordiae	Anonymous	91v–95
Salve regina mater misericordiae	Anonymous	100v–109
Salve regina mater misericordiae	Anonymous	109v–119
Salve regina mater misericordiae	Anonymous	122v–127
Salve regina mater misericordiae	Anonymous	127v–130
Salve regina mater misericordiae	Anonymous	130v–133
Salve regina mater misericordiae	Anonymous	151v–158
Salve regina mater misericordiae	Anonymous	158v–163
Salve regina VI - 1a pars (of 2): Salve regina mater misericordiae	Rue, Pierre de la (ca. 1452–1518)	1v–5
Sanctificavit Dominus tabernaculum suum	Anonymous	134v–135
Terribilis est locus iste Vs. Quam dilecta tabernacula tua	Anonymous	148v–150
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	164v–167

‡ denotes primary source study

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1974. Manuscript Mus. l/D/506 of the Sächsische Landesbibliothek, Dresden {olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1126). Musica Disciplina, 81-127. Pages: 91. Notes: contents list (partial); concordances (partial).

Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 50, 6l, 73ff, 155-72, 228-70, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Nagle, Sister Mary Ellen. 1972. The Structural Role of the Cantus Firmus in the Motets of Jacob Obrecht. University of Michigan, Unpublished Ph.D. dissertation. Pages: 9. Notes: contents list (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 158. Notes: contents list (partial); incipits (partial).

Davison, Nigel St. John. 1961. The Motets of Pierre de 1a Rue. Edinburgh University, Unpublished D.Mus. thesis. Pages: 103. Notes: contents list (partial); concordances (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: II, fasc. 1, iii. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description