GB-Lbl Add. MS 36484

British Library, London, England

partbook: c. 1604

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 36484
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Mixed Foliation and Pagination
Measurements	198 x 281 mm
Other Identifiers	CCM: LonBL 36484
Notations	black void mensural
Copyists	Melvill (Melvine), David Music
Relationships	Forbes-Leith family (owner) Forbes, William (owner) Melvill (Melvine), David (compiler)
External Links	British Library online catalogue entry
Provenance	Aberdeen, Scotland
Contents	160 pieces from 26 composers

General Description

A single Bassus partbook from a set probably of 4 volumes. The compiler and original owner was David Melvill or Melvine (both spellings in manuscript), an Aberdeen printer and bookseller, whose name appears at bottom of many folios (he also copied the 'Tolquhon Cantus' book in the Fitzwilliam Museum at Cambridge). Later owned by William Forbes and Forbes-Leith family. Acquired by British Museum in 1900.

DIAMM, 2017

Binding

Modern covers of maroon leather and cloth on cardboard.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Other numberings: original numbering of pieces, 1-164 (with some errors)

DIAMM, 2017

Foliation

Original ink pagination, 3-144; modern pencil foliation, 1-71

DIAMM, 2017

Decoration

Black inked initials embellished with ornamental motifs in brown ink

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus, 4 Mass Ordinary sections, 13 motets, 8 anthems, 82 English secular pieces, 31 Italian secular pieces, 8 French secular pieces, 1 Latin secular piece, 18 textless pieces (In nomines, Fantasias, Pavanes, Galliards, etc.) = 166 + 1 duplicate = 167

(Bicci)-1, Black-3, (Blackhall)-1, (Byrd)-8, (Croce)-4, (Dowland)-1, Dowland-anon-2, (M. East)-11, (Eremita)-1, (Farmer)-2, (A. Ferrabosco I)-2, (Giovanelli)-21, (R.Johnson I)-1, (Lassus)-2, Lauder-1, (Maillard)-1, (Maillard/Tye)-1, (Morley)-17, (Mosto)-8, (Nanino)-1, (Pevernage)-1, (Pinello di Ghirardi)-1, (Quintiani)-1, (F. Regnart)-3, Sharp(?)-1, Skene-1, (Sweelinck)-2, (Tallis)-1, (Venturi)-1, Wilder [Maister philip]-1, anon-64

1 paper partbook of an original 4? (B-iii + 71 + iii folios), 198 x 281. Original ink pagination, 3-144; modern pencil foliation, 1-71; original numbering of pieces, 1-164 (with some errors). Modern covers of maroon leather and cloth on cardboard. No index. Copied by David Melvill or Melvine (see below), whose name appears at bottom of many folios; Melvill also copied the "Tolquhon Cantus" book in the Fitzwilliam Museum at Cambridge.* Black inked initials embellished with ornamental motifs in brown ink. Many pieces have text incipits or titles only.

*To be described in the Supplement.

Ca. 1604. Copied in Aberdeen, Scotland. The compiler and original owner was David Melvill or Melvine (both spellings in manuscript), an Aberdeen printer and bookseller. Later owned by William Forbes and Forbes-Leith family. Acquired by British Museum in 1900.

Vol 4

Composers: Add "(Cadéac/Lupus)-1" and "(Sermisy)-1"; change "anon-64" to "anon-62."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	When shall my sorrowful sighing slake	[Tallis]	Tallis, Thomas (ca. 1505–1585) (?)
When shall my sorrowful sighing slake Tallis, Thomas (ca. 1505–1585) (?) Appears on: 1 Genres: Song Source Attribution: [Tallis] Voice: [Bassus] Languages: English Voice Text: When sall my soroufull sicing slaik
1v	Support your servant, peerless paramour	-	Anonymous
Support your servant, peerless paramour Anonymous Appears on: 1v Genres: Song Voice: [Bassus] Languages: English Voice Text: Suport your servand, pierles paramure
2	Only to you, my lady bright	-	Anonymous
Only to you, my lady bright Anonymous Appears on: 2 Genres: Song Voice: [Bassus] Languages: English Voice Text: Only to ȝow, my ladey bricht
2v	Thy mercy will I sing and justice eke	-	Anonymous
Thy mercy will I sing and justice eke Anonymous Appears on: 2v Genres: Anthem Voice: [Bassus] Languages: English Voice Text: Thy mercie will I sing and justice eik
3	O Lord how many enemies have I	-	Anonymous
O Lord how many enemies have I Anonymous Appears on: 3 Genres: Psalm Voice: [Bassus] Languages: English Voice Text: O Lord how mony enemeis have I
3v	Right sore oppressed am I	-	Anonymous
Right sore oppressed am I Anonymous Appears on: 3v Genres: Song Voice: [Bassus] Languages: English Voice Text: Richt soir oprest am I
4	Our father God celestial	-	Anonymous
Our father God celestial Anonymous Appears on: 4 Genres: Psalm Voice: [Bassus] Languages: English Voice Text: Oure father God celestiall
4v	In through the windows of my eyes	-	Anonymous
In through the windows of my eyes Anonymous Appears on: 4v Genres: Song Voice: [Bassus] Languages: English Voice Text: In throw the vondouis of my eies
5	O lustie May	-	Anonymous
O lustie May Anonymous Appears on: 5 Genres: Song Voice: [Bassus] Languages: English Voice Text: O lustie May
5v	Come death (or, Even death) behold I breathe	-	Anonymous
Come death (or, Even death) behold I breathe Anonymous Appears on: 5v Genres: Song Voice: [Bassus] Languages: English Voice Text: Cwm death behold I breath
6	I joy not in no earthly bliss	[Byrd]	Byrd, William (ca. 1540–1623)
I joy not in no earthly bliss Byrd, William (ca. 1540–1623) Appears on: 6 Genres: Song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: I joy not in no earthlie bliss
6v	Where fancy fond	[Byrd]	Byrd, William (ca. 1540–1623)
Where fancy fond Byrd, William (ca. 1540–1623) Appears on: 6v Genres: Song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: Wher fancie fond
7	Susanna fair (= Susanne un jour)	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Susanna fair (= Susanne un jour) Lassus, Orlande de (ca. 1532–1594) Appears on: 7 Genres: Contrafactum, Madrigal (English) Source Attribution: [Lassus] Voice: [Bassus] Languages: English Voice Text: Susanna [fair]
7	Ascendo ad patrem meum et patrem vestrum	[Tye/Maillard]	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)
Ascendo ad patrem meum et patrem vestrum Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 7 Genres: Motet Source Attribution: [Tye/Maillard] Voice: [Bassus] Languages: Latin Voice Text: Ascendo
8	Music fine	-	Anonymous
Music fine Anonymous Appears on: 8 Genres: Song Voice: [Bassus] Languages: English Voice Text: Musick fyne
8	Little black	-	Anonymous
Little black Anonymous Appears on: 8 Genres: Song Voice: [Bassus] Languages: English Voice Text: Lytill blak
8v	Of mortal man	-	Anonymous
Of mortal man Anonymous Appears on: 8v Genres: Song Voice: [Bassus] Languages: English Voice Text: Of mortall man
8v	My delight	-	Anonymous
My delight Anonymous Appears on: 8v Genres: Song Voice: [Bassus] Languages: English Voice Text: My delyt
9	Sir John Black	-	Anonymous
Sir John Black Anonymous Appears on: 9 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Sir John Black
9v	Peccavi pater	-	Anonymous
Peccavi pater Anonymous Appears on: 9v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Peccavi pater
10	Miserere mei	-	Anonymous
Miserere mei Anonymous Appears on: 10 Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Miserere mei
10	Black, major	-	Anonymous
Black, major Anonymous Appears on: 10 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Blak, maior
10v	Miserere	Sharp	Sharp
Miserere Sharp Appears on: 10v Genres: Motet Source Attribution: Sharp Voice: [Bassus] Languages: Latin Voice Text: Sharp's Miserere
10v	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 10v Genres: Agnus Dei, Mass Ordinary Voice: [Bassus] Languages: Latin Voice Text: Agnus Dei General Note EECM treats the various sections of the mass copied in the book as selections from a single composition
11	Un jour vis un foulon qui fouloit	-	Anonymous
Un jour vis un foulon qui fouloit Anonymous Appears on: 11 Voice: [Bassus] Languages: French Voice Text: Un jour vis
11v	Lesson upon the first psalm	-	Anonymous
Lesson upon the first psalm Anonymous Appears on: 11v Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Lessones upon the first, secund and 50 psalmes
12	Lesson upon the second psalm	-	Anonymous
Lesson upon the second psalm Anonymous Appears on: 12 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Lessones upon the first, secund and 50 psalmes
12v	Lesson upon the 50th psalm	-	Anonymous
Lesson upon the 50th psalm Anonymous Appears on: 12v Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Lessones upon the first, secund and 50 psalmes
13	Lesson of discant	-	Anonymous
Lesson of discant Anonymous Appears on: 13 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) A lessone off descant
13v	Media vitae (in 3 partes)	-	Anonymous
Media vitae (in 3 partes) Anonymous Appears on: 13v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Media vitae
14–14v	Ecce quam bonum	-	Anonymous
Ecce quam bonum Anonymous Appears on: 14–14v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Ecce quam bonum
15–15v	Deus misereatur nostri et benedicat nobis	[Johnson]	Johnson (I), Robert (ca. 1500–ca. 1560)
Deus misereatur nostri et benedicat nobis Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 15–15v Genres: Motet Source Attribution: [Johnson] Voice: [Bassus] Languages: Latin Voice Text: Deus misereatur nostri
16–16v	Inclina Domine aurem (2p. Auribus percipe Domine)	-	Anonymous
Inclina Domine aurem (2p. Auribus percipe Domine) Anonymous Appears on: 16–16v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Inclina domine aurem (2p. Auribus percipe domine)
17–17v	Psalm 101. Of mercy and of judgement both	[Blackhall]	Blackhall, Andrew (ca. 1535–1609)
Psalm 101. Of mercy and of judgement both Blackhall, Andrew (ca. 1535–1609) Appears on: 17–17v Source Attribution: [Blackhall] Voice: [Bassus] Languages: English Voice Text: Off mercie and of Judgement both
18–18v	Anna veni, sequimur (2p. Macte animo Jacobe decus) (6vv)	-	Anonymous
Anna veni, sequimur (2p. Macte animo Jacobe decus) (6vv) Anonymous Appears on: 18–18v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Anna veni, sequimur (2p. Macte animo Jacobe decus) General Note The piece names Anne (of Denmark) and James VI & I, Queen and King uniting the crowns of England and Scotland
19–19v	Surge illuminare Jerusalem	-	Anonymous
Surge illuminare Jerusalem Anonymous Appears on: 19–19v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Surge illuminare Jerusalem
20	Vitam quae faciunt beatiorem	-	Anonymous
Vitam quae faciunt beatiorem Anonymous Appears on: 20 Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Vitam quae faciunt beatiorem
20v–21	[Gloria] Laudamus te	-	Anonymous
[Gloria] Laudamus te Anonymous Appears on: 20v–21 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [Bassus] Languages: Latin Voice Text: Laudamus te General Note EECM treats all the sections of the mass coppied in this book as parts of a single composition - although there is a Benedicimus te at f. 53v as well as this Laudamus te
21v	My life	-	Anonymous
My life Anonymous Appears on: 21v Genres: Song Voice: [Bassus] Languages: English Voice Text: My luiff
21v	Adieu	-	Anonymous
Adieu Anonymous Appears on: 21v Genres: Song Voice: [Bassus] Languages: French Voice Text: Adew (=Adieu)
22	Lachrimae pavan & galliard	[Dowland?]	Dowland, John (1563–1626) (?)
Lachrimae pavan & galliard Dowland, John (1563–1626) (?) Appears on: 22 Genres: English Consort music Source Attribution: [Dowland?] Voice: [Bassus] Languages: none Voice Text: (title) Lachrime [pavan and galliard]
22v	Dowland's pavan & galliard	[Dowland?]	Dowland, John (1563–1626) (?)
Dowland's pavan & galliard Dowland, John (1563–1626) (?) Appears on: 22v Genres: English Consort music Source Attribution: [Dowland?] Voice: [Bassus] Languages: none Voice Text: (title) Dawlans [pavan and galliard]
23	James Lauder's pavan	-	Anonymous
James Lauder's pavan Anonymous Appears on: 23 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) James Lauder's [pavan]
23	Master William Skein's pavan	-	Anonymous
Master William Skein's pavan Anonymous Appears on: 23 Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Maister William Skein's [pavan]
23v	Sir William Keith's pavan & galliard	-	Anonymous
Sir William Keith's pavan & galliard Anonymous Appears on: 23v Genres: English Consort music Voice: [Bassus] Languages: none Voice Text: (title) Sir William Keithis [pavan & galliard]
24	Mr Morley's Four Parts (Madrigals), no. 2: Clorinda false, Adieu thy love torments me	[Morley]	Morley, Thomas (ca. 1557–1602)
Mr Morley's Four Parts (Madrigals), no. 2: Clorinda false, Adieu thy love torments me Morley, Thomas (ca. 1557–1602) Appears on: 24 Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Clarinda fals, Adew
24v	Why sit I here, alas	[Morley]	Morley, Thomas (ca. 1557–1602)
Why sit I here, alas Morley, Thomas (ca. 1557–1602) Appears on: 24v Genres: Madrigal (English) Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Why sit I heir, Alace
25	O love (or Jove?), thou art enraged	-	Anonymous
O love (or Jove?), thou art enraged Anonymous Appears on: 25 Genres: Song Voice: [Bassus] Languages: English Voice Text: O love thou art enraiged
25v	Come my dear	-	Anonymous
Come my dear Anonymous Appears on: 25v Genres: Song Voice: [Bassus] Languages: English Voice Text: Cum my deir
26	In dew of roses	[Morley]	Morley, Thomas (ca. 1557–1602)
In dew of roses Morley, Thomas (ca. 1557–1602) Appears on: 26 Genres: Madrigal (English) Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: In dew of roises
26v	With mind oppressed I cry to thee	-	Anonymous
With mind oppressed I cry to thee Anonymous Appears on: 26v Genres: Psalm Voice: [Bassus] Languages: English Voice Text: With mynd opprest I cry to the (sic)
27	O come away, my dearest dear	-	Anonymous
O come away, my dearest dear Anonymous Appears on: 27 Genres: Song Voice: [Bassus] Languages: English Voice Text: O cum away, my deirest deir
27v	Delay of time has wrought my woe	-	Anonymous
Delay of time has wrought my woe Anonymous Appears on: 27v Genres: Song Voice: [Bassus] Languages: English Voice Text: Delay of tym hes wrocht my wo
28	Mr Morley's Four Parts (Madrigals), no. 13: I will no more	[Morley]	Morley, Thomas (ca. 1557–1602)
Mr Morley's Four Parts (Madrigals), no. 13: I will no more Morley, Thomas (ca. 1557–1602) Appears on: 28 Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: I will no more my siching slaik (sic: Morley's text is 'I will no more come to thee'; cf. Tallis 'When shall my sorrowfull sighing slake' at f. 1)
28v	Tu as tout seul	[Sweelinck]	Sweelinck, Jan Pieterszoon (1562–1621)
Tu as tout seul Sweelinck, Jan Pieterszoon (1562–1621) Appears on: 28v Genres: Chanson Source Attribution: [Sweelinck] Voice: [Bassus] Languages: French Voice Text: Tu as tut seul
29	Constant Penelope	[Byrd]	Byrd, William (ca. 1540–1623)
Constant Penelope Byrd, William (ca. 1540–1623) Appears on: 29 Genres: Consort song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: Constant Penelope
29v	In fields abroad	[Byrd]	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 29v Genres: Song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: In fieldis abrod
30	The quiet sweet singing death	-	Anonymous
The quiet sweet singing death Anonymous Appears on: 30 Genres: Song Voice: [Bassus] Languages: English Voice Text: The quhyt sueit singing death
30v	Zephyrus brings the time (= Zefiro torna)	[Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
Zephyrus brings the time (= Zefiro torna) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 30v Genres: Contrafactum, Madrigal (English) Source Attribution: [Ferrabosco] Voice: [Bassus] Languages: English Voice Text: Zephirus bringis the tyme
31	Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	[Croce]	Croce, Giovanni (ca. 1557–1609)
Hard by a crystal fountain (= Ove tra l'erbe e i fiori) Croce, Giovanni (ca. 1557–1609) Appears on: 31 Genres: Contrafactum, Madrigal (English) Source Attribution: [Croce] Voice: [Bassus] Languages: English Voice Text: Hard by a cristall fontane
31v	Mr Morley's Four Parts (Madrigals), no. 1: April is in my mistress' face	[Morley]	Morley, Thomas (ca. 1557–1602)
Mr Morley's Four Parts (Madrigals), no. 1: April is in my mistress' face Morley, Thomas (ca. 1557–1602) Appears on: 31v Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Apryl is in my maistres face
31v	Pansing in spirit	-	Anonymous
Pansing in spirit Anonymous Appears on: 31v Genres: Song Voice: [Bassus] Languages: English Voice Text: Pansing in spreit
32	Cinthia thy song (= Cinthia el tuo dolce canto)	[Croce]	Croce, Giovanni (ca. 1557–1609)
Cinthia thy song (= Cinthia el tuo dolce canto) Croce, Giovanni (ca. 1557–1609) Appears on: 32 Genres: Contrafactum, Madrigal (English) Source Attribution: [Croce] Voice: [Bassus] Languages: English Voice Text: Cinthia thy song and chanting
32v	Fly if thou wilt (= Fuggi se sai fuggire)	[Eremita]	Eremita, Giulio
Fly if thou wilt (= Fuggi se sai fuggire) Eremita, Giulio Appears on: 32v Genres: Madrigal (English) Source Attribution: [Eremita] Voice: [Bassus] Languages: English Voice Text: Flie give thow wilt
33	In flower of April springing (= Nel più fiorito Aprile)	[Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
In flower of April springing (= Nel più fiorito Aprile) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 33 Genres: Madrigal (English) Source Attribution: [Ferrabosco] Voice: [Bassus] Languages: English Voice Text: In flour of Apryll
33v	Hills and woods (= Monti selve fontane)	[Quintiani]	Quintiani, Lucrezio
Hills and woods (= Monti selve fontane) Quintiani, Lucrezio Appears on: 33v Genres: Madrigal (English) Source Attribution: [Quintiani] Voice: [Bassus] Languages: English Voice Text: Hills and woods
34	Sweet sparkle of love's fire (= Dolce fiammella mia)	[Nanino]	Nanino, Giovanni Maria
Sweet sparkle of love's fire (= Dolce fiammella mia) Nanino, Giovanni Maria Appears on: 34 Genres: Madrigal (English) Source Attribution: [Nanino] Voice: [Bassus] Languages: English Voice Text: Sueit sparkle off luiffis fyre
34v	Sweet eyes, admiring you (= Occhi mirando)	[Ste. Venturi]	Venturi (del Nibbio), Stephanus
Sweet eyes, admiring you (= Occhi mirando) Venturi (del Nibbio), Stephanus Appears on: 34v Genres: Madrigal (English) Source Attribution: [Ste. Venturi] Voice: [Bassus] Languages: English Voice Text: Sueit eyis admyring
35	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	[Bicci]	Bicci, Antonio
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) Bicci, Antonio Appears on: 35 Genres: Contrafactum, Madrigal Source Attribution: [Bicci] Voice: [Bassus] Languages: English Voice Text: Beautie (properly 'Dainty') quhyt pearle
35v	Mr Morley's Four Parts (Madrigals), no. 14: Beside a fountain	[Morley]	Morley, Thomas (ca. 1557–1602)
Mr Morley's Four Parts (Madrigals), no. 14: Beside a fountain Morley, Thomas (ca. 1557–1602) Appears on: 35v Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Besydis a fountain
36	Si dessus	-	Anonymous
Si dessus Anonymous Appears on: 36 Genres: Chanson Voice: [Bassus] Languages: French Voice Text: Si dessus
36v	When I would thee embrace (= Quand' io voleva)	[Pinello]	Pinello di Ghirardi, Giovanni Battista
When I would thee embrace (= Quand' io voleva) Pinello di Ghirardi, Giovanni Battista Appears on: 36v Genres: Contrafactum, Madrigal (English) Source Attribution: [Pinello] Voice: [Bassus] Languages: English Voice Text: When I waid the Imbraice
37	You pretty flowers	[Farmer]	Farmer, John
You pretty flowers Farmer, John Appears on: 37 Genres: Madrigal (English) Source Attribution: [Farmer] Voice: [Bassus] Languages: English Voice Text: Yow prettie flouris
37v	Mr Farmer's Four Parts (Madigrals), no. 2: Now each creature	[Farmer]	Farmer, John
Mr Farmer's Four Parts (Madigrals), no. 2: Now each creature Farmer, John Appears on: 37v Source Attribution: [Farmer] Voice: [Bassus] Languages: English Voice Text: Now each creatur
38	Lady let me behold (= Lasciatemi mirar donna)	[Croce]	Croce, Giovanni (ca. 1557–1609)
Lady let me behold (= Lasciatemi mirar donna) Croce, Giovanni (ca. 1557–1609) Appears on: 38 Genres: Madrigal (English) Source Attribution: [Croce] Voice: [Bassus] Languages: English Voice Text: Ladie let me behold
38v	Even sighs I send	-	Anonymous
Even sighs I send Anonymous Appears on: 38v Genres: Song Voice: [Bassus] Languages: English Voice Text: Evin sighes I send
39	You pierce my heart	-	Anonymous
You pierce my heart Anonymous Appears on: 39 Genres: Song Voice: [Bassus] Languages: English Voice Text: Ye pearce my hairt
39v	Tres beaux yeux	-	Anonymous
Tres beaux yeux Anonymous Appears on: 39v Genres: Chanson Voice: [Bassus] Languages: French Voice Text: Tres beaux geux (=yeux)
40	See, see, mine own sweet (Canzonets to 3vv (1593), No. 1)	[Morley]	Morley, Thomas (ca. 1557–1602)
See, see, mine own sweet (Canzonets to 3vv (1593), No. 1) Morley, Thomas (ca. 1557–1602) Appears on: 40 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Sie sie myne owne sueit
40v	Joy, joy doth so arise (Canzonets to 3vv (1593), No. 2)	[Morley]	Morley, Thomas (ca. 1557–1602)
Joy, joy doth so arise (Canzonets to 3vv (1593), No. 2) Morley, Thomas (ca. 1557–1602) Appears on: 40v Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Joy, joy doth so aryse
41	Lady, those eyes of yours (Canzonets to 3vv (1593), No. 4)	[Morley]	Morley, Thomas (ca. 1557–1602)
Lady, those eyes of yours (Canzonets to 3vv (1593), No. 4) Morley, Thomas (ca. 1557–1602) Appears on: 41 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Ladie those eyes of yours
41v–42	Cruel, you pull away too soon (Canzonets to 3vv (1593), No. 3)	[Morley]	Morley, Thomas (ca. 1557–1602)
Cruel, you pull away too soon (Canzonets to 3vv (1593), No. 3) Morley, Thomas (ca. 1557–1602) Appears on: 41v–42 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Crewell yow pull away to soine your sueit lipis
42v–43	Whither away so fast (Canzonets to 3vv (1593), No. 7)	[Morley]	Morley, Thomas (ca. 1557–1602)
Whither away so fast (Canzonets to 3vv (1593), No. 7) Morley, Thomas (ca. 1557–1602) Appears on: 42v–43 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Whether away so fast
43v	Blow, shepherds, blow (Canzonets to 3vv (1593), No. 8)	[Morley]	Morley, Thomas (ca. 1557–1602)
Blow, shepherds, blow (Canzonets to 3vv (1593), No. 8) Morley, Thomas (ca. 1557–1602) Appears on: 43v Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Blow, shepherds, blow
44	Good morrow, fair ladies (Canzonets to 3vv (1593), No. 6)	[Morley]	Morley, Thomas (ca. 1557–1602)
Good morrow, fair ladies (Canzonets to 3vv (1593), No. 6) Morley, Thomas (ca. 1557–1602) Appears on: 44 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: God morrow, fair ladies
44v	O fly not, o take some pity (Canzonets to 3vv (1593), No. 11)	[Morley]	Morley, Thomas (ca. 1557–1602)
O fly not, o take some pity (Canzonets to 3vv (1593), No. 11) Morley, Thomas (ca. 1557–1602) Appears on: 44v Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: O flye not, O tak some pittie
45	Thyrsis, let somepity move thee (Canzonets to 3vv (1593), No. 12)	[Morley]	Morley, Thomas (ca. 1557–1602)
Thyrsis, let somepity move thee (Canzonets to 3vv (1593), No. 12) Morley, Thomas (ca. 1557–1602) Appears on: 45 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Thirsis let pittie move the (sic)
45v–46	Arise, get up my dear (Canzonets to 3vv (1593), No. 20)	[Morley]	Morley, Thomas (ca. 1557–1602)
Arise, get up my dear (Canzonets to 3vv (1593), No. 20) Morley, Thomas (ca. 1557–1602) Appears on: 45v–46 Genres: Song Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Aryse, get wp my deir
46v	Why do I thus complain	-	Anonymous
Why do I thus complain Anonymous Appears on: 46v Genres: Song Voice: [Bassus] Languages: English Voice Text: Why do I thus complaine
47–47v	Ad te levavi	-	Anonymous
Ad te levavi Anonymous Appears on: 47–47v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Ad te levavi
48	Lo lady for your love (= Per voi donna gentil)	[Croce]	Croce, Giovanni (ca. 1557–1609)
Lo lady for your love (= Per voi donna gentil) Croce, Giovanni (ca. 1557–1609) Appears on: 48 Genres: Madrigal (English) Source Attribution: [Croce] Voice: [Bassus] Languages: English Voice Text: Lo lady for your love
48v	The flaming fire	-	Anonymous
The flaming fire Anonymous Appears on: 48v Genres: Song Voice: [Bassus] Languages: English Voice Text: The flaming fyre
49	Mr Morley's Four Parts (Madrigals), no. 17: Hark, jolly shepherds	[Morley]	Morley, Thomas (ca. 1557–1602)
Mr Morley's Four Parts (Madrigals), no. 17: Hark, jolly shepherds Morley, Thomas (ca. 1557–1602) Appears on: 49 Source Attribution: [Morley] Voice: [Bassus] Languages: English Voice Text: Hark Joly Shipherds
49v	Da pacem Domine	-	Anonymous
Da pacem Domine Anonymous Appears on: 49v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Da pacem domine
49v	Present now must I be	-	Anonymous
Present now must I be Anonymous Appears on: 49v Genres: Song Voice: [Bassus] Languages: English Voice Text: Present now must I bee
50	As every flower doth spring in May	-	Anonymous
As every flower doth spring in May Anonymous Appears on: 50 Genres: Song Voice: [Bassus] Languages: English Voice Text: As every flour doth spring in may
50	Wilson's fantasy	-	Anonymous
Wilson's fantasy Anonymous Appears on: 50 Genres: Fantasia Voice: [Bassus] Languages: none Voice Text: (title) Wilsonis fantasie
50v	I die alas through your disdaining	-	Anonymous
I die alas through your disdaining Anonymous Appears on: 50v Genres: Song Voice: [Bassus] Languages: English Voice Text: I die alaice throuch your disdaining
50v	Vorria saper se voi fiammelle sete	[Regnart]	Regnart, Jacob (ca. 1540–1599)
Vorria saper se voi fiammelle sete Regnart, Jacob (ca. 1540–1599) Appears on: 50v Genres: Madrigal (Italian) Source Attribution: [Regnart] Voice: [Bassus] Languages: Italian Voice Text: Voria ....
51	[Gloria] Qui tollis	-	Anonymous
[Gloria] Qui tollis Anonymous Appears on: 51 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [Bassus] Languages: Latin Voice Text: Qui tollis
51	In nomine	-	Anonymous
In nomine Anonymous Appears on: 51 Genres: In nomine
51v	O careful caitiff	-	Anonymous
O careful caitiff Anonymous Appears on: 51v Genres: Song Voice: [Bassus] Languages: English Voice Text: O cairfull cative
52	Wherefore is this, my lady sweet	-	Anonymous
Wherefore is this, my lady sweet Anonymous Appears on: 52 Genres: Song Voice: [Bassus] Languages: English Voice Text: Whairfoir is this my lady sueit
52v	What pleasure have great Princes	[Byrd]	Byrd, William (ca. 1540–1623)
What pleasure have great Princes Byrd, William (ca. 1540–1623) Appears on: 52v Genres: Consort song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: What plesure have gryt princes
52v	My mind to me a kingdom is	[Byrd]	Byrd, William (ca. 1540–1623)
My mind to me a kingdom is Byrd, William (ca. 1540–1623) Appears on: 52v Genres: Sacred Song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: My mynd to me a kingdome is
53	Farewell false love	[Byrd]	Byrd, William (ca. 1540–1623)
Farewell false love Byrd, William (ca. 1540–1623) Appears on: 53 Genres: Consort song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: Fairweill fals love
53	The match that's made	[Byrd]	Byrd, William (ca. 1540–1623)
The match that's made Byrd, William (ca. 1540–1623) Appears on: 53 Genres: Consort song Source Attribution: [Byrd] Voice: [Bassus] Languages: English Voice Text: The match that is maid
53v	[Gloria] Benedicimus te	-	Anonymous
[Gloria] Benedicimus te Anonymous Appears on: 53v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [Bassus] Languages: Latin Voice Text: Benedicemus te General Note EECM treats all the mass sections copied in this book as part of a single composition
53v	[Credo] Visibilium omnium	-	Anonymous
[Credo] Visibilium omnium Anonymous Appears on: 53v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [Bassus] Languages: Latin Voice Text: Wisibilium omnium General Note EECM treats all the sections of the mass copied in this book as parts of a single composition
54	Who on the highest will depend	-	Anonymous
Who on the highest will depend Anonymous Appears on: 54 Genres: Anthem Voice: [Bassus] Languages: English Voice Text: Who on the highest will depend
54–55	Our God is our defender	-	Anonymous
Our God is our defender Anonymous Appears on: 54–55 Genres: Psalm Voice: [Bassus] Languages: English Voice Text: Our god is our defender
55v	[Ane Italian song]	-	Anonymous
[Ane Italian song] Anonymous Appears on: 55v Genres: Song Voice: [Bassus] Languages: Italian Voice Text: Ane Italian song
55v	Adieu sweet heart	-	Anonymous
Adieu sweet heart Anonymous Appears on: 55v Genres: Song Voice: [Bassus] Languages: English Voice Text: Adiw sueit hairt
56	The God of all power and might	-	Anonymous
The God of all power and might Anonymous Appears on: 56 Genres: Psalm Voice: [Bassus] Languages: English Voice Text: The god off all power and micht
56	My pleasure	-	Anonymous
My pleasure Anonymous Appears on: 56 Genres: Song Voice: [Bassus] Languages: English Voice Text: My plesour
56v	Tria sunt munera	-	Anonymous
Tria sunt munera Anonymous Appears on: 56v Genres: Motet Voice: [Bassus] Languages: Latin Voice Text: Tria sunt munera
56v	Ardoch (= Ardo che?)	-	Anonymous
Ardoch (= Ardo che?) Anonymous Appears on: 56v Genres: Song Voice: [Bassus] Languages: Italian Voice Text: Ardoch (= Ardo che?)
57	Puis que ne veux escouter	-	Anonymous
Puis que ne veux escouter Anonymous Appears on: 57 Genres: Chanson Voice: [Bassus] Languages: French Voice Text: Puis que ne veux escouter
57	Si je trespasse	[F. Regnart?]	Anonymous
Si je trespasse Anonymous Appears on: 57 Genres: Chanson Source Attribution: [F. Regnart?] Voice: [Bassus] Languages: French Voice Text: Si je trespasse General Note Possibly the setting of a Ronsard poem by Francois Regnart?
57v	Je vois	-	Anonymous
Je vois Anonymous Appears on: 57v Genres: Chanson Voice: [Bassus] Languages: French Voice Text: Je vaw (= vois?)
57v	Aux yeux	-	Anonymous
Aux yeux Anonymous Appears on: 57v Genres: Chanson Voice: [Bassus] Languages: French Voice Text: Ausew (= Aux yeux?)
58	L'aurora e 'l giorn'	[Mosto]	Mosto, Bernardino
L'aurora e 'l giorn' Mosto, Bernardino Appears on: 58 Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: L'Aurora
58	Cantano i piu graditi	[Mosto]	Mosto, Bernardino
Cantano i piu graditi Mosto, Bernardino Appears on: 58 Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Cantano i piu
58v	Felice e 'l mio core	[Mosto]	Mosto, Bernardino
Felice e 'l mio core Mosto, Bernardino Appears on: 58v Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Felice
58v	Crudel perche mi fuggi	[Mosto]	Mosto, Bernardino
Crudel perche mi fuggi Mosto, Bernardino Appears on: 58v Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Crudell
59	Zefiro torna	[Mosto]	Mosto, Bernardino
Zefiro torna Mosto, Bernardino Appears on: 59 Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Zeffiro
59	Notte felice aventurosa	[Mosto]	Mosto, Bernardino
Notte felice aventurosa Mosto, Bernardino Appears on: 59 Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Notte felice
59v	Piove da gl' occhi	[Mosto]	Mosto, Bernardino
Piove da gl' occhi Mosto, Bernardino Appears on: 59v Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Plove (sic) da glie occhi
59v	Da bei vostr' occhi	[Mosto]	Mosto, Bernardino
Da bei vostr' occhi Mosto, Bernardino Appears on: 59v Genres: Madrigal (Italian) Source Attribution: [Mosto] Voice: [Bassus] Languages: Italian Voice Text: Da bei voster
60	Dunque Aminta	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Dunque Aminta Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 60 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Dunque Aminta
60	Dalle labbia rosate spira	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Dalle labbia rosate spira Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 60 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Dalle spira
60v	Cara dolce favella	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Cara dolce favella Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 60v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Cara dolce
60v	Dono Licori a Tirsi	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Dono Licori a Tirsi Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 60v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Dono licori
61	Ohime perche mi fuggi?	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Ohime perche mi fuggi? Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 61 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Ohime
61	I piu candidi gigli	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
I piu candidi gigli Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 61 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: I piu candide
61v	Ardo si, ma non t'amo (2p. Ardi e gela a tua voglia)	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Ardo si, ma non t'amo (2p. Ardi e gela a tua voglia) Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 61v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Ardo si ma non (2p Ardi e gella)
62	Nel foco d'un bel lauro	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Nel foco d'un bel lauro Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 62 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Nell foco
62v	Mi sfidate	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Mi sfidate Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 62v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Mi sfidate
62v	Io seguo l'orme in vano	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Io seguo l'orme in vano Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 62v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Io sequo
63	O timida lepretta	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
O timida lepretta Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 63 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: O timida le prata
63	Sei tu, mio cor	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Sei tu, mio cor Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 63 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Sei tu mio
63v	Donna, la bella mano	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Donna, la bella mano Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 63v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Donna la bella
64	Come potro giamai	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Come potro giamai Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 64 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Come potro giamai
64	Tirsi, io mi parto, addio	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Tirsi, io mi parto, addio Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 64 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Tirsi io mi parta
64v	L'alma guerriera ardita	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
L'alma guerriera ardita Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 64v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Lalma guerriar
65	Vidde fille partire	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Vidde fille partire Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 65 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Viddi filli
65	Dolcissimo legame	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Dolcissimo legame Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 65 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Dolcissimo
65v	Tu nascesti di furto	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Tu nascesti di furto Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 65v Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Tu nascesti
66	Ut re mi fa sol la: ogni armonia abbraccia con dolcezza	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Ut re mi fa sol la: ogni armonia abbraccia con dolcezza Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 66 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Voice: [Bassus] Languages: Italian Voice Text: Wth re mi fa sol la
66v	In the merry month of May (2p. Coridon would kiss her then)	[East]	East, Michael
In the merry month of May (2p. Coridon would kiss her then) East, Michael Appears on: 66v Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: In the merry month of may (2p. Coridon wold kise her then)
67	O come again my love	[East]	East, Michael
O come again my love East, Michael Appears on: 67 Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: O come again my Love
67v	Young Cupid hath proclaimed a bloody war	[East]	East, Michael
Young Cupid hath proclaimed a bloody war East, Michael Appears on: 67v Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: Young cupid hath proclaimd a bloody wair
68	To bed, to bed she calls	[East]	East, Michael
To bed, to bed she calls East, Michael Appears on: 68 Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: To bed, to bed she cals
68v	Oh do not run away from me	[East]	East, Michael
Oh do not run away from me East, Michael Appears on: 68v Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: Oh doe not run away from me
69	In an evening late as I was walking	[East]	East, Michael
In an evening late as I was walking East, Michael Appears on: 69 Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: In ane evening late as I was walking
69v	Pity dear love	[East]	East, Michael
Pity dear love East, Michael Appears on: 69v Genres: Consort song Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: Pitie dear Love
70	When on my dear I do demand the due	[East]	East, Michael
When on my dear I do demand the due East, Michael Appears on: 70 Genres: Madrigal (English) Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: When on my dear I do demaund the due
70v	All ye that joy in wailing	[East]	East, Michael
All ye that joy in wailing East, Michael Appears on: 70v Genres: Consort song Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: All yee tht Joy in wailing
71	My prime of youth - 2a pars (of 2): The spring is past	[East]	East, Michael
My prime of youth - 2a pars (of 2): The spring is past East, Michael Appears on: 71 Genres: Consort song Source Attribution: [East] Voice: [Bassus] Languages: English Voice Text: The spring is past
71v	Une nonnain refraite et en bon point	Maister Philip [Wilder]	Van Wilder, Phillip
Une nonnain refraite et en bon point Van Wilder, Phillip Appears on: 71v Source Attribution: Maister Philip [Wilder] Voice: [Bassus] Languages: none Voice Text: [Une nonnain]

Composer	Compositions
Anonymous	Ad te levavi – 47–47v Adieu – 21v Adieu sweet heart – 55v Agnus Dei – 10v Anna veni, sequimur (2p. Macte animo Jacobe decus) (6vv) – 18–18v Ardoch (= Ardo che?) – 56v As every flower doth spring in May – 50 Aux yeux – 57v Black, major – 10 Come death (or, Even death) behold I breathe – 5v Come my dear – 25v Da pacem Domine – 49v Delay of time has wrought my woe – 27v Ecce quam bonum – 14–14v Even sighs I send – 38v I die alas through your disdaining – 50v In nomine – 51 In through the windows of my eyes – 4v Inclina Domine aurem (2p. Auribus percipe Domine) – 16–16v James Lauder's pavan – 23 Je vois – 57v Lesson of discant – 13 Lesson upon the 50th psalm – 12v Lesson upon the first psalm – 11v Lesson upon the second psalm – 12 Little black – 8 Master William Skein's pavan – 23 Media vitae (in 3 partes) – 13v Miserere mei – 10 Music fine – 8 My delight – 8v My life – 21v My pleasure – 56 O Lord how many enemies have I – 3 O careful caitiff – 51v O come away, my dearest dear – 27 O love (or Jove?), thou art enraged – 25 O lustie May – 5 Of mortal man – 8v Only to you, my lady bright – 2 Our God is our defender – 54–55 Our father God celestial – 4 Pansing in spirit – 31v Peccavi pater – 9v Present now must I be – 49v Puis que ne veux escouter – 57 Right sore oppressed am I – 3v Si dessus – 36 Si je trespasse – 57 Sir John Black – 9 Sir William Keith's pavan & galliard – 23v Support your servant, peerless paramour – 1v Surge illuminare Jerusalem – 19–19v The God of all power and might – 56 The flaming fire – 48v The quiet sweet singing death – 30 Thy mercy will I sing and justice eke – 2v Tres beaux yeux – 39v Tria sunt munera – 56v Un jour vis un foulon qui fouloit – 11 Vitam quae faciunt beatiorem – 20 Wherefore is this, my lady sweet – 52 Who on the highest will depend – 54 Why do I thus complain – 46v Wilson's fantasy – 50 With mind oppressed I cry to thee – 26v You pierce my heart – 39 [Ane Italian song] – 55v [Credo] Visibilium omnium – 53v [Gloria] Benedicimus te – 53v [Gloria] Laudamus te – 20v–21 [Gloria] Qui tollis – 51
Bicci, Antonio	Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti) – 35
Blackhall, Andrew (ca. 1535–1609)	Psalm 101. Of mercy and of judgement both – 17–17v
Byrd, William (ca. 1540–1623)	Constant Penelope – 29 Farewell false love – 53 I joy not in no earthly bliss – 6 In fields abroad – 29v My mind to me a kingdom is – 52v The match that's made – 53 What pleasure have great Princes – 52v Where fancy fond – 6v
Croce, Giovanni (ca. 1557–1609)	Cinthia thy song (= Cinthia el tuo dolce canto) – 32 Hard by a crystal fountain (= Ove tra l'erbe e i fiori) – 31 Lady let me behold (= Lasciatemi mirar donna) – 38 Lo lady for your love (= Per voi donna gentil) – 48
Dowland, John (1563–1626)	(?) Dowland's pavan & galliard – 22v (?) Lachrimae pavan & galliard – 22
East, Michael	All ye that joy in wailing – 70v In an evening late as I was walking – 69 In the merry month of May (2p. Coridon would kiss her then) – 66v My prime of youth - 2a pars (of 2): The spring is past – 71 O come again my love – 67 Oh do not run away from me – 68v Pity dear love – 69v To bed, to bed she calls – 68 When on my dear I do demand the due – 70 Young Cupid hath proclaimed a bloody war – 67v
Eremita, Giulio	Fly if thou wilt (= Fuggi se sai fuggire) – 32v
Farmer, John	Mr Farmer's Four Parts (Madigrals), no. 2: Now each creature – 37v You pretty flowers – 37
Ferrabosco, Alfonso (the elder) (1543–1588)	In flower of April springing (= Nel più fiorito Aprile) – 33 Zephyrus brings the time (= Zefiro torna) – 30v
Giovannelli, Ruggiero (ca. 1560–1625)	Ardo si, ma non t'amo (2p. Ardi e gela a tua voglia) – 61v Cara dolce favella – 60v Come potro giamai – 64 Dalle labbia rosate spira – 60 Dolcissimo legame – 65 Donna, la bella mano – 63v Dono Licori a Tirsi – 60v Dunque Aminta – 60 I piu candidi gigli – 61 Io seguo l'orme in vano – 62v L'alma guerriera ardita – 64v Mi sfidate – 62v Nel foco d'un bel lauro – 62 O timida lepretta – 63 Ohime perche mi fuggi? – 61 Sei tu, mio cor – 63 Tirsi, io mi parto, addio – 64 Tu nascesti di furto – 65v Ut re mi fa sol la: ogni armonia abbraccia con dolcezza – 66 Vidde fille partire – 65
Johnson (I), Robert (ca. 1500–ca. 1560)	Deus misereatur nostri et benedicat nobis – 15–15v
Lassus, Orlande de (ca. 1532–1594)	Susanna fair (= Susanne un jour) – 7
Maillard, Jean (fl. c1538–1570)	Ascendo ad patrem meum et patrem vestrum – 7
Morley, Thomas (ca. 1557–1602)	Arise, get up my dear (Canzonets to 3vv (1593), No. 20) – 45v–46 Blow, shepherds, blow (Canzonets to 3vv (1593), No. 8) – 43v Cruel, you pull away too soon (Canzonets to 3vv (1593), No. 3) – 41v–42 Good morrow, fair ladies (Canzonets to 3vv (1593), No. 6) – 44 In dew of roses – 26 Joy, joy doth so arise (Canzonets to 3vv (1593), No. 2) – 40v Lady, those eyes of yours (Canzonets to 3vv (1593), No. 4) – 41 Mr Morley's Four Parts (Madrigals), no. 13: I will no more – 28 Mr Morley's Four Parts (Madrigals), no. 14: Beside a fountain – 35v Mr Morley's Four Parts (Madrigals), no. 17: Hark, jolly shepherds – 49 Mr Morley's Four Parts (Madrigals), no. 1: April is in my mistress' face – 31v Mr Morley's Four Parts (Madrigals), no. 2: Clorinda false, Adieu thy love torments me – 24 O fly not, o take some pity (Canzonets to 3vv (1593), No. 11) – 44v See, see, mine own sweet (Canzonets to 3vv (1593), No. 1) – 40 Thyrsis, let somepity move thee (Canzonets to 3vv (1593), No. 12) – 45 Whither away so fast (Canzonets to 3vv (1593), No. 7) – 42v–43 Why sit I here, alas – 24v
Mosto, Bernardino	Cantano i piu graditi – 58 Crudel perche mi fuggi – 58v Da bei vostr' occhi – 59v Felice e 'l mio core – 58v L'aurora e 'l giorn' – 58 Notte felice aventurosa – 59 Piove da gl' occhi – 59v Zefiro torna – 59
Nanino, Giovanni Maria	Sweet sparkle of love's fire (= Dolce fiammella mia) – 34
Pinello di Ghirardi, Giovanni Battista	When I would thee embrace (= Quand' io voleva) – 36v
Quintiani, Lucrezio	Hills and woods (= Monti selve fontane) – 33v
Regnart, Jacob (ca. 1540–1599)	Vorria saper se voi fiammelle sete – 50v
Sharp	Miserere – 10v
Sweelinck, Jan Pieterszoon (1562–1621)	Tu as tout seul – 28v
Tallis, Thomas (ca. 1505–1585)	(?) When shall my sorrowful sighing slake – 1
Tye, Christopher (ca. 1505–ca. 1573)	(?) Ascendo ad patrem meum et patrem vestrum – 7
Van Wilder, Phillip	Une nonnain refraite et en bon point – 71v
Venturi (del Nibbio), Stephanus	Sweet eyes, admiring you (= Occhi mirando) – 34v

Composition	Composers (? Uncertain)	Folios / Pages
[Ane Italian song]	Anonymous	55v
[Credo] Visibilium omnium	Anonymous	53v
[Gloria] Benedicimus te	Anonymous	53v
[Gloria] Laudamus te	Anonymous	20v–21
[Gloria] Qui tollis	Anonymous	51
Ad te levavi	Anonymous	47–47v
Adieu	Anonymous	21v
Adieu sweet heart	Anonymous	55v
Agnus Dei	Anonymous	10v
All ye that joy in wailing	East, Michael	70v
Anna veni, sequimur (2p. Macte animo Jacobe decus) (6vv)	Anonymous	18–18v
Ardo si, ma non t'amo (2p. Ardi e gela a tua voglia)	Giovannelli, Ruggiero (ca. 1560–1625)	61v
Ardoch (= Ardo che?)	Anonymous	56v
Arise, get up my dear (Canzonets to 3vv (1593), No. 20)	Morley, Thomas (ca. 1557–1602)	45v–46
As every flower doth spring in May	Anonymous	50
Ascendo ad patrem meum et patrem vestrum	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)	7
Aux yeux	Anonymous	57v
Black, major	Anonymous	10
Blow, shepherds, blow (Canzonets to 3vv (1593), No. 8)	Morley, Thomas (ca. 1557–1602)	43v
Cantano i piu graditi	Mosto, Bernardino	58
Cara dolce favella	Giovannelli, Ruggiero (ca. 1560–1625)	60v
Cinthia thy song (= Cinthia el tuo dolce canto)	Croce, Giovanni (ca. 1557–1609)	32
Come death (or, Even death) behold I breathe	Anonymous	5v
Come my dear	Anonymous	25v
Come potro giamai	Giovannelli, Ruggiero (ca. 1560–1625)	64
Constant Penelope	Byrd, William (ca. 1540–1623)	29
Crudel perche mi fuggi	Mosto, Bernardino	58v
Cruel, you pull away too soon (Canzonets to 3vv (1593), No. 3)	Morley, Thomas (ca. 1557–1602)	41v–42
Da bei vostr' occhi	Mosto, Bernardino	59v
Da pacem Domine	Anonymous	49v
Dainty white pearl and you fresh smiling roses (= Candide perle e voi labbra ridenti)	Bicci, Antonio	35
Dalle labbia rosate spira	Giovannelli, Ruggiero (ca. 1560–1625)	60
Delay of time has wrought my woe	Anonymous	27v
Deus misereatur nostri et benedicat nobis	Johnson (I), Robert (ca. 1500–ca. 1560)	15–15v
Dolcissimo legame	Giovannelli, Ruggiero (ca. 1560–1625)	65
Donna, la bella mano	Giovannelli, Ruggiero (ca. 1560–1625)	63v
Dono Licori a Tirsi	Giovannelli, Ruggiero (ca. 1560–1625)	60v
Dowland's pavan & galliard	Dowland, John (1563–1626) (?)	22v
Dunque Aminta	Giovannelli, Ruggiero (ca. 1560–1625)	60
Ecce quam bonum	Anonymous	14–14v
Even sighs I send	Anonymous	38v
Farewell false love	Byrd, William (ca. 1540–1623)	53
Felice e 'l mio core	Mosto, Bernardino	58v
Fly if thou wilt (= Fuggi se sai fuggire)	Eremita, Giulio	32v
Good morrow, fair ladies (Canzonets to 3vv (1593), No. 6)	Morley, Thomas (ca. 1557–1602)	44
Hard by a crystal fountain (= Ove tra l'erbe e i fiori)	Croce, Giovanni (ca. 1557–1609)	31
Hills and woods (= Monti selve fontane)	Quintiani, Lucrezio	33v
I die alas through your disdaining	Anonymous	50v
I joy not in no earthly bliss	Byrd, William (ca. 1540–1623)	6
I piu candidi gigli	Giovannelli, Ruggiero (ca. 1560–1625)	61
In an evening late as I was walking	East, Michael	69
In dew of roses	Morley, Thomas (ca. 1557–1602)	26
In fields abroad	Byrd, William (ca. 1540–1623)	29v
In flower of April springing (= Nel più fiorito Aprile)	Ferrabosco, Alfonso (the elder) (1543–1588)	33
In nomine	Anonymous	51
In the merry month of May (2p. Coridon would kiss her then)	East, Michael	66v
In through the windows of my eyes	Anonymous	4v
Inclina Domine aurem (2p. Auribus percipe Domine)	Anonymous	16–16v
Io seguo l'orme in vano	Giovannelli, Ruggiero (ca. 1560–1625)	62v
James Lauder's pavan	Anonymous	23
Je vois	Anonymous	57v
Joy, joy doth so arise (Canzonets to 3vv (1593), No. 2)	Morley, Thomas (ca. 1557–1602)	40v
L'alma guerriera ardita	Giovannelli, Ruggiero (ca. 1560–1625)	64v
L'aurora e 'l giorn'	Mosto, Bernardino	58
Lachrimae pavan & galliard	Dowland, John (1563–1626) (?)	22
Lady let me behold (= Lasciatemi mirar donna)	Croce, Giovanni (ca. 1557–1609)	38
Lady, those eyes of yours (Canzonets to 3vv (1593), No. 4)	Morley, Thomas (ca. 1557–1602)	41
Lesson of discant	Anonymous	13
Lesson upon the 50th psalm	Anonymous	12v
Lesson upon the first psalm	Anonymous	11v
Lesson upon the second psalm	Anonymous	12
Little black	Anonymous	8
Lo lady for your love (= Per voi donna gentil)	Croce, Giovanni (ca. 1557–1609)	48
Master William Skein's pavan	Anonymous	23
Media vitae (in 3 partes)	Anonymous	13v
Mi sfidate	Giovannelli, Ruggiero (ca. 1560–1625)	62v
Miserere	Sharp	10v
Miserere mei	Anonymous	10
Mr Farmer's Four Parts (Madigrals), no. 2: Now each creature	Farmer, John	37v
Mr Morley's Four Parts (Madrigals), no. 13: I will no more	Morley, Thomas (ca. 1557–1602)	28
Mr Morley's Four Parts (Madrigals), no. 14: Beside a fountain	Morley, Thomas (ca. 1557–1602)	35v
Mr Morley's Four Parts (Madrigals), no. 17: Hark, jolly shepherds	Morley, Thomas (ca. 1557–1602)	49
Mr Morley's Four Parts (Madrigals), no. 1: April is in my mistress' face	Morley, Thomas (ca. 1557–1602)	31v
Mr Morley's Four Parts (Madrigals), no. 2: Clorinda false, Adieu thy love torments me	Morley, Thomas (ca. 1557–1602)	24
Music fine	Anonymous	8
My delight	Anonymous	8v
My life	Anonymous	21v
My mind to me a kingdom is	Byrd, William (ca. 1540–1623)	52v
My pleasure	Anonymous	56
My prime of youth - 2a pars (of 2): The spring is past	East, Michael	71
Nel foco d'un bel lauro	Giovannelli, Ruggiero (ca. 1560–1625)	62
Notte felice aventurosa	Mosto, Bernardino	59
O careful caitiff	Anonymous	51v
O come again my love	East, Michael	67
O come away, my dearest dear	Anonymous	27
O fly not, o take some pity (Canzonets to 3vv (1593), No. 11)	Morley, Thomas (ca. 1557–1602)	44v
O Lord how many enemies have I	Anonymous	3
O love (or Jove?), thou art enraged	Anonymous	25
O lustie May	Anonymous	5
O timida lepretta	Giovannelli, Ruggiero (ca. 1560–1625)	63
Of mortal man	Anonymous	8v
Oh do not run away from me	East, Michael	68v
Ohime perche mi fuggi?	Giovannelli, Ruggiero (ca. 1560–1625)	61
Only to you, my lady bright	Anonymous	2
Our father God celestial	Anonymous	4
Our God is our defender	Anonymous	54–55
Pansing in spirit	Anonymous	31v
Peccavi pater	Anonymous	9v
Piove da gl' occhi	Mosto, Bernardino	59v
Pity dear love	East, Michael	69v
Present now must I be	Anonymous	49v
Psalm 101. Of mercy and of judgement both	Blackhall, Andrew (ca. 1535–1609)	17–17v
Puis que ne veux escouter	Anonymous	57
Right sore oppressed am I	Anonymous	3v
See, see, mine own sweet (Canzonets to 3vv (1593), No. 1)	Morley, Thomas (ca. 1557–1602)	40
Sei tu, mio cor	Giovannelli, Ruggiero (ca. 1560–1625)	63
Si dessus	Anonymous	36
Si je trespasse	Anonymous	57
Sir John Black	Anonymous	9
Sir William Keith's pavan & galliard	Anonymous	23v
Support your servant, peerless paramour	Anonymous	1v
Surge illuminare Jerusalem	Anonymous	19–19v
Susanna fair (= Susanne un jour)	Lassus, Orlande de (ca. 1532–1594)	7
Sweet eyes, admiring you (= Occhi mirando)	Venturi (del Nibbio), Stephanus	34v
Sweet sparkle of love's fire (= Dolce fiammella mia)	Nanino, Giovanni Maria	34
The flaming fire	Anonymous	48v
The God of all power and might	Anonymous	56
The match that's made	Byrd, William (ca. 1540–1623)	53
The quiet sweet singing death	Anonymous	30
Thy mercy will I sing and justice eke	Anonymous	2v
Thyrsis, let somepity move thee (Canzonets to 3vv (1593), No. 12)	Morley, Thomas (ca. 1557–1602)	45
Tirsi, io mi parto, addio	Giovannelli, Ruggiero (ca. 1560–1625)	64
To bed, to bed she calls	East, Michael	68
Tres beaux yeux	Anonymous	39v
Tria sunt munera	Anonymous	56v
Tu as tout seul	Sweelinck, Jan Pieterszoon (1562–1621)	28v
Tu nascesti di furto	Giovannelli, Ruggiero (ca. 1560–1625)	65v
Un jour vis un foulon qui fouloit	Anonymous	11
Une nonnain refraite et en bon point	Van Wilder, Phillip	71v
Ut re mi fa sol la: ogni armonia abbraccia con dolcezza	Giovannelli, Ruggiero (ca. 1560–1625)	66
Vidde fille partire	Giovannelli, Ruggiero (ca. 1560–1625)	65
Vitam quae faciunt beatiorem	Anonymous	20
Vorria saper se voi fiammelle sete	Regnart, Jacob (ca. 1540–1599)	50v
What pleasure have great Princes	Byrd, William (ca. 1540–1623)	52v
When I would thee embrace (= Quand' io voleva)	Pinello di Ghirardi, Giovanni Battista	36v
When on my dear I do demand the due	East, Michael	70
When shall my sorrowful sighing slake	Tallis, Thomas (ca. 1505–1585) (?)	1
Where fancy fond	Byrd, William (ca. 1540–1623)	6v
Wherefore is this, my lady sweet	Anonymous	52
Whither away so fast (Canzonets to 3vv (1593), No. 7)	Morley, Thomas (ca. 1557–1602)	42v–43
Who on the highest will depend	Anonymous	54
Why do I thus complain	Anonymous	46v
Why sit I here, alas	Morley, Thomas (ca. 1557–1602)	24v
Wilson's fantasy	Anonymous	50
With mind oppressed I cry to thee	Anonymous	26v
You pierce my heart	Anonymous	39
You pretty flowers	Farmer, John	37
Young Cupid hath proclaimed a bloody war	East, Michael	67v
Zefiro torna	Mosto, Bernardino	59
Zephyrus brings the time (= Zefiro torna)	Ferrabosco, Alfonso (the elder) (1543–1588)	30v

‡ denotes primary source study

Elliott, Kenneth, and Frederick Rimmer. 1973. A History of Scottish Music. London. Pages: 43-4. Notes: mention of MS; contents list (partial).

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 74. Notes: physical description (partial); contents list (partial); concordances (partial).

Poulton, Diana. 1972. John Dowland: His Life and Works. Berkeley and Los Angeles. Pages: 480-2, 495. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 240. Notes: physical description (partial); contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XII, 124. Notes: contents list (partial); concordances (partial).

Hutchinson, Hilda S P. 1957. The St. Andrews Psalter. Transcription and Critical Study of Thomas Wode's Psalter. Edinburgh University, Unpublished B.Mus. thesis. Pages: 87, 168, 175, 202, 208, 216. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 100, 106. Notes: contents list (partial); concordances (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 7, 183, 279; II, 144-6, 194, 451; III, 203, 224. Notes: physical description (partial); contents list.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 151, 168-9, 174, 176, 209-16, 221. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1900-5], 120. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description