NL-L MS 1441

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: Mid 16th century

Archive Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands (NL-L)
Shelfmark MS 1441
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 560 x 390 mm
Other Identifiers
  • CCM: LeidGA 1441
  • olim (Former shelfmark): D; 425; 763; 864; 1006
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Brussels? Belgium
Contents Contains 75 compositions, 74 from 21 composers, 1 is anonymous.
General Description

Composite of several originally separate fascicles copied at different times. Copied by one main scribe (identified by Jas, but not CCM, as de Blauwe), with later additions by several scribes, including Johannes Flamingus; same scribal hands also appear in LeidGA 1442 and LeidGA 1443. The discrepancy in foliation is the result of the replacement of six original folios with seven new folios containing works by Johannes Flamingus. This left the motet by Jordan incomplete, and eliminated the motet by Vinders which is listed in the original index as following the Jordan piece. Main corpus perhaps copied in Brussels (though Jas argues for Leiden); later used by St. Peter's Church in Leiden, where additions were made. Subsequent history same as for LeidGA 1438.

DIAMM, 2017
Binding

Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps.

DIAMM, 2017
Watermark

No watermarks visible

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Dedication

Large inked calligraphic initials from beginning to f. xxx'.

DIAMM, 2017
Ruling

Staff height 21

DIAMM, 2017
Foliation

Original ink foliation: lst-51st folios numbered i-li; 52nd-58th folios unnumbered; 59th-166th folios numbered lviii-clxv; 167th folio unnumbered; 168th-206th folios numbered i-xxxix; 207th folio unnumbered.

DIAMM, 2017
Index

Original index on third original flyleaf lists all pieces except later additions, in order of appearance, with attributions.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

55 motets, 1 textless piece = 56

Appenzeller [Benedictus]-1, Barbion-3, Canis-3, Clemens non Papa-8, Clemens non Papa [music]/Crecquillon [index]-1, Clemens non Papa/(Maessens)-1, Clemens non Papa/(Manchicourt)-1, Crecquillon-11, Crecquillon/(Clemens non Papa)-5, Gombert-2, Johannes Flamingus-5 + 1?, Jordan-1, (Josquin/Mouton/Richafort)-1, Lupi-2, Lupi/(Berchem/Gombert)-1, Manchicourt-1, Manchicourt/(Jonckers)-1, Payen/(Gombert)-1, Richafort-1, Rore-1, Verdelot-1, Vinders-1 [listed in original index, but now missing; see below], Willaert/(Verdelot)-1, Ysenbaert-1, anon-1

v + iv + 207 + v paper folios, 560 x 390. Composite of several originally separate fascicles copied at different times by several scribes. Original ink foliation: lst-51st folios numbered i-li; 52nd-58th folios unnumbered; 59th-166th folios numbered lviii-clxv; 167th folio unnumbered; 168th-206th folios numbered i-xxxix; 207th folio unnumbered. Discrepancy in numbering following f. li caused by replacement of six original folios with seven new folios containing works by Johannes Flamingus. This left motet by Jordan incomplete, and eliminated motet by Vinders (listed in original index as following the Jordan piece). Restored and rebound in 1964 in new covers of brown leather on oak boards, tooled with classical busts; brass corners and clasps. Original index on third original flyleaf lists all pieces except later additions, in order of appear-ance, with attributions. Copied by one main scribe, with later additions by several scribes, including Johannes Flamingus; same scribal hands also appear in LeidGA 1442 and LeidGA 1443. Staff height 21 in main corpus. Large inked calligraphic initials from beginning to f. xxx'. No watermarks visible.

Mid 16th century, with additions ca. 1564-7. Main corpus perhaps copied in Brussels; later used by St. Peter's Church in Leiden, where additions were made. Subsequent history same as for LeidGA 1438.

Vol 4

Provenance: Main corpus probably copied in Amsterdam; used by St. Peter's Church in Leiden, where additions were made.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
(i)_v–(ii) Christe qui lux es et dies noctis, 6vv 6 Joannes Flamingus
Appears on: (i)_v–(ii)
Genres: Motet
Source Attribution: Joannes Flamingus
Number of voices: 6
Voice: [no designation]
Languages: Latin
Voice Text: [Christe qui lux es et dies noctis]
General Note

untexted, but melodically very similar to the 4vv setting of "Christe qui lux es" in Leiden 1442

(iii)–(iii)_v index - - -

index

Appears on: (iii)–(iii)_v
(iv)_v–2 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 4 Clemens non Papa/[Manchicourt]
Appears on: (iv)_v–2
Genres: Motet
Source Attribution: Clemens non Papa/[Manchicourt]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te
2v–4 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 4 -
Appears on: 2v–4
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Secunda pars : Quanti mercenarii in domo patris
4v–6 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 4 Cricquillon
Appears on: 4v–6
Genres: Motet
Source Attribution: Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te
6v–8 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 4 -
Appears on: 6v–8
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Quanti mercenarii in domo patris
8v–10 Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens 4 Clemens non Papa
Appears on: 8v–10
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus exercituum fortis et potens
10v–12 Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt 4 -
Appears on: 10v–12
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Secunda pars : Igitur domine dissipa gentes
12v–15 Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 4 Thomas Cricquillon
Appears on: 12v–15
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Cor mundum crea in me deus et spiritum
15v–18 Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis 4 -
Appears on: 15v–18
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Secunda pars : Averte fatiem tuam a peccatis meis
18v–22 Inclita stirps Jesse virgam produxit (2p. Est haec virga Dei mater flos ortus) 4 Cricquillon/[Clemens non Papa]
Appears on: 18v–22
Genres: Motet
Source Attribution: Cricquillon/[Clemens non Papa]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Inclita stirps Yesse virgam produxit II: Est hec virga dei mater flos ortus
22v–24 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 4 Clemens non Papa
Appears on: 22v–24
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Vide domine afflictionem nostram
24v–26 Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 4 -
Appears on: 24v–26
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Sed veni domine et noli tardare
26v–28 Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae 4 Thomas Cricquillon
Appears on: 26v–28
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ingemuit Susanna et ait angustie michi
28v–30 Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere 4 -
Appears on: 28v–30
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p,) Sed melius est michi absque opere
30v–33 Impetum inimicorum ne timueritis memores 4 Thomas Cricquillon
Appears on: 30v–33
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Impetum inimicorum ne timueritis memores
33v–37 Sancti mei qui in carne positi certamen (2p. Venite benedicti patris mei percipite) 4 Clemens non Papa
Appears on: 33v–37
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Sancti mei qui in carne positi certamen II: Venite benedicti patris mei percipite
37v–39 Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien 4 Thomas Cricquillon
Appears on: 37v–39
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Cum deambularet dominus ad auram
39v–41 Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui 4 -
Appears on: 39v–41
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Vocem tuam audivi in paradiso
41v–47 Nisi Dominus edificaverit domum in vanum (2p. Cum dederit dilectis suis sumpnum) 4 [Lupi]
Appears on: 41v–47
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit dilectis suis sumpnum
47v–51 Ave sanctissima Maria mater Dei regina 4 Nicolaus Gombert
Appears on: 47v–51
Genres: Antiphon
Source Attribution: Nicolaus Gombert
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ave sanctissima Maria mater dei regina
51v Da pacem Domine in diebus nostris 2 of 4 Petrus Jordain [= Jordan]
Appears on: 51v
Genres: Motet
Source Attribution: Petrus Jordain [= Jordan]
Number of voices: 2 of 4
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
General Note

incomplete - beginning of D & T only

51v–55 Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) 4 Joannes Flamingus
Appears on: 51v–55
Genres: Ave Maria, Motet
Source Attribution: Joannes Flamingus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: [B]eata es virgo Maria que dominum portasti II: Ave Maria gratia plena dominus tecum
General Note

Dated 1566 at end

55v–57 Da pacem Domine in diebus nostris 4 Joannes Flamingus
Appears on: 55v–57
Genres: Motet
Source Attribution: Joannes Flamingus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
General Note

Dated 1566 at end

57v–60 Os loquentium iniqua obstruetur et impii 4 Thomas Cricquillon/[Clemens non Papa]
Appears on: 57v–60
Genres: Motet
Source Attribution: Thomas Cricquillon/[Clemens non Papa]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Os loquentium iniqua obstruetur et impii
60v–62 Quae est ista quae processit sicut sol 4 Ciprianus de Rore
Appears on: 60v–62
Genres: Motet
Source Attribution: Ciprianus de Rore
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Que est ista que processit sicut sol
62v–66 Salve crux digna super omnia lingua (2p. In cruce pendentem rogo te Deum) 4 Eustacius Barbion
Appears on: 62v–66
Genres: Motet
Source Attribution: Eustacius Barbion
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Salve crux digna super omnia lingua II: In cruce pendentem rogo te deum
66v–68 Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei 4 [Josquin/Mouton/Richafort]
Appears on: 66v–68
Genres: Motet
Source Attribution: [Josquin/Mouton/Richafort]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Miseremini mei saltem vos amici mei
67v–69 Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est 4 -
Appears on: 67v–69
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Cutis mea aruit et contracta est
69v–73 Ave regina caelorum 4 Benedictus [Appenzeller]
Appears on: 69v–73
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum ave domina angelorum
73v–76 Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem 4 Clemens non Papa
Appears on: 73v–76
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non me penitentem
75v–78 Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 4 -
Appears on: 75v–78
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Deus in nomine tuo salvum me fac
78v–81 Media vita in morte sumus quem querimus (2p. Sancte Deus sancte fortis sancte) 4 Manchicourt
Appears on: 78v–81
Genres: Motet
Source Attribution: Manchicourt
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Media vita in morte sumus quem querimus II: Sancte deus sancte fortis sancte
81v–84 Virgo prudentissima quo progrederis 4 Nicolaus Payen/[Gombert]
Appears on: 81v–84
Genres: Motet
Source Attribution: Nicolaus Payen/[Gombert]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Virgo prudentissima quo progrederis
84v–87 Speciosa facta es in deliciis tuis 4 Nicolas Gombert
Appears on: 84v–87
Genres: Motet
Source Attribution: Nicolas Gombert
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Speciosa facta es in deliciis tuis
87v–91 Salve salutis unica spes et solamen (2p. Salve caeli dignissima regina caeli) 4 Thomas Cricquillon
Appears on: 87v–91
Genres: Motet, Salve Regina
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Salve salutis unica spes et solamen II: Salve celi dignissima regina celi
91–95 Zachaee festinans descende quia in domo (2p. Domine Deus omnipotens in simplicitate) 4 Thomas Cricquillon
Appears on: 91–95
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Zachee festinans descende quia in domo II: Domine deus omnipotens in simplicitate
95v–99 Ecce nunc benedicite Dominum omnes servi Domini (2p. In noctibus extollite manus vestras) 4 Eustatius Barbion
Appears on: 95v–99
Genres: Motet
Source Attribution: Eustatius Barbion
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nunc benedicite dominum omnes servi II: In noctibus extollite manus vestras
99v–105 Conserva me Domine quoniam speravi in te (2p. Ne permittas me damnari O amantissime+ 4 Clemens non Papa
Appears on: 99v–105
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Conserva me domine quoniam speravi in te II: Ne permittas me damnari O amantissime
105v–108 Dixerunt discipuli ad beatum Martinum (2p. Scimus quidem desiderare te Christum) 4 Franciscus Ysenbaert
Appears on: 105v–108
Genres: Motet
Source Attribution: Franciscus Ysenbaert
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Dixerunt discipuli ad beatum Martinum II: Scimus quidem desiderare te Christum
108v–110 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 4 Johannes Richafort
Appears on: 108v–110
Genres: Motet
Source Attribution: Johannes Richafort
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter
110v–112 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris 4 -
Appears on: 110v–112
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Peccavimus cum patribus nostris
112v–116 Domine pater et Deus vitae meae (2p. Aufer a me veneris concupiscentias) 4 [Canis]
Appears on: 112v–116
Genres: Motet
Source Attribution: [Canis]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Domine pater et deus vite mee II: Aufer a me veneris concupiscentias
116v–118 Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi et exaudivit 4 Verdelot
Appears on: 116v–118
Genres: Motet
Source Attribution: Verdelot
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Ad dominum cum tribularer clamavi
118v–120 Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine qui incolatus meus 4 -
Appears on: 118v–120
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Heu michi domine quia incolatus
120v–125 Veni electa mea et ponam in te thronum (2p. Audi filia et vide et inclina aurem) 4 Johannes Lupi
Appears on: 120v–125
Genres: Motet
Source Attribution: Johannes Lupi
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Veni electa mea et ponam in te thronum II: Audi filia et vide et inclina aurem
125v–127 Congratulamini mihi omnes qui diligitis 4 Clemens non Papa
Appears on: 125v–127
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini michi omnes qui diligitis
127v–131 O beata infantia per quam nostri generis (2p. O felices panni quibus pectorum) 4 Thomas Cricquillon
Appears on: 127v–131
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: O beata infantia per quam nostri generis II: O felices panni quibus pectorum
131v–133 Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait 4 Clemens non Papa
Appears on: 131v–133
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini ad pastores ait annuntio
133v–135 Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est 4 -
Appears on: 133v–135
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Parvulus filius hodie natus est
135v–137 Surge illuminare - 1a pars (of 2): Surge illuminare Jerusalem quia venit lumen tuum 4 Thomas Cricquillon/[Clemens non Papa]
Appears on: 135v–137
Genres: Motet
Source Attribution: Thomas Cricquillon/[Clemens non Papa]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Surge illuminare Iherusalem quia venit
137v–139 Surge illuminare - 2a pars (of 2): Leva in circuitu oculos meos 4 -
Appears on: 137v–139
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Leva in circuitu oculos meos
139v–142 Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum 4 Clemens non Papa/[Maessens]
Appears on: 139v–142
Genres: Motet
Source Attribution: Clemens non Papa/[Maessens]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent in celis anime sanctorum
142v–144 Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum 4 -
Appears on: 142v–144
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Ideo cum Cristo regnabunt
144v–146 Gabriel angelus - 1a pars (of 2): Gabriel angelus apparuit Zacharie dicens 4 Thomas Cricquillon/[Clemens non Papa]
Appears on: 144v–146
Genres: Motet
Source Attribution: Thomas Cricquillon/[Clemens non Papa]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel angelus apparuit Zacharie dicens
146v–148 Gabriel angelus - 2a pars (of 2): Hic precursor et dilectus et lucerna 4 -
Appears on: 146v–148
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Hic precursor et dilectus et lucerna
148v–153 Isti sunt triumphatores et amici Dei (2p. Isti sunt qui venerunt ex magna) 4 Cornelius Canis
Appears on: 148v–153
Genres: Motet
Source Attribution: Cornelius Canis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Isti sunt triumphatores et amici dei II: Isti sunt qui venerunt ex magna
153v–155 Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem 4 Manchicourt/[Jonckers]
Appears on: 153v–155
Genres: Motet
Source Attribution: Manchicourt/[Jonckers]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Non conturbetur cor vestrum ego vado
155v–157 Non turbetur - 2a pars (of 2): Ego rogabo patrem meum et alium 4 -
Appears on: 155v–157
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Ego rogabo patrem meum et alium
157v–161 Preparate corda vestra Domino et servite (2p. Convertimini ad eum in toto corde) 4 Eustatius Barbion
Appears on: 157v–161
Genres: Motet
Source Attribution: Eustatius Barbion
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Preparate corda vestra domino et servite II: Convertimini ad eum in toto corde
161v–163 Gloria tibi trinitas - 1a pars (of 2): Gloria tibi trinitas aequalis una Deitas 4 Cornelius Canis
Appears on: 161v–163
Genres: Motet
Source Attribution: Cornelius Canis
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas equalis una deitas
163v–165 Gloria tibi trinitas - 2a pars (of 2): Laus et perennis gloria Deo patri 4 -
Appears on: 163v–165
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Laus et perhennis gloria deo patri
165v Quis Deus magnus sicut Deus noster (2p. Magnus Dominus et magna virtus eius) 1 Joannes Flamingus
Appears on: 165v
Genres: Motet
Source Attribution: Joannes Flamingus
Number of voices: 1
Voice: [no designation]
Languages: Latin
Voice Text: Quis deus magnus sicut deus noster II: Magnus dominus et magna virtus eius [incomplete]
General Note

incomplete: 1a pars and beginning of 2a pars copied, for Discantus only; the piece then breaks off.

[0]v–6 Expurgate vetus fermentum ut sitis nova (2p. Mortuus est enim propter delicta) 5 Johannes Lupi/[Berchem/Gombert]
Appears on: [0]v–6
Genres: Motet
Source Attribution: Johannes Lupi/[Berchem/Gombert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Expurgate vetus fermentum ut sitis nova II: Mortuus est enim propter delicta
6v–9 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 5 Cricquillon/[Clemens non Papa]
Appears on: 6v–9
Genres: Motet
Source Attribution: Cricquillon/[Clemens non Papa]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Pastores loquebantur ad invicem transeamus
9v–12 Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt 5 -
Appears on: 9v–12
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Et venerunt festinanter et invenerunt
12v–19 Ornatam monilibus filiam Jerusalem Dominus (2p. Haec est Sion hodie caelos penitrans) 5 Cricquillon
Appears on: 12v–19
Genres: Motet
Source Attribution: Cricquillon
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Ornatam monilibus filiam Iheruzalem dominus II: Hec est Syon hodie celos penitrans
19v–22 Domine non est - 1a pars (of 2): Domine non est exaltatum 5 Clemens non Papa/Cricquillon [index]
Appears on: 19v–22
Genres: Motet
Source Attribution: Clemens non Papa/Cricquillon [index]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Domine non est exaltatum cor meum
22v–25 Domine non est - 2a pars (of 2): Sicut ablactatus est 5 -
Appears on: 22v–25
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Sicut ablactatus est super matre
25v–27 Ne projicias - 1a pars (of 2): Ne projicias me in tempore 5 Thomas Cricquillon
Appears on: 25v–27
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Ne proicias me in tempore senectutis
27v–29 Ne projicias - 2a pars (of 2): Annos aeternos in mente 5 -
Appears on: 27v–29
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Annos eternos in mente habeam
29v–31 Infirmitatem nostram quaesumus Domine 5 Willart/[Verdelot]
Appears on: 29v–31
Genres: Motet
Source Attribution: Willart/[Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin, French
Voice Text: Infirmitatem nostram quesumus/Fors seullement
31v–33 Adjuva nos Deus salutaris noster 5 Thomas Cricquillon
Appears on: 31v–33
Genres: Motet
Source Attribution: Thomas Cricquillon
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Adiuva nos deus salutaris noster
33v–38 Nolite judicare et non judicabimini (2p. Hypocrita eiice primum trabem) 5 Clemens non Papa
Appears on: 33v–38
Genres: Motet
Source Attribution: Clemens non Papa
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Nolite iudicare et non iudicabimini II: Hypocrita eiice primum trabem
38v–39 Ave Maria gratia plena Dominus tecum 5 Anon. Anonymous
Appears on: 38v–39
Genres: Ave Maria, Marian antiphon, Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gracia plena dominus tecum
39v–40 Quis Deus magnus sicut Deus noster (2p. Magnus Dominus et laudabilis nimis) 4 Joannes Flamingus
Appears on: 39v–40
Genres: Motet
Source Attribution: Joannes Flamingus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Voice Text: Quis deus magnus sicut deus noster II: Magnus dominus et laudabilis nimis
General Note

Dated 1565 at top of f. 40

Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480-ca. 1558)
Barbion, Eustachius (-ca. 1556)
Berchem, Jacques (ca. 1505-1567)
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510-ca. 1556)
Crecquillon, Thomas (ca. 1505-ca. 1557)
Despres, Josquin (ca. 1450-1521)
Flamingus, Johannes
Gombert, Nicolas (ca. 1495-ca. 1560)
Jonckers, Maistre Gosse
Jordan, Petrus
Lupi, Johannes (ca. 1506-1539)
Maessens, Pieter
Manchicourt, Pierre de
Mouton, Jean (ca. 1459-1522)
Payen, Nicolas
Richafort, Jean (ca. 1480-ca. 1550)
Rore, Cipriano de (ca. 1515-1565)
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Ysenbaert (Ijsenbaert), Franciscus
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi et exaudivit 116v–118
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine qui incolatus meus 118v–120
Adjuva nos Deus salutaris noster 31v–33
Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait 131v–133
Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est 133v–135
Ave Maria gratia plena Dominus tecum Anonymous 38v–39
Ave regina caelorum 69v–73
Ave sanctissima Maria mater Dei regina 47v–51
Beata es virgo Maria quae Dominum portasti (2p. Ave Maria gratia plena Dominus tecum) 51v–55
Christe qui lux es et dies noctis, 6vv (i)_v–(ii)
Congratulamini mihi omnes qui diligitis 125v–127
Conserva me Domine quoniam speravi in te (2p. Ne permittas me damnari O amantissime+ 99v–105
Cor mundum - 1a pars (of 2): Cor mundum crea in me deus et spiritum 12v–15
Cor mundum - 2a pars (of 2): Averte faciem tuam a peccatis meis 15v–18
Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien 37v–39
Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui 39v–41
Da pacem Domine in diebus nostris 51v
Da pacem Domine in diebus nostris 55v–57
Dixerunt discipuli ad beatum Martinum (2p. Scimus quidem desiderare te Christum) 105v–108
Domine Deus exercituum - 1a pars (of 2): Domine Deus exercituum fortis et potens 8v–10
Domine Deus exercituum - 2a pars (of 2): Igitur Domine dissipa gentes qui volunt 10v–12
Domine non est - 1a pars (of 2): Domine non est exaltatum 19v–22
Domine non est - 2a pars (of 2): Sicut ablactatus est 22v–25
Domine pater et Deus vitae meae (2p. Aufer a me veneris concupiscentias) 112v–116
Ecce nunc benedicite Dominum omnes servi Domini (2p. In noctibus extollite manus vestras) 95v–99
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 108v–110
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris 110v–112
Expurgate vetus fermentum ut sitis nova (2p. Mortuus est enim propter delicta) [0]v–6
Gabriel angelus - 1a pars (of 2): Gabriel angelus apparuit Zacharie dicens 144v–146
Gabriel angelus - 2a pars (of 2): Hic precursor et dilectus et lucerna 146v–148
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum 139v–142
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum 142v–144
Gloria tibi trinitas - 1a pars (of 2): Gloria tibi trinitas aequalis una Deitas 161v–163
Gloria tibi trinitas - 2a pars (of 2): Laus et perennis gloria Deo patri 163v–165
Impetum inimicorum ne timueritis memores 30v–33
Inclita stirps Jesse virgam produxit (2p. Est haec virga Dei mater flos ortus) 18v–22
Infirmitatem nostram quaesumus Domine 29v–31
Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae 26v–28
Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere 28v–30
Isti sunt triumphatores et amici Dei (2p. Isti sunt qui venerunt ex magna) 148v–153
Media vita in morte sumus quem querimus (2p. Sancte Deus sancte fortis sancte) 78v–81
Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei 66v–68
Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est 67v–69
Ne projicias - 1a pars (of 2): Ne projicias me in tempore 25v–27
Ne projicias - 2a pars (of 2): Annos aeternos in mente 27v–29
Nisi Dominus edificaverit domum in vanum (2p. Cum dederit dilectis suis sumpnum) 41v–47
Nolite judicare et non judicabimini (2p. Hypocrita eiice primum trabem) 33v–38
Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem 153v–155
Non turbetur - 2a pars (of 2): Ego rogabo patrem meum et alium 155v–157
O beata infantia per quam nostri generis (2p. O felices panni quibus pectorum) 127v–131
Ornatam monilibus filiam Jerusalem Dominus (2p. Haec est Sion hodie caelos penitrans) 12v–19
Os loquentium iniqua obstruetur et impii 57v–60
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 6v–9
Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt 9v–12
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te (iv)_v–2
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 4v–6
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 2v–4
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 6v–8
Peccantem me quotidie - 1a pars (of 2): Peccantem me quotidie et non me poenitentem 73v–76
Peccantem me quotidie - 2a pars (of 2): Deus in nomine tuo salvum me fac 75v–78
Preparate corda vestra Domino et servite (2p. Convertimini ad eum in toto corde) 157v–161
Quae est ista quae processit sicut sol 60v–62
Quis Deus magnus sicut Deus noster (2p. Magnus Dominus et laudabilis nimis) 39v–40
Quis Deus magnus sicut Deus noster (2p. Magnus Dominus et magna virtus eius) 165v
Salve crux digna super omnia lingua (2p. In cruce pendentem rogo te Deum) 62v–66
Salve salutis unica spes et solamen (2p. Salve caeli dignissima regina caeli) 87v–91
Sancti mei qui in carne positi certamen (2p. Venite benedicti patris mei percipite) 33v–37
Speciosa facta es in deliciis tuis 84v–87
Surge illuminare - 1a pars (of 2): Surge illuminare Jerusalem quia venit lumen tuum 135v–137
Surge illuminare - 2a pars (of 2): Leva in circuitu oculos meos 137v–139
Veni electa mea et ponam in te thronum (2p. Audi filia et vide et inclina aurem) 120v–125
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 22v–24
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 24v–26
Virgo prudentissima quo progrederis 81v–84
Zachaee festinans descende quia in domo (2p. Domine Deus omnipotens in simplicitate) 91–95

denotes primary source study

Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 106-139, 267-281 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae, vol. 84.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xvi-xvii ,xxvi, xxix, 176-83. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 193-4, 224,496,501,547. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 11, 246, 288-9, 300, 320, 348-9; II, 646-62. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Wicks, John D (editor). 1971-. Pierre de Manchicourt: Opera Omnia. Corpus mensurabilis musicae, vol. 55.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI,xvi-xvii, 130-4,145-51. Notes: contents list (partial); transcription (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21.  Brooklyn. Pages: I, 12-4, 18; II, vi-viii, x-xii, xx-xxi; III, ii-iv, vii-ix; IV, ii-iii, 37-64, Plate XXXV. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer.  Bilthoven. Pages: 36, Abb. 3. Notes: mention of MS; facsimile (partial).

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 57: 100-5. Notes: physical description (partial); additional bibliography.

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, ix, xi, xiii, 116-8. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden.  Leiden. Pages: 72-4. Notes: physical description (partial); contents list.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 3: 37-48. Notes: physical description; contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Schola Vesperis

Thursday, 24 November, 2022

concordance identified: he Ave Maria with 5 voices at the end of this manuscript is the same as the one that opens the Basevi codex.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Dedication Note; Ruling Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description