NL-L MS 1439

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: 1559

Archive	Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands (NL-L)
Shelfmark	MS 1439
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	548 x 400 mm
Other Identifiers	CCM: LeidGA 1439 olim (Former shelfmark): B; 423; 761; 862; 1004
Notations	black void mensural
Copyists	Blauwe, Anthonius de Text and Music
Relationships	St Peter's Church (commissioned by)
External Links	Images
Provenance	St Peter's Church , Amsterdam, Netherlands
Contents	Contains 91 compositions, 59 from 18 composers, 32 are anonymous.

General Description

Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: 'Scribebat hoc Insingue [sic] opus musicum Anthonius de blauwe ad honorem et usum sacre aedis divi petri leidae: Prefectis horarum eiusdem aedis. Theodorico guilielmi : Petro Jodoci : Bartholomeo aleuini : Petro oem filius petri. Anno. 1559.' Blauwe also copied LeidGA 1438 and LeidSM 1440. Copied in Leiden, for use at St. Peter's Church. Subsequent history same as for LeidGA 1438.

DIAMM, 2017

Binding

Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners and clasps

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1559 (colophon).

DIAMM, 2017

Foliation

Original ink foliation, 1-334, omits one folio following f. 15 and f. 167, respectively; two folios numbered '191.' Folio numbering skips 75-77 and 86-88.

DIAMM, 2026

Decoration

Large inked calligraphic initials; some voice designations and other indications in red ink.

DIAMM, 2017

Index

Original index on first flyleaf and f. 1 lists pieces alphabetically by title, gives some attributions, and number of voices for each piece.

DIAMM, 2017

Surface

i paper + 337 paper + i parchment + i paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

11 Magnificats, 8 canticles, 26 hymns, 31 motets = 76

(Appenzeller)-1, Baston-1, Clemens non Papa-17, Courtois-1, Crecquillon-1, C. Hollander-3, (Jacotin)-1, Josquin-2, Josquin/(Regis)-1, (Josquin/Verdelot)-1, Lupi-3, Lupi/(Sermisy)-1, (Joannes de Monte)-5, (Mouton)-1, Richafort/(Hesdin/Mouton)-1, anon-36

i paper + 337 paper + i parchment + i paper folios, 548 x 400. Original ink foliation, 1-334, omits one folio following f. 15 and f. 167, respectively; two folios numbered "191." Original covers of dark brown leather over wooden boards, tooled with classical busts and ornamental borders; brass corners and clasps. Original index on first flyleaf and f. 1 lists pieces alphabetically by title, gives some attributions, and number of voices for each piece. Copied by Anthonius de Blauwe, identified in colophon on recto of rear parchment flyleaf: "Scribebat hoc Insingue [sic] opus musicum Anthonius de blauwe ad honorem et usum sacre aedis divi petri leidae: Prefectis horarum eiusdem aedis. Theodorico guilielmi : Petro Jodoci : Bartholomeo aleuini : Petro oem filius petri. Anno. 1559." Blauwe also copied LeidGA 1438 and LeidSM 1440. Large inked calligraphic initials; some voice designations and other indications in red ink.

1559 (colophon). Copied in Leiden, for use at St. Peter's Church. Subsequent history same as for LeidGA 1438.

Vol 4

Composers: Change "Bastón-1" to "Baston/(Cleve)-1"; change "C. Hollander -3" to "C. Hollander-2, C. Hollander/(S. Hollander)-1 "; change "(Joannes de Monte)-5" to "(Joachimus de Monte)-5."

Provenance: Copied in Amsterdam (VersprilleG); commissioned and used by St. Peter's Church, in Leiden.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
[0]–1	index	-	-	-
index Appears on: [0]–1
1v–6	In nomine Jesu omne genuflectatur	4	Cristianus Hollander	Hollander, Christian
In nomine Jesu omne genuflectatur Hollander, Christian Appears on: 1v–6 Genres: Motet Source Attribution: Cristianus Hollander Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In nomine Jhesu omne genuflectatur
6v–9	Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis	4	Clemens no[n] Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6v–9 Genres: Motet Source Attribution: Clemens no[n] Papa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Heu mihi domine quia peccavi nimis
9v–11	Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde	4	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 9v–11 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (2p.) Anima mea turbata est valde
11v–13	Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis que periit require	4	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis que periit require Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 11v–13 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Erravi sicut ovis que periit require
13v–15	Erravi sicut ovis - 2a pars (of 2): Delicta juventutis mee et ignorantias	4	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis mee et ignorantias Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 13v–15 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (2p.) Delicta iuventutis mee et ignorantias
15a	Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde	2 of 4	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 15a Genres: Motet Number of voices: 2 of 4 Voice: [no designation] Languages: German Voice Text: Duplicate copy of music on f. 11 General Note fragment: final page of Ct & B (identical to f. 11)
15a_v–18	Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi	4	Thomas Cricquillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 15a_v–18 Genres: Motet Source Attribution: Thomas Cricquillon Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Cognoscimus domine quia peccavimus tibi
18v–21	Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat	4	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 18v–21 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (2p.) Vita nostra in dolore suspirat
21v–24	Fuerunt mihi lachrimae - 1a pars (of 2): Fuerunt mihi lachrimae meae panes die	4	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fuerunt mihi lachrimae - 1a pars (of 2): Fuerunt mihi lachrimae meae panes die Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 21v–24 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Fuerunt mihi lachrime mee panes die
24v–27	Fuerunt mihi lachrimae - 2a pars (of 2): Quare tristis es anima mea)	4	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fuerunt mihi lachrimae - 2a pars (of 2): Quare tristis es anima mea) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 24v–27 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (2p.) Quare tristis es anima mea
28v–37	Super flumina Babilonis illic sedimus (2p. Adhaereat lingua mea faucibus meis)	5	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Super flumina Babilonis illic sedimus (2p. Adhaereat lingua mea faucibus meis) Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 28v–37 Genres: Motet Source Attribution: [Appenzeller] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Super flumina Babilonis illic sedimus II: Adhereat lingua mea faucibus meis
38v–45	Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur; 3p. Pre timore autem eius exterriti)	5	Anon.	Anonymous
Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur; 3p. Pre timore autem eius exterriti) Anonymous Appears on: 38v–45 Genres: Motet Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Angelus autem domini descendit de celo II: Erat autem faties eius sicut fulgur III: Pre timore autem eius exterriti
45v–49	Venite ad me omnes qui laboratis	5	Anon.	Anonymous
Venite ad me omnes qui laboratis Anonymous Appears on: 45v–49 Genres: Motet Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Venite ad me omnes qui laboratis
50v–54	Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 50v–54 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Sana me domine et sanabor salvum me
54v–57	Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 54v–57 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Omnia iuditia tua iusta sunt
57v–59	Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 57v–59 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Accesserunt ad Jhesum Pharizei temptantes
59v–60	Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit	3	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 59v–60 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: (2p.) Non legistis quia qui fecit hominem
60v–62	Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 60v–62 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (3p.) Propter hoc dimittet homo patrem
62v–66	Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 62v–66 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dum complerentur dies pentecostes erant
66v–69	Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 66v–69 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Repleti sunt omnes spiritu sancto
69v–78	Quis est iste qui progreditur quasi aurora (2p. Egredimini et videte filiae Sion)	5	Joannes Lupi/[Sermisy]	Sermisy, Claudin de (ca. 1490–1562) (?) Lupi, Johannes (ca. 1506–1539) (?)
Quis est iste qui progreditur quasi aurora (2p. Egredimini et videte filiae Sion) Sermisy, Claudin de (ca. 1490–1562) (?) Lupi, Johannes (ca. 1506–1539) (?) Appears on: 69v–78 Genres: Motet Source Attribution: Joannes Lupi/[Sermisy] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Quis est iste qui progreditur quasi aurora II: Egredimini et videte filie Sion[foliation skips from 74 to 78 here] General Note ff. 75-76-77 omitted - numbering jumps from 74 to 78 with no loss of music
78v–81	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 78v–81 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Jherusalem surge et sta in excelso
81v–85	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 81v–85 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Leva in circuitu oculos tuos
85v–91	Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum	5	Richafort/[Hesdin/Mouton]	Hesdin, Nicolle des Celliers de (–1538) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum Hesdin, Nicolle des Celliers de (–1538) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 85v–91 Genres: Motet Source Attribution: Richafort/[Hesdin/Mouton] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ego sum qui sum alleluia et consilium General Note foliation skips from 85 to 89 here, omitting 86-87-88 - no loss of music
91v–94	Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	5	-	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hesdin, Nicolle des Celliers de (–1538) (?)
Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hesdin, Nicolle des Celliers de (–1538) (?) Appears on: 91v–94 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Tulerunt dominum meum et nescio ubi
94v–100	Si ignoras te O pulcra inter mulieres (2p. Surge propera amica mea columba)	5	Cristianus Hollander/[Hollande]	Hollander, Christian
Si ignoras te O pulcra inter mulieres (2p. Surge propera amica mea columba) Hollander, Christian Appears on: 94v–100 Genres: Motet Source Attribution: Cristianus Hollander/[Hollande] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Si ignoras te O pulcra inter mulieres II: Surge propera amica mea columba
100v–103	Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	5	Josquin Baston/[Cleve]	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?) Appears on: 100v–103 Genres: Motet Source Attribution: Josquin Baston/[Cleve] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum Maria Magdalena
103v–107	Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	5	-	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?) Appears on: 103v–107 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Et valde mane una sabbatorum veniunt
107v–114	Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	5	Cristianus Hollander/[S. Hollander/Lassus]	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 107v–114 Genres: Motet Source Attribution: Cristianus Hollander/[S. Hollander/Lassus] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum Maria Magdalena II: Et valde mane una sabbatorum veniunt
114v–119	Te Deus noster suavis et verus es (2p. Nosse enim te consummata justitia)	5	Joannes Lupi	Lupi, Johannes (ca. 1506–1539)
Te Deus noster suavis et verus es (2p. Nosse enim te consummata justitia) Lupi, Johannes (ca. 1506–1539) Appears on: 114v–119 Genres: Motet Source Attribution: Joannes Lupi Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tu deus noster suavis et verus es II: Nosce enim te consummata iustitia
119v–123	Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam	5	[Lupi]	Lupi, Johannes (ca. 1506–1539)
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam Lupi, Johannes (ca. 1506–1539) Appears on: 119v–123 Genres: Motet Source Attribution: [Lupi] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Apparens Christus post passionem suam
123v–126	Apparens Christus - 2a pars (of 2): Et convescens praecepit eis	5	-	Lupi, Johannes (ca. 1506–1539)
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis Lupi, Johannes (ca. 1506–1539) Appears on: 123v–126 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Et convescens precepit eis
126v–132	Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 126v–132 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Maria Magdalena et altera Maria ibant
132v–136	Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 132v–136 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Cito euntes dicite discipulis eius
136v–140	Rogate que ad pacem sunt Jerusalem (2p. Propter fratres meos et proximos meos)	5	Joannes Courtois	Courtois, Jean (fl. 1530-1545)
Rogate que ad pacem sunt Jerusalem (2p. Propter fratres meos et proximos meos) Courtois, Jean (fl. 1530-1545) Appears on: 136v–140 Genres: Motet Source Attribution: Joannes Courtois Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Rogate que ad pacem sunt Jherusalem II: Propter fratres meos et proximos meos
140v–143	Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 140v–143 Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Venit vox de celo cum luce superna
143v–146	Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 143v–146 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Respondit miles quis es tu domine
147v–154	Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam)	6	Anon.	Anonymous
Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) Anonymous Appears on: 147v–154 Genres: Motet Source Attribution: Anon. Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Victime pascali laudes immolent Christiani II: Sepulcrum Christi viventis et gloriam
154v–157	O virgo prudentissima 24.9 - 1a pars (of 2): O virgo prudentissima quam caelo missus	6	Josquin	Despres, Josquin (ca. 1450–1521)
O virgo prudentissima 24.9 - 1a pars (of 2): O virgo prudentissima quam caelo missus Despres, Josquin (ca. 1450–1521) Appears on: 154v–157 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: O virgo prudentissima quam celo missus
157v–159	O virgo prudentissima 24.9 - 2a pars (of 2): Audi virgo puerpera et stella	6	-	Despres, Josquin (ca. 1450–1521)
O virgo prudentissima 24.9 - 2a pars (of 2): Audi virgo puerpera et stella Despres, Josquin (ca. 1450–1521) Appears on: 157v–159 Genres: Hymn Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: (2p.) Audi virgo puerpera et stella maris
159v–162	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	6	Josquin	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 159v–162 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Benedicta es celorum regina et mundi
162v–163	Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	2	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum Despres, Josquin (ca. 1450–1521) Appears on: 162v–163 Genres: Motet Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: (2p.) Per illud ave prolatum
163v–164	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	6	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 163v–164 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: (3p.) Nunc mater exora natum
164v–167	Sancta Maria virgo virginum 25.7	6	[Josquin/Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancta Maria virgo virginum 25.7 Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 164v–167 Genres: Motet Source Attribution: [Josquin/Verdelot] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo virginum 25.6
167a	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	3 of 6	-	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 167a Genres: Motet Number of voices: 3 of 6 Voice: [no designation] Languages: Latin Voice Text: Nunc mater exora General Note final page of the piece (with Ct-Ct-B of the 3a pars) - identical to f. 164, but with errors.
167a_v–169	O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est	5	Josquin/[Regis]	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)
O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?) Appears on: 167a_v–169 Genres: Motet Source Attribution: Josquin/[Regis] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: O admirabile commertium creator generis/Verbum caro factum est
169v–171	O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est	5	-	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)
O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?) Appears on: 169v–171 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: (2p.) Jocundare die theotice General Note 3a pars not copied in this ms
171v–177	Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum)	4	Joannes Lupi	Lupi, Johannes (ca. 1506–1539)
Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum) Lupi, Johannes (ca. 1506–1539) Appears on: 171v–177 Genres: Motet Source Attribution: Joannes Lupi Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quem vidistis pastores dicite annuntiate II: Natum vidimus in pannis volutum
178v–185	Magnificat [K.678] primi toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.678] primi toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 178v–185 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Primi thoni: Et exultavit spiritus meus General Note ff. 184-5 are misnumbered 174-5
185v–191	Magnificat [K.679] secundi toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.679] secundi toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 185v–191 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Secundi thoni: Et exultavit spiritus meus
191v–196	Magnificat [K.680] tertii toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.680] tertii toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 191v–196 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Tercii thoni: Et exultavit spiritus meus *"191" applied to two folios. General Note (Following f. 191 is f. 191a)
196v–203	Magnificat Tertii Toni: Et exultavit spiritus meus	4	[Jacotin]	Jacotin, Jacques (1445–1529)
Magnificat Tertii Toni: Et exultavit spiritus meus Jacotin, Jacques (1445–1529) Appears on: 196v–203 Genres: BVM, Canticle, Magnificat Source Attribution: [Jacotin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Tercii thoni: Et exultavit spiritus meus
203v–209	Magnificat [K.681] quarti toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.681] quarti toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 203v–209 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
209v–216	Magnificat Quarti Toni: Et exultavit [K.261]	4	Anon.	Anonymous
Magnificat Quarti Toni: Et exultavit [K.261] Anonymous Appears on: 209v–216 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quarti thoni: Et exultavit spiritus meus
216v–222	Magnificat [K.682] quinti toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.682] quinti toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 216v–222 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quinti thoni: Et exultavit spiritus meus
222v–228	Magnificat Quinti Toni: Et exultavit [K.940]	4	[Mouton]	Mouton, Jean (ca. 1459–1522)
Magnificat Quinti Toni: Et exultavit [K.940] Mouton, Jean (ca. 1459–1522) Appears on: 222v–228 Genres: BVM, Canticle, Magnificat Source Attribution: [Mouton] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Quinti thoni: Et exultavit spiritus meus
228v–234	Magnificat [K.683] sexti toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.683] sexti toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 228v–234 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Sexti thoni: Et exultavit spiritus meus
234v–240	Magnificat [K.684] septimii toni: Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.684] septimii toni: Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 234v–240 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Septimi thoni: Et exultavit spiritus meus
240v–247	Magnificat [K.677] octavi toni 'carminum': Et exultavit	4	Clemens [non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Magnificat [K.677] octavi toni 'carminum': Et exultavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 240v–247 Genres: BVM, Canticle, Magnificat Source Attribution: Clemens [non Papa] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Octavi thoni: Et exultavit spiritus meus General Note 'Esurientes' expands to 5vv
248v–250	Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 248v–250 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Primi thoni: Quia viderunt oculi mei salutare
250v–252	Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 250v–252 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Secundi thoni: Quia viderunt oculi mei salutare
252v–254	Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 252v–254 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Tertii thoni: Quia viderunt oculi mei salutare
254v–256	Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 254v–256 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Quarti thoni: Quia viderunt oculi mei salutare
256v–258	Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 256v–258 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Quinti thoni: Quia viderunt oculi mei salutare
258v–260	Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 258v–260 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Sexti thoni: Quia viderunt oculi mei salutare
260v–262	Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 260v–262 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Septimi thoni: Quia viderunt oculi mei salutare
262v–264	Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare	4	Anon.	Anonymous
Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare Anonymous Appears on: 262v–264 Genres: Canticle Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Nunc dimittis] Octavi thoni: Quia viderunt oculi mei salutare
265v–268	Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia)	3-4	Anon.	Anonymous
Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia) Anonymous Appears on: 265v–268 Genres: Motet Source Attribution: Anon. Number of voices: 3-4 Voice: [no designation] Languages: Latin Voice Text: Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia
268v–270	Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia)	3	Anon.	Anonymous
Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia) Anonymous Appears on: 268v–270 Genres: Motet Source Attribution: Anon. Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Crucifixum in carne laudate et sepultum II: Recordamini quomodo predixit quia
270v–274	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	4	Anon.	Anonymous
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous Appears on: 270v–274 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
274v–276	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	4	Anon.	Anonymous
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous Appears on: 274v–276 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
276v–279	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	4	Anon.	Anonymous
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous Appears on: 276v–279 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
279v–280	In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater	4	Anon.	Anonymous
In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater Anonymous Appears on: 279v–280 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [In Mariam vitae viam matrem veram] 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater
280v–284	Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te	4	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: 280v–284 Genres: Ave maris stella, Motet Source Attribution: [Appenzeller] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Ave maris stella dei mater alma] 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te
284v–286	Maria mater Domini aeterni patris filii	4	Anon.	Anonymous
Maria mater Domini aeterni patris filii Anonymous Appears on: 284v–286 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Maria mater domini eterni patris filii
286v–290	Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite") 3 Portae nitent margaritis abditus	4	Anon.	Anonymous
Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite") 3 Portae nitent margaritis abditus Anonymous Appears on: 286v–290 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Urbs beata Jherusalem dicta pacis visio (Alternate text: "[Aurea luce et decore roseo] Jam bone pastor inclite") 3 Porte nitent margaritis abditus
290v–292	A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam	5	[Joachimus de Monte]	Monte, Joachimus de
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam Monte, Joachimus de Appears on: 290v–292 Genres: Motet Source Attribution: [Joachimus de Monte] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: A solis ortus cardine ad usque terrae (Alternate text: "[Hostis Herodes impie Christum venire] Ibant magi quam viderant stellam")
292v–294v	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes (5vv)	5	[Joachimus de Monte]	Monte, Joachimus de
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes (5vv) Monte, Joachimus de Appears on: 292v–294v Genres: Motet Source Attribution: [Joachimus de Monte] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes [incomplete] General Note incomplete: the 5th verse 'Defensor nostra' starts on f. 294v, with Ct & part of Bassus
295v–297	Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens	4	[Joachimus de Monte]	Monte, Joachimus de
Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens Monte, Joachimus de Appears on: 295v–297 Genres: Motet Source Attribution: [Joachimus de Monte] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Aurea luce et decore roseo lux lucis 3 Iam bone pastor Petre clemens
297v–299	Quod chorus vatum venerandus olim	4	Anon.	Anonymous
Quod chorus vatum venerandus olim Anonymous Appears on: 297v–299 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quod chorus vatum venerandus olim
299v–301	Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas	4	Anon.	Anonymous
Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas Anonymous Appears on: 299v–301 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quod chorus vatum venerandus olim 3 Quem senex iustus Simeon in ulnas
301v–306	O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior)	4	[Joachimus de Monte]	Monte, Joachimus de
O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) Monte, Joachimus de Appears on: 301v–306 Genres: Motet Source Attribution: [Joachimus de Monte] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O Elisabeth insignis digna sublimari II: Cum puellis certanisti templum prior
306v–309	Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger	4	Anon.	Anonymous
Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger Anonymous Appears on: 306v–309 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Jhesu salvator seculi redemptis ope 3 Baptista Christi previus et claviger
309v–311	Jesu salvator saeculi redemptis ope	4	Anon.	Anonymous
Jesu salvator saeculi redemptis ope Anonymous Appears on: 309v–311 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Jhesu salvator seculi redemptis ope
311v–313	Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt	4	Anon.	Anonymous
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt Anonymous Appears on: 311v–313 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt
313v–315	Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur	4	Anon.	Anonymous
Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur Anonymous Appears on: 313v–315 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur
315v–317	Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit	4	Anon.	Anonymous
Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit Anonymous Appears on: 315v–317 Genres: Hymn, Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Hymnum deo vox iucunda decantet ecclesia] 2 Quam regali stirpe nata[m] in annis 4 Lege carnis sic legata non extinxit
317v–319	Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen	4	[Joachimus de Monte]	Monte, Joachimus de
Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen Monte, Joachimus de Appears on: 317v–319 Genres: Ave maris stella, Motet Source Attribution: [Joachimus de Monte] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave maris stella dei mater alma 3 Solve vincla reis profer lumen
319v–322	Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem	4	Anon.	Anonymous
Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem Anonymous Appears on: 319v–322 Genres: Veni creator spiritus Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem
322v–325	Festum nunc celebre 4 Oramus Domine conditor inclyte devotos	4	Anon.	Anonymous
Festum nunc celebre 4 Oramus Domine conditor inclyte devotos Anonymous Appears on: 322v–325 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Festum nunc celebre magnaque gaudia 4 Oramus domine conditor inclite devotos
325v–327	A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente	4	Anon.	Anonymous
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente Anonymous Appears on: 325v–327 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: A solis ortus cardine ad usque terre 4 Domus pudici pectoris templum repente
328v–332	Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	4	Anon.	Anonymous
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes Anonymous Appears on: 328v–332 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes
332v–334	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli	4	Anon.	Anonymous
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli Anonymous Appears on: 332v–334 Genres: Motet Source Attribution: Anon. Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus autor seculi servile corpus 4 Domus pudici pectoris templum repente

Composer	Compositions
Anonymous	Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur; 3p. Pre timore autem eius exterriti) – 38v–45 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli – 332v–334 A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente – 325v–327 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes – 274v–276 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes – 328v–332 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes – 270v–274 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes – 276v–279 Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia) – 265v–268 Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia) – 268v–270 Festum nunc celebre 4 Oramus Domine conditor inclyte devotos – 322v–325 Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt – 311v–313 Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit – 315v–317 In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater – 279v–280 Jesu salvator saeculi redemptis ope – 309v–311 Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger – 306v–309 Magnificat Quarti Toni: Et exultavit [K.261] – 209v–216 Maria mater Domini aeterni patris filii – 284v–286 Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare – 262v–264 Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare – 248v–250 Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare – 254v–256 Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare – 256v–258 Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare – 250v–252 Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare – 260v–262 Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare – 258v–260 Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare – 252v–254 Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur – 313v–315 Quod chorus vatum venerandus olim – 297v–299 Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas – 299v–301 Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite") 3 Portae nitent margaritis abditus – 286v–290 Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem – 319v–322 Venite ad me omnes qui laboratis – 45v–49 Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) – 147v–154 [No description] – [0]–1
Appenzeller, Benedictus (ca. 1480-ca. 1558)	Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te – 280v–284 Super flumina Babilonis illic sedimus (2p. Adhaereat lingua mea faucibus meis) – 28v–37
Baston, Josquin (1542–63)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 100v–103 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 103v–107
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei – 57v–59 Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit – 59v–60 Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet – 60v–62 Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant – 62v–66 Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto – 66v–69 Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis que periit require – 11v–13 Erravi sicut ovis - 2a pars (of 2): Delicta juventutis mee et ignorantias – 13v–15 Fuerunt mihi lachrimae - 1a pars (of 2): Fuerunt mihi lachrimae meae panes die – 21v–24 Fuerunt mihi lachrimae - 2a pars (of 2): Quare tristis es anima mea) – 24v–27 Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis – 6v–9 Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde – 15a Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde – 9v–11 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 78v–81 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 81v–85 Magnificat [K.677] octavi toni 'carminum': Et exultavit – 240v–247 Magnificat [K.678] primi toni: Et exultavit – 178v–185 Magnificat [K.679] secundi toni: Et exultavit – 185v–191 Magnificat [K.680] tertii toni: Et exultavit – 191v–196 Magnificat [K.681] quarti toni: Et exultavit – 203v–209 Magnificat [K.682] quinti toni: Et exultavit – 216v–222 Magnificat [K.683] sexti toni: Et exultavit – 228v–234 Magnificat [K.684] septimii toni: Et exultavit – 234v–240 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant – 126v–132 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius – 132v–136 Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor – 50v–54 Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt – 54v–57 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna – 140v–143 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine – 143v–146
Cleve, Johannes de (ca. 1528-1582)	(?) Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena – 100v–103 (?) Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt – 103v–107
Courtois, Jean (1530-1545)	Rogate que ad pacem sunt Jerusalem (2p. Propter fratres meos et proximos meos) – 136v–140
Crecquillon, Thomas (ca. 1505-ca. 1557)	Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi – 15a_v–18 Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat – 18v–21
Despres, Josquin (ca. 1450-1521)	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 159v–162 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum – 162v–163 Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 163v–164 Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 167a (?) O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est – 167a_v–169 (?) O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est – 169v–171 O virgo prudentissima 24.9 - 1a pars (of 2): O virgo prudentissima quam caelo missus – 154v–157 O virgo prudentissima 24.9 - 2a pars (of 2): Audi virgo puerpera et stella – 157v–159 (?) Sancta Maria virgo virginum 25.7 – 164v–167
Hesdin, Nicolle des Celliers de (-1538)	(?) Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum – 85v–91 (?) Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 91v–94
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 107v–114 In nomine Jesu omne genuflectatur – 1v–6 Si ignoras te O pulcra inter mulieres (2p. Surge propera amica mea columba) – 94v–100
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 107v–114
Jacotin, Jacques (1445-1529)	Magnificat Tertii Toni: Et exultavit spiritus meus – 196v–203
Lupi, Johannes (ca. 1506-1539)	Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam – 119v–123 Apparens Christus - 2a pars (of 2): Et convescens praecepit eis – 123v–126 Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum) – 171v–177 (?) Quis est iste qui progreditur quasi aurora (2p. Egredimini et videte filiae Sion) – 69v–78 Te Deus noster suavis et verus es (2p. Nosse enim te consummata justitia) – 114v–119
Monte, Joachimus de	A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam – 290v–292 Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens – 295v–297 Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen – 317v–319 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes (5vv) – 292v–294v O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior) – 301v–306
Mouton, Jean (ca. 1459-1522)	(?) Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum – 85v–91 (?) Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 91v–94 Magnificat Quinti Toni: Et exultavit [K.940] – 222v–228
Regis, Johannes (ca. 1425-ca. 1496)	O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est – 167a_v–169 O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est – 169v–171
Richafort, Jean (ca. 1480-ca. 1550)	(?) Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum – 85v–91 (?) Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 91v–94
Sermisy, Claudin de (ca. 1490-1562)	(?) Quis est iste qui progreditur quasi aurora (2p. Egredimini et videte filiae Sion) – 69v–78
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Sancta Maria virgo virginum 25.7 – 164v–167

Composition	Composers (? Uncertain)	Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 4 Domus pudici pectoris templum 6 Foeno jacere pertulit praesepe 8 Summo parenti gloria eiusque soli	Anonymous	332v–334
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente	Anonymous	325v–327
A solis ortus cardine ad usque terrae 4 Domus pudici pectoris templum repente = Hostis Herodes impie Christum venire Ibant magi quam viderant stellam	Monte, Joachimus de	290v–292
Accesserunt ad Jesum - 1a pars (of 3): Accesserunt ad Jesum Parisaei	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	57v–59
Accesserunt ad Jesum - 2a pars (of 3): Non legistis quia qui fecit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	59v–60
Accesserunt ad Jesum - 3a pars (of 3): Propter hoc dimittet	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	60v–62
Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur; 3p. Pre timore autem eius exterriti)	Anonymous	38v–45
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam	Lupi, Johannes (ca. 1506–1539)	119v–123
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis	Lupi, Johannes (ca. 1506–1539)	123v–126
Aurea luce et decore roseo lux lucis / Iam bone pastor Petre clemens	Monte, Joachimus de	295v–297
Ave maris stella Dei mater alma 2 Sumens illud ave Gabrielis ore 4 Monstra te esse matrem sumat per te	Appenzeller, Benedictus (ca. 1480–ca. 1558)	280v–284
Ave maris stella Dei mater alma 3 Solve vincla reis profer lumen	Monte, Joachimus de	317v–319
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	159v–162
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum	Despres, Josquin (ca. 1450–1521)	162v–163
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	163v–164
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	167a
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	Anonymous	270v–274
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	Anonymous	274v–276
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	Anonymous	276v–279
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes	Anonymous	328v–332
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes (5vv)	Monte, Joachimus de	292v–294v
Cognoscimus Domine - 1a pars (of 2): Cognoscimus Domine quia peccavimus tibi	Crecquillon, Thomas (ca. 1505–ca. 1557)	15a_v–18
Cognoscimus Domine - 2a pars (of 2): Vita nostra in dolore suspirat	Crecquillon, Thomas (ca. 1505–ca. 1557)	18v–21
Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia)	Anonymous	265v–268
Crucifixum in carne laudate et sepultum (2p. Recordamini quomodo predixit quia)	Anonymous	268v–270
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes erant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	62v–66
Dum complerentur - 2a pars (of 2): Repleti sunt omnes spiritu sancto	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	66v–69
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena	Cleve, Johannes de (ca. 1528–1582) (?) Baston, Josquin (fl. 1542–63) (?)	100v–103
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt	Baston, Josquin (fl. 1542–63) (?) Cleve, Johannes de (ca. 1528–1582) (?)	103v–107
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	Hollander, Sebastian (?) Hollander, Christian (?)	107v–114
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum Alleluia et consilium meum	Hesdin, Nicolle des Celliers de (–1538) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	85v–91
Ego sum qui sum - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Mouton, Jean (ca. 1459–1522) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Hesdin, Nicolle des Celliers de (–1538) (?)	91v–94
Erravi sicut ovis - 1a pars (of 2): Erravi sicut ovis que periit require	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	11v–13
Erravi sicut ovis - 2a pars (of 2): Delicta juventutis mee et ignorantias	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	13v–15
Festum nunc celebre 4 Oramus Domine conditor inclyte devotos	Anonymous	322v–325
Fuerunt mihi lachrimae - 1a pars (of 2): Fuerunt mihi lachrimae meae panes die	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	21v–24
Fuerunt mihi lachrimae - 2a pars (of 2): Quare tristis es anima mea)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	24v–27
Heu mihi Domine - 1a pars (of 2): Heu mihi Domine quia peccavi nimis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6v–9
Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	9v–11
Heu mihi Domine - 2a pars (of 2): Anima mea turbata est valde	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	15a
Hostis Herodes impie Christum venire 2 Ibant magi quam viderant stellam 6 Novum genus potentie aque rubescunt	Anonymous	311v–313
Hymnum deo vox jucunda decantet ecclesia 2 Quam regali stirpe natam in annis 4 Lege carnis sic legata non extinxit	Anonymous	315v–317
In Mariam vitae viam matrem veram 2 Gressum cepit cum concepit Maria 4 Impregnata gravidata fit mater	Anonymous	279v–280
In nomine Jesu omne genuflectatur	Hollander, Christian	1v–6
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	78v–81
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	81v–85
Jesu salvator saeculi redemptis ope	Anonymous	309v–311
Jesu salvator saeculi redemptis ope 3 Baptista Christi previus et claviger	Anonymous	306v–309
Magnificat [K.677] octavi toni 'carminum': Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	240v–247
Magnificat [K.678] primi toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	178v–185
Magnificat [K.679] secundi toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	185v–191
Magnificat [K.680] tertii toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	191v–196
Magnificat [K.681] quarti toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	203v–209
Magnificat [K.682] quinti toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	216v–222
Magnificat [K.683] sexti toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	228v–234
Magnificat [K.684] septimii toni: Et exultavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	234v–240
Magnificat Quarti Toni: Et exultavit [K.261]	Anonymous	209v–216
Magnificat Quinti Toni: Et exultavit [K.940]	Mouton, Jean (ca. 1459–1522)	222v–228
Magnificat Tertii Toni: Et exultavit spiritus meus	Jacotin, Jacques (1445–1529)	196v–203
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	126v–132
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	132v–136
Maria mater Domini aeterni patris filii	Anonymous	284v–286
Nunc dimittis Octavi Toni: Quia viderunt oculi mei salutare	Anonymous	262v–264
Nunc dimittis Primi Toni: Quia viderunt oculi mei salutare	Anonymous	248v–250
Nunc dimittis Quarti Toni: Quia viderunt oculi mei salutare	Anonymous	254v–256
Nunc dimittis Quinti Toni: Quia viderunt oculi mei salutare	Anonymous	256v–258
Nunc dimittis Secundi Toni: Quia viderunt oculi mei salutare	Anonymous	250v–252
Nunc dimittis Septimi Toni: Quia viderunt oculi mei salutare	Anonymous	260v–262
Nunc dimittis Sexti Toni: Quia viderunt oculi mei salutare	Anonymous	258v–260
Nunc dimittis Tertii Toni: Quia viderunt oculi mei salutare	Anonymous	252v–254
O admirabile commercium - 1a pars (of 3): O admirabile commercium creator generis - Verbum caro factum est	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)	167a_v–169
O admirabile commercium - 2a pars (of 3): Jocundare die theotoce - Verbum caro factum est	Regis, Johannes (ca. 1425–ca. 1496) Despres, Josquin (ca. 1450–1521) (?)	169v–171
O Elisabeth insignis digna sublimari (2p. Cum puellis certanisti templum prior)	Monte, Joachimus de	301v–306
O virgo prudentissima 24.9 - 1a pars (of 2): O virgo prudentissima quam caelo missus	Despres, Josquin (ca. 1450–1521)	154v–157
O virgo prudentissima 24.9 - 2a pars (of 2): Audi virgo puerpera et stella	Despres, Josquin (ca. 1450–1521)	157v–159
Pange lingua gloriosi corporis misterium 5 Tantum ergo sacramentum veneremur	Anonymous	313v–315
Quem vidistis pastores dicite annuntiate (2p. Natum vidimus in pannis volutum)	Lupi, Johannes (ca. 1506–1539)	171v–177
Quis est iste qui progreditur quasi aurora (2p. Egredimini et videte filiae Sion)	Sermisy, Claudin de (ca. 1490–1562) (?) Lupi, Johannes (ca. 1506–1539) (?)	69v–78
Quod chorus vatum venerandus olim	Anonymous	297v–299
Quod chorus vatum venerandus olim 3 Quem senex justus Simeon in ulnas	Anonymous	299v–301
Rogate que ad pacem sunt Jerusalem (2p. Propter fratres meos et proximos meos)	Courtois, Jean (fl. 1530-1545)	136v–140
Sana me Domine - 1a pars (of 2): Sana me Domine et sanabor	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	50v–54
Sana me Domine - 2a pars (of 2): Omnia iudicia tua justa sunt	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	54v–57
Sancta Maria virgo virginum 25.7	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)	164v–167
Si ignoras te O pulcra inter mulieres (2p. Surge propera amica mea columba)	Hollander, Christian	94v–100
Super flumina Babilonis illic sedimus (2p. Adhaereat lingua mea faucibus meis)	Appenzeller, Benedictus (ca. 1480–ca. 1558)	28v–37
Te Deus noster suavis et verus es (2p. Nosse enim te consummata justitia)	Lupi, Johannes (ca. 1506–1539)	114v–119
Urbs beata Jerusalem dicta pacis visio (Alternate text: "Aurea luce et decore roseo Jam bone pastor inclite") 3 Portae nitent margaritis abditus	Anonymous	286v–290
Veni creator spiritus mentes tuorum 4 Accende lumen sensibus infunde amorem	Anonymous	319v–322
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	140v–143
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	143v–146
Venite ad me omnes qui laboratis	Anonymous	45v–49
Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam)	Anonymous	147v–154

‡ denotes primary source study

‡ Jas, Eric. 2018. Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden. Studies in Medieval and Renaissance Music. 432. Boydell Press. Pages: 98-105, 235-253 & passim. Notes: physical decsription, contents list; concordances, facsimiles (partial), discussion.

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae, vol. 84. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xxviii-xxix; II,xiv-xv,xxxi-xxxii,208-15. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21. Brooklyn. Pages: I, 12-3; II, i-v; IV, Plate XXXIII. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 141. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Versprille, Annie J. 1965. De Geschiedenis van de Leidse Motetboeken. Jaarboekje voor Geschiedenis en Oudheidkunde van Leiden en Omstreken, 57: 100-5. Notes: physical description (partial); facsimile (partial); additional bibliography.

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: I, 19, 38; II, 156-69. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kempers, Karel Philippus Bernet, and Chris J. Maas (editors). 1951-76. Jacobus Clemens non Papa: Opera Omnia. Corpus mensurabilis musicae, vol. 4. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, i, 10-119, passim; IX, iv; XV, viii. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XI, v. Notes: physical description; contents list; incipitsst of contents (partial).

Overvoorde, J C. 1914. Catalogus van Voorwerpen in het Stedelijk Museum "De Lakenhal" te Leiden. Leiden. Pages: 68-70. Notes: physical description (partial); contents list.

Land, J P N. 1874-81. De Koorboeken van de St. Pieterskerk te Leiden. Bouwsteenen, 3: 37-48. Notes: physical description; contents list.

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Edward Tambling

Tuesday, 14 April, 2020

external image links for all Leiden choirbooks corrected/updated

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

NL-L MS 1439

Gemeentearchief; Archieven van de Kerken, Leiden, Netherlands

manuscript of polyphony: 1559

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Census Catalogue of Music Description

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