Copied at 's Hertogenbosch for the Confraternity of Our Lady. Contents (unusually for its period & origin) ordered liturgically. Scribe: Philippus de Spina, who also copied 's HerAB 75 (now 157) (MaasD).
NL-SHbhic MS 158
Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands
manuscript of polyphony: 1544
| Archive | Brabants Historisch Informatie Centrum, 's-Hertogenbosch, Netherlands (NL-SHbhic) |
|---|---|
| Shelfmark | MS 158 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 560 x 385 mm |
| Other Identifiers |
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| Contents | Contains 89 compositions, 10 from 8 composers, 79 are anonymous. |
General Description
Binding
Original covers of tooled leather on boards.
Notation
black void mensural
Date
1544 (MaasD); Smijers (1940) dated it 1496
Foliation
Original foliation, i-ccxxv.
Decoration
Inked calligraphic initials.
Index
Original index on f. 1.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Kyrie, 33 Magnificats, 2 Te Deums, 18 hymns, 35 motets = 89
(Appenzeller)-1, (Barra)-1, (Brumel)-1, (Lupi)-1, S. Porta-1, (Richafort)-1, (Verdelot)-1, anon-82
228 paper folios, 560 x 385. Original foliation, i-ccxxv. Original covers of tooled leather on boards. Original index on f. 1. Scribe: Philippus de Spina, who also copied 's HerAB 75 (MaasD). Inked calligraphic initials.
1544 (MaasD). Copied at 's Hertogenbosch for the Confraternity of Our Lady.
Vol 4
Composers: Change "(Lupi)-1" to "(Conseil/Lupi)-1."
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‡ denotes primary source study
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xvii, 39-47. Notes: concordances (partial); transcription (partial).
Maas, Chris J. 1968. Determinering van Codex 73 uit de Illustre Lieve Vrouwe Broederschap te's Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21: 37-45. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 138. Notes: concordances (partial); incipits (partial).
Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica. Amsterdam. Pages: VIII. Notes: contents list; concordances; texts; facsimile (partial).
Smijers, Albert. 1940-46. Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16: 1-30. Pages: 9-15. Notes: physical description; contents list; concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description