26 Magnificats, 35 hymns, 13 motets, 1 organ piece = 75
Anton de España-1, Bermudes-12, R. Ceballos-1, G. Fernandes -10, Franco-1, Guerrero-20, Morales-16, Palestrina-1, anon-13
259 paper folios, 430 x 280. Manuscript is in two distinct sections: Part I - 79 folios, original foliation; f. 1, which probably contained an original index, is missing. This section contains hymns. Part II - 180 folios, original foliation, original index. This section contains Magnificats and motets. Covers of leather over boards. Six anonymous pieces in a much later style have been added on pages left blank at beginning and end of manuscript.17th century. Copied at the Cathedral, Guatemala City
Vol. 4
Part I: 35 hymns, 2 responses = 37. Part II: 27 Magnificats, 2 Magnificat doxologies, 3 falsobordone Magnificat tone formulas, 1 Te Deum section, 3 hymns, 12 Benedicamus dominos (1 incomplete) = 48. Total for manuscript = 85
Anton de España-1, Bermudes-14, Bermudes-Guerrero-1, R. Ceballos-2, G. Fernandes-13, Franco-1, Guerrero-24, Morales-16, Palestrina-2, anon-11
267 paper folios, 430 x 280. Composite of two originally separate manuscripts bound together no later than 1645. Part I = first 79 folios, with original foliation, 1-79. Part II = last 188 folios, with original foliation, 1-185 (first three folios of Part II not numbered). Original covers of leather over boards, stamped with small thistle motifs. No index for Part I; index of Part II on recto of first unnumbered folio lists Magnificats by tone (= order of appearance). Part I and most of Part II copied by a single scribe, probably Gaspar Fernandes, chapelmaster and organist at Guatemala Cathedral 1599-1606, and at Puebla Cathedral 1606-29; same scribe also wrote GuatC 4, PueblaC 1, and ff. 37'-39' of PueblaC 2. Later additions in Part II by several other scribes. Inked calligraphic initials.
Early 17th century, with several later additions. Copied in Guatemala City, for use by cathedral choir.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550