The scribe, who also copied GuadM (1), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Same art work and decoration as in GuadM (1); this manuscript was originally the second part of GuadM (1) (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.
E-GU Códice 3
Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain
manuscript of polyphony: 1603-c. 1675
| Archive | Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU) |
|---|---|
| Shelfmark | Códice 3 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 555 x 395 mm |
| Other Identifiers |
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| Copyists |
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| Relationships | |
| External Links | |
| Provenance |
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| Contents | Contains 38 compositions from 4 composers. |
General Description
Binding
Original covers of brown leather on boards, similar to the covers of GuadM (1) and GuadM (3).
Notation
not indicated
Foliation
Original foliation, 6 [= f. i], 136-316 (fails to include single folios following ff. 238, 239, and 303; ff. 254 and 279 skipped or missing).
Index
Original index on f. i.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
5 Masses, 1 Requiem Mass, 1 psalm, 3 hymns, 3 Lamentations, 7 motets, 1 Office of the Dead = 21
Morales-1, Navarro of Seville-1, Palestrina-3, Vivanco-16
i + 182 paper folios, 555 x 395. Original foliation, 6 [= f. i], 136-316 (fails to include single folios following ff. 238, 239, and 303; ff. 254 and 279 skipped or missing). Original covers of brown leather on boards, similar to the covers of GuadM (1) and GuadM (3). Original index on f. i. The scribe, who also copied GuadM (1), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Same art work and decoration as in GuadM (1); this manuscript was originally the second part of GuadM (1) (CrawTC).
1603-ca. 1675 (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.
Vol 4
Provenance: Possibly copied at Hieronymite monastery in Guadalupe.
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‡ denotes primary source study
Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local, Madrid: Sociedad Española de Musicología.
Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 24: 145-74. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.
Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra. Madrid. Pages: I, 110ff. Notes: transcription (partial).
Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 21: 272.
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Riccardo Pintus
Thursday, 15 March, 2018
composer's dates corrected
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description