E-GU Códice 3

Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain

manuscript of polyphony; originally the second part of GuadM (1) (CrawTC): 1603-c. 1675

Archive Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU)
Shelfmark Códice 3
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 555 x 395 mm
Other Identifiers
  • CCM: GuadM (2)
  • olim (Former shelfmark): Census Catalogue: MS s.s. (2); II; B; 2
Copyists
Relationships
External Links
Provenance
Contents 38 pieces from 4 composers
General Description

The scribe, who also copied GuadM (1), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Same art work and decoration as in GuadM (1); this manuscript was originally the second part of GuadM (1) (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Binding

Original covers of brown leather on boards, similar to the covers of GuadM (1) and GuadM (3).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Notation

not indicated

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Foliation

Original foliation, 6 [= f. i], 136-316 (fails to include single folios following ff. 238, 239, and 303; ff. 254 and 279 skipped or missing).

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Index

Original index on f. i.

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Surface

paper

Bruno Turner, 2013; Inventory and description from Francisco Rodilla León, 2013
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Requiem Mass, 1 psalm, 3 hymns, 3 Lamentations, 7 motets, 1 Office of the Dead = 21

Morales-1, Navarro of Seville-1, Palestrina-3, Vivanco-16

i + 182 paper folios, 555 x 395. Original foliation, 6 [= f. i], 136-316 (fails to include single folios following ff. 238, 239, and 303; ff. 254 and 279 skipped or missing). Original covers of brown leather on boards, similar to the covers of GuadM (1) and GuadM (3). Original index on f. i. The scribe, who also copied GuadM (1), may have been Juan de Alcázar, a monk at the Guadalupe monastery. Same art work and decoration as in GuadM (1); this manuscript was originally the second part of GuadM (1) (CrawTC).

1603-ca. 1675 (CrawTC). Perhaps copied at the Jeronimite monastery at Guadalupe.

Vol 4

Provenance: Possibly copied at Hieronymite monastery in Guadalupe.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
136v–150 Missa de Beata Virgine (5vv) = Missa Domina: Kyrie morales
Appears on: 136v–150
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: morales
General Note

incomplete

136v–150 Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme -
Appears on: 136v–150
Genres: Gloria (et in terra pax), Mass Ordinary
136v–150 Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces -
Appears on: 136v–150
Genres: Credo (patrem omnipotentem), Mass Ordinary
General Note

incomplete

136v–150 Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces -
Appears on: 136v–150
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

incomplete

136v–150 Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces -
Appears on: 136v–150
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa de Beata Virgine: Kyrie (incompl.), Gloria, Credo, (incompleto), Sanctus (incompl.), Benedictus, Agnus Dei I, II
151v–187 Missa Aspice Domine: Kyrie Penestrina
Appears on: 151v–187
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Penestrina
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Aspice Domine: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei I, II
151v–187 Missa Aspice Domine: Gloria -
Appears on: 151v–187
Genres: Gloria (et in terra pax), Mass Ordinary
151v–187 Missa Aspice Domine: Credo -
Appears on: 151v–187
Genres: Credo (patrem omnipotentem), Mass Ordinary
151v–187 Missa Aspice Domine: Sanctus -
Appears on: 151v–187
Genres: Mass Ordinary, Sanctus [& Benedictus]
151v–187 Missa Aspice Domine: Agnus Dei -
Appears on: 151v–187
Genres: Agnus Dei, Mass Ordinary
187v–218 Missa Papae Marcelli: Kyrie Penestrina
Appears on: 187v–218
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Penestrina
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Papae Marcelli: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei I, II
187v–218 Missa Papae Marcelli: Gloria -
Appears on: 187v–218
Genres: Gloria (et in terra pax), Mass Ordinary
187v–218 Missa Papae Marcelli: Credo -
Appears on: 187v–218
Genres: Credo (patrem omnipotentem), Mass Ordinary
187v–218 Missa Papae Marcelli: Sanctus & Benedictus -
Appears on: 187v–218
Genres: Mass Ordinary, Sanctus [& Benedictus]
187v–218 Missa Papae Marcelli: Agnus Dei -
Appears on: 187v–218
Genres: Agnus Dei, Mass Ordinary
219v–245 Missa Ut re mi fa sol la: Kyrie Penestrina
Appears on: 219v–245
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Penestrina
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Ut, re mi, fa, sol, la: Kyrie, Gloria, Credo, Sanctus (incompl.), Benedictus, Agnus Dei I, II (incompl.)
219v–245 Missa Ut re mi fa sol la: Gloria -
Appears on: 219v–245
Genres: Gloria (et in terra pax), Mass Ordinary
219v–245 Missa Ut re mi fa sol la: Credo -
Appears on: 219v–245
Genres: Credo (patrem omnipotentem), Mass Ordinary
219v–245 Missa Ut re mi fa sol la: Sanctus -
Appears on: 219v–245
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

lacks end of Sanctus

219v–245 Missa Ut re mi fa sol la: Agnus Dei -
Appears on: 219v–245
Genres: Agnus Dei, Mass Ordinary
General Note

lacks Agnus II

246v–249 Missa de Feria: Kyrie Mo. Bivanco
Appears on: 246v–249
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mo. Bivanco
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa de Feria: Kyrie, Sanctus, Agnus Dei
[-] Missa de Feria: Sanctus -
Appears on: [-]
Genres: Mass Ordinary, Sanctus [& Benedictus]
249v–251 Petite et accipietis M A G SebsT D bivanco
Appears on: 249v–251
Source Attribution: M A G SebsT D bivanco
Voice: [no designation]
Languages: Latin
Voice Text: Petite et accipietis
General Note

In die letaniae

251v–253 Missa de Feria: Agnus De -
Appears on: 251v–253
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa de Feria: Kyrie, Sanctus, Agnus Dei (cont.)
255–260 Regem cui omnia Vivanco
Appears on: 255–260
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Regem cui omnia
General Note

Invitatorio (Incompleto)

260v–263 Parce mihi Domine Vivanco
Appears on: 260v–263
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Parce mihi Domine
General Note

Lección de Maitines

263v–272 Missa pro Defunctis: Introitus (Dona eis), Kyrie, Tractus (Absolve Domine), Libera me Domine, Sanctus Sebastian de Vivanco
Appears on: 263v–272
Source Attribution: Sebastian de Vivanco
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Office of the Dead: Introitus (Dona eis), Kyrie, Tractus (Absolve Domine), Libera me Domine, Sanctus
272v–276 Circumdederunt me doloris Vivanco
Appears on: 272v–276
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me doloris
General Note

Motet

276v–278 De profundis [from Ps. 129] Maestro Vivanco
Appears on: 276v–278
Source Attribution: Maestro Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: De profundis
General Note

Motet – Ps. 129

280v–281 Miserere mei et exaudi Vivanco
Appears on: 280v–281
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei et exaudi
General Note

Motet – Psalm / Lent

281v–282 [Te lucis ante terminum] Procul recedant -
Appears on: 281v–282
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Procul recaedant
General Note

Motet– Hymn (Te lucis ante terminum)

282v–284 In manus tuas Mo. Vivanco
Appears on: 282v–284
Source Attribution: Mo. Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: In manus tuas
General Note

Motet – Responsory / Lent

284v–290 [Vexilla regis] Maestro Vivanco
Appears on: 284v–290
Source Attribution: Maestro Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: [Vexilla regis]
General Note

Motet – Hymn: Fulget crucis, Arbor decora, O Crux ave, Te fons salutis, Te summa Deus / Palmsunday

290v–292 Ante diem festum Paschae Vivanco
Appears on: 290v–292
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Ante diem festum Paschae
General Note

Motet – Antiphon / Holy Week (Holy Tuesday)

293v–301 De lamentatione Ieremiae Prophetae Mo. Bivanco
Appears on: 293v–301
Genres: Lamentations
Source Attribution: Mo. Bivanco
301v–306 [De lamentatione Ieremiae Prophetae] Heth Vivanco
Appears on: 301v–306
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: [De lamentatione Ieremiae Prophetae] Heth
General Note

Motet – Lamentation / Holy Week (Holy Saturday)

306v–312 [De lamentatione Ieremiae Prophetae] Heth Vivanco
Appears on: 306v–312
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: [De lamentatione Ieremiae Prophetae] Heth
General Note

Motet – Lamentation / Holy Week (Holy Saturday)

313v–316 Christus factus est Vivanco
Appears on: 313v–316
Source Attribution: Vivanco
Voice: [no designation]
Languages: Latin
Voice Text: Christus factus est
General Note

Motet - Gradual / Holy Week Maundy Thursday)

Composer Compositions
Morales, Cristóbal de (ca. 1500–1553)
Navarro 'of Seville/Hispalensis', Juan
Palestrina, Giovanni Pierluigi da (1525–1594)
Vivanco, Sebastián de
Composition Composers (? Uncertain) Folios / Pages
[De lamentatione Ieremiae Prophetae] Heth 301v–306
[De lamentatione Ieremiae Prophetae] Heth 306v–312
[Te lucis ante terminum] Procul recedant 281v–282
[Vexilla regis] 284v–290
Ante diem festum Paschae 290v–292
Christus factus est 313v–316
Circumdederunt me doloris 272v–276
De lamentatione Ieremiae Prophetae 293v–301
De profundis [from Ps. 129] 276v–278
In manus tuas 282v–284
Miserere mei et exaudi 280v–281
Missa Aspice Domine: Agnus Dei 151v–187
Missa Aspice Domine: Credo 151v–187
Missa Aspice Domine: Gloria 151v–187
Missa Aspice Domine: Kyrie 151v–187
Missa Aspice Domine: Sanctus 151v–187
Missa de Beata Virgine (5vv) = Missa Domina: Agnus I Agnus II: 3 voces Agnus III: 6 voces 136v–150
Missa de Beata Virgine (5vv) = Missa Domina: Credo: 4 partes Et iterum: 4 voces 136v–150
Missa de Beata Virgine (5vv) = Missa Domina: Gloria Et in terra pax [Tro] Spiritus et alme 136v–150
Missa de Beata Virgine (5vv) = Missa Domina: Kyrie 136v–150
Missa de Beata Virgine (5vv) = Missa Domina: Sanctus with: Osanna, Benedictus: 4 voces 136v–150
Missa de Feria: Agnus De 251v–253
Missa de Feria: Kyrie 246v–249
Missa de Feria: Sanctus [-]
Missa Papae Marcelli: Agnus Dei 187v–218
Missa Papae Marcelli: Credo 187v–218
Missa Papae Marcelli: Gloria 187v–218
Missa Papae Marcelli: Kyrie 187v–218
Missa Papae Marcelli: Sanctus & Benedictus 187v–218
Missa pro Defunctis: Introitus (Dona eis), Kyrie, Tractus (Absolve Domine), Libera me Domine, Sanctus 263v–272
Missa Ut re mi fa sol la: Agnus Dei 219v–245
Missa Ut re mi fa sol la: Credo 219v–245
Missa Ut re mi fa sol la: Gloria 219v–245
Missa Ut re mi fa sol la: Kyrie 219v–245
Missa Ut re mi fa sol la: Sanctus 219v–245
Parce mihi Domine 260v–263
Petite et accipietis 249v–251
Regem cui omnia 255–260

denotes primary source study

Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local,  Madrid: Sociedad Española de Musicología.

Crawford, David Eugene. 1977. Two Choirbooks of Renaissance Polyphony at the Monasterio de nuestra Sefiora of Guadalupe. Fontes Artis Musicae, 145-74. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Rubio, P Samuel (editor). 1954-6. Antologia Polifònica Sacra.  Madrid. Pages: I, 110ff. Notes: transcription (partial).

Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 272.

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Riccardo Pintus

Thursday, 15 March, 2018

composer's dates corrected

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description