IIIF manifest
Copied by several scribes, probably in Graz. From the Jesuit library in Graz (inscription on f. 2: 'Collegii societatis Jesu Graetii catalogo inscriptus').
| Archive | Universitätsbibliothek, Graz, Austria (A-Gu) |
|---|---|
| Shelfmark | MS 8 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 570 x 410 mm |
| Other Identifiers |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | Contains 37 compositions, 25 from 16 composers, 12 are anonymous. |
General Description
Binding
Original covers of light brown tooled leather, with brass closing clasps.
Notation
black void mensural
Foliation
Modern foliation, 1-162.
Decoration
Inked initials in calligraphic and plain block styles.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Kyrie, 32 motets = 33
Clavius-5, Clemens non Papa-1, Gatto-1, Händl [Gallus]-2, Heinrich-1, Herner-1, Lassus-1, Prenner-1, Retzi-1, E. Sayve-1, Vaet-3., Orfeo Vecchi-4, Viadana-1, anon-10
162 paper folios, 570 x 410. Original covers of light brown tooled leather, with brass closing clasps.
Late 16th century. From the Jesuit library in Graz (inscription on f. 2: "Collegii societatis Jesu Graetii catalogo inscriptus")
Vol 4
Kyrie, 36 motets = 37
Bianco [Petri Anton:]-1, Clavius-7, Clemens non Papa-1, Gatto-1, Händl [Jacobus Gallus]-2, Heinrich-1, Lassus-1, Prenner-2, E. Sayve-1, Vaet-4, Orfeo Vecchi-4, Viadana-1, anon-11
162 paper folios, 570 x 410. Modern foliation, 1-162. Original covers of light brown tooled leather, with brass clasps. No index. Copied by several scribes. Inked initials in calligraphic and plain block styles.
Late 16th century. Probably copied in Graz. Formerly in Jesuit library, Graz (inscription on f. 2: "Collegii Societatis Jesu Graetii / Catalogo Inscriptus").
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Comberiati, Carmelo Peter. 1983. Polyphonic Settings of the Mass Ordinary at the Court of Rudolf II (1576-1612). University of Michigan, Unpublished Ph.D. dissertation. Pages: 173,201,309,326. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Kern, Anton. 1942-67. Die Handschriften der Universitätsbibliothek Graz. Leipzig. Pages: I, 3-4. Notes: physical description; contents list; incipitsst of contents (partial); additional bibliography.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
Edward Tambling
Tuesday, 9 January, 2024
Pieces on 87v-90, 90v–94 are Ave regina caelourm, not Salve regina; and the 'five antiphons' listed for 94v-103 in fact comprise three anonymous settings of Alma redemptoris mater, one at 94v-98r, another on 98v-101r, and another at 101v-103r
Edward Tambling
Tuesday, 9 January, 2024
Anonmous Ave Maria (6vv) on 151v-155r actually finishes on 154r (two blank pages follow). And the Ave Maria (6vv) by Handl (Gallus) on 155v-158r actually finishes on 157r (followed by two blank pages).
Edward Tambling
Tuesday, 9 January, 2024
Ave Maria by Handl (Gallus) on 142v-143r (not extending to 145r) is also ascribed to Valentin Judex on 50v-52 of D-Mbs Mus. MS 89 (also occurs anonymously in natural clefs in D-Mbs 2 Mus.pr. 23#Beibd.1). Ascription to Victoria is only found in the edition by Proske, though following an erroneous ascription in Regensburg. Additional item on 143v-144r: Ave gratia plena, anonymous in source, but by Cornelis Verdonck.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description