E-GRcr MS s.s. [Tiple]

Capilla Real, Archivo de Música, Granada, Spain

partbook: Late 16th century

Archive	Capilla Real, Archivo de Música, Granada, Spain (E-GRcr)
Shelfmark	MS s.s. [Tiple]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	240 x 175 mm
Other Identifiers	CCM: GranCR (5) Other catalogues/source: E-GRcr 06 olim (Former shelfmark): LópAM #5
Notations	black void mensural
Copyists	? Duran, Fray Pedro Music
External Links	Books of Hispanic Polyphony
Provenance	Capilla Real , Granada, Spain
Contents	74 pieces from 18 composers

General Description

A Tiple partbook from a set originally of six volumes. Copied by two principal scribes, one perhaps Fray Pedro Duran, with additions by several others. The books show much evidence of heavy use. Copied at the Capilla Real, Granada.

DIAMM, 2017

Binding

Original covers of leather, with leather closing straps

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation and pagination

DIAMM, 2017

Index

Original index in all books except the Quintus

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 6 Lamentations, 57 motets, 4 textless pieces = 68

Aguilar-1, J. Aliseda-5, S. Aliseda-2, Aranda-7, Arratia-2, J. Avila-2, Cisneros-1, Cotes-25, Guerrero-1, Lusitano-2, Morales-7, Phinot-1, Quebedo-1, Riscos-1, Tovar-1, Wreede-1, anon-8

5 paper partbooks of an original 6 (Tiple-90 folios, A-90, T-93, B-91, Q-59), 240 x 175. Original foliation and pagination. Original covers of leather, with leather closing straps. Original index in all books except the quintus. Copied by two principal scribes, with additions by several others; scribal concordances with GranCR 3 and GranCR 7. The books show much evidence of heavy use.

Late 16th century (date 1598 in manuscript). Copied at the Capilla Real, Granada.

Vol 4

Physical: Remove "scribal concordances with GranCR 3 and GranCR 7" from penultimate sentence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(1)	Lamentations: Quomodo sedet sola	Ambrosio de Cotes	Cotes, Ambrosio
Lamentations: Quomodo sedet sola Cotes, Ambrosio Appears on: (1) Genres: Lamentations Source Attribution: Ambrosio de Cotes
(2)	Lamentations: Cogitavit Dominus	Ambrosio de Cotes	Cotes, Ambrosio
Lamentations: Cogitavit Dominus Cotes, Ambrosio Appears on: (2) Genres: Lamentations Source Attribution: Ambrosio de Cotes
(3)	Lamentations: Recordare Domine	Ambrosio de Cotes	Cotes, Ambrosio
Lamentations: Recordare Domine Cotes, Ambrosio Appears on: (3) Genres: Lamentations Source Attribution: Ambrosio de Cotes
(4)	Semen cecidit in terram bonam	Ambrosio de Cotes	Cotes, Ambrosio
Semen cecidit in terram bonam Cotes, Ambrosio Appears on: (4) Genres: Motet Source Attribution: Ambrosio de Cotes
(5)	Transeunte Domino clamabat caecus	Ambrosio de Cotes	Cotes, Ambrosio (?)
Transeunte Domino clamabat caecus Cotes, Ambrosio (?) Appears on: (5) Genres: Motet Source Attribution: Ambrosio de Cotes
(6)	Ecce nunc tempus acceptabile	A. de Cotes	Cotes, Ambrosio (?)
Ecce nunc tempus acceptabile Cotes, Ambrosio (?) Appears on: (6) Genres: Motet Source Attribution: A. de Cotes
(7)	Non in pane solo vivit homo	A. de Cotes	Cotes, Ambrosio
Non in pane solo vivit homo Cotes, Ambrosio Appears on: (7) Genres: Motet Source Attribution: A. de Cotes
(8)	Visionem quam vidistis	A. de Cotes	Cotes, Ambrosio
Visionem quam vidistis Cotes, Ambrosio Appears on: (8) Genres: Motet Source Attribution: A. de Cotes
(9)	Si in digito Dei ejicio daemonia	A. de Cotes	Cotes, Ambrosio
Si in digito Dei ejicio daemonia Cotes, Ambrosio Appears on: (9) Genres: Motet Source Attribution: A. de Cotes
(10)	Angelis suis Deus mandavit de te	A. de Cotes	Cotes, Ambrosio (?)
Angelis suis Deus mandavit de te Cotes, Ambrosio (?) Appears on: (10) Genres: Motet Source Attribution: A. de Cotes
(11)	Tulerunt lapides Judaei	A. de Cotes	Cotes, Ambrosio
Tulerunt lapides Judaei Cotes, Ambrosio Appears on: (11) Genres: Motet Source Attribution: A. de Cotes
(12)	O mulier, magna est fides tua	A. de Cotes	Cotes, Ambrosio (?)
O mulier, magna est fides tua Cotes, Ambrosio (?) Appears on: (12) Genres: Motet Source Attribution: A. de Cotes
(13)	Sacerdos et pontifex	A. de Cotes	Cotes, Ambrosio
Sacerdos et pontifex Cotes, Ambrosio Appears on: (13) Genres: Motet Source Attribution: A. de Cotes
(14)	Prudentes virgines, aptate vestras lampades	A. de Cotes	Cotes, Ambrosio
Prudentes virgines, aptate vestras lampades Cotes, Ambrosio Appears on: (14) Genres: Motet Source Attribution: A. de Cotes
(15)	Maria mater gratiae	A. de Cotes	Cotes, Ambrosio
Maria mater gratiae Cotes, Ambrosio Appears on: (15) Genres: Motet Source Attribution: A. de Cotes
(16)	Beatus Laurentius orabat dicens	A. de Cotes	Cotes, Ambrosio
Beatus Laurentius orabat dicens Cotes, Ambrosio Appears on: (16) Genres: Motet Source Attribution: A. de Cotes
(17)	O lux beata trinitas	A. de Cotes	Cotes, Ambrosio
O lux beata trinitas Cotes, Ambrosio Appears on: (17) Genres: Motet Source Attribution: A. de Cotes
(18)	[textless psam setting]	-	Cotes, Ambrosio (?)
[textless psam setting] Cotes, Ambrosio (?) Appears on: (18) Genres: Psalm General Note the 4 textless settings nevertheless show signs of heavy yse
(19)	[textless psam setting]	-	Cotes, Ambrosio (?)
[textless psam setting] Cotes, Ambrosio (?) Appears on: (19) Genres: Psalm
(20)	[textless psam setting]	-	Cotes, Ambrosio (?)
[textless psam setting] Cotes, Ambrosio (?) Appears on: (20) Genres: Psalm
(21)	[textless psam setting]	-	Cotes, Ambrosio (?)
[textless psam setting] Cotes, Ambrosio (?) Appears on: (21) Genres: Psalm
(22)	Victimae paschali laudes	Quevedo	Quevedo, Bartolome de (ca. 1510–1569)
Victimae paschali laudes Quevedo, Bartolome de (ca. 1510–1569) Appears on: (22) Genres: Sequence Source Attribution: Quevedo
(23)	Fit porta Christi pervia	-	Anonymous
Fit porta Christi pervia Anonymous Appears on: (23) Genres: Motet
(24)	Veni sponsa Christi	A. de Cotes	Cotes, Ambrosio
Veni sponsa Christi Cotes, Ambrosio Appears on: (24) Genres: Motet Source Attribution: A. de Cotes
(25)	Filiae Jerusalem venite et videte martyres	A. de Cotes	Cotes, Ambrosio
Filiae Jerusalem venite et videte martyres Cotes, Ambrosio Appears on: (25) Genres: Motet Source Attribution: A. de Cotes
(26)	Benedico te pater	A. de Cotes	Cotes, Ambrosio (?)
Benedico te pater Cotes, Ambrosio (?) Appears on: (26) Genres: Motet Source Attribution: A. de Cotes
(27)	Popule meus	A. de Cotes	Cotes, Ambrosio
Popule meus Cotes, Ambrosio Appears on: (27) Genres: Motet Source Attribution: A. de Cotes
(28)	Domine Jesu Christe accipe spiritum meum	A. de Cotes	Cotes, Ambrosio
Domine Jesu Christe accipe spiritum meum Cotes, Ambrosio Appears on: (28) Genres: Motet Source Attribution: A. de Cotes
(29)	Senex puerum portabat	A. de Cotes	Cotes, Ambrosio
Senex puerum portabat Cotes, Ambrosio Appears on: (29) Genres: Motet Source Attribution: A. de Cotes
(30)	Ibant apostoli gaudentes	A. de Cotes	Cotes, Ambrosio
Ibant apostoli gaudentes Cotes, Ambrosio Appears on: (30) Genres: Motet Source Attribution: A. de Cotes
(31)	Te Deum	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
Te Deum Morales, Cristóbal de (ca. 1500–1553) Appears on: (31) Genres: Hymn, Te Deum Source Attribution: Cristobal de Morales
(32)	Nobis datus [Tantum ergo]	Urreda	Urrede (Wrede), Juan de (fl. 1451-c1482)
Nobis datus [Tantum ergo] Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: (32) Genres: Hymn Source Attribution: Urreda
(33)	Verba mea auribus percipe Domine	-	Anonymous
Verba mea auribus percipe Domine Anonymous Appears on: (33) Genres: Motet
(34)	Tua est potentia	Alonso de Tovar	Tovar, Alonso de
Tua est potentia Tovar, Alonso de Appears on: (34) Genres: Motet Source Attribution: Alonso de Tovar
(35)	Da pacem Domine	Juan de Arratia	Arratia, Juan de
Da pacem Domine Arratia, Juan de Appears on: (35) Genres: Motet Source Attribution: Juan de Arratia
(36)	Venite ascendamus ad montem Domini	Juan de Riscos	Riscos, Juan de
Venite ascendamus ad montem Domini Riscos, Juan de Appears on: (36) Genres: Motet Source Attribution: Juan de Riscos
(37)	Lamentations: Quomodo sedet sola	Luis de Aranda	Aranda, Luis de
Lamentations: Quomodo sedet sola Aranda, Luis de Appears on: (37) Genres: Lamentations Source Attribution: Luis de Aranda
(38)	Regina caeli	Luis de Aranda	Aranda, Luis de
Regina caeli Aranda, Luis de Appears on: (38) Genres: Motet, Regina caeli laetare Source Attribution: Luis de Aranda
(39)	Salus populi ego sum	Luis de Aranda	Aranda, Luis de
Salus populi ego sum Aranda, Luis de Appears on: (39) Genres: Motet Source Attribution: Luis de Aranda
(40)	In omnem terram exivit sonus eorum	Luis de Aranda	Aranda, Luis de
In omnem terram exivit sonus eorum Aranda, Luis de Appears on: (40) Genres: Motet Source Attribution: Luis de Aranda
(41)	Domine in furore tuo ne arguas me	Luis de Aranda	Aranda, Luis de
Domine in furore tuo ne arguas me Aranda, Luis de Appears on: (41) Genres: Motet Source Attribution: Luis de Aranda
(42)	Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari	Finot	Phinot, Dominique
Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari Phinot, Dominique Appears on: (42) Genres: Motet Source Attribution: Finot
(42)	Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus	-	Phinot, Dominique
Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus Phinot, Dominique Appears on: (42) Genres: Motet
(43)	Dominus de caelo	Juan de Arratia	Arratia, Juan de
Dominus de caelo Arratia, Juan de Appears on: (43) Genres: Motet Source Attribution: Juan de Arratia
(44)	Beatus Franciscus dum morti appropinquaret	Jeronimo de Aliseda	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Beatus Franciscus dum morti appropinquaret Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (44) Genres: Motet Source Attribution: Jeronimo de Aliseda
(45)	Ad Dominum cum tribularer clamavi	Aguilar	Aguilar, Gaspar de (fl. 1st half of the 16th century)
Ad Dominum cum tribularer clamavi Aguilar, Gaspar de (fl. 1st half of the 16th century) Appears on: (45) Genres: Motet Source Attribution: Aguilar
(46)	Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo	Francisco Guerrero	Guerrero, Francisco
Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo Guerrero, Francisco Appears on: (46) Genres: Motet Source Attribution: Francisco Guerrero
(46)	Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede	-	Guerrero, Francisco
Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede Guerrero, Francisco Appears on: (46) Genres: Motet
(47)	Lamentations: Quomodo sedet sola	Jeronimo de Aliseda	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Lamentations: Quomodo sedet sola Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (47) Genres: Lamentations Source Attribution: Jeronimo de Aliseda
(48)	Lamentations: Misericordiae DOmini	Santos de Aliseda	Aliseda, Santos de (–1580)
Lamentations: Misericordiae DOmini Aliseda, Santos de (–1580) Appears on: (48) Genres: Lamentations Source Attribution: Santos de Aliseda
(49)	Lamentations: Cogitavit Dominus	Luis de Aranda	Aranda, Luis de
Lamentations: Cogitavit Dominus Aranda, Luis de Appears on: (49) Genres: Lamentations Source Attribution: Luis de Aranda
(50)	Circumdederunt me dolores mortis	Juan de Avila	Avila, Juan de
Circumdederunt me dolores mortis Avila, Juan de Appears on: (50) Genres: Motet Source Attribution: Juan de Avila
(51)	De profundis clamavi ad te Domine	Juan de Avila	Avila, Juan de
De profundis clamavi ad te Domine Avila, Juan de Appears on: (51) Genres: Motet Source Attribution: Juan de Avila
(52)	Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo Morales, Cristóbal de (ca. 1500–1553) Appears on: (52) Genres: Motet Source Attribution: Cristobal de Morales
(52)	Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio	-	Morales, Cristóbal de (ca. 1500–1553)
Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio Morales, Cristóbal de (ca. 1500–1553) Appears on: (52) Genres: Motet
(53)	Ad te levavi animam mean	Jeronimo de Aliseda	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Ad te levavi animam mean Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (53) Genres: Motet Source Attribution: Jeronimo de Aliseda
(54)	Ave Maria	Jeronimo de Aliseda	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Ave Maria Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (54) Genres: Ave Maria, Motet Source Attribution: Jeronimo de Aliseda
(55)	O doctor optime	Santos de Aliseda	Aliseda, Santos de (–1580)
O doctor optime Aliseda, Santos de (–1580) Appears on: (55) Genres: Motet Source Attribution: Santos de Aliseda
(56)	Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me	Jeronimo de Aliseda	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (56) Genres: Motet Source Attribution: Jeronimo de Aliseda
(56)	Domine ne in ira tua - 2a pars (of 2): Timor et tremor	-	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Domine ne in ira tua - 2a pars (of 2): Timor et tremor Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591) Appears on: (56) Genres: Motet
(57)	Litany	-	Anonymous
Litany Anonymous Appears on: (57) Genres: Litany
(58)	Parce mihi Domine	Ambrosio de Cotes	Cotes, Ambrosio
Parce mihi Domine Cotes, Ambrosio Appears on: (58) Genres: Motet Source Attribution: Ambrosio de Cotes
(59)	Laboravi in gemitu meo	Luis de Aranda	Aranda, Luis de
Laboravi in gemitu meo Aranda, Luis de Appears on: (59) Genres: Motet Source Attribution: Luis de Aranda General Note 4vv piece, missing one voice
(60)	De profundis clamavi "de tiples"	-	Anonymous
De profundis clamavi "de tiples" Anonymous Appears on: (60) Genres: Motet General Note 4vv piece "de tiples", lacks 2 voices (additional tiples in missing Sextus book?)
(61)	Simile est regnum - 1a pars (of 2): Simile est regnum celorum	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
Simile est regnum - 1a pars (of 2): Simile est regnum celorum Morales, Cristóbal de (ca. 1500–1553) Appears on: (61) Genres: Motet Source Attribution: Cristobal de Morales
(61)	Simile est regnum - 2a pars (of 2): Cum sero autem	-	Morales, Cristóbal de (ca. 1500–1553)
Simile est regnum - 2a pars (of 2): Cum sero autem Morales, Cristóbal de (ca. 1500–1553) Appears on: (61) Genres: Motet
(62)	In illo tempore assumpsit Jesus duodecim discipulos	Cristobal de Morales	Morales, Cristóbal de (ca. 1500–1553)
In illo tempore assumpsit Jesus duodecim discipulos Morales, Cristóbal de (ca. 1500–1553) Appears on: (62) Genres: Motet Source Attribution: Cristobal de Morales
(63)	Cum sero autem factum esset	C. de Morales	Morales, Cristóbal de (ca. 1500–1553)
Cum sero autem factum esset Morales, Cristóbal de (ca. 1500–1553) Appears on: (63) Genres: Motet Source Attribution: C. de Morales General Note lacks the Altus
(64)	In illo tempore cum turba plurima convenirent	C. de Morales	Morales, Cristóbal de (ca. 1500–1553)
In illo tempore cum turba plurima convenirent Morales, Cristóbal de (ca. 1500–1553) Appears on: (64) Genres: Motet Source Attribution: C. de Morales General Note lacks the Altus
(65)	Lamentations: Quomodo sedet sola	Lusitano, Aviles	Lusitano, Vicente (?) Aviles (?)
Lamentations: Quomodo sedet sola Lusitano, Vicente (?) Aviles (?) Appears on: (65) Genres: Lamentations Source Attribution: Lusitano, Aviles General Note Lacks the Tenor. Bassus book attribution to Lusitano, Altus & Quintus attribution to the otherwise unknown Aviles. Cf. the 4vv "Adjuva nos Deus" in E-GRcr MS 7, also attributed in similar fashion.
(66)	Non est inventus similis illi	Lusitano	Lusitano, Vicente
Non est inventus similis illi Lusitano, Vicente Appears on: (66) Genres: Motet Source Attribution: Lusitano General Note Lacks the Tenor
(67)	Quae est ista	Juan de Cisneros	Cisneros, Juan de
Quae est ista Cisneros, Juan de Appears on: (67) Genres: Motet Source Attribution: Juan de Cisneros General Note Lacks the Tenor
(68)	Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus Morales, Cristóbal de (ca. 1500–1553) Appears on: (68) Genres: Antiphon General Note Lacks the Tiple
(68)	Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	-	Morales, Cristóbal de (ca. 1500–1553)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus Morales, Cristóbal de (ca. 1500–1553) Appears on: (68) Genres: Antiphon General Note Lacks the Tiple

Composer	Compositions
Aguilar, Gaspar de (fl. 1st half of the 16th century)	Ad Dominum cum tribularer clamavi – (45)
Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	Ad te levavi animam mean – (53) Ave Maria – (54) Beatus Franciscus dum morti appropinquaret – (44) Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me – (56) Domine ne in ira tua - 2a pars (of 2): Timor et tremor – (56) Lamentations: Quomodo sedet sola – (47)
Aliseda, Santos de (–1580)	Lamentations: Misericordiae DOmini – (48) O doctor optime – (55)
Anonymous	De profundis clamavi "de tiples" – (60) Fit porta Christi pervia – (23) Litany – (57) Verba mea auribus percipe Domine – (33)
Aranda, Luis de	Domine in furore tuo ne arguas me – (41) In omnem terram exivit sonus eorum – (40) Laboravi in gemitu meo – (59) Lamentations: Cogitavit Dominus – (49) Lamentations: Quomodo sedet sola – (37) Regina caeli – (38) Salus populi ego sum – (39)
Arratia, Juan de	Da pacem Domine – (35) Dominus de caelo – (43)
Avila, Juan de	Circumdederunt me dolores mortis – (50) De profundis clamavi ad te Domine – (51)
Aviles	(?) Lamentations: Quomodo sedet sola – (65)
Cisneros, Juan de	Quae est ista – (67)
Cotes, Ambrosio	(?) Angelis suis Deus mandavit de te – (10) Beatus Laurentius orabat dicens – (16) (?) Benedico te pater – (26) Domine Jesu Christe accipe spiritum meum – (28) (?) Ecce nunc tempus acceptabile – (6) Filiae Jerusalem venite et videte martyres – (25) Ibant apostoli gaudentes – (30) Lamentations: Cogitavit Dominus – (2) Lamentations: Quomodo sedet sola – (1) Lamentations: Recordare Domine – (3) Maria mater gratiae – (15) Non in pane solo vivit homo – (7) O lux beata trinitas – (17) (?) O mulier, magna est fides tua – (12) Parce mihi Domine – (58) Popule meus – (27) Prudentes virgines, aptate vestras lampades – (14) Sacerdos et pontifex – (13) Semen cecidit in terram bonam – (4) Senex puerum portabat – (29) Si in digito Dei ejicio daemonia – (9) (?) Transeunte Domino clamabat caecus – (5) Tulerunt lapides Judaei – (11) Veni sponsa Christi – (24) Visionem quam vidistis – (8) (?) [textless psam setting] – (21) (?) [textless psam setting] – (20) (?) [textless psam setting] – (19) (?) [textless psam setting] – (18)
Guerrero, Francisco	Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo – (46) Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede – (46)
Lusitano, Vicente	(?) Lamentations: Quomodo sedet sola – (65) Non est inventus similis illi – (66)
Morales, Cristóbal de (ca. 1500–1553)	Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo – (52) Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio – (52) Cum sero autem factum esset – (63) In illo tempore assumpsit Jesus duodecim discipulos – (62) In illo tempore cum turba plurima convenirent – (64) Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus – (68) Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus – (68) Simile est regnum - 1a pars (of 2): Simile est regnum celorum – (61) Simile est regnum - 2a pars (of 2): Cum sero autem – (61) Te Deum – (31)
Phinot, Dominique	Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari – (42) Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus – (42)
Quevedo, Bartolome de (ca. 1510–1569)	Victimae paschali laudes – (22)
Riscos, Juan de	Venite ascendamus ad montem Domini – (36)
Tovar, Alonso de	Tua est potentia – (34)
Urrede (Wrede), Juan de (fl. 1451-c1482)	Nobis datus [Tantum ergo] – (32)

Composition	Composers (? Uncertain)	Folios / Pages
[textless psam setting]	Cotes, Ambrosio (?)	(18)
[textless psam setting]	Cotes, Ambrosio (?)	(19)
[textless psam setting]	Cotes, Ambrosio (?)	(20)
[textless psam setting]	Cotes, Ambrosio (?)	(21)
Ad Dominum cum tribularer clamavi	Aguilar, Gaspar de (fl. 1st half of the 16th century)	(45)
Ad te levavi animam mean	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(53)
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo	Morales, Cristóbal de (ca. 1500–1553)	(52)
Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio	Morales, Cristóbal de (ca. 1500–1553)	(52)
Angelis suis Deus mandavit de te	Cotes, Ambrosio (?)	(10)
Ave Maria	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(54)
Beatus Franciscus dum morti appropinquaret	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(44)
Beatus Laurentius orabat dicens	Cotes, Ambrosio	(16)
Benedico te pater	Cotes, Ambrosio (?)	(26)
Circumdederunt me dolores mortis	Avila, Juan de	(50)
Cum sero autem factum esset	Morales, Cristóbal de (ca. 1500–1553)	(63)
Da pacem Domine	Arratia, Juan de	(35)
De profundis clamavi "de tiples"	Anonymous	(60)
De profundis clamavi ad te Domine	Avila, Juan de	(51)
Domine in furore tuo ne arguas me	Aranda, Luis de	(41)
Domine Jesu Christe accipe spiritum meum	Cotes, Ambrosio	(28)
Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(56)
Domine ne in ira tua - 2a pars (of 2): Timor et tremor	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(56)
Dominus de caelo	Arratia, Juan de	(43)
Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo	Guerrero, Francisco	(46)
Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede	Guerrero, Francisco	(46)
Ecce nunc tempus acceptabile	Cotes, Ambrosio (?)	(6)
Filiae Jerusalem venite et videte martyres	Cotes, Ambrosio	(25)
Fit porta Christi pervia	Anonymous	(23)
Ibant apostoli gaudentes	Cotes, Ambrosio	(30)
In illo tempore assumpsit Jesus duodecim discipulos	Morales, Cristóbal de (ca. 1500–1553)	(62)
In illo tempore cum turba plurima convenirent	Morales, Cristóbal de (ca. 1500–1553)	(64)
In omnem terram exivit sonus eorum	Aranda, Luis de	(40)
Laboravi in gemitu meo	Aranda, Luis de	(59)
Lamentations: Cogitavit Dominus	Cotes, Ambrosio	(2)
Lamentations: Cogitavit Dominus	Aranda, Luis de	(49)
Lamentations: Misericordiae DOmini	Aliseda, Santos de (–1580)	(48)
Lamentations: Quomodo sedet sola	Cotes, Ambrosio	(1)
Lamentations: Quomodo sedet sola	Aranda, Luis de	(37)
Lamentations: Quomodo sedet sola	Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)	(47)
Lamentations: Quomodo sedet sola	Lusitano, Vicente (?) Aviles (?)	(65)
Lamentations: Recordare Domine	Cotes, Ambrosio	(3)
Litany	Anonymous	(57)
Maria mater gratiae	Cotes, Ambrosio	(15)
Nobis datus [Tantum ergo]	Urrede (Wrede), Juan de (fl. 1451-c1482)	(32)
Non est inventus similis illi	Lusitano, Vicente	(66)
Non in pane solo vivit homo	Cotes, Ambrosio	(7)
O doctor optime	Aliseda, Santos de (–1580)	(55)
O lux beata trinitas	Cotes, Ambrosio	(17)
O mulier, magna est fides tua	Cotes, Ambrosio (?)	(12)
Parce mihi Domine	Cotes, Ambrosio	(58)
Popule meus	Cotes, Ambrosio	(27)
Prudentes virgines, aptate vestras lampades	Cotes, Ambrosio	(14)
Quae est ista	Cisneros, Juan de	(67)
Regina caeli	Aranda, Luis de	(38)
Sacerdos et pontifex	Cotes, Ambrosio	(13)
Salus populi ego sum	Aranda, Luis de	(39)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus	Morales, Cristóbal de (ca. 1500–1553)	(68)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus	Morales, Cristóbal de (ca. 1500–1553)	(68)
Semen cecidit in terram bonam	Cotes, Ambrosio	(4)
Senex puerum portabat	Cotes, Ambrosio	(29)
Si in digito Dei ejicio daemonia	Cotes, Ambrosio	(9)
Simile est regnum - 1a pars (of 2): Simile est regnum celorum	Morales, Cristóbal de (ca. 1500–1553)	(61)
Simile est regnum - 2a pars (of 2): Cum sero autem	Morales, Cristóbal de (ca. 1500–1553)	(61)
Te Deum	Morales, Cristóbal de (ca. 1500–1553)	(31)
Transeunte Domino clamabat caecus	Cotes, Ambrosio (?)	(5)
Tua est potentia	Tovar, Alonso de	(34)
Tulerunt lapides Judaei	Cotes, Ambrosio	(11)
Veni sponsa Christi	Cotes, Ambrosio	(24)
Venite ascendamus ad montem Domini	Riscos, Juan de	(36)
Verba mea auribus percipe Domine	Anonymous	(33)
Victimae paschali laudes	Quevedo, Bartolome de (ca. 1510–1569)	(22)
Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari	Phinot, Dominique	(42)
Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus	Phinot, Dominique	(42)
Visionem quam vidistis	Cotes, Ambrosio	(8)

Set: Capilla Real s.s.

Type: Partbooks

No images available

E-GRcr MS s.s. [Altus]

No images available

E-GRcr MS s.s. [Bassus]

No images available

E-GRcr MS s.s. [Quintus]

No images available

E-GRcr MS s.s. [Tenor]

No images available

E-GRcr MS s.s. [Tiple]

‡ denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 138. Notes: concordances (partial); incipits (partial).

López Calo, S.J., José. 1958. El Archivo de Mùsica de la Capilla Real de Granada. Anuário Musical, 103-28. Pages: 112-4. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

E-GRcr MS s.s. [Tiple]

Capilla Real, Archivo de Música, Granada, Spain

partbook: Late 16th century

General Description

Binding

Notation

Foliation

Index

Surface

Census Catalogue of Music Description

General Note

General Note

General Note