Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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(1) | Lamentations: Quomodo sedet sola | Ambrosio de Cotes | |
Appears on:
(1)
Genres:
Lamentations
Source Attribution:
Ambrosio de Cotes
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(2) | Lamentations: Cogitavit Dominus | Ambrosio de Cotes | |
Appears on:
(2)
Genres:
Lamentations
Source Attribution:
Ambrosio de Cotes
|
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(3) | Lamentations: Recordare Domine | Ambrosio de Cotes | |
Appears on:
(3)
Genres:
Lamentations
Source Attribution:
Ambrosio de Cotes
|
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(4) | Semen cecidit in terram bonam | Ambrosio de Cotes | |
Appears on:
(4)
Genres:
Motet
Source Attribution:
Ambrosio de Cotes
|
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(5) | Transeunte Domino clamabat caecus | Ambrosio de Cotes |
Cotes, Ambrosio
(?)
|
Appears on:
(5)
Genres:
Motet
Source Attribution:
Ambrosio de Cotes
|
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(6) | Ecce nunc tempus acceptabile | A. de Cotes |
Cotes, Ambrosio
(?)
|
Appears on:
(6)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(7) | Non in pane solo vivit homo | A. de Cotes | |
Appears on:
(7)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(8) | Visionem quam vidistis | A. de Cotes | |
Appears on:
(8)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(9) | Si in digito Dei ejicio daemonia | A. de Cotes | |
Appears on:
(9)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(10) | Angelis suis Deus mandavit de te | A. de Cotes |
Cotes, Ambrosio
(?)
|
Appears on:
(10)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(11) | Tulerunt lapides Judaei | A. de Cotes | |
Appears on:
(11)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(12) | O mulier, magna est fides tua | A. de Cotes |
Cotes, Ambrosio
(?)
|
Appears on:
(12)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(13) | Sacerdos et pontifex | A. de Cotes | |
Appears on:
(13)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(14) | Prudentes virgines, aptate vestras lampades | A. de Cotes | |
Appears on:
(14)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(15) | Maria mater gratiae | A. de Cotes | |
Appears on:
(15)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(16) | Beatus Laurentius orabat dicens | A. de Cotes | |
Appears on:
(16)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(17) | O lux beata trinitas | A. de Cotes | |
Appears on:
(17)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(18) | [textless psam setting] | - |
Cotes, Ambrosio
(?)
|
Appears on:
(18)
Genres:
Psalm
General Notethe 4 textless settings nevertheless show signs of heavy yse |
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(19) | [textless psam setting] | - |
Cotes, Ambrosio
(?)
|
Appears on:
(19)
Genres:
Psalm
|
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(20) | [textless psam setting] | - |
Cotes, Ambrosio
(?)
|
Appears on:
(20)
Genres:
Psalm
|
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(21) | [textless psam setting] | - |
Cotes, Ambrosio
(?)
|
Appears on:
(21)
Genres:
Psalm
|
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(22) | Victimae paschali laudes | Quevedo | |
Appears on:
(22)
Genres:
Sequence
Source Attribution:
Quevedo
|
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(23) | Fit porta Christi pervia | - | Anonymous |
Fit porta Christi perviaAnonymous
Appears on:
(23)
Genres:
Motet
|
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(24) | Veni sponsa Christi | A. de Cotes | |
Appears on:
(24)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(25) | Filiae Jerusalem venite et videte martyres | A. de Cotes | |
Appears on:
(25)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(26) | Benedico te pater | A. de Cotes |
Cotes, Ambrosio
(?)
|
Appears on:
(26)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(27) | Popule meus | A. de Cotes | |
Appears on:
(27)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(28) | Domine Jesu Christe accipe spiritum meum | A. de Cotes | |
Appears on:
(28)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(29) | Senex puerum portabat | A. de Cotes | |
Appears on:
(29)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(30) | Ibant apostoli gaudentes | A. de Cotes | |
Appears on:
(30)
Genres:
Motet
Source Attribution:
A. de Cotes
|
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(31) | Te Deum | Cristobal de Morales | |
Appears on:
(31)
Genres:
Hymn, Te Deum
Source Attribution:
Cristobal de Morales
|
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(32) | Nobis datus [Tantum ergo] | Urreda | |
Appears on:
(32)
Genres:
Hymn
Source Attribution:
Urreda
|
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(33) | Verba mea auribus percipe Domine | - | Anonymous |
Verba mea auribus percipe DomineAnonymous
Appears on:
(33)
Genres:
Motet
|
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(34) | Tua est potentia | Alonso de Tovar | |
Appears on:
(34)
Genres:
Motet
Source Attribution:
Alonso de Tovar
|
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(35) | Da pacem Domine | Juan de Arratia | |
Appears on:
(35)
Genres:
Motet
Source Attribution:
Juan de Arratia
|
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(36) | Venite ascendamus ad montem Domini | Juan de Riscos | |
Appears on:
(36)
Genres:
Motet
Source Attribution:
Juan de Riscos
|
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(37) | Lamentations: Quomodo sedet sola | Luis de Aranda | |
Appears on:
(37)
Genres:
Lamentations
Source Attribution:
Luis de Aranda
|
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(38) | Regina caeli | Luis de Aranda | |
Appears on:
(38)
Genres:
Motet, Regina caeli laetare
Source Attribution:
Luis de Aranda
|
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(39) | Salus populi ego sum | Luis de Aranda | |
Appears on:
(39)
Genres:
Motet
Source Attribution:
Luis de Aranda
|
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(40) | In omnem terram exivit sonus eorum | Luis de Aranda | |
Appears on:
(40)
Genres:
Motet
Source Attribution:
Luis de Aranda
|
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(41) | Domine in furore tuo ne arguas me | Luis de Aranda | |
Appears on:
(41)
Genres:
Motet
Source Attribution:
Luis de Aranda
|
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(42) | Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari | Finot | |
Appears on:
(42)
Genres:
Motet
Source Attribution:
Finot
|
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(42) | Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus | - | |
Appears on:
(42)
Genres:
Motet
|
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(43) | Dominus de caelo | Juan de Arratia | |
Appears on:
(43)
Genres:
Motet
Source Attribution:
Juan de Arratia
|
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(44) | Beatus Franciscus dum morti appropinquaret | Jeronimo de Aliseda | |
Appears on:
(44)
Genres:
Motet
Source Attribution:
Jeronimo de Aliseda
|
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(45) | Ad Dominum cum tribularer clamavi | Aguilar | |
Appears on:
(45)
Genres:
Motet
Source Attribution:
Aguilar
|
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(46) | Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo | Francisco Guerrero | |
Appears on:
(46)
Genres:
Motet
Source Attribution:
Francisco Guerrero
|
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(46) | Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede | - | |
Appears on:
(46)
Genres:
Motet
|
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(47) | Lamentations: Quomodo sedet sola | Jeronimo de Aliseda | |
Appears on:
(47)
Genres:
Lamentations
Source Attribution:
Jeronimo de Aliseda
|
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(48) | Lamentations: Misericordiae DOmini | Santos de Aliseda | |
Appears on:
(48)
Genres:
Lamentations
Source Attribution:
Santos de Aliseda
|
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(49) | Lamentations: Cogitavit Dominus | Luis de Aranda | |
Appears on:
(49)
Genres:
Lamentations
Source Attribution:
Luis de Aranda
|
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(50) | Circumdederunt me dolores mortis | Juan de Avila | |
Appears on:
(50)
Genres:
Motet
Source Attribution:
Juan de Avila
|
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(51) | De profundis clamavi ad te Domine | Juan de Avila | |
Appears on:
(51)
Genres:
Motet
Source Attribution:
Juan de Avila
|
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(52) | Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo | Cristobal de Morales | |
Appears on:
(52)
Genres:
Motet
Source Attribution:
Cristobal de Morales
|
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(52) | Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio | - | |
Appears on:
(52)
Genres:
Motet
|
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(53) | Ad te levavi animam mean | Jeronimo de Aliseda | |
Appears on:
(53)
Genres:
Motet
Source Attribution:
Jeronimo de Aliseda
|
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(54) | Ave Maria | Jeronimo de Aliseda | |
Appears on:
(54)
Genres:
Ave Maria, Motet
Source Attribution:
Jeronimo de Aliseda
|
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(55) | O doctor optime | Santos de Aliseda | |
Appears on:
(55)
Genres:
Motet
Source Attribution:
Santos de Aliseda
|
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(56) | Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me | Jeronimo de Aliseda | |
Appears on:
(56)
Genres:
Motet
Source Attribution:
Jeronimo de Aliseda
|
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(56) | Domine ne in ira tua - 2a pars (of 2): Timor et tremor | - | |
Appears on:
(56)
Genres:
Motet
|
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(57) | Litany | - | Anonymous |
LitanyAnonymous
Appears on:
(57)
Genres:
Litany
|
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(58) | Parce mihi Domine | Ambrosio de Cotes | |
Appears on:
(58)
Genres:
Motet
Source Attribution:
Ambrosio de Cotes
|
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(59) | Laboravi in gemitu meo | Luis de Aranda | |
Appears on:
(59)
Genres:
Motet
Source Attribution:
Luis de Aranda
General Note4vv piece, missing one voice |
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(60) | De profundis clamavi "de tiples" | - | Anonymous |
De profundis clamavi "de tiples"Anonymous
Appears on:
(60)
Genres:
Motet
General Note4vv piece "de tiples", lacks 2 voices (additional tiples in missing Sextus book?) |
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(61) | Simile est regnum - 1a pars (of 2): Simile est regnum celorum | Cristobal de Morales | |
Appears on:
(61)
Genres:
Motet
Source Attribution:
Cristobal de Morales
|
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(61) | Simile est regnum - 2a pars (of 2): Cum sero autem | - | |
Appears on:
(61)
Genres:
Motet
|
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(62) | In illo tempore assumpsit Jesus duodecim discipulos | Cristobal de Morales | |
Appears on:
(62)
Genres:
Motet
Source Attribution:
Cristobal de Morales
|
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(63) | Cum sero autem factum esset | C. de Morales | |
Appears on:
(63)
Genres:
Motet
Source Attribution:
C. de Morales
General Notelacks the Altus |
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(64) | In illo tempore cum turba plurima convenirent | C. de Morales | |
Appears on:
(64)
Genres:
Motet
Source Attribution:
C. de Morales
General Notelacks the Altus |
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(65) | Lamentations: Quomodo sedet sola | Lusitano, Aviles |
Aviles
(?)
|
Appears on:
(65)
Genres:
Lamentations
Source Attribution:
Lusitano, Aviles
General NoteLacks the Tenor. Bassus book attribution to Lusitano, Altus & Quintus attribution to the otherwise unknown Aviles. Cf. the 4vv "Adjuva nos Deus" in E-GRcr MS 7, also attributed in similar fashion. |
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(66) | Non est inventus similis illi | Lusitano | |
Appears on:
(66)
Genres:
Motet
Source Attribution:
Lusitano
General NoteLacks the Tenor |
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(67) | Quae est ista | Juan de Cisneros | |
Appears on:
(67)
Genres:
Motet
Source Attribution:
Juan de Cisneros
General NoteLacks the Tenor |
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(68) | Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus | - | |
Appears on:
(68)
Genres:
Antiphon
General NoteLacks the Tiple |
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(68) | Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus | - | |
Appears on:
(68)
Genres:
Antiphon
General NoteLacks the Tiple |