E-GRcr MS s.s. [Tiple]

Capilla Real, Archivo de Música, Granada, Spain

partbook: Late 16th century

Archive Capilla Real, Archivo de Música, Granada, Spain (E-GRcr)
Shelfmark MS s.s. [Tiple]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 240 x 175 mm
Other Identifiers
  • CCM: GranCR (5)
  • Other catalogues/source: E-GRcr 06
  • olim (Former shelfmark): LópAM #5
Notations
  • black void mensural
Copyists
External Links
Provenance
Contents 74 pieces from 18 composers
General Description

A Tiple partbook from a set originally of six volumes. Copied by two principal scribes, one perhaps Fray Pedro Duran, with additions by several others. The books show much evidence of heavy use. Copied at the Capilla Real, Granada.

DIAMM, 2017
Binding

Original covers of leather, with leather closing straps

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original foliation and pagination

DIAMM, 2017
Index

Original index in all books except the Quintus

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 6 Lamentations, 57 motets, 4 textless pieces = 68

Aguilar-1, J. Aliseda-5, S. Aliseda-2, Aranda-7, Arratia-2, J. Avila-2, Cisneros-1, Cotes-25, Guerrero-1, Lusitano-2, Morales-7, Phinot-1, Quebedo-1, Riscos-1, Tovar-1, Wreede-1, anon-8

5 paper partbooks of an original 6 (Tiple-90 folios, A-90, T-93, B-91, Q-59), 240 x 175. Original foliation and pagination. Original covers of leather, with leather closing straps. Original index in all books except the quintus. Copied by two principal scribes, with additions by several others; scribal concordances with GranCR 3 and GranCR 7. The books show much evidence of heavy use.

Late 16th century (date 1598 in manuscript). Copied at the Capilla Real, Granada.

Vol 4

Physical: Remove "scribal concordances with GranCR 3 and GranCR 7" from penultimate sentence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Lamentations: Quomodo sedet sola Ambrosio de Cotes
Appears on: (1)
Genres: Lamentations
Source Attribution: Ambrosio de Cotes
(2) Lamentations: Cogitavit Dominus Ambrosio de Cotes
Appears on: (2)
Genres: Lamentations
Source Attribution: Ambrosio de Cotes
(3) Lamentations: Recordare Domine Ambrosio de Cotes
Appears on: (3)
Genres: Lamentations
Source Attribution: Ambrosio de Cotes
(4) Semen cecidit in terram bonam Ambrosio de Cotes
Appears on: (4)
Genres: Motet
Source Attribution: Ambrosio de Cotes
(5) Transeunte Domino clamabat caecus Ambrosio de Cotes
Appears on: (5)
Genres: Motet
Source Attribution: Ambrosio de Cotes
(6) Ecce nunc tempus acceptabile A. de Cotes
Appears on: (6)
Genres: Motet
Source Attribution: A. de Cotes
(7) Non in pane solo vivit homo A. de Cotes
Appears on: (7)
Genres: Motet
Source Attribution: A. de Cotes
(8) Visionem quam vidistis A. de Cotes
Appears on: (8)
Genres: Motet
Source Attribution: A. de Cotes
(9) Si in digito Dei ejicio daemonia A. de Cotes
Appears on: (9)
Genres: Motet
Source Attribution: A. de Cotes
(10) Angelis suis Deus mandavit de te A. de Cotes
Appears on: (10)
Genres: Motet
Source Attribution: A. de Cotes
(11) Tulerunt lapides Judaei A. de Cotes
Appears on: (11)
Genres: Motet
Source Attribution: A. de Cotes
(12) O mulier, magna est fides tua A. de Cotes
Appears on: (12)
Genres: Motet
Source Attribution: A. de Cotes
(13) Sacerdos et pontifex A. de Cotes
Appears on: (13)
Genres: Motet
Source Attribution: A. de Cotes
(14) Prudentes virgines, aptate vestras lampades A. de Cotes
Appears on: (14)
Genres: Motet
Source Attribution: A. de Cotes
(15) Maria mater gratiae A. de Cotes
Appears on: (15)
Genres: Motet
Source Attribution: A. de Cotes
(16) Beatus Laurentius orabat dicens A. de Cotes
Appears on: (16)
Genres: Motet
Source Attribution: A. de Cotes
(17) O lux beata trinitas A. de Cotes
Appears on: (17)
Genres: Motet
Source Attribution: A. de Cotes
(18) [textless psam setting] -
Appears on: (18)
Genres: Psalm
General Note

the 4 textless settings nevertheless show signs of heavy yse

(19) [textless psam setting] -
Appears on: (19)
Genres: Psalm
(20) [textless psam setting] -
Appears on: (20)
Genres: Psalm
(21) [textless psam setting] -
Appears on: (21)
Genres: Psalm
(22) Victimae paschali laudes Quevedo
Appears on: (22)
Genres: Sequence
Source Attribution: Quevedo
(23) Fit porta Christi pervia - Anonymous
Appears on: (23)
Genres: Motet
(24) Veni sponsa Christi A. de Cotes
Appears on: (24)
Genres: Motet
Source Attribution: A. de Cotes
(25) Filiae Jerusalem venite et videte martyres A. de Cotes
Appears on: (25)
Genres: Motet
Source Attribution: A. de Cotes
(26) Benedico te pater A. de Cotes
Appears on: (26)
Genres: Motet
Source Attribution: A. de Cotes
(27) Popule meus A. de Cotes
Appears on: (27)
Genres: Motet
Source Attribution: A. de Cotes
(28) Domine Jesu Christe accipe spiritum meum A. de Cotes
Appears on: (28)
Genres: Motet
Source Attribution: A. de Cotes
(29) Senex puerum portabat A. de Cotes
Appears on: (29)
Genres: Motet
Source Attribution: A. de Cotes
(30) Ibant apostoli gaudentes A. de Cotes
Appears on: (30)
Genres: Motet
Source Attribution: A. de Cotes
(31) Te Deum Cristobal de Morales
Appears on: (31)
Genres: Hymn, Te Deum
Source Attribution: Cristobal de Morales
(32) Nobis datus [Tantum ergo] Urreda
Appears on: (32)
Genres: Hymn
Source Attribution: Urreda
(33) Verba mea auribus percipe Domine - Anonymous
Appears on: (33)
Genres: Motet
(34) Tua est potentia Alonso de Tovar
Appears on: (34)
Genres: Motet
Source Attribution: Alonso de Tovar
(35) Da pacem Domine Juan de Arratia
Appears on: (35)
Genres: Motet
Source Attribution: Juan de Arratia
(36) Venite ascendamus ad montem Domini Juan de Riscos
Appears on: (36)
Genres: Motet
Source Attribution: Juan de Riscos
(37) Lamentations: Quomodo sedet sola Luis de Aranda
Appears on: (37)
Genres: Lamentations
Source Attribution: Luis de Aranda
(38) Regina caeli Luis de Aranda
Appears on: (38)
Genres: Motet, Regina caeli laetare
Source Attribution: Luis de Aranda
(39) Salus populi ego sum Luis de Aranda
Appears on: (39)
Genres: Motet
Source Attribution: Luis de Aranda
(40) In omnem terram exivit sonus eorum Luis de Aranda
Appears on: (40)
Genres: Motet
Source Attribution: Luis de Aranda
(41) Domine in furore tuo ne arguas me Luis de Aranda
Appears on: (41)
Genres: Motet
Source Attribution: Luis de Aranda
(42) Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari Finot
Appears on: (42)
Genres: Motet
Source Attribution: Finot
(42) Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus -
Appears on: (42)
Genres: Motet
(43) Dominus de caelo Juan de Arratia
Appears on: (43)
Genres: Motet
Source Attribution: Juan de Arratia
(44) Beatus Franciscus dum morti appropinquaret Jeronimo de Aliseda
Appears on: (44)
Genres: Motet
Source Attribution: Jeronimo de Aliseda
(45) Ad Dominum cum tribularer clamavi Aguilar
Appears on: (45)
Genres: Motet
Source Attribution: Aguilar
(46) Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo Francisco Guerrero
Appears on: (46)
Genres: Motet
Source Attribution: Francisco Guerrero
(46) Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede -
Appears on: (46)
Genres: Motet
(47) Lamentations: Quomodo sedet sola Jeronimo de Aliseda
Appears on: (47)
Genres: Lamentations
Source Attribution: Jeronimo de Aliseda
(48) Lamentations: Misericordiae DOmini Santos de Aliseda
Appears on: (48)
Genres: Lamentations
Source Attribution: Santos de Aliseda
(49) Lamentations: Cogitavit Dominus Luis de Aranda
Appears on: (49)
Genres: Lamentations
Source Attribution: Luis de Aranda
(50) Circumdederunt me dolores mortis Juan de Avila
Appears on: (50)
Genres: Motet
Source Attribution: Juan de Avila
(51) De profundis clamavi ad te Domine Juan de Avila
Appears on: (51)
Genres: Motet
Source Attribution: Juan de Avila
(52) Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo Cristobal de Morales
Appears on: (52)
Genres: Motet
Source Attribution: Cristobal de Morales
(52) Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio -
Appears on: (52)
Genres: Motet
(53) Ad te levavi animam mean Jeronimo de Aliseda
Appears on: (53)
Genres: Motet
Source Attribution: Jeronimo de Aliseda
(54) Ave Maria Jeronimo de Aliseda
Appears on: (54)
Genres: Ave Maria, Motet
Source Attribution: Jeronimo de Aliseda
(55) O doctor optime Santos de Aliseda
Appears on: (55)
Genres: Motet
Source Attribution: Santos de Aliseda
(56) Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me Jeronimo de Aliseda
Appears on: (56)
Genres: Motet
Source Attribution: Jeronimo de Aliseda
(56) Domine ne in ira tua - 2a pars (of 2): Timor et tremor -
Appears on: (56)
Genres: Motet
(57) Litany - Anonymous

Litany

Anonymous
Appears on: (57)
Genres: Litany
(58) Parce mihi Domine Ambrosio de Cotes
Appears on: (58)
Genres: Motet
Source Attribution: Ambrosio de Cotes
(59) Laboravi in gemitu meo Luis de Aranda
Appears on: (59)
Genres: Motet
Source Attribution: Luis de Aranda
General Note

4vv piece, missing one voice

(60) De profundis clamavi "de tiples" - Anonymous
Appears on: (60)
Genres: Motet
General Note

4vv piece "de tiples", lacks 2 voices (additional tiples in missing Sextus book?)

(61) Simile est regnum - 1a pars (of 2): Simile est regnum celorum Cristobal de Morales
Appears on: (61)
Genres: Motet
Source Attribution: Cristobal de Morales
(61) Simile est regnum - 2a pars (of 2): Cum sero autem -
Appears on: (61)
Genres: Motet
(62) In illo tempore assumpsit Jesus duodecim discipulos Cristobal de Morales
Appears on: (62)
Genres: Motet
Source Attribution: Cristobal de Morales
(63) Cum sero autem factum esset C. de Morales
Appears on: (63)
Genres: Motet
Source Attribution: C. de Morales
General Note

lacks the Altus

(64) In illo tempore cum turba plurima convenirent C. de Morales
Appears on: (64)
Genres: Motet
Source Attribution: C. de Morales
General Note

lacks the Altus

(65) Lamentations: Quomodo sedet sola Lusitano, Aviles
Aviles (?)
Appears on: (65)
Genres: Lamentations
Source Attribution: Lusitano, Aviles
General Note

Lacks the Tenor. Bassus book attribution to Lusitano, Altus & Quintus attribution to the otherwise unknown Aviles. Cf. the 4vv "Adjuva nos Deus" in E-GRcr MS 7, also attributed in similar fashion.

(66) Non est inventus similis illi Lusitano
Appears on: (66)
Genres: Motet
Source Attribution: Lusitano
General Note

Lacks the Tenor

(67) Quae est ista Juan de Cisneros
Appears on: (67)
Genres: Motet
Source Attribution: Juan de Cisneros
General Note

Lacks the Tenor

(68) Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus -
Appears on: (68)
Genres: Antiphon
General Note

Lacks the Tiple

(68) Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus -
Appears on: (68)
Genres: Antiphon
General Note

Lacks the Tiple

Composer Compositions
Aguilar, Gaspar de (fl. 1st half of the 16th century)
Aliseda, Jeronimo (Sanchez) de (ca. 1548–1591)
Aliseda, Santos de (–1580)
Anonymous
Aranda, Luis de
Arratia, Juan de
Avila, Juan de
Aviles
Cisneros, Juan de
Cotes, Ambrosio
Guerrero, Francisco
Lusitano, Vicente
Morales, Cristóbal de (ca. 1500–1553)
Phinot, Dominique
Quevedo, Bartolome de (ca. 1510–1569)
Riscos, Juan de
Tovar, Alonso de
Urrede (Wrede), Juan de (fl. 1451-c1482)
Composition Composers (? Uncertain) Folios / Pages
[textless psam setting] (18)
[textless psam setting] (19)
[textless psam setting] (20)
[textless psam setting] (21)
Ad Dominum cum tribularer clamavi (45)
Ad te levavi animam mean (53)
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus dignus Deo (52)
Andreas Christi famulus - 2a pars (of 2): Videns Andreas crucem cum gaudio (52)
Angelis suis Deus mandavit de te (10)
Ave Maria (54)
Beatus Franciscus dum morti appropinquaret (44)
Beatus Laurentius orabat dicens (16)
Benedico te pater (26)
Circumdederunt me dolores mortis (50)
Cum sero autem factum esset (63)
Da pacem Domine (35)
De profundis clamavi "de tiples" Anonymous (60)
De profundis clamavi ad te Domine (51)
Domine in furore tuo ne arguas me (41)
Domine Jesu Christe accipe spiritum meum (28)
Domine ne in ira tua - 1a pars (of 2): Domine ne in ira tua arguas me (56)
Domine ne in ira tua - 2a pars (of 2): Timor et tremor (56)
Dominus de caelo (43)
Dulcissima Maria - 1a pars (of 2): Dulcissima Maria amore tuo langueo (46)
Dulcissima Maria - 2a pars (of 2): Audi nos sanctissima et intercede (46)
Ecce nunc tempus acceptabile (6)
Filiae Jerusalem venite et videte martyres (25)
Fit porta Christi pervia Anonymous (23)
Ibant apostoli gaudentes (30)
In illo tempore assumpsit Jesus duodecim discipulos (62)
In illo tempore cum turba plurima convenirent (64)
In omnem terram exivit sonus eorum (40)
Laboravi in gemitu meo (59)
Lamentations: Cogitavit Dominus (2)
Lamentations: Cogitavit Dominus (49)
Lamentations: Misericordiae DOmini (48)
Lamentations: Quomodo sedet sola (1)
Lamentations: Quomodo sedet sola (37)
Lamentations: Quomodo sedet sola (47)
Lamentations: Quomodo sedet sola
Aviles (?)
(65)
Lamentations: Recordare Domine (3)
Litany Anonymous (57)
Maria mater gratiae (15)
Nobis datus [Tantum ergo] (32)
Non est inventus similis illi (66)
Non in pane solo vivit homo (7)
O doctor optime (55)
O lux beata trinitas (17)
O mulier, magna est fides tua (12)
Parce mihi Domine (58)
Popule meus (27)
Prudentes virgines, aptate vestras lampades (14)
Quae est ista (67)
Regina caeli (38)
Sacerdos et pontifex (13)
Salus populi ego sum (39)
Sancta et immaculata - 1a pars (of 2): Sancta et immaculata virginitas quibus (68)
Sancta et immaculata - 2a pars (of 2): Benedicta tu in mulieribus (68)
Semen cecidit in terram bonam (4)
Senex puerum portabat (29)
Si in digito Dei ejicio daemonia (9)
Simile est regnum - 1a pars (of 2): Simile est regnum celorum (61)
Simile est regnum - 2a pars (of 2): Cum sero autem (61)
Te Deum (31)
Transeunte Domino clamabat caecus (5)
Tua est potentia (34)
Tulerunt lapides Judaei (11)
Veni sponsa Christi (24)
Venite ascendamus ad montem Domini (36)
Verba mea auribus percipe Domine Anonymous (33)
Victimae paschali laudes (22)
Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari (42)
Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus (42)
Visionem quam vidistis (8)

Set: Capilla Real s.s.

Type: Partbooks

No images available

E-GRcr MS s.s. [Altus]

No images available

E-GRcr MS s.s. [Bassus]

No images available

E-GRcr MS s.s. [Quintus]

No images available

E-GRcr MS s.s. [Tenor]

No images available

E-GRcr MS s.s. [Tiple]

denotes primary source study

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 138. Notes: concordances (partial); incipits (partial).

López Calo, S.J., José. 1958. El Archivo de Mùsica de la Capilla Real de Granada. Anuário Musical, 103-28. Pages: 112-4. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description