I-Fd MS II-46

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy

manuscript of polyphony: Third quarter of 16th century

Archive	Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy (I-Fd)
Shelfmark	MS II-46
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	460 x 310 mm
Other Identifiers	CCM: FlorD 46 olim (Former shelfmark): MS 46
Notations	black void mensural
Copyists	Federighi, Michele Text and Music
Provenance	Church of San Lorenzo , Firenze (Florence), Italy
Contents	69 pieces from 4 composers

General Description

A cycles of mass propers by Corteccia, with hymns by him and other additions. The main scribe was a 'Michael' (=Michele Federighi), who also copied FlorL Med. Pal. 7 and ff. 81'-95 of FlorD 45 (Rifkin) and one piece in FlorSL O; additions in many later hands. The hymns in this manuscript were probably copied directly from FlorL Med. Pal. 7 (SutC). Copied in Florence.

DIAMM, 2024

Physical Description

The folios have been trimmed, obliterating many rubrics

DIAMM, 2017

Binding

Original covers of parchment glued over pasteboard, with inscription 'Introiti' on front. Index on f. i

DIAMM, 2017

Watermark

similar to Briquet #6293.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1544 (SutC)

DIAMM, 2017

Foliation

Original foliation, 1-138.

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 cycles of Mass Propers, 1 Magnificat, 2 psalms, 6 hymns, 15 motets = 38

(Corteccia)-36, (Corteccia/Verdelot)-1, Richafort-1

i + 137 + i paper folios, 460 x 310. The folios have been trimmed, obliterating many rubrics. Original foliation, 1-138. Original covers of parchment glued over pasteboard, with inscription "Introiti" on front. Index on f. i. The main scribe was a certain "Michael," who also copied FlorL Med. Pal. 7 and ff. 81'-95 of FlorD 45 (Rifkin); additions in several later hands. The hymns in this manuscript were probably copied directly from FlorL Med. Pal. 7 (SutC). Inked calligraphic initials. Watermark similar to Briquet #6293.

Ca. 1544 (SutC). Copied in Florence.

Vol 4

54 Mass Proper sections, 1 Magnificat, 1 canticle, 3 psalms, 7 hymns, 4 motets = 70

(Corteccia)-7 + 59?, Richafort-1, (Verdelot)-1, anon-2

i + 137 + i paper folios, 460 x 310. Folios trimmed, obliterating some rubrics. Original ink foliation, 1-138, excludes front flyleaf. Original covers of parchment glued over pasteboard, with inscription "Introiti" on front. The main scribe was Michele Federighi, prior at Church of San Lorenzo, Florence, and a pupil and friend of Corteccia; Federighi also wrote FlorL Med. Pal. 7, most of FlorSL C, ff. 81'-95 of FlorD 45, and one piece in FlorSL O. Later additions by several other scribes. Inked calligraphic initials. Watermark resembles Briquet #6293 (Crawford).

Third quarter of 16th century. Copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	Puer natus est	-	Corteccia, (Pier) Francesco
Puer natus est Corteccia, (Pier) Francesco Appears on: 1v–3 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Bassus Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c2
3v–4	Dies sanctificatus	-	Corteccia, (Pier) Francesco
Dies sanctificatus Corteccia, (Pier) Francesco Appears on: 3v–4 Genres: Alleluia Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c1
4v–5	Viderunt omnes	-	Corteccia, (Pier) Francesco
Viderunt omnes Corteccia, (Pier) Francesco Appears on: 4v–5 Genres: Communion Voice: Bassus Languages: Latin Clef: f4 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: g2
5v–7	Multifaria olim Deus	-	Corteccia, (Pier) Francesco
Multifaria olim Deus Corteccia, (Pier) Francesco Appears on: 5v–7 Genres: Alleluia Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: c3
7v–9	Ecce advenit dominator	-	Corteccia, (Pier) Francesco
Ecce advenit dominator Corteccia, (Pier) Francesco Appears on: 7v–9 Genres: Introit Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f4 Voice: Tenor Languages: Latin Clef: c3
9v–10	Alleluia, Vidimus stellam	-	Corteccia, (Pier) Francesco
Alleluia, Vidimus stellam Corteccia, (Pier) Francesco Appears on: 9v–10 Genres: Alleluia Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f4
10v–11	Vidimus stellam	-	Corteccia, (Pier) Francesco
Vidimus stellam Corteccia, (Pier) Francesco Appears on: 10v–11 Genres: Communion Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3
11v–12	[Vitri Galilei] Omnes gentes jubilate Deo	-	Anonymous
[Vitri Galilei] Omnes gentes jubilate Deo Anonymous Appears on: 11v–12 Genres: Introit Voice: Bassus Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c2
12v–15	Suscepimus Deus	-	Corteccia, (Pier) Francesco
Suscepimus Deus Corteccia, (Pier) Francesco Appears on: 12v–15 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3
15v–17	Senex puerum regebat	-	Corteccia, (Pier) Francesco
Senex puerum regebat Corteccia, (Pier) Francesco Appears on: 15v–17 Genres: Alleluia Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1
17v–18	Responsum accepit Simeon	-	Corteccia, (Pier) Francesco
Responsum accepit Simeon Corteccia, (Pier) Francesco Appears on: 17v–18 Genres: Communion Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f3
18v–21	Resurrexi et adhuc tecum sum	-	Corteccia, (Pier) Francesco
Resurrexi et adhuc tecum sum Corteccia, (Pier) Francesco Appears on: 18v–21 Genres: Introit Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: g2
21v–22	[Haec dies] Confitemini Domino	-	Corteccia, (Pier) Francesco
[Haec dies] Confitemini Domino Corteccia, (Pier) Francesco Appears on: 21v–22 Genres: Gradual Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1
22v–24	Pascha nostrum Christus	-	Corteccia, (Pier) Francesco
Pascha nostrum Christus Corteccia, (Pier) Francesco Appears on: 22v–24 Genres: Alleluia Voice: Bassus Languages: Latin Clef: c3 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2
24v–25	Pascha nostrum immolatus est	-	Corteccia, (Pier) Francesco
Pascha nostrum immolatus est Corteccia, (Pier) Francesco Appears on: 24v–25 Genres: Communion Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2
25v–26	Lumen ad revelationem	-	Anonymous
Lumen ad revelationem Anonymous Appears on: 25v–26 Genres: Motet
26v–29	Viri Galilei quid admiramini	-	Corteccia, (Pier) Francesco
Viri Galilei quid admiramini Corteccia, (Pier) Francesco Appears on: 26v–29 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Bassus Languages: Latin Clef: c3 Voice: Tenor Languages: Latin Clef: c2 Voice: Altus Languages: Latin Clef: c1
29v–31	Dominus in Sina	-	Corteccia, (Pier) Francesco
Dominus in Sina Corteccia, (Pier) Francesco Appears on: 29v–31 Genres: Alleluia Voice: Tenor Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1
31v–32	Psallite Domino	-	Corteccia, (Pier) Francesco
Psallite Domino Corteccia, (Pier) Francesco Appears on: 31v–32 Genres: Communion Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3
32v–34	Dum sanctificatus congregabo vos	-	Anonymous
Dum sanctificatus congregabo vos Anonymous Appears on: 32v–34 Genres: Introit Voice: Bassus Languages: Latin Clef: f4 Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2
34v–37	Spiritus Domini replevit orbem	-	Corteccia, (Pier) Francesco
Spiritus Domini replevit orbem Corteccia, (Pier) Francesco Appears on: 34v–37 Genres: Introit Voice: Bassus Languages: Latin Clef: c4 Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3
37v–39	Veni sancte spiritus	-	Corteccia, (Pier) Francesco
Veni sancte spiritus Corteccia, (Pier) Francesco Appears on: 37v–39 Genres: Alleluia Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c4 Voice: Altus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1
39v–41	Factus est repente de caelo	-	Corteccia, (Pier) Francesco
Factus est repente de caelo Corteccia, (Pier) Francesco Appears on: 39v–41 Genres: Communion Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: c3 Voice: Tenor Languages: Latin Clef: c2
41v–42	[Spiritus Domini] Exurgat Deus	-	Anonymous
[Spiritus Domini] Exurgat Deus Anonymous Appears on: 41v–42 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: c4
42v–45	Cibavit eos	-	Corteccia, (Pier) Francesco
Cibavit eos Corteccia, (Pier) Francesco Appears on: 42v–45 Genres: Introit Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c4 Voice: Altus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1
45v–47	Caro mea in me manet	-	Corteccia, (Pier) Francesco
Caro mea in me manet Corteccia, (Pier) Francesco Appears on: 45v–47 Genres: Alleluia Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: g2
47v–49	Quotiescumque manducabitis panem	-	Corteccia, (Pier) Francesco
Quotiescumque manducabitis panem Corteccia, (Pier) Francesco Appears on: 47v–49 Genres: Communion Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: c3
49v–50	[Viri Galilei] Omnes gentes jubilate Deo	-	Anonymous
[Viri Galilei] Omnes gentes jubilate Deo Anonymous Appears on: 49v–50 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: c3
50v–54	De ventre matris	-	Corteccia, (Pier) Francesco
De ventre matris Corteccia, (Pier) Francesco Appears on: 50v–54 Genres: Introit Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1
54v–55	Tu puer parare vias eius	-	Corteccia, (Pier) Francesco
Tu puer parare vias eius Corteccia, (Pier) Francesco Appears on: 54v–55 Genres: Alleluia Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3
55v–57	Tu puer propheta altissimi	-	Corteccia, (Pier) Francesco
Tu puer propheta altissimi Corteccia, (Pier) Francesco Appears on: 55v–57 Genres: Communion Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3
57v–58	Dilexit Andream suavitatis	-	Anonymous
Dilexit Andream suavitatis Anonymous Appears on: 57v–58 Genres: Alleluia Voice: Tenor Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2
58v–60	Confessio et pulchritudo	-	Corteccia, (Pier) Francesco
Confessio et pulchritudo Corteccia, (Pier) Francesco Appears on: 58v–60 Genres: Introit Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: c4
60v–62	Levita Laurentius illuminavit	-	Corteccia, (Pier) Francesco
Levita Laurentius illuminavit Corteccia, (Pier) Francesco Appears on: 60v–62 Genres: Alleluia Voice: Altus Languages: Latin Clef: c2 Voice: Bassus Languages: Latin Clef: c4 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2
62v–63	Qui mihi ministrat	-	Corteccia, (Pier) Francesco
Qui mihi ministrat Corteccia, (Pier) Francesco Appears on: 62v–63 Genres: Communion Voice: Bassus Languages: Latin Clef: c4 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3
63v–66	Gaudeamus omnes in Domino	-	Corteccia, (Pier) Francesco
Gaudeamus omnes in Domino Corteccia, (Pier) Francesco Appears on: 63v–66 Genres: Introit Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2 Voice: Bassus Languages: Latin Clef: f3
66v–68	Assumpta est Maria	-	Corteccia, (Pier) Francesco
Assumpta est Maria Corteccia, (Pier) Francesco Appears on: 66v–68 Genres: Alleluia Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: g2
68v–69	Optimam partem elegit sibi Maria	-	Corteccia, (Pier) Francesco
Optimam partem elegit sibi Maria Corteccia, (Pier) Francesco Appears on: 68v–69 Genres: Communion Voice: Tenor Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Cantus Languages: Latin Clef: g2 Voice: Bassus Languages: Latin Clef: f3
69v–71	Terribilis est locus iste	-	Anonymous
Terribilis est locus iste Anonymous Appears on: 69v–71 Genres: Introit Voice: Cantus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f4 Voice: Altus Languages: Latin Clef: c2
71v–73	Vultum tuum deprecabuntur	-	Anonymous
Vultum tuum deprecabuntur Anonymous Appears on: 71v–73 Genres: Introit Voice: Cantus Languages: Latin Clef: c1 Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c4 Voice: Bassus Languages: Latin Clef: f3
73v–74	Deo gratias	-	Anonymous
Deo gratias Anonymous Appears on: 73v–74 Genres: Deo gratias
74v–76	Salve sancta parens	-	Corteccia, (Pier) Francesco
Salve sancta parens Corteccia, (Pier) Francesco Appears on: 74v–76 Genres: Introit Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f4 Voice: Cantus Languages: Latin Clef: g2
76v–78	Nativitas gloriosae	-	Corteccia, (Pier) Francesco
Nativitas gloriosae Corteccia, (Pier) Francesco Appears on: 76v–78 Genres: Alleluia Voice: Bassus Languages: Latin Clef: c3 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2
78v–79	Beata viscera	-	Corteccia, (Pier) Francesco
Beata viscera Corteccia, (Pier) Francesco Appears on: 78v–79 Genres: Communion Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3
79v–81	Sapientiam sanctorum	-	Corteccia, (Pier) Francesco
Sapientiam sanctorum Corteccia, (Pier) Francesco Appears on: 79v–81 Genres: Introit Voice: Cantus Languages: Latin Clef: g2 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c1
81v–83	Haec est vera fraternitas	-	Corteccia, (Pier) Francesco
Haec est vera fraternitas Corteccia, (Pier) Francesco Appears on: 81v–83 Genres: Alleluia Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2
83v–85	Posuerunt mortalia servorum	-	Corteccia, (Pier) Francesco
Posuerunt mortalia servorum Corteccia, (Pier) Francesco Appears on: 83v–85 Genres: Communion Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3
85v–88	Gaudeamus omnes in Domino	-	Corteccia, (Pier) Francesco
Gaudeamus omnes in Domino Corteccia, (Pier) Francesco Appears on: 85v–88 Genres: Introit Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c2 Voice: Tenor Languages: Latin Clef: c3
88v–90	Venite ad me	-	Corteccia, (Pier) Francesco
Venite ad me Corteccia, (Pier) Francesco Appears on: 88v–90 Genres: Alleluia Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: c3
90v–92	Beati mundo corde	-	Corteccia, (Pier) Francesco
Beati mundo corde Corteccia, (Pier) Francesco Appears on: 90v–92 Genres: Communion Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f3
92v–94	Statuit ei Dominus	-	Anonymous
Statuit ei Dominus Anonymous Appears on: 92v–94 Genres: Introit Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c1
94v–95	Hic est sacerdos	-	Anonymous
Hic est sacerdos Anonymous Appears on: 94v–95 Genres: Alleluia Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f3
95v–97	Mihi autem nimis	-	Anonymous
Mihi autem nimis Anonymous Appears on: 95v–97 Genres: Introit Voice: Tenor Languages: Latin Clef: c3 Voice: Bassus Languages: Latin Clef: f3 Voice: Altus Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: c1
97v–98	Te gloriosus laudet Domine	-	Anonymous
Te gloriosus laudet Domine Anonymous Appears on: 97v–98 Genres: Alleluia Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: g2 Voice: Altus Languages: Latin Clef: c2
98v–100	Christe redemptor / Tu lumen tu splendor	-	Corteccia, (Pier) Francesco
Christe redemptor / Tu lumen tu splendor Corteccia, (Pier) Francesco Appears on: 98v–100 Genres: Hymn
100v–105	Exsultet caelum laudibus (I)	-	Corteccia, (Pier) Francesco
Exsultet caelum laudibus (I) Corteccia, (Pier) Francesco Appears on: 100v–105 Genres: Hymn
105v–110	Tristes erant apostoli	-	Corteccia, (Pier) Francesco
Tristes erant apostoli Corteccia, (Pier) Francesco Appears on: 105v–110 Genres: Hymn
110v–113	Vexilla regis (I)	-	Corteccia, (Pier) Francesco
Vexilla regis (I) Corteccia, (Pier) Francesco Appears on: 110v–113 Genres: Hymn
113v	Dixit Dominus	-	Anonymous
Dixit Dominus Anonymous Appears on: 113v Genres: Psalm General Note fragment of Cantus only: 2 staves of text & music
113v–114	Deo gratias	-	Anonymous
Deo gratias Anonymous Appears on: 113v–114 Genres: Deo gratias
114v–118	Martyris Christi	-	Corteccia, (Pier) Francesco
Martyris Christi Corteccia, (Pier) Francesco Appears on: 114v–118 Genres: Hymn
118v–120	Urbs beata Jerusalem	-	Corteccia, (Pier) Francesco
Urbs beata Jerusalem Corteccia, (Pier) Francesco Appears on: 118v–120 Genres: Hymn
120v–121	Laudate Dominum omnes gentes, laudate eum	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Laudate Dominum omnes gentes, laudate eum Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 120v–121 Genres: Motet
121v–123	Dixit Dominus Domino meo	-	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 121v–123 Genres: Psalm
123v–130	Magnificat octavi toni: Et exultavit [K.1016]	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Magnificat octavi toni: Et exultavit [K.1016] Richafort, Jean (ca. 1480–ca. 1550) Appears on: 123v–130 Genres: BVM, Canticle, Magnificat Source Attribution: Richafort
130v–131	Verbum caro	-	Anonymous
Verbum caro Anonymous Appears on: 130v–131 Genres: Hymn
133v–135	Os justi	-	Anonymous
Os justi Anonymous Appears on: 133v–135 Genres: Introit Voice: Altus Languages: Latin Clef: c3 Voice: Cantus Languages: Latin Clef: c1 Voice: Bassus Languages: Latin Clef: f3 Voice: Tenor Languages: Latin Clef: c3
135v–136	Beatus vir	-	Anonymous
Beatus vir Anonymous Appears on: 135v–136 Genres: Alleluia Voice: Bassus Languages: Latin Clef: c4 Voice: Altus Languages: Latin Clef: c1 Voice: Tenor Languages: Latin Clef: c2 Voice: Cantus Languages: Latin Clef: g2
136v–137	[Laudate Dominum] Quoniam confirmata est	-	Anonymous
[Laudate Dominum] Quoniam confirmata est Anonymous Appears on: 136v–137 Genres: Psalm

Composer	Compositions
Anonymous	Beatus vir – 135v–136 Deo gratias – 113v–114 Deo gratias – 73v–74 Dilexit Andream suavitatis – 57v–58 Dixit Dominus – 113v Dixit Dominus Domino meo – 121v–123 Dum sanctificatus congregabo vos – 32v–34 Hic est sacerdos – 94v–95 Lumen ad revelationem – 25v–26 Mihi autem nimis – 95v–97 Os justi – 133v–135 Statuit ei Dominus – 92v–94 Te gloriosus laudet Domine – 97v–98 Terribilis est locus iste – 69v–71 Verbum caro – 130v–131 Vultum tuum deprecabuntur – 71v–73 [Laudate Dominum] Quoniam confirmata est – 136v–137 [Spiritus Domini] Exurgat Deus – 41v–42 [Viri Galilei] Omnes gentes jubilate Deo – 49v–50 [Vitri Galilei] Omnes gentes jubilate Deo – 11v–12
Corteccia, (Pier) Francesco	Alleluia, Vidimus stellam – 9v–10 Assumpta est Maria – 66v–68 Beata viscera – 78v–79 Beati mundo corde – 90v–92 Caro mea in me manet – 45v–47 Christe redemptor / Tu lumen tu splendor – 98v–100 Cibavit eos – 42v–45 Confessio et pulchritudo – 58v–60 De ventre matris – 50v–54 Dies sanctificatus – 3v–4 Dominus in Sina – 29v–31 Ecce advenit dominator – 7v–9 Exsultet caelum laudibus (I) – 100v–105 Factus est repente de caelo – 39v–41 Gaudeamus omnes in Domino – 85v–88 Gaudeamus omnes in Domino – 63v–66 Haec est vera fraternitas – 81v–83 Levita Laurentius illuminavit – 60v–62 Martyris Christi – 114v–118 Multifaria olim Deus – 5v–7 Nativitas gloriosae – 76v–78 Optimam partem elegit sibi Maria – 68v–69 Pascha nostrum Christus – 22v–24 Pascha nostrum immolatus est – 24v–25 Posuerunt mortalia servorum – 83v–85 Psallite Domino – 31v–32 Puer natus est – 1v–3 Qui mihi ministrat – 62v–63 Quotiescumque manducabitis panem – 47v–49 Responsum accepit Simeon – 17v–18 Resurrexi et adhuc tecum sum – 18v–21 Salve sancta parens – 74v–76 Sapientiam sanctorum – 79v–81 Senex puerum regebat – 15v–17 Spiritus Domini replevit orbem – 34v–37 Suscepimus Deus – 12v–15 Tristes erant apostoli – 105v–110 Tu puer parare vias eius – 54v–55 Tu puer propheta altissimi – 55v–57 Urbs beata Jerusalem – 118v–120 Veni sancte spiritus – 37v–39 Venite ad me – 88v–90 Vexilla regis (I) – 110v–113 Viderunt omnes – 4v–5 Vidimus stellam – 10v–11 Viri Galilei quid admiramini – 26v–29 [Haec dies] Confitemini Domino – 21v–22
Richafort, Jean (ca. 1480–ca. 1550)	Magnificat octavi toni: Et exultavit [K.1016] – 123v–130
Verdelot, Philippe (ca. 1480–ca. 1532)	Laudate Dominum omnes gentes, laudate eum – 120v–121

Composition	Composers (? Uncertain)	Folios / Pages
[Haec dies] Confitemini Domino	Corteccia, (Pier) Francesco	21v–22
[Laudate Dominum] Quoniam confirmata est	Anonymous	136v–137
[Spiritus Domini] Exurgat Deus	Anonymous	41v–42
[Viri Galilei] Omnes gentes jubilate Deo	Anonymous	49v–50
[Vitri Galilei] Omnes gentes jubilate Deo	Anonymous	11v–12
Alleluia, Vidimus stellam	Corteccia, (Pier) Francesco	9v–10
Assumpta est Maria	Corteccia, (Pier) Francesco	66v–68
Beata viscera	Corteccia, (Pier) Francesco	78v–79
Beati mundo corde	Corteccia, (Pier) Francesco	90v–92
Beatus vir	Anonymous	135v–136
Caro mea in me manet	Corteccia, (Pier) Francesco	45v–47
Christe redemptor / Tu lumen tu splendor	Corteccia, (Pier) Francesco	98v–100
Cibavit eos	Corteccia, (Pier) Francesco	42v–45
Confessio et pulchritudo	Corteccia, (Pier) Francesco	58v–60
De ventre matris	Corteccia, (Pier) Francesco	50v–54
Deo gratias	Anonymous	73v–74
Deo gratias	Anonymous	113v–114
Dies sanctificatus	Corteccia, (Pier) Francesco	3v–4
Dilexit Andream suavitatis	Anonymous	57v–58
Dixit Dominus	Anonymous	113v
Dixit Dominus Domino meo	Anonymous	121v–123
Dominus in Sina	Corteccia, (Pier) Francesco	29v–31
Dum sanctificatus congregabo vos	Anonymous	32v–34
Ecce advenit dominator	Corteccia, (Pier) Francesco	7v–9
Exsultet caelum laudibus (I)	Corteccia, (Pier) Francesco	100v–105
Factus est repente de caelo	Corteccia, (Pier) Francesco	39v–41
Gaudeamus omnes in Domino	Corteccia, (Pier) Francesco	63v–66
Gaudeamus omnes in Domino	Corteccia, (Pier) Francesco	85v–88
Haec est vera fraternitas	Corteccia, (Pier) Francesco	81v–83
Hic est sacerdos	Anonymous	94v–95
Laudate Dominum omnes gentes, laudate eum	Verdelot, Philippe (ca. 1480–ca. 1532)	120v–121
Levita Laurentius illuminavit	Corteccia, (Pier) Francesco	60v–62
Lumen ad revelationem	Anonymous	25v–26
Magnificat octavi toni: Et exultavit [K.1016]	Richafort, Jean (ca. 1480–ca. 1550)	123v–130
Martyris Christi	Corteccia, (Pier) Francesco	114v–118
Mihi autem nimis	Anonymous	95v–97
Multifaria olim Deus	Corteccia, (Pier) Francesco	5v–7
Nativitas gloriosae	Corteccia, (Pier) Francesco	76v–78
Optimam partem elegit sibi Maria	Corteccia, (Pier) Francesco	68v–69
Os justi	Anonymous	133v–135
Pascha nostrum Christus	Corteccia, (Pier) Francesco	22v–24
Pascha nostrum immolatus est	Corteccia, (Pier) Francesco	24v–25
Posuerunt mortalia servorum	Corteccia, (Pier) Francesco	83v–85
Psallite Domino	Corteccia, (Pier) Francesco	31v–32
Puer natus est	Corteccia, (Pier) Francesco	1v–3
Qui mihi ministrat	Corteccia, (Pier) Francesco	62v–63
Quotiescumque manducabitis panem	Corteccia, (Pier) Francesco	47v–49
Responsum accepit Simeon	Corteccia, (Pier) Francesco	17v–18
Resurrexi et adhuc tecum sum	Corteccia, (Pier) Francesco	18v–21
Salve sancta parens	Corteccia, (Pier) Francesco	74v–76
Sapientiam sanctorum	Corteccia, (Pier) Francesco	79v–81
Senex puerum regebat	Corteccia, (Pier) Francesco	15v–17
Spiritus Domini replevit orbem	Corteccia, (Pier) Francesco	34v–37
Statuit ei Dominus	Anonymous	92v–94
Suscepimus Deus	Corteccia, (Pier) Francesco	12v–15
Te gloriosus laudet Domine	Anonymous	97v–98
Terribilis est locus iste	Anonymous	69v–71
Tristes erant apostoli	Corteccia, (Pier) Francesco	105v–110
Tu puer parare vias eius	Corteccia, (Pier) Francesco	54v–55
Tu puer propheta altissimi	Corteccia, (Pier) Francesco	55v–57
Urbs beata Jerusalem	Corteccia, (Pier) Francesco	118v–120
Veni sancte spiritus	Corteccia, (Pier) Francesco	37v–39
Venite ad me	Corteccia, (Pier) Francesco	88v–90
Verbum caro	Anonymous	130v–131
Vexilla regis (I)	Corteccia, (Pier) Francesco	110v–113
Viderunt omnes	Corteccia, (Pier) Francesco	4v–5
Vidimus stellam	Corteccia, (Pier) Francesco	10v–11
Viri Galilei quid admiramini	Corteccia, (Pier) Francesco	26v–29
Vultum tuum deprecabuntur	Anonymous	71v–73

‡ denotes primary source study

D'Accone, Frank A, and David J Burn (editors). 2009. Music of the Florentine Renaissance. Vol. XIII, FRANCESCO CORTECCIA (1502–71), Collected Sacred Works: Counterpoints on the Cantus Firmi of Solemn Masses. Corpus mensurabilis musicae. American Institute of Musicology. Notes: transcriptions, editions and some images.

D'Accone, Frank A. 1985. Updating the Style: Francesco Corteccia's Revisions in His Responsories for Holy Week. Music and Context: Essays for John M. Ward, Cambridge, Massachusetts. Pages: 38. Notes: mention of MS.

Sutherland, David Angus. 1972. A Second Corteccia Manuscript in the Archives of Santa Maria del Fiore. Journal of the American Musicological Society, 79-85. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 136. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1961. Ein unbeachtetes Chorbuch von 1544 in der Österreichischen Nationalbibliothek Wien. Die Musikforschung, 290-303. Pages: 295; An edition of the music, edited by David A. Sutherland, is in preparation. Notes: concordances (partial).

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Wednesday, 31 May, 2023

Notified of CMM 32 vol. XIII (2009), which includes transcriptions, editions and some images.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-Fd MS II-46

Duomo, Archivio Musicale dell'Opera di Santa Maria del Fiore, Firenze (Florence), Italy

manuscript of polyphony: Third quarter of 16th century

General Description

Physical Description

Binding

Watermark

Notation

Date

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note