D-Dl MS Pirna VIII

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1560-70

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Pirna VIII
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 490 x 350 mm
Other Identifiers
  • CCM: DresSL Pirna VIII
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 43 pieces from 11 composers
General Description

Copied by Albert Weissenberger. Copied in Pirna, for the Stadtkirche St. Marien; deposited at the library in Dresden in 1899.

DIAMM, 2017
Physical Description

Many folios are stuck together, torn out, deteriorated, or illegible because of ink corrosion

DIAMM, 2017
Binding

Modern binding; fragments of original leather covers remain

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1560-70 (SteudeMS)

DIAMM, 2017
Foliation

Original foliation.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 8 Mass Proper sections, 11 motets, 2 sets of responses = 25

Baston-2, Clemens non Papa-5, (Josquin)-1, Maillard? [Meilart]-1, Phinot-2, Senfl-9, (Trojanus)-1, anon-4

189 paper folios, 490 x 350. Many folios are stuck together, torn out, deteriorated, or illegible because of ink corrosion. Original foliation. Fragments of original leather covers remain. Original index. Copied by Albert Weissenberger.

Ca. 1560-70 (SteudeMS). Copied in Pirna, for the Stadtkirche St. Marien; deposited at the library in Dresden in 1899.

Vol 4

Composers: Baston-1, Baston/(Cleve)-1, Clemens non Papa-5, (M. Forestier/ Josquin)-1, Maillard [Meilart]/(Tye)-1, Phinot-2, Senfl-7 + 2?, (Trojanus)-1, anon-4

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[i] Set of responses Amen. Et cum spiritu tuo. Gloria tibi Domine Anon. Anonymous
Appears on: [i]
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo. Gloria tibi domine
[i] v–3 Missa De profundis: Kyrie [Trojanus]
Appears on: [i] v–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Trojanus]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa De profundis]
3v–11 Missa De profundis: Gloria -
Appears on: 3v–11
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa De profundis]
11v–24 Missa De profundis: Patrem omnipotentem [Credo] -
Appears on: 11v–24
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa De profundis]
24v–31 Missa De profundis: Sanctus -
Appears on: 24v–31
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa De profundis]
31v–35 Missa De profundis: Agnus Dei -
Appears on: 31v–35
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa De profundis]
35v–43 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Clemens non Papa
Appears on: 35v–43
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis suis
General Note

Bk 15:32 - 21:75 - 42:1 - 44:44 - 47:64

42v–48 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 42v–48
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cito euntes dicite discipulis eius [part 2]
General Note

Bk 15:32 - 21:75 - 42:1 - 44:44 - 47:64

48v–52 Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 48v–52
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Philippe qui videt me halleluia
General Note

RISM 1558^4:21 - Bk 48:7 - 79:19

52v–54v Repleti sunt omnes spiritu sancto D: Phinot
Appears on: 52v–54v
Genres: Motet
Source Attribution: D: Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Repleti sunt omnes spiritu sancto [incomplete]
General Note

Bk 44:38

60–61 Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte [M. Forestier/Josquin]
Appears on: 60–61
Genres: Motet, Veni sancte spiritus
Source Attribution: [M. Forestier/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] ... dulce refrigerium 26.17 II: O lux beatissima reple cordis [incomplete at beginning]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 43:4 incomplete: several pages torn out and only tiny fragments remain near binding

61v–66 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis -
Appears on: 61v–66
Voice: [no designation]
Languages: Latin
Voice Text: O lux beatissima [part 2]
General Note

Josquin, GA, Mot. 49 - Bk 21:113 - 43:4

66v–71 Ego me diligentes diligo et qui mane Clemens non Papa
Appears on: 66v–71
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ego me diligentes diligo et qui mane
General Note

Bk 42:21

71v–74 Missa Bewahr mich, Herr: Kyrie Iohannes Baston
Appears on: 71v–74
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Iohannes Baston
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Bewahr mich Herr]
74v–79 Missa Bewahr mich, Herr: Gloria -
Appears on: 74v–79
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa Bewahr mich Herr]
79v–88 Missa Bewahr mich, Herr: Patrem omnipotentem [Credo] -
Appears on: 79v–88
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa Bewahr mich Herr]
88v–92 Missa Bewahr mich, Herr: Sanctus -
Appears on: 88v–92
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa Bewahr mich Herr]
92v–95 Missa Bewahr mich, Herr: Agnus Dei -
Appears on: 92v–95
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa Bewahr mich Herr]
95v–99 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anon. Anonymous
Appears on: 95v–99
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum halleluia Vs: (Domine probasti me) Tu cognovisti
99v–102 Missa Paschalis: Kyrie L S [= Senfl]
Appears on: 99v–102
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: L S [= Senfl]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Paschalis] [KG]
102v–107 Missa Paschalis: Gloria -
Appears on: 102v–107
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa Paschalis]
General Note

alternatim setting

107v–112 Christ ist erstanden (5vv) [M16] L: S
Appears on: 107v–112
Genres: Motet
Source Attribution: L: S
Voice: [no designation]
Languages: Latin, German
Voice Text: Christus resurgens/Christ ist erstanden
112v–114 Victimae paschali (P13) - 1a pars (of 3): [Victimae paschali] Agnus redemit oves Christus innocens (4vv) [Senfl]
Appears on: 112v–114
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
General Note

Hoffm.-Erbr. II, S. 133

114v–117 Victimae paschali (P13) - 2a pars (of 3): Dic nobis Maria (5vv) -
Appears on: 114v–117
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
General Note

Hoffm.-Erbr. II, S. 133

117v–121 Victimae paschali (P13) - 3a pars (of 3): Credendum est magis (6vv) -
Appears on: 117v–121
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 3]
General Note

Hoffm.-Erbr. II, S. 133

121v–126 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Iosquin Baston/[Cleve]
Appears on: 121v–126
Genres: Motet
Source Attribution: Iosquin Baston/[Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabatum Maria Magdalena II: Et valde mane una sabatorum veniunt
125v–132 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 125v–132
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane [part 2]
132v–135 Missa Paschalis: Sanctus [Senfl?]
Appears on: 132v–135
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Paschalis] [SA] [incomplete]
General Note

Hoffm.-Erbr. II, S. 133 - Zu 101:10? incomplete, most of f. 133 torn out

135v–137 Missa Paschalis: Agnus [Senfl?]
Appears on: 135v–137
Genres: Agnus Dei, Mass Ordinary
Source Attribution: [Senfl?]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus Dei [Missa Paschalis - incomplete]
General Note

Hoffm.-Erbr. II, S. 133 - Zu 101:10?

137–140 Viri Galilaei Vs: Omnes gentes plaudite [Proprium de Ascensione Domini] L S
Appears on: 137–140
Genres: Introit
Source Attribution: L S
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Iubilate deo
140v–143 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] [Senfl]
Appears on: 140v–143
Genres: Alleluia, Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Dominus in Sÿna sancto
General Note

Hoffm.-Erbr. II, S. 134

143v–149 Summi triumphum regis Qui caeli qui terrae [Proprium de Ascensione Domini] L S [=Senfl]
Appears on: 143v–149
Genres: Sequence
Source Attribution: L S [=Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Summi triumphum regis prosequamur laude] Qui caeli qui terrae regit sceptra
General Note

Hoffm.-Erbr. II, S. 134

149v–154 Ascendo ad patrem meum et patrem vestrum Meilart [= Maillard]/[Tye]
Appears on: 149v–154
Genres: Motet
Source Attribution: Meilart [= Maillard]/[Tye]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum
General Note

Bk 21:147 - 44:37

154v–158 Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus [Clemens non Papa]
Appears on: 154v–158
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione halleluia II: Ascendens Christus in altum captivam
General Note

RISM 1554^10:17 - Bk 21:90

158v–162 Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam -
Appears on: 158v–162
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendens Christus in altum [part 2]
General Note

RISM 1554^10:17 - Bk 21:90

162v–166 Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris [Clemens non Papa]
Appears on: 162v–166
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum praedicate dicentes II: Signa eos qui in me credunt
General Note

RISM 1555^10:13 - Bk 55:33

166v–171 Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 166v–171
Voice: [no designation]
Languages: Latin
Voice Text: Signa eos qui in me credunt [part 2]
General Note

RISM 1555^10:13 - Bk 55:33

171v–174 Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] L S [=Senfl]
Appears on: 171v–174
Genres: Introit
Source Attribution: L S [=Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
174v–176 Alleluia. Benedictus es Domine Deus [Proprium de SS. Trinitate] [Senfl]
Appears on: 174v–176
Genres: Alleluia
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Benedictus es domine deus
176v–180 O altitudo divitiarum sapientiae et scientiae (4vv) D: Phinot
Appears on: 176v–180
Genres: Motet
Source Attribution: D: Phinot
Voice: [no designation]
Languages: Latin
Voice Text: O altitudo diviciarum sapienciae et scienciae
180v–186 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] Anon.
Appears on: 180v–186
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
186v–190 Congratulamini mihi omnes qui diligitis Clemens non Papa
Appears on: 186v–190
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis
General Note

Bk 7:71 - 55:36

190v Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anon. Anonymous
Appears on: 190v
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Despres, Josquin (ca. 1450–1521)
Forestier, Mathurin
Grüntlerus, N. Trojanus
Maillard, Jean (fl. c1538–1570)
Phinot, Dominique
Senfl, Ludwig (ca. 1486–ca. 1543)
Tye, Christopher (ca. 1505–ca. 1573)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Benedictus es Domine Deus [Proprium de SS. Trinitate] 174v–176
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 140v–143
Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus 154v–158
Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam 158v–162
Ascendo ad patrem meum et patrem vestrum 149v–154
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS. Trinitate] 180v–186
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS. Trinitate] 171v–174
Christ ist erstanden (5vv) [M16] 107v–112
Congratulamini mihi omnes qui diligitis 186v–190
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 121v–126
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 125v–132
Ego me diligentes diligo et qui mane 66v–71
Ite in orbem universum - 2a pars (of 2): Signa eos qui in me credunt 166v–171
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 35v–43
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 42v–48
Missa Bewahr mich, Herr: Agnus Dei 92v–95
Missa Bewahr mich, Herr: Gloria 74v–79
Missa Bewahr mich, Herr: Kyrie 71v–74
Missa Bewahr mich, Herr: Patrem omnipotentem [Credo] 79v–88
Missa Bewahr mich, Herr: Sanctus 88v–92
Missa De profundis: Agnus Dei 31v–35
Missa De profundis: Gloria 3v–11
Missa De profundis: Kyrie [i] v–3
Missa De profundis: Patrem omnipotentem [Credo] 11v–24
Missa De profundis: Sanctus 24v–31
Missa Paschalis: Agnus 135v–137
Missa Paschalis: Gloria 102v–107
Missa Paschalis: Kyrie 99v–102
Missa Paschalis: Sanctus 132v–135
O altitudo divitiarum sapientiae et scientiae (4vv) 176v–180
Philippe qui videt me alleluia (6vv, M84) 48v–52
Repleti sunt omnes spiritu sancto 52v–54v
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anonymous 95v–99
Set of responses Amen. Et cum spiritu tuo. Gloria tibi Domine Anonymous [i]
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anonymous 190v
Summi triumphum regis Qui caeli qui terrae [Proprium de Ascensione Domini] 143v–149
Velum templi - 2a pars (of 2): Amen dico tibi hodie mecum eris 162v–166
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte 60–61
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis 61v–66
Victimae paschali (P13) - 1a pars (of 3): [Victimae paschali] Agnus redemit oves Christus innocens (4vv) 112v–114
Victimae paschali (P13) - 2a pars (of 3): Dic nobis Maria (5vv) 114v–117
Victimae paschali (P13) - 3a pars (of 3): Credendum est magis (6vv) 117v–121
Viri Galilaei Vs: Omnes gentes plaudite [Proprium de Ascensione Domini] 137–140

denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 271. Notes: contents list (partial).

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 207-8. Notes: physical description (partial); contents list; concordances (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 133-4. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 123. Notes: physical description.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XII, xxi. Notes: physical description.

Kade, Otto. 1857. Die Musikalien der Stadtkirche zu Pirna. Serapeum, 312-28. Pages: 323. Notes: contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description