D-Dl MS Pirna II

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1550-65

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Pirna II
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 400 x 300 mm
Other Identifiers
  • CCM: DresSL Pirna II
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 67 pieces from 19 composers
General Description

Copied by Albert Weissenberger and others (SteudeMS). Copied in Pirna, for the Stadtkirche St. Marien.

DIAMM, 2017
Physical Description

Ff. 1-184 are now often illegible and sometimes fragmentary; the remaining folios are in poor condition.

DIAMM, 2017
Binding

Original covers are present, but these have almost completely disintegrated.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1550-65 (HoffC); 1575 (SteudeMS).

DIAMM, 2017
Foliation

Original foliation, omits 29, 76-7, 103

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 2 Kyries, 3 Mass Proper sections, 1 hymn, 1 Passion, 21 motets, 3 German sacred pieces = 35

Burck-1, Canis-1, Clemens non Papa-2, Cleve-1, Dressler-6, Figulus-1, Fine-1, Gastritz-3, Glein-1, Lassus-5, Obrecht/(Longaval/Venture)-1, G. Otto-1, Scandello-1, Schröter-1, anon-9

343 paper folios, 400 x 300. Ff. 1-184 are now illegible; the remaining folios are in poor condition. Original foliation. Original covers have almost completely disintegrated. Copied by Albert Weissenberger and others (SteudeMS).

Ca. 1550-65 (HoffC); 1575 (SteudeMS). Copied in Pirna, for the Stadtkirche St. Marien; deposited at the library in Dresden in 1899.

Vol 4

Composers: Change "Clemens non Papa-2" to "Clemens non Papa-1, Clemens non Papa/(Crecquillon)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1r–6 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum -
Appears on: 1r–6
Genres: Liturgical work, Motet, Passion
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Iesu Christi secundum Mattheum II: Apprehendit ergo eum Pilatus III: Orabat autem Iesus pro crucifigentibus
General Note

Bk 7:81 (6 v.) - 9:9 - 42:10 - 47:46 - 95:2 - 111:108 incomplete: lacks opening verso (Sup & Bas) & f.1-3 are fragmentary

Layout

as throughout the book, the verso contains Bassus (top) & Discantus (bottom)

5v–11 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 5v–11
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
General Note

Bk 7:81 (6 v.) - 9:9 - 42:10 - 47:46 - 95:2 - 111:108

10v–17 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 10v–17
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus [part 3]
General Note

Bk 7:81 (6 v.) - 9:9 - 42:10 - 47:46 - 95:2 - 111:108

18v–22 Dixit Dominus (6vv) - 1a pars (of 2): Dixit Dominus Deus non est bonum -
Appears on: 18v–22
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus deus non est bonum
22v–28 Dixit Dominus (6vv) - 2a pars (of 2): Hoc nunc os ex ossibus -
Appears on: 22v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hoc nunc os ex ossibus [part 2]
30v–34 Tua est potentia - 1a pars (of 2): Tua est potentia -
Appears on: 30v–34
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia
33v–36 Tua est potentia - 2a pars (of 2): Creator omnium -
Appears on: 33v–36
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Creator omnium [part 2]
36v–41 Si tua divino comittes -
Appears on: 36v–41
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Si tua divino comittes
41v–46 Cum invitatus fueris -
Appears on: 41v–46
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Cum invitatus fueris
48v–51 Missa Veni in ortum meum: Kyrie -
Appears on: 48v–51
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa super Veni in hortum meum]
General Note

Bk 21:121

51v–57 Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 51v–57
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Veni in hortum meum]
General Note

Bk 21:121

57v–67 Missa Veni in ortum meum. Patrem omnipotentem [Credo] -
Appears on: 57v–67
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super Veni in hortum meum]
General Note

Bk 21:121

67v–72 Missa Veni in ortum meum: Sanctus -
Appears on: 67v–72
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus Missa super Veni in hortum meum
General Note

Bk 21:121

72v–75 Missa Veni in ortum meum: Agnus Dei -
Appears on: 72v–75
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super Veni in hortum meum]
General Note

Bk 21:121

78v–83 Mirabile mysterium -
Appears on: 78v–83
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mirabile mysterium
General Note

Bk 37:70

83v–87 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 83v–87
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset Sabathum
General Note

Bk 42:13 - 44:33

87v–91 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 87v–91
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane [part 2]
General Note

Bk 42:13 - 44:33

93v–97 Tristis est anima mea usque ad mortem -
Appears on: 93v–97
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
General Note

Henricus 1604:172 - Bk 7:82 - 21:140 - 28:23 - 54:2

97v–101 Oves meae vocem meam -
Appears on: 97v–101
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Oves meae vocem meam
Layout

ff. 101v-102 are also ruled, as if the scribe expected to have needed an extra opening to complete the piece

104v–111 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto -
Appears on: 104v–111
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem
111v–115 Ego sum ostium -
Appears on: 111v–115
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum ostium
115v–120 O rex gloriae - 1a pars (of 2): O rex gloriae Domine (5vv) - Anonymous
Appears on: 115v–120
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O rex gloriae domine
120v–125 O rex gloriae - 2a pars (of 2): Sic Deus dilexit mundum (6vv) - Anonymous
Appears on: 120v–125
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum [part 2]
125v–130 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 125v–130
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam erat dives qui induebatur II: Accidit autem dum moreretur Lazarus
General Note

Bk 42:3 - 57:5

130v–135 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 130v–135
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accidit autem [part 2]
General Note

Bk 42:3 - 57:5

135v–139 Justus non conturbabitur - 1a pars (of 2): Justus non conturbabitur -
Appears on: 135v–139
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Justus non conturbabitur
General Note

Bk 30:11

138v–142 Justus non conturbabitur - 2a pars (of 2): Noli aemulari -
Appears on: 138v–142
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Noli aemulari part 2
General Note

Bk 30:11

142v–146 Petite et dabitur - 1a pars (of 2): Petite et dabitur vobis -
Appears on: 142v–146
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: Petite et dabitur vobis
General Note

Th. Gerlach 1574:5

145v–150 Petite et dabitur - 2a pars (of 2): Quisquis enim petit -
Appears on: 145v–150
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: Quisquis enim petit [part 2]
General Note

Th. Gerlach 1574:5

150v–155 Vivo ego dicit Dominus nolo mortem -
Appears on: 150v–155
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vivo ego dicit dominus
155v–158 Surrexit pastor bonus qui animam suam II: Ecce crucem Domini fugite partes -
Appears on: 155v–158
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit pastor bonus
160v–165 Pater peccavi - 1a pars (of 2): Pater peccavi in caelum -
Appears on: 160v–165
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum
General Note

Henricus 1604:217

164v–171 Pater peccavi - 2a pars (of 2): Quanti mercenarii -
Appears on: 164v–171
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Quanti mercenarii [part 2]
General Note

Henricus 1604:217

172v–175 Resonet in laudibus - 1a pars (of 3): Resonet in laudibus cum jocundis plausibus -
Appears on: 172v–175
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Resonet in laudibus
175v–176 Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israël per Mariam -
Appears on: 175v–176
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Hodie apparuit [part 2]
176v–180 Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini Emanuel -
Appears on: 176v–180
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Magnum nomen domini [part 3]
184v–190 Missa O admirabile commercium: Kyrie -
Appears on: 184v–190
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa super O admirabile]
General Note

Bk 21:42 - 41:22

190v–200 Missa O admirabile commercium: Et in terra pax [Gloria] -
Appears on: 190v–200
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super O admirabile]
General Note

Bk 21:42 - 41:22

200v–219 Missa O admirabile commercium: Patrem omnipotentem [Credo] -
Appears on: 200v–219
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super O admirabile commercium]
General Note

Bk 21:42 - 41:22

219v–228 Missa O admirabile commercium: Sanctus -
Appears on: 219v–228
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super O admirabile]
General Note

Bk 21:42 - 41:22

228v–236 Missa O admirabile commercium: Agnus Dei -
Appears on: 228v–236
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super O admirabile commercium]
General Note

Bk 21:42 - 41:22

236v–241 Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera -
Appears on: 236v–241
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Castae parentis viscera
General Note

Bk 5:50 - 45:21

241v–246 Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel -
Appears on: 241v–246
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Enixa est puerpera fulget dies quem Gabriel [2a pars]
General Note

Bk 5:50 - 45:21

246v–252 Dies sanctificatus illuxit nobis venite -
Appears on: 246v–252
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dies sanctificatus illuxit nobis venite
252v–256 Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) - Anonymous
Appears on: 252v–256
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus iudicium tuum ... Et iusticiam - Ecce advenit dominator
General Note

Bk 21:41 - 41:21

256v Kyrie eleison (fragment) - Anonymous
Appears on: 256v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
General Note

fragment only: opening of Kyrie I, Bas/Sup1/Sup2

257v–260 Missa (5vv): Kyrie eleison - Anonymous
Appears on: 257v–260
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa]
260v–268 Missa (5vv): Et in terra pax [Gloria] - Anonymous
Appears on: 260v–268
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa]
268v–278 Missa (5vv): Patrem omnipotentem [Credo] - Anonymous
Appears on: 268v–278
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa]
278v–284 Missa (5vv): Sanctus - Anonymous
Appears on: 278v–284
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa]
284v–286 Missa (5vv): Agnus Dei - Anonymous
Appears on: 284v–286
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa]
286v–290 Nun kom der heiden heilandt -
Appears on: 286v–290
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Nu kom der heiden heilandt
291v–294 Missa Or combien: Kyrie -
Appears on: 291v–294
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie [Missa super Or conbien]
294v–301 Missa Or combien: Gloria -
Appears on: 294v–301
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria [Missa super Or conbien]
300v–310 Missa Or combien: Credo -
Appears on: 300v–310
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Credo [Missa super Or conbien]
309v–315 Missa Or combien: Sanctus -
Appears on: 309v–315
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus [Missa super Or conbien]
315v–317 Missa Or combien: Agnus Dei -
Appears on: 315v–317
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [Missa super Or conbien]
317v–320 O Jesu Christ Dein nam der ist - Anonymous
Appears on: 317v–320
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: O Jesu Christ dein nam der ist
321 Amen -
Appears on: 321
Genres: Motet
Voice: [no designation]
Languages: Hebrew
Voice Text: Amen
General Note

fragment only: end of Altus/T1/T2

321v–326 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus -
Appears on: 321v–326
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Pastores loquebantur
General Note

RISM 1559^1:67 - Bk 41:18

325v–329 Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt -
Appears on: 325v–329
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et venerunt festinantes [part 2]
General Note

RISM 1559^1:67 - Bk 41:18

329v–333 Das alte Jahr vergangen ist, wir danken dir -
Appears on: 329v–333
Genres: Motet, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Das alte iar vorgangen ist
General Note

Bk 91:3

333v–338 Veni redemptor gentium - 1a pars (of 2): Veni redemptor gentium ostende partum - Anonymous
Appears on: 333v–338
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium
General Note

Bk 41:13

333v–338 Veni redemptor gentium - 2a pars (of 2): Egressus eius a patre - Anonymous
Appears on: 333v–338
Genres: Motet
338v–340 Benedicte domino. Omnes Angeli - Benedic anima mea ... Et omnia - Anonymous
Appears on: 338v–340
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Benedicte domino. Omnes Angeli - Benedic anima mea ... Et omnia
341v–343 Kyrie eleison - Anonymous

Kyrie eleison

Anonymous
Appears on: 341v–343
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie
343v Kyrie eleison (fragment) - Anonymous
Appears on: 343v
Genres: Kyrie eleison, Mass Ordinary
General Note

fragment only: opening of Kyrie I, Bas/Sup only

Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Burck, Joachim à (1546–1610)
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Dressler, Gallus
Figulus, Wolfgang (ca. 1525–1589)
Fine, Arnoldus de
Gastritz, Mathias
Glein, Erasmus de
Lassus, Orlande de (ca. 1532–1594)
Longueval, Antoine de (fl. 1498-1525)
Obrecht, Jacobus (ca. 1457–1505)
Scandello, Antonio
Schroeter, Leonhard
Torgensis, Georg Otto
Venture, Johannes a la (fl. c1500)
Composition Composers (? Uncertain) Folios / Pages
Amen 321
Benedicte domino. Omnes Angeli - Benedic anima mea ... Et omnia Anonymous 338v–340
Castae parentis (6vv) - 1a pars (of 2): Castae parentis viscera 236v–241
Castae parentis (6vv) - 2a pars (of 2): Enixa est puerpera fulget dies quem Gabriel 241v–246
Cum invitatus fueris 41v–46
Das alte Jahr vergangen ist, wir danken dir 329v–333
Dies sanctificatus illuxit nobis venite 246v–252
Dixit Dominus (6vv) - 1a pars (of 2): Dixit Dominus Deus non est bonum 18v–22
Dixit Dominus (6vv) - 2a pars (of 2): Hoc nunc os ex ossibus 22v–28
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 83v–87
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 87v–91
Ecce advenit dominator Dominus et regnum Vs: Deus judicium tuum Et justitiam tuam filio regis (5vv) Anonymous 252v–256
Ego sum ostium 111v–115
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 125v–130
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 130v–135
Justus non conturbabitur - 1a pars (of 2): Justus non conturbabitur 135v–139
Justus non conturbabitur - 2a pars (of 2): Noli aemulari 138v–142
Kyrie eleison Anonymous 341v–343
Kyrie eleison (fragment) Anonymous 256v
Kyrie eleison (fragment) Anonymous 343v
Mirabile mysterium 78v–83
Missa (5vv): Agnus Dei Anonymous 284v–286
Missa (5vv): Et in terra pax [Gloria] Anonymous 260v–268
Missa (5vv): Kyrie eleison Anonymous 257v–260
Missa (5vv): Patrem omnipotentem [Credo] Anonymous 268v–278
Missa (5vv): Sanctus Anonymous 278v–284
Missa O admirabile commercium: Agnus Dei 228v–236
Missa O admirabile commercium: Et in terra pax [Gloria] 190v–200
Missa O admirabile commercium: Kyrie 184v–190
Missa O admirabile commercium: Patrem omnipotentem [Credo] 200v–219
Missa O admirabile commercium: Sanctus 219v–228
Missa Or combien: Agnus Dei 315v–317
Missa Or combien: Credo 300v–310
Missa Or combien: Gloria 294v–301
Missa Or combien: Kyrie 291v–294
Missa Or combien: Sanctus 309v–315
Missa Veni in ortum meum. Patrem omnipotentem [Credo] 57v–67
Missa Veni in ortum meum: Agnus Dei 72v–75
Missa Veni in ortum meum: Et in terra [Gloria] 51v–57
Missa Veni in ortum meum: Kyrie 48v–51
Missa Veni in ortum meum: Sanctus 67v–72
Nun kom der heiden heilandt 286v–290
O Jesu Christ Dein nam der ist Anonymous 317v–320
O rex gloriae - 1a pars (of 2): O rex gloriae Domine (5vv) Anonymous 115v–120
O rex gloriae - 2a pars (of 2): Sic Deus dilexit mundum (6vv) Anonymous 120v–125
Oves meae vocem meam 97v–101
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 1r–6
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 5v–11
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 10v–17
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 321v–326
Pastores loquebantur - 2a pars (of 2): Et venerunt festinantes et invenerunt 325v–329
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum 160v–165
Pater peccavi - 2a pars (of 2): Quanti mercenarii 164v–171
Petite et dabitur - 1a pars (of 2): Petite et dabitur vobis 142v–146
Petite et dabitur - 2a pars (of 2): Quisquis enim petit 145v–150
Resonet in laudibus - 1a pars (of 3): Resonet in laudibus cum jocundis plausibus 172v–175
Resonet in laudibus - 2a pars (of 3): Hodie apparuit in Israël per Mariam 175v–176
Resonet in laudibus - 3a pars (of 3): Magnum nomen Domini Emanuel 176v–180
Si tua divino comittes 36v–41
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto 104v–111
Surrexit pastor bonus qui animam suam II: Ecce crucem Domini fugite partes 155v–158
Tristis est anima mea usque ad mortem 93v–97
Tua est potentia - 1a pars (of 2): Tua est potentia 30v–34
Tua est potentia - 2a pars (of 2): Creator omnium 33v–36
Veni redemptor gentium - 1a pars (of 2): Veni redemptor gentium ostende partum Anonymous 333v–338
Veni redemptor gentium - 2a pars (of 2): Egressus eius a patre Anonymous 333v–338
Vivo ego dicit Dominus nolo mortem 150v–155

denotes primary source study

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: Abb. 20. Notes: facsimile (partial).

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 190,193,215,225,479-80,547. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 199-200. Notes: physical description (partial); contents list; concordances (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 124-6. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).

Kade, Otto. 1857. Die Musikalien der Stadtkirche zu Pirna. Serapeum, 312-28. Pages: 318. Notes: contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description