D-Dl MS Löbau 60

Sächsische Landesbibliothek, Dresden, Germany

Unbound music for, or from, partbooks: c. 1590-1675 (1620-1630?)

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 60
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements c.. 320 x 200 (size varies considerably) mm
Other Identifiers
  • CCM: DresSL Löbau 60
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 16 pieces from 5 composers
General Description

Three bundles of loose sheets containing various voice parts of eight compositions, with no particular order or structure. Although some pieces were copied as groups (the 2 Lohr settings are back to back on 3 successive groups of pages, and the 3 St John Passions & Scandello's Resurrection appear to have been similarly copied as a group), there is no attempt to bring together the parts of each composition, nor to organise the bundles like partbooks. Only three of the eight pieces they contain are complete.

Copied by Christoph Nostwitz, Christian Mauke, and others. The manuscript originated at the Löbau Latin school. It was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2023
Extent

(1) 28pp, (2) 44pp; (3) 70pp

DIAMM, 2023
Physical Description

Many folios are in very poor condition

DIAMM, 2017
Binding

The folios are loose; no covers.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1590-1675 (SteudeMS); 2 broad campaigns of copying, one c1590-1610, another in the first half of the 17th century, suggesting a date c. 1620-1630 for the collation of the bundles.

DIAMM, 2023
Foliation

No original foliation or numbering; only modern pagination.

DIAMM, 2017
Index

A table of contents by Otto Kade (1888) is included in the third volume.

DIAMM, 2023
Surface

paper

DIAMM, 2017
DIAMM Note

Inventory listing in page sequence. The available pagination information leaves a couple of 4-5 page gaps - it is not clear what (if any) additional music the omitted pages contain

DIAMM, 2023
Census Catalogue of Music Description

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4 German Passions (1 monophonic), 3 Latin/German sacred pieces, 1 German sacred piece = 8

(Gesius)-1, Loth-2, (Scandello)-2, (Vulpius)-1, (Walter)-2

Ca. 70 paper folios, ca. 320 x 200 (size varies considerably), containing various voice parts. Many folios are in very poor condition; only three pieces are complete. No original foliation or numbering; modern pagination. The folios are loose; no covers. Copied by Christoph Nostwitz, Christian Mauke, and others.

Ca. 1590-1675 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1:1–6, 12 Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) -
Appears on: 1:1–6, 12
Genres: Passion
Voice: [no designation]
Languages: German
Voice Text: Das leiden unsers herren Jesu Christi wie das der heilige Evangelist JOhannes beschreibet
Layout

Parts are distributed as follows: S - 1:3-6; A - 2:1-4; T - 2:9-12; B- 1:1-2,12; Q - 2:17-18. Additionally the bass solos (only) are at 2:19-26. The Bassus is incomplete, and other solos missing.

Concordances

Also in Grimma 11

1:11, 13–28 Erhebet eure Herzen zu Gott und höret an das leiden (St John passion) -
Appears on: 1:11, 13–28
Genres: Passion
Layout

Parts are distributed as follows: S is missing; A - 1:17-20; T - 1:21-24; B- 1:25-28; Q - 1:11,13-16. Additionally the bass solos (only) are at 2:19-26. As well as the S part, the solos are missing.

General Note

Hdb. d. dt. ev. Km. I, 4, S. 56

2:1–4 Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) -
Appears on: 2:1–4
Genres: Passion
Layout

Parts are distributed as follows: S - 1:3-6; A - 2:1-4; T - 2:9-12; B- 1:1-2,12; Q - 2:17-18. Additionally the bass solos (only) are at 2:19-26. The Bassus is incomplete, and other solos missing.

2:4–6 Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird -
Appears on: 2:4–6
Genres: Passion
Voice: [no designation]
Languages: German
Voice Text: Die aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wirdt
Layout

Parts are distributed as follows: S is missing; A - 2:4-6; T - 2:12-13; B- 2:26-28; Q (=S2) is missing, as well as the solos.

General Note

Hdb. d. dt. ev. Km. I, 4, S. 110 - Also in Grimma 11 & Lobau 63

2:6–8 Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet -
Appears on: 2:6–8
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Das leiden unsers Herren Jesu Christi wie unß Sanct Johannes beschreibet
General Note

Bk 31:4, 6

Layout

Parts of 2 copies are distributed through the 2nd and 3rd bundle as follows. Copy 1 (c.1490-1510): S - 3;36-17; A - 2:6-8, 3:38-39; T - 2:14-16, 3:40-41; B- 2:35-43, 3:42-43. The solos are missing. Copy 2 (c.1600-1650): S - 3:44-49,52-55; A - 3:50-51; T - 3:56-57; B - 3:58-63; solos - 3:64-9. Both copies may be incomplete?

2:9–12 Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) -
Appears on: 2:9–12
Genres: Passion
Layout

Parts are distributed as follows: S - 1:3-6; A - 2:1-4; T - 2:9-12; B- 1:1-2,12; Q - 2:17-18. Additionally the bass solos (only) are at 2:19-26. The Bassus is incomplete, and other solos missing.

2:12–13 Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird -
Appears on: 2:12–13
Genres: Passion
Layout

Parts are distributed as follows: S is missing; A - 2:4-6; T - 2:12-13; B- 2:26-28; Q (=S2) is missing, as well as the solos.

2:14–16 Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet -
Appears on: 2:14–16
Genres: Motet
Layout

Parts of 2 copies are distributed through the 2nd and 3rd bundle as follows. Copy 1 (c.1490-1510): S - 3;36-17; A - 2:6-8, 3:38-39; T - 2:14-16, 3:40-41; B- 2:35-43, 3:42-43. The solos are missing. Copy 2 (c.1600-1650): S - 3:44-49,52-55; A - 3:50-51; T - 3:56-57; B - 3:58-63; solos - 3:64-9. Both copies may be incomplete?

2:17–26 Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) -
Appears on: 2:17–26
Genres: Passion
Layout

Parts are distributed as follows: S - 1:3-6; A - 2:1-4; T - 2:9-12; B- 1:1-2,12; Q - 2:17-18. Additionally the bass solos (only) are at 2:19-26. The Bassus is incomplete, and other solos missing.

2:26–28 Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird -
Appears on: 2:26–28
Genres: Passion
Layout

Parts are distributed as follows: S is missing; A - 2:4-6; T - 2:12-13; B- 2:26-28; Q (=S2) is missing, as well as the solos.

2:35–43 Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet -
Appears on: 2:35–43
Genres: Motet
Layout

Parts of 2 copies are distributed through the 2nd and 3rd bundle as follows. Copy 1 (c.1490-1510): S - 3;36-17; A - 2:6-8, 3:38-39; T - 2:14-16, 3:40-41; B- 2:35-43, 3:42-43. The solos are missing. Copy 2 (c.1600-1650): S - 3:44-49,52-55; A - 3:50-51; T - 3:56-57; B - 3:58-63; solos - 3:64-9. Both copies may be incomplete?

3:1–22 Da Jesus solches geredet hatte (monophonic Passion setting) -
Appears on: 3:1–22
Genres: Passion
Voice: [no designation]
Languages: German
Voice Text: Da Jesus solches geredet hatte
3:23–31 Der heilige Geist hernieder kam -- Spiritus sancti gratia apostolorum -
Appears on: 3:23–31
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus sancti gratia [dt. Text: Der heilige Gesit herniederkam]
Layout

The two Lohr settings were clearly copied together. The parts are distributed as follows: A - 3:23-24 (Spiritus sancti only); T - 3:25-27 (Sit laus 25, then Spiritus sancti 26-27); S - 3:28-30 (Sit laus 28, then Spiritus sancti 29-30); Q - 3:31 (Sit laus only). A for Sit laus is missing from the beginning of this group; and Q for Spiritus sancti, and B for both pieces, from the end of the group.

3:23–31 Sei Lob, Ehr, Preis und Herrlichkeit -- Sit laus honor et gloria -
Appears on: 3:23–31
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: Sit laus honor et gloria [dt. Text: Sey lob ehr preiß]
Layout

The two Lohr settings were clearly copied together. The parts are distributed as follows: A - 3:23-24 (Spiritus sancti only); T - 3:25-27 (Sit laus 25, then Spiritus sancti 26-27); S - 3:28-30 (Sit laus 28, then Spiritus sancti 29-30); Q - 3:31 (Sit laus only). A for Sit laus is missing from the beginning of this group; and Q for Spiritus sancti, and B for both pieces, from the end of the group.

3:32–34 Surrexit Christus hodie dt. Text: Erstanden ist der heilge Christ -
Appears on: 3:32–34
Genres: Motet
Voice: [no designation]
Languages: Latin, German
Voice Text: Surrexit Christus hodie [dt. Text: Erstanden ist der heilge Christ]
General Note

Schöberlein, Musica sacra:47

Layout

Parts are distributed as follows: S - p.32; A is missing; T - p.33; B - p.32a; Q (=T2) - p.34; S2,,A2,B2 are also missing.

3:36–69 Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet -
Appears on: 3:36–69
Genres: Motet
Layout

Parts of 2 copies are distributed through the 2nd and 3rd bundle as follows. Copy 1 (c.1490-1510): S - 3;36-17; A - 2:6-8, 3:38-39; T - 2:14-16, 3:40-41; B- 2:35-43, 3:42-43. The solos are missing. Copy 2 (c.1600-1650): S - 3:44-49,52-55; A - 3:50-51; T - 3:56-57; B - 3:58-63; solos - 3:64-9. Both copies may be incomplete?

Composer Compositions
Gesius, Bartholomäus (ca. 1555–1613)
Loth, Urban
Scandello, Antonio
Vulpius, Melchior (ca. 1570–1615)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Da Jesus solches geredet hatte (monophonic Passion setting) 3:1–22
Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) 1:1–6, 12
Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) 2:1–4
Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) 2:9–12
Das Leiden unsers Herren Jesu Christi, wie das der Heilige Evangelist Johannes beschreibet (Passio secundum Joannem) 2:17–26
Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet 2:6–8
Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet 2:14–16
Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet 2:35–43
Das Leiden unsers Herren Jesu Christi, wie uns Sanct Johannes beschreibet 3:36–69
Der heilige Geist hernieder kam -- Spiritus sancti gratia apostolorum 3:23–31
Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird 2:4–6
Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird 2:12–13
Die Aufferstehung unsers herren Jesu Christi, wie uns die von den vier Evangelisten beschrieben wird 2:26–28
Erhebet eure Herzen zu Gott und höret an das leiden (St John passion) 1:11, 13–28
Sei Lob, Ehr, Preis und Herrlichkeit -- Sit laus honor et gloria 3:23–31
Surrexit Christus hodie dt. Text: Erstanden ist der heilge Christ 3:32–34

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 166. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description