D-Dl MS Löbau 50 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1610-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Löbau 50 [Altus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None / Unknown
Measurements	148 x 192 mm
Other Identifiers	CCM: DresSL Löbau 50
Notations	black void mensural
Relationships	Landesbibliothek (owner) Ratsbibliothek (Town Council Library), Löbau (owner) Latin school (copied at)
External Links	images images of the single leaf from book 6, 7 or 8
External Authorities	RISM Online (sources/211006044)
Provenance	Latin school , Löbau, Bavaria, Germany
Contents	51 pieces from 20 composers

General Description

An Altus partbook from an incomplete set originally of 8 books, each of which consists of the prints RISM F721 and L1298, with manuscript additions. 6 books survive (though with many losses); a single leaf preserved separately appears to come from the 6th, 7th (lost) or 8th book; the last folio of this Altus book similarly appears to belong in 6 or 7. Copied by several scribes. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2023

Physical Description

The books are in poor condition; only the Tenor and Bassus volumes are complete.

DIAMM, 2017

Binding

Tenor rebound in modern brown cardboard covers; Bassus has original covers but folios are loose; folios of other books are loose and are kept in envelopes

DIAMM, 2017

Notation

black void mensural

DIAMM, 2023

Foliation

No foliation. Modern pencil foliation.

DIAMM, 2023

Surface

paper

DIAMM, 2017

DIAMM Note

Steude's Dresden catalogue (1974) states that the Discantus book survives but in very poor condition (hence CCM's "7 paper partbooks"), but the Sächsische Landesbibliothek's catalogue currently states that there are only 6 books (no Discantus).

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections, 5 psalms, 12 motets, 86 German sacred pieces (14 in organ tablature) = 105 + 1 duplicate = 106

(Amon)-1, (Burck)-1, (Demantius)-5, (Dressler)-2, Dulichius-1, Gesius-4, Hammerschmidt-1, (Händl)-3, Hassler-2, C. Hollander-1, Josquin/(Gombert)-1, (Lohr)-1, Massaini-1, Pinello di Ghirardi? [Johannes Baptista]-1, H. Praetorius-1, Quagliati-1, (Raselius)-1, (Alessandro Romano)-1, Schröter-1, Selich-1, Stabile-1, Vierdanck-1, Walliser-1, Weber-1, anon-70

7 paper partbooks, each consisting of the prints RISM F721 and L1298, with manuscript additions (T-103 folios; number of folios in other books not available), 148 x 192. The books are in poor condition; only T and B are complete. No foliation. T rebound in modern brown cardboard covers; B has original covers but folios are loose; folios of other books are loose and are kept in envelopes. Copied by several scribes.

Ca. 1610-60 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
49–50v	An wasserflüssen Babylon da sassen wir	Anon.	Anonymous
An wasserflüssen Babylon da sassen wir Anonymous Appears on: 49–50v Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: An wasserflüssen Babÿlon da sassen wir
51–52	Allein zu dir Herr Jesu Christ mein Hoffnung	Georgius Weber	Weber, Georg (ca. 1540–1599)
Allein zu dir Herr Jesu Christ mein Hoffnung Weber, Georg (ca. 1540–1599) Appears on: 51–52 Genres: Motet Source Attribution: Georgius Weber Voice: [no designation] Languages: German Voice Text: Allein zu dir Herr Jhesu Christ mein hoffnung
52v–53	Wer ist das kindt? Wo ists geborn?	Anon.	Anonymous
Wer ist das kindt? Wo ists geborn? Anonymous Appears on: 52v–53 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wer ist das kindt? Wo ists geborn?
53–53v	Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Anon.	Anonymous
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Anonymous Appears on: 53–53v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes immolant Christiani II: Dic nobis Maria quid vidisti III: Credendum est magis soli Mariae
53v–54	Victimae paschali - 2a pars (of 3): Dic nobis Maria	-	Anonymous
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous Appears on: 53v–54 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2]
54–55	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Anonymous
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous Appears on: 54–55 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3]
55–56	Gaudent in caelis animae sanctorum	Christoph: Thomas Walliser	Walliser, Christoph Thomas (1568–1648)
Gaudent in caelis animae sanctorum Walliser, Christoph Thomas (1568–1648) Appears on: 55–56 Genres: Motet Source Attribution: Christoph: Thomas Walliser Voice: [no designation] Languages: Latin Voice Text: Gaudent in caelis animae sanctorum
56v–57v	Decantabat populus Israel laudem Domino	Pauli Quagliadi [= Quagliati]	Quagliati, Paulo
Decantabat populus Israel laudem Domino Quagliati, Paulo Appears on: 56v–57v Genres: Motet Source Attribution: Pauli Quagliadi [= Quagliati] Voice: [no designation] Languages: Latin Voice Text: Decantabat populus Israel laudem domino
57v–58	Lobet den Herren in seinen heiligthumb	Johannes Baptista [= Pinello di Ghirardi]	Pinello di Ghirardi, Giovanni Battista (?)
Lobet den Herren in seinen heiligthumb Pinello di Ghirardi, Giovanni Battista (?) Appears on: 57v–58 Genres: Motet Source Attribution: Johannes Baptista [= Pinello di Ghirardi] Voice: [no designation] Languages: German Voice Text: Lobet den Herren in seinen heiligthumb
58v–59	Victimae paschali laudes inmolent Christiani	Annibal Stabilis	Stabile, Annibale (ca. 1535–1595)
Victimae paschali laudes inmolent Christiani Stabile, Annibale (ca. 1535–1595) Appears on: 58v–59 Genres: Motet Source Attribution: Annibal Stabilis Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes inmolent Christiani
59–60	Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon)	Josquini de Pres/ [Gombert]	Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 59–60 Genres: Motet Source Attribution: Josquini de Pres/ [Gombert] Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugabat David Absalom pius pater] General Note RISM 1554^10:41. 1a pars only
60–61	Verlass mich nicht Gott in Alter	Leonh: Schröteri [= Schröter]	Schroeter, Leonhard
Verlass mich nicht Gott in Alter Schroeter, Leonhard Appears on: 60–61 Genres: Motet Source Attribution: Leonh: Schröteri [= Schröter] Voice: [no designation] Languages: German Voice Text: Verlass mich nicht Ghott in alter
61–61v	Hymnum cantate nobis de canticis Sion	Tiburtii Massaini	Massaino, Tiburzio
Hymnum cantate nobis de canticis Sion Massaino, Tiburzio Appears on: 61–61v Genres: Motet Source Attribution: Tiburtii Massaini Voice: [no designation] Languages: Latin Voice Text: Hymnum cantate nobis decanticis Sion
62–62v	Exultate justi in Domino rectos decet	Philippi Dulichi [= Dulichius]	Dulichius, Philipp
Exultate justi in Domino rectos decet Dulichius, Philipp Appears on: 62–62v Genres: Motet Source Attribution: Philippi Dulichi [= Dulichius] Voice: [no designation] Languages: Latin Voice Text: Exultate iusti in domino rectos decet
63–63v	Gaudete filiae Jerusalem nam flores (8vv)	Barthol: Gesius	Gesius, Bartholomäus (ca. 1555–1613)
Gaudete filiae Jerusalem nam flores (8vv) Gesius, Bartholomäus (ca. 1555–1613) Appears on: 63–63v Genres: Motet Source Attribution: Barthol: Gesius Voice: [no designation] Languages: Latin Voice Text: Gaudete filiae Hierusalem nam flores
64–64v	Du bist aller dinge schöne meine freunden (8vv)	Anon.	Anonymous
Du bist aller dinge schöne meine freunden (8vv) Anonymous Appears on: 64–64v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Du bist aller dinge schöne meine freunden General Note Also in Mus.Löb.42
64v–65v	Cantate Domino canticum novum (8vv)	[Amon]	Ammon, Blasius (fl. c1440)
Cantate Domino canticum novum (8vv) Ammon, Blasius (fl. c1440) Appears on: 64v–65v Genres: Motet Source Attribution: [Amon] Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum laus eius General Note RISM 1618^1:18
65v–66v	Lieblich und schöne sein ist nichts	[Gesius]	Gesius, Bartholomäus (ca. 1555–1613)
Lieblich und schöne sein ist nichts Gesius, Bartholomäus (ca. 1555–1613) Appears on: 65v–66v Genres: Motet Source Attribution: [Gesius] Voice: [no designation] Languages: German Voice Text: Lieblich und schöne sein ist nichts
66v–67	Lobet den Herren ihr seine engel	Anon.	Anonymous
Lobet den Herren ihr seine engel Anonymous Appears on: 66v–67 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Lobett den Herren ihr seine engel Concordances also in Mus.Löb.53
67v–68	Beati omnes qui timent Dominum qui ambulant (8vv)	Christianus Holander	Hollander, Christian
Beati omnes qui timent Dominum qui ambulant (8vv) Hollander, Christian Appears on: 67v–68 Genres: Motet Source Attribution: Christianus Holander Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent dominum qui ambulant
68v–69	Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es	Anon.	Anonymous
Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es Anonymous Appears on: 68v–69 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Saule Saule quid me persequeris quis es II: Et tremens ac stupens dixit domine
69–69v	Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens	-	Anonymous
Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens Anonymous Appears on: 69–69v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et tremens ac stupens [part 2]
70–71	Exultate Deo adjutori nostro jubilate	Johan: Leon. Hasleri	Hassler, Hans Leo (1564–1612)
Exultate Deo adjutori nostro jubilate Hassler, Hans Leo (1564–1612) Appears on: 70–71 Genres: Motet Source Attribution: Johan: Leon. Hasleri Voice: [no designation] Languages: Latin Voice Text: Exultate deo adiutori nostro iubilate
71v–72v	Der ehlich Stand sein Ursprung hat	Anon.	Anonymous
Der ehlich Stand sein Ursprung hat Anonymous Appears on: 71v–72v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Der ehlich standt sein ursprung hat
72v–73v	Laudate Dominum in sanctis eius laudate	Hieron: Praetor:	Praetorius, Hieronymus (1560–1629)
Laudate Dominum in sanctis eius laudate Praetorius, Hieronymus (1560–1629) Appears on: 72v–73v Genres: Motet Source Attribution: Hieron: Praetor: Voice: [no designation] Languages: Latin Voice Text: Laudate dominum in sanctis eius laudate
74–74v	Cantate Domino canticum novum cantate	Johan: Leo: Has:	Hassler, Hans Leo (1564–1612)
Cantate Domino canticum novum cantate Hassler, Hans Leo (1564–1612) Appears on: 74–74v Genres: Motet Source Attribution: Johan: Leo: Has: Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum cantate
75	[blank staves]	-	-
[blank staves] Appears on: 75
75v–76	Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet	[Dressler]	Dressler, Gallus
Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet Dressler, Gallus Appears on: 75v–76 Genres: Motet Source Attribution: [Dressler] Voice: [no designation] Languages: German Voice Text: Ich weiss das mein erlöser lebet II: Und ich werde dernach mit dieser General Note K. Gerlach, J. v. Berg Erben 1580:21
76–76v	Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser	-	Dressler, Gallus
Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser Dressler, Gallus Appears on: 76–76v Genres: Motet Voice: [no designation] Languages: German Voice Text: Und ich werde danach mit dieser [part 2] General Note K. Gerlach, J. v. Berg Erben 1580:21
77	Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber	Anon.	Dressler, Gallus
Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber Dressler, Gallus Appears on: 77 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Unser keiner lebet ihn selber und unser keiner II: Denn darzu ist Christus auch gestorben
77v	Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben	-	Dressler, Gallus
Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben Dressler, Gallus Appears on: 77v Genres: Motet Voice: [no designation] Languages: German Voice Text: Denn darzu ist Christus [part 2]
78	Hie lieg ich armes würmelein und schlaff	Anon.	Anonymous
Hie lieg ich armes würmelein und schlaff Anonymous Appears on: 78 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Hie lieg ich armes würmelein und schlaff General Note Zahn 2594
78v–79	Herzlich thut mich verlangen	Anon.	Anonymous
Herzlich thut mich verlangen Anonymous Appears on: 78v–79 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Hertzlich thut mich verlangen
79v–80	Zion spricht der Herr hatt mich verlassen	Anon.	Anonymous
Zion spricht der Herr hatt mich verlassen Anonymous Appears on: 79v–80 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Zion spricht der Herr hatt mich verlassen
80–80v	Herzlich lieb hab ich dich O Herr	[Demantius]	Demantius, Christoph
Herzlich lieb hab ich dich O Herr Demantius, Christoph Appears on: 80–80v Genres: Hymn Source Attribution: [Demantius] Voice: [no designation] Languages: German Voice Text: Hertzlich lieb hab ich dich O Herr Concordances printed in RISM A/I D 1542 (no.21). General Note Hoffmann 1620:21
81–81v	Ich bin die aufferstehung und das leben	[Dressler]	Dressler, Gallus
Ich bin die aufferstehung und das leben Dressler, Gallus Appears on: 81–81v Genres: Motet Source Attribution: [Dressler] Voice: [no designation] Languages: German Voice Text: Ich bin die aufferstehung und das leben General Note Kirchner 1570 (XVI Geseng) - Bk 28:59
81v–82	Jesu dir leb ich Jesu dir sterbe ich	Anon.	Anonymous
Jesu dir leb ich Jesu dir sterbe ich Anonymous Appears on: 81v–82 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Jesu dir leb ich Jesu dir sterbe ich
82–83	Herr Gott du bist unser zuflucht	Anon.	Anonymous
Herr Gott du bist unser zuflucht Anonymous Appears on: 82–83 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herr Ghott du bist unser zuflucht
83v	O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt	Ba: Gesii [= Gesius]	Gesius, Bartholomäus (ca. 1555–1613)
O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt Gesius, Bartholomäus (ca. 1555–1613) Appears on: 83v Genres: Motet Source Attribution: Ba: Gesii [= Gesius] Voice: [no designation] Languages: German Voice Text: O wie selig ist der tod dem der verstirbt II: Darumb sollen wir nicht trauren
83v–84	O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen	-	Gesius, Bartholomäus (ca. 1555–1613)
O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen Gesius, Bartholomäus (ca. 1555–1613) Appears on: 83v–84 Genres: Motet Voice: [no designation] Languages: German Voice Text: Darumb wir sollen nicht trawren [part 2] Concordances 2a pars texted "Darum sollen wir nicht trauern" in Mus.Löb.15
84–84v	Habn wir das gut empfangen von dem Herren	Anon.	Anonymous
Habn wir das gut empfangen von dem Herren Anonymous Appears on: 84–84v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Habn wir das gut empfangen von dem Herren General Note Zahn 8649a var.
84v–85	Also hatt Gott die Welt geliebt	Anon.	Anonymous
Also hatt Gott die Welt geliebt Anonymous Appears on: 84v–85 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Also hat Ghott die welt geliebt
85–85v	Justorum animae in manu Dei sunt	Anon.	Anonymous
Justorum animae in manu Dei sunt Anonymous Appears on: 85–85v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Iustorum animae in manu dei sunt
85v–86	Vade populus meus intra in cubilia tua	Anon.	Anonymous
Vade populus meus intra in cubilia tua Anonymous Appears on: 85v–86 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vade populus meus intra in cubilia tua
86v–87	Herr Jesu Christ war mensch und Ghott	Anon.	Anonymous
Herr Jesu Christ war mensch und Ghott Anonymous Appears on: 86v–87 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herr Jesu Christ war mensch und Ghott General Note Zahn 423 var.
87v–88	Was mein Gott wil das gescheh alzeit	Anon.	Anonymous
Was mein Gott wil das gescheh alzeit Anonymous Appears on: 87v–88 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Was mein Gott wil das gescheh alzeit General Note Zahn 7568
88v–89	Wenn mein Stündlein vorhanden ist	Anon.	Anonymous
Wenn mein Stündlein vorhanden ist Anonymous Appears on: 88v–89 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wen mein stündlein vorhanden ist General Note Zahn 4482a var.
89v	Mit fried und freud ich fahr dahin	Anon.	Anonymous
Mit fried und freud ich fahr dahin Anonymous Appears on: 89v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mit fried und freudt ich fahr dahin General Note Zahn 3986 var.
89v	Kein Ding auf Erd mich freuen tut	Anon.	Anonymous
Kein Ding auf Erd mich freuen tut Anonymous Appears on: 89v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Kein ding auff erd mich frewen thut General Note incomplete, only one line from the beginning remains, other pages of the book lost
90–90v	Zion spricht der Herr hat mich verlassen (= Madonna più che mai)	[Alessandro Romano]	Romano, Alessandro (ca. 1533–1592)
Zion spricht der Herr hat mich verlassen (= Madonna più che mai) Romano, Alessandro (ca. 1533–1592) Appears on: 90–90v Genres: Contrafactum, Motet Source Attribution: [Alessandro Romano] Voice: [no designation] Languages: German Voice Text: Zion spricht der Herr hat mich verlassen General Note This page of the book (f. 90rv) comes from book 6 or 7. F. 90 is very faded, but apparently lacks the beginning of the piece which would have been on the previous page; the end of the piece (on 90v) is legible.
90v	Mein trost und hülff ist Gott allein	[Lohr]	Lohr, Michael
Mein trost und hülff ist Gott allein Lohr, Michael Appears on: 90v Genres: Motet Source Attribution: [Lohr] Voice: [no designation] Languages: German Voice Text: Mein trost und hülff ist Gott allein Concordances printed in M. Lohr: Newe Teutzsche Kirchen Gesänge, Freiberg 1629 (RISM A/I L 2760) General Note This page is from either book 6 or 7, not from the Altus book; this piece is incomplete (only the beginning is preserved).

Composer	Compositions
Ammon, Blasius (fl. c1440)	Cantate Domino canticum novum (8vv) – 64v–65v
Anonymous	Also hatt Gott die Welt geliebt – 84v–85 An wasserflüssen Babylon da sassen wir – 49–50v Der ehlich Stand sein Ursprung hat – 71v–72v Du bist aller dinge schöne meine freunden (8vv) – 64–64v Habn wir das gut empfangen von dem Herren – 84–84v Herr Gott du bist unser zuflucht – 82–83 Herr Jesu Christ war mensch und Ghott – 86v–87 Herzlich thut mich verlangen – 78v–79 Hie lieg ich armes würmelein und schlaff – 78 Jesu dir leb ich Jesu dir sterbe ich – 81v–82 Justorum animae in manu Dei sunt – 85–85v Kein Ding auf Erd mich freuen tut – 89v Lobet den Herren ihr seine engel – 66v–67 Mit fried und freud ich fahr dahin – 89v Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es – 68v–69 Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens – 69–69v Vade populus meus intra in cubilia tua – 85v–86 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden – 53–53v Victimae paschali - 2a pars (of 3): Dic nobis Maria – 53v–54 Victimae paschali - 3a pars (of 3): Credendum est magis – 54–55 Was mein Gott wil das gescheh alzeit – 87v–88 Wenn mein Stündlein vorhanden ist – 88v–89 Wer ist das kindt? Wo ists geborn? – 52v–53 Zion spricht der Herr hatt mich verlassen – 79v–80 [No description] – 75
Demantius, Christoph	Herzlich lieb hab ich dich O Herr – 80–80v
Despres, Josquin (ca. 1450–1521)	(?) Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) – 59–60
Dressler, Gallus	Ich bin die aufferstehung und das leben – 81–81v Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet – 75v–76 Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser – 76–76v Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber – 77 Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben – 77v
Dulichius, Philipp	Exultate justi in Domino rectos decet – 62–62v
Gesius, Bartholomäus (ca. 1555–1613)	Gaudete filiae Jerusalem nam flores (8vv) – 63–63v Lieblich und schöne sein ist nichts – 65v–66v O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt – 83v O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen – 83v–84
Gombert, Nicolas (ca. 1495–ca. 1560)	(?) Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) – 59–60
Hassler, Hans Leo (1564–1612)	Cantate Domino canticum novum cantate – 74–74v Exultate Deo adjutori nostro jubilate – 70–71
Hollander, Christian	Beati omnes qui timent Dominum qui ambulant (8vv) – 67v–68
Lohr, Michael	Mein trost und hülff ist Gott allein – 90v
Massaino, Tiburzio	Hymnum cantate nobis de canticis Sion – 61–61v
Pinello di Ghirardi, Giovanni Battista	(?) Lobet den Herren in seinen heiligthumb – 57v–58
Praetorius, Hieronymus (1560–1629)	Laudate Dominum in sanctis eius laudate – 72v–73v
Quagliati, Paulo	Decantabat populus Israel laudem Domino – 56v–57v
Romano, Alessandro (ca. 1533–1592)	Zion spricht der Herr hat mich verlassen (= Madonna più che mai) – 90–90v
Schroeter, Leonhard	Verlass mich nicht Gott in Alter – 60–61
Stabile, Annibale (ca. 1535–1595)	Victimae paschali laudes inmolent Christiani – 58v–59
Walliser, Christoph Thomas (1568–1648)	Gaudent in caelis animae sanctorum – 55–56
Weber, Georg (ca. 1540–1599)	Allein zu dir Herr Jesu Christ mein Hoffnung – 51–52

Composition	Composers (? Uncertain)	Folios / Pages
Allein zu dir Herr Jesu Christ mein Hoffnung	Weber, Georg (ca. 1540–1599)	51–52
Also hatt Gott die Welt geliebt	Anonymous	84v–85
An wasserflüssen Babylon da sassen wir	Anonymous	49–50v
Beati omnes qui timent Dominum qui ambulant (8vv)	Hollander, Christian	67v–68
Cantate Domino canticum novum (8vv)	Ammon, Blasius (fl. c1440)	64v–65v
Cantate Domino canticum novum cantate	Hassler, Hans Leo (1564–1612)	74–74v
Decantabat populus Israel laudem Domino	Quagliati, Paulo	56v–57v
Der ehlich Stand sein Ursprung hat	Anonymous	71v–72v
Du bist aller dinge schöne meine freunden (8vv)	Anonymous	64–64v
Exultate Deo adjutori nostro jubilate	Hassler, Hans Leo (1564–1612)	70–71
Exultate justi in Domino rectos decet	Dulichius, Philipp	62–62v
Gaudent in caelis animae sanctorum	Walliser, Christoph Thomas (1568–1648)	55–56
Gaudete filiae Jerusalem nam flores (8vv)	Gesius, Bartholomäus (ca. 1555–1613)	63–63v
Habn wir das gut empfangen von dem Herren	Anonymous	84–84v
Herr Gott du bist unser zuflucht	Anonymous	82–83
Herr Jesu Christ war mensch und Ghott	Anonymous	86v–87
Herzlich lieb hab ich dich O Herr	Demantius, Christoph	80–80v
Herzlich thut mich verlangen	Anonymous	78v–79
Hie lieg ich armes würmelein und schlaff	Anonymous	78
Hymnum cantate nobis de canticis Sion	Massaino, Tiburzio	61–61v
Ich bin die aufferstehung und das leben	Dressler, Gallus	81–81v
Ich weiss das mein Erlöser lebet - 1a pars (of 2): Ich weiss, dass mein Erlöser lebet	Dressler, Gallus	75v–76
Ich weiss das mein Erlöser lebet - 2a pars (of 2): Und ich werde danach mit dieser	Dressler, Gallus	76–76v
Jesu dir leb ich Jesu dir sterbe ich	Anonymous	81v–82
Justorum animae in manu Dei sunt	Anonymous	85–85v
Kein Ding auf Erd mich freuen tut	Anonymous	89v
Laudate Dominum in sanctis eius laudate	Praetorius, Hieronymus (1560–1629)	72v–73v
Lieblich und schöne sein ist nichts	Gesius, Bartholomäus (ca. 1555–1613)	65v–66v
Lobet den Herren ihr seine engel	Anonymous	66v–67
Lobet den Herren in seinen heiligthumb	Pinello di Ghirardi, Giovanni Battista (?)	57v–58
Mein trost und hülff ist Gott allein	Lohr, Michael	90v
Mit fried und freud ich fahr dahin	Anonymous	89v
O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt	Gesius, Bartholomäus (ca. 1555–1613)	83v
O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen	Gesius, Bartholomäus (ca. 1555–1613)	83v–84
Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es	Anonymous	68v–69
Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens	Anonymous	69–69v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon)	Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	59–60
Unser keiner - 1a pars (of 2): Unser keiner lebet ihm selber	Dressler, Gallus	77
Unser keiner - 2a pars (of 2): Denn dazu ist Christus auch gestorben	Dressler, Gallus	77v
Vade populus meus intra in cubilia tua	Anonymous	85v–86
Verlass mich nicht Gott in Alter	Schroeter, Leonhard	60–61
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Anonymous	53–53v
Victimae paschali - 2a pars (of 3): Dic nobis Maria	Anonymous	53v–54
Victimae paschali - 3a pars (of 3): Credendum est magis	Anonymous	54–55
Victimae paschali laudes inmolent Christiani	Stabile, Annibale (ca. 1535–1595)	58v–59
Was mein Gott wil das gescheh alzeit	Anonymous	87v–88
Wenn mein Stündlein vorhanden ist	Anonymous	88v–89
Wer ist das kindt? Wo ists geborn?	Anonymous	52v–53
Zion spricht der Herr hat mich verlassen (= Madonna più che mai)	Romano, Alessandro (ca. 1533–1592)	90–90v
Zion spricht der Herr hatt mich verlassen	Anonymous	79v–80

Set: MS Löbau 50 (1-7)

Type: Partbooks

No images available

D-Dl MS Löbau 50 (7?)

No images available

D-Dl MS Löbau 50 (8)

No images available

D-Dl MS Löbau 50 [Altus]

No images available

D-Dl MS Löbau 50 [Bassus]

No images available

D-Dl MS Löbau 50 [Quintus]

No images available

D-Dl MS Löbau 50 [Sextus]

No images available

D-Dl MS Löbau 50 [Tenor]

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 141-4. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description