Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM). Brought to Dresden in 1968.
D-Dl Ms Mus. 1/D/505 (Annaberger Chorbuch I)
Sächsische Landesbibliothek, Dresden, Germany
manuscript of polyphony: c. 1530
| Archive | Sächsische Landesbibliothek, Dresden, Germany (D-Dl) |
|---|---|
| Shelfmark | Ms Mus. 1/D/505 (Annaberger Chorbuch I) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 394 x 280 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| External Authorities | |
| Provenance |
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| Contents | Contains 202 compositions, 75 from 17 composers, 127 are anonymous. |
General Description
Physical Description
A total of 34 folios are now missing (following pp. 196, 244, 326, 430, and 472).
Binding
Covers of brown leather over wood, with metal corners, studs, and clasps. Rebound and restored.
Notation
black void mensural
Date
1510-30 (MGG); ca. 1530 (SteudeMS).
Foliation
Modern pagination
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
8 Masses, 3 Kyries, 2 Glorias, 1 Credo, 1 Agnus, 93 Mass Proper sections, 5 Magnificats, 2 Te Deums, 2 psalms, 10 hymns, 1 Pas-sion, 34 motets, 1 German sacred piece, 3 textless pieces = 166
(Adam von Fulda)-1, A. Agricola-1, Brumel-3, Compère-1, (Compère/Josquin)-1, (Finck)-5, Ghiselin [Verboneth]-1, Isaac-7, Josquin-3 + 1?, (Josquin/Ninot le Petit)-1, La Rue/(Obrecht/Longaval/Venture)-1, Martini-2, Obrecht-2 + 2?, Obrecht?/(Isaac)-1, Obrecht?/(Ninot le Petit [Jo. le Petit])-1, Raber [Reuber]-1, (Rener)-1, (Stoltzer)-1, anon-129
315 paper folios, 394 x 280. A total of 34 folios are now missing (following pp. 196, 244, 326, 430, and 472). Modern pagination. Covers of brown leather over wood, with metal corners, studs, and clasps. No index. Rebound and restored.
1510-30 (MGG); ca. 1530 (SteudeMS). Copied for the St. Annenkirche in Annaberg. Brought to Dresden in 1968.
Vol. 4
Composers: Change "(Rener)-1" to "(Obrecht/Rener)-1."
Provenance: Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).
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‡ denotes primary source study
‡ Kindermann, Jürgen (editor). 2017. Annaberger Chorbuch I : Sächsische Landesbibliothek Mus. 1-D-505 (Ms. 1248). Breitkopf & Härtel. Notes: contents list; transcriptions; facsimiles (partial).
Just, Martin. 1983. Zur Examinatio von Varianten. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 129-52. Wiesbaden. Pages: 131-4,146-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Noblitt, Thomas L. 1983. Filiation vis-à-vis its Alternatives: Approaches to Textual Criticism. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 111-27. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 24-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Haar, James. 1976. Some Remarks on the 'Missa La sol fa re mi'. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 564-88. London, New York, and Toronto. Pages: 588. An edition by Jürgen Kindermann is in preparation as Vols. 72-3 of EDMR.
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270 [incorrectly referred to as MS 1126]. Notes: contents list (partial).
Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 30.
Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 27: 86-92. Notes: contents list.
Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 221-33. Notes: physical description (partial); contents list; concordances (partial).
Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 30: 275-310. Notes: physical description; contents list; concordances.
Cavanaugh, Philip Stephen. 1972. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: [incorrectly referred to as MS 1126].
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 122ff. Notes: mention of MS.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxxviii,85-6 [incorrectly referred to as MS 1126].
Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 26: 169-208. Notes: concordances (partial).
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 150 [incorrectly referred to as MS 1126]. Notes: contents list (partial); concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 119. Notes: concordances (partial); incipits (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 32, passim.
Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1: 1-19.
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, viii, xvi, 34-40, 88-93. Notes: concordances (partial); transcription (partial).
Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 6, xxvi, xliii-xlv [incorrectly referred to as MS 1126]. Notes: physical description; facsimile (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV,77.
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: VIII,viiI, fasc. 6, xxvi.xliii-xlv [incorrectly referred to as MS 1126]. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description