D-Dl Ms Mus. 1/D/505 (Annaberger Chorbuch I)

Sächsische Landesbibliothek, Dresden, Germany

manuscript of polyphony: c. 1530

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	Ms Mus. 1/D/505 (Annaberger Chorbuch I)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	394 x 280 mm
Other Identifiers	CCM: DresSL 1/D/505 olim (Former shelfmark): ANNABERG. Bibliothek der St. Annenkirche. D-ABG MS 1248
Notations	black void mensural
Relationships	St. Annenkirche (owner)
External Links	images
External Authorities	RISM Online (sources/211008049)
Provenance	Wittenberg, Bavaria, Germany
Contents	206 pieces from 18 composers

General Description

Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM). Brought to Dresden in 1968.

DIAMM, 2017

Physical Description

A total of 34 folios are now missing (following pp. 196, 244, 326, 430, and 472).

DIAMM, 2017

Binding

Covers of brown leather over wood, with metal corners, studs, and clasps. Rebound and restored.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1510-30 (MGG); ca. 1530 (SteudeMS).

DIAMM, 2017

Foliation

Modern pagination

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8 Masses, 3 Kyries, 2 Glorias, 1 Credo, 1 Agnus, 93 Mass Proper sections, 5 Magnificats, 2 Te Deums, 2 psalms, 10 hymns, 1 Pas-sion, 34 motets, 1 German sacred piece, 3 textless pieces = 166

(Adam von Fulda)-1, A. Agricola-1, Brumel-3, Compère-1, (Compère/Josquin)-1, (Finck)-5, Ghiselin [Verboneth]-1, Isaac-7, Josquin-3 + 1?, (Josquin/Ninot le Petit)-1, La Rue/(Obrecht/Longaval/Venture)-1, Martini-2, Obrecht-2 + 2?, Obrecht?/(Isaac)-1, Obrecht?/(Ninot le Petit [Jo. le Petit])-1, Raber [Reuber]-1, (Rener)-1, (Stoltzer)-1, anon-129

315 paper folios, 394 x 280. A total of 34 folios are now missing (following pp. 196, 244, 326, 430, and 472). Modern pagination. Covers of brown leather over wood, with metal corners, studs, and clasps. No index. Rebound and restored.

1510-30 (MGG); ca. 1530 (SteudeMS). Copied for the St. Annenkirche in Annaberg. Brought to Dresden in 1968.

Vol. 4

Composers: Change "(Rener)-1" to "(Obrecht/Rener)-1."

Provenance: Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est	Anon.	Anonymous
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est Anonymous Appears on: 1 Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est
2–3	Missa N'auray-je jamais: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 2–3 Genres: Agnus Dei, Mass Ordinary
6	[untexted fragment]	Anon.	-
[untexted fragment] - Appears on: 6 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless fragment General Note fragment of a Discantus part
8	Alleluia. Anna mater eximia Abrahae	Anon.	Anonymous
Alleluia. Anna mater eximia Abrahae Anonymous Appears on: 8 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluyia. Anna mater eximia Abrahae
9–11	Missa N'auray-je jamais: Kyrie	[Obrecht?]	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Kyrie Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 9–11 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Obrecht?] Voice: [no designation] Languages: Latin Voice Text: [Missa N'auray-je jamais] (Agnus copied on pp. 2-3)
12–15	Missa N'auray-je jamais: Gloria	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Gloria Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 12–15 Genres: Gloria (et in terra pax), Mass Ordinary
16–20	Missa N'auray-je jamais: Credo	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Credo Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 16–20 Genres: Credo (patrem omnipotentem), Mass Ordinary
21–24	Missa N'auray-je jamais: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505) (?)
Missa N'auray-je jamais: Sanctus Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 21–24 Genres: Mass Ordinary, Sanctus [& Benedictus]
25–27	Missa Plurimorum carminum II: Kyrie	[Obrecht] Plurimorum carminum	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 25–27 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Obrecht] Plurimorum carminum Voice: [no designation] Languages: Latin Voice Text: Missa Plurimorum Carminum
29–31	Missa Plurimorum carminum II: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 29–31 Genres: Gloria (et in terra pax), Mass Ordinary
32–39	Missa Plurimorum carminum II: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 32–39 Concordances This copy contains additional music in Credo, compared to other versions
40–45	Missa Plurimorum carminum II: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 40–45
46–47	Missa L'homme armé 6.1: Kyrie	Leo mermer [=L'homme armé] officium	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Kyrie Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 46–47 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Leo mermer [=L'homme armé] officium Voice: [no designation] Languages: Latin Voice Text: Leo mermer Officium [= Missa L'homme armé] 6.1
48–51	Missa L'homme armé 6.1: Gloria	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Gloria Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 48–51 Genres: Gloria (et in terra pax), Mass Ordinary
52–59	Missa L'homme armé 6.1: Credo	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Credo Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 52–59 Genres: Credo (patrem omnipotentem), Mass Ordinary
60–67	Missa L'homme armé 6.1: Sanctus	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Sanctus Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 60–67 Genres: Mass Ordinary, Sanctus [& Benedictus]
66–69	Missa L'homme armé 6.1: Agnus Dei	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Agnus Dei Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 66–69 Genres: Mass Ordinary
72	Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	-	Anonymous
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis Anonymous Appears on: 72 Genres: Alleluia, Motet Concordances fragment of Discantus only; copied in full on pp. 84-5
74–77	Et in terra pax [Gloria] [fragment]	Anon.	Anonymous
Et in terra pax [Gloria] [fragment] Anonymous Appears on: 74–77 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus [incomplete]
80–81	Protexisti me Deus Vs. Exaudi Deus orationem mean	Anon.	Anonymous
Protexisti me Deus Vs. Exaudi Deus orationem mean Anonymous Appears on: 80–81 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Protexisti me) Deus a conventu malignancium [incomplete, no versus] General Note fragment: D & part of A only No versus (Complete piece in 1/D/506)
84–85	Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	Anon.	Anonymous
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis Anonymous Appears on: 84–85 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Caro mea vere est cibus (Small fragment of D duplicated on p. 72) Concordances small fragment of Discantus on p. 72
86–91	Missa La belle se siet: Kyrie	Verboneth [= Ghiselin]	Ghiselin (Verbonnet), Johannes
Missa La belle se siet: Kyrie Ghiselin (Verbonnet), Johannes Appears on: 86–91 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Verboneth [= Ghiselin] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa La belle se siet] [KGCS]
92–95	Missa La belle se siet: Gloria	-	Ghiselin (Verbonnet), Johannes
Missa La belle se siet: Gloria Ghiselin (Verbonnet), Johannes Appears on: 92–95 Genres: Gloria (et in terra pax), Mass Ordinary
96–99	Missa La belle se siet: Credo	-	Ghiselin (Verbonnet), Johannes
Missa La belle se siet: Credo Ghiselin (Verbonnet), Johannes Appears on: 96–99 Genres: Credo (patrem omnipotentem), Mass Ordinary
98bis–103	Missa La belle se siet: Sanctus	-	Ghiselin (Verbonnet), Johannes
Missa La belle se siet: Sanctus Ghiselin (Verbonnet), Johannes Appears on: 98bis–103 Genres: Mass Ordinary, Sanctus [& Benedictus]
104–105	Alleluia. Gaudete justi in Domino	Anon.	Anonymous
Alleluia. Gaudete justi in Domino Anonymous Appears on: 104–105 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Gaudete iusti in domino
106–107	Missa Sine nomine: Kyrie	Anth. Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Sine nomine: Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 106–107 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anth. Fevin Voice: [no designation] Languages: Latin Voice Text: [Missa Sine nomine]
108–111	Missa Sine nomine: Gloria	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Sine nomine: Gloria Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 108–111 Genres: Gloria (et in terra pax), Mass Ordinary
112–115	Missa Sine nomine: Credo	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Sine nomine: Credo Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 112–115 Genres: Credo (patrem omnipotentem), Mass Ordinary
114–119	Missa Sine nomine: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Sine nomine: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 114–119 Genres: Mass Ordinary, Sanctus [& Benedictus] General Note second text in Pleni: "Bethlehem non es minima"
116–117	Missa Sine nomine: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Sine nomine: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 116–117 Genres: Agnus Dei, Mass Ordinary
120–125	Missa Bon temps reviendra tu jamais: Kyrie	Anthonius Brummel	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 120–125 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anthonius Brummel Voice: [no designation] Languages: Latin Voice Text: [Missa Bon temps]
126–129	Missa Bon temps reviendra tu jamais: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 126–129 Genres: Gloria (et in terra pax), Mass Ordinary
130–135	Missa Bon temps reviendra tu jamais: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 130–135 Genres: Credo (patrem omnipotentem), Mass Ordinary
136–141	Missa Bon temps reviendra tu jamais: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 136–141 Genres: Mass Ordinary, Sanctus [& Benedictus]
142–143	Missa Bon temps reviendra tu jamais: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Bon temps reviendra tu jamais: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 142–143 Genres: Agnus Dei, Mass Ordinary
144–147	Missa La sol fa re mi: Kyrie	Anon.	Anonymous
Missa La sol fa re mi: Kyrie Anonymous Appears on: 144–147 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa La sol fa re mi] [KGC] General Note Credo fragment: runs only as far as "...non erit finis"
146–149	Missa La sol fa re mi: Gloria	-	Anonymous
Missa La sol fa re mi: Gloria Anonymous Appears on: 146–149 Genres: Gloria (et in terra pax), Mass Ordinary
150–153	Missa La sol fa re mi: Credo	-	Anonymous
Missa La sol fa re mi: Credo Anonymous Appears on: 150–153 Genres: Credo (patrem omnipotentem), Mass Ordinary General Note incomplete; to "non erit finis" only
154–155	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anon.	Anonymous
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous Appears on: 154–155 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
156–161	Missa Veci la danse: Credo	[Obrecht/Rener]	Obrecht, Jacobus (ca. 1457–1505) (?) Rener, Adam (ca. 1485–ca. 1520) (?)
Missa Veci la danse: Credo Obrecht, Jacobus (ca. 1457–1505) (?) Rener, Adam (ca. 1485–ca. 1520) (?) Appears on: 156–161 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Obrecht/Rener] Voice: [no designation] Languages: Latin Voice Text: [Missa Veci la danse] [C]
162–163	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 162–163 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
164–165	Alleluia. Ascendit Deus in jubilatione	Anon.	Anonymous
Alleluia. Ascendit Deus in jubilatione Anonymous Appears on: 164–165 Genres: Alleluia, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ascendit deus in iubilacione
164–169	Summi triumphi regis prosequamur laude	Anon.	Anonymous
Summi triumphi regis prosequamur laude Anonymous Appears on: 164–169 Genres: Sequence Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Summi triumphi regis prosequamur laude Concordances even-numbered verses; 8th verse in Mus. MS 3154 differs
168–169	Psallite Domino nostro qui ascendit	Anon.	Anonymous
Psallite Domino nostro qui ascendit Anonymous Appears on: 168–169 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Psallite domino) Qui ascendit super celos
170–171	Alleluia. Emitte spiritum tuum et creabuntur	Anon.	Anonymous
Alleluia. Emitte spiritum tuum et creabuntur Anonymous Appears on: 170–171 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Emitte spiritum tuum
172–173	Alleluia. Veni sancte spiritus reple	Anon.	Anonymous
Alleluia. Veni sancte spiritus reple Anonymous Appears on: 172–173 Genres: Alleluia, Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus reple tuorum
174–179	Sancti spiritus assit nobis gratia	Anon.	Anonymous
Sancti spiritus assit nobis gratia Anonymous Appears on: 174–179 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gracia
180–181	Alleluia. Benedictus es Domine Deus	Anon.	Anonymous
Alleluia. Benedictus es Domine Deus Anonymous Appears on: 180–181 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es dominus deus
182–187	Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt	Anon.	Anonymous
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt Anonymous Appears on: 182–187 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
186–187	Benedicite Deum caeli et coram omnibus	Anon.	Anonymous
Benedicite Deum caeli et coram omnibus Anonymous Appears on: 186–187 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Benedicite) Deum celi et coram omnibus
188–189	Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo adjutori Jubilate deo	Anon.	Anonymous
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo adjutori Jubilate deo Anonymous Appears on: 188–189 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Cibavit eos) Ex adipe frumenti alleluia Vs: (Exultate deo adiutori) Iubilate deo
190–196	Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: 190–196 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Benedicta semper sancta sit trinitas General Note incomplete: last page missing
197	Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum	Anon.	Anonymous
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum Anonymous Appears on: 197 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Nos autem] Gloriari oportet in cruce Vs: [Deus misereatur nostri] Illuminet vultum suum [incomplete] General Note Altus & Tenor only
198–199	Alleluia. Dulce lignum dulces clavos	Anon.	Anonymous
Alleluia. Dulce lignum dulces clavos Anonymous Appears on: 198–199 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. (Dulce lignum) dulces clavos
200–207	Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major	[Brumel]	Brumel, Antoine (ca. 1460–ca. 1513)
Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 200–207 Genres: Motet Source Attribution: [Brumel] Voice: [no designation] Languages: Latin Voice Text: [Lauda Sion salvatorem lauda ducem] Quantum potes tantum aude quia maior Concordances RISM 1503-1 ff. 37v-41; Tschudi no. 122
208–209	Nos autem Gloriari oportet in cruce	Anon.	Anonymous
Nos autem Gloriari oportet in cruce Anonymous Appears on: 208–209 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Nos autem) Gloriari oportet in cruce
208–209	O crux ave spes unica	Brummel	Brumel, Antoine (ca. 1460–ca. 1513)
O crux ave spes unica Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 208–209 Genres: Hymn Source Attribution: Brummel Voice: [no designation] Languages: Latin Voice Text: [Vexilla regis prodeunt fulget crucis] 6 O crux ave spes unica hoc gracioso
210–211	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 210–211 Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Puer natus est nobis) Et filius datus est Vs: (Cantate domino) Quia mirabilia fecit
212–213	Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus	Anon.	Anonymous
Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus Anonymous Appears on: 212–213 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
214–217	Natus ante saecula Dei filius Per quem fit machina caeli et terre	Anon.	Anonymous
Natus ante saecula Dei filius Per quem fit machina caeli et terre Anonymous Appears on: 214–217 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Natus ante saecula dei filius] Per quem fit machina celi et terre
216–217	Viderunt Omnes fines terre salutare	Anon.	Anonymous
Viderunt Omnes fines terre salutare Anonymous Appears on: 216–217 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Viderunt) Omnes fines terre salutare
218–219	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anon.	Anonymous
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri Anonymous Appears on: 218–219 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Suscepimus deus misericordiam tuam Vs: (Magnus dominus) In civitate dei
220–221	Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Anon.	Anonymous
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Anonymous Appears on: 220–221 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
222–223	Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anon.	Anonymous
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 222–223 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes imolent Christiani
224–225	In medio ecclesiae apperuit os eius Vs: Bonum est confiteri Domino et psallere	Fingk [= Finck]	Finck, Heinrich
In medio ecclesiae apperuit os eius Vs: Bonum est confiteri Domino et psallere Finck, Heinrich Appears on: 224–225 Genres: Motet Source Attribution: Fingk [= Finck] Voice: [no designation] Languages: Latin Voice Text: In medio ecclesie apperuit os eius Vs: Bonum est confiteri domino et psallere
226–227	Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio	Anon.	Anonymous
Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio Anonymous Appears on: 226–227 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Exclamaverunt) Ad te domine in tempore Vs: (Exultate iusti) Rectos decet collaudacio
228–229	Alleluia. Protege pastor bone	Anon.	Anonymous
Alleluia. Protege pastor bone Anonymous Appears on: 228–229 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Protege pastor bone
230–231	Alleluia. Ave veri Salomonis ferculum	Anon.	Anonymous
Alleluia. Ave veri Salomonis ferculum Anonymous Appears on: 230–231 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ave veri Salomonis ferculum
230–233	Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas	Anon.	Anonymous
Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas Anonymous Appears on: 230–233 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Ave verbi dei parens virginum humilitas] Ave omni nevo carens humilis virginitas
234–237	Sancti Baptistae Christi praeconis Solemnia celebrantes moribus ipsum	Anon.	Anonymous
Sancti Baptistae Christi praeconis Solemnia celebrantes moribus ipsum Anonymous Appears on: 234–237 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sancti Baptistae Christi praeconis] Solemnia celebrantes moribus ipsum
238–239	Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit	W. Reuber	Reuber, W.
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit Reuber, W. Appears on: 238–239 Genres: Motet Source Attribution: W. Reuber Voice: [no designation] Languages: Latin Voice Text: (Terribilis est) Locus iste hic domus dei Vs: (Quam dilecta tabernacula) Concupiscit
240–241	Alleluia. Vox exultationis et salutis	Anon.	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 240–241 Genres: Alleluia, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exultacionis et salutis
242–244	Psallat ecclesia mater illibata et virgo	Anon.	Anonymous
Psallat ecclesia mater illibata et virgo Anonymous Appears on: 242–244 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Psallat ecclesia mater illibata et virgo [incomplete]
245–251	Luce lucens in aeterna lucis ductrix Felix Anna de caverna lati transfer	Anon.	Anonymous
Luce lucens in aeterna lucis ductrix Felix Anna de caverna lati transfer Anonymous Appears on: 245–251 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Luce lucens in aeterna lucis ductrix] Felix Anna de caverna lati transfer
252–253	Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque	Anon.	Anonymous
Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque Anonymous Appears on: 252–253 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Os iusti) [Meditabitur sapientiam et lingua] Vs: (Noli emulari in malignantibus) [Neque zelaveris]
254–255	Alleluia. Juravit Dominus et non penitebit	Anon.	Anonymous
Alleluia. Juravit Dominus et non penitebit Anonymous Appears on: 254–255 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Juravit dominus et non penitebit [incomplete]
256–258	Dilectus deo et hominibus et erit angelicus Verbum vite lingua eius et qui dilexerit	Anon.	Anonymous
Dilectus deo et hominibus et erit angelicus Verbum vite lingua eius et qui dilexerit Anonymous Appears on: 256–258 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Dilectus deo et hominibus et erit angelicus] Verbum vite lingua eius et qui dilexerit
259–261	Verbum bonum et suave personemus illud ave Per quod ave salutata mox concepit	Anon.	Anonymous
Verbum bonum et suave personemus illud ave Per quod ave salutata mox concepit Anonymous Appears on: 259–261 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Verbum bonum et suave personemus illud ave] Per quod ave salutata mox concepit
262–263	Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate	Anon.	Anonymous
Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate Anonymous Appears on: 262–263 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Confessio) Et pulchritudo in conspectu eius Vs: (Cantate domino canticum novum) Cantate
264–271	Concentu parili hic de Maria veneranda	Anon.	Anonymous
Concentu parili hic de Maria veneranda Anonymous Appears on: 264–271 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Concentu parili hic de Maria veneranda
272–273	Responsum Accepit Simeon a spiritu sancto	Anon.	Anonymous
Responsum Accepit Simeon a spiritu sancto Anonymous Appears on: 272–273 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Responsum) Accepit Symeon a spiritu sancto
274–275	Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti	Anon.	Anonymous
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti Anonymous Appears on: 274–275 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti
276–277	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: 276–277 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson
278–281	[Gloria] Laudamus te benedicimus te	Anon.	Anonymous
[Gloria] Laudamus te benedicimus te Anonymous Appears on: 278–281 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Laudamus te benedicimus te
280–281	Haec dies quam fecit Dominus exultemus	Anon.	Anonymous
Haec dies quam fecit Dominus exultemus Anonymous Appears on: 280–281 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hec dies quam fecit dominus exultemus
282–283	Alleluia. Pascha nostrum immolatus est	Anon.	Anonymous
Alleluia. Pascha nostrum immolatus est Anonymous Appears on: 282–283 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
284–285	Protexisti me Deus A conventu malignancium Vs: Exaudi Deus oracionem meam A timore	Anon.	Anonymous
Protexisti me Deus A conventu malignancium Vs: Exaudi Deus oracionem meam A timore Anonymous Appears on: 284–285 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Protexisti me deus) A conventu malignancium Vs: (Exaudi deus oracionem meam) A timore
286–289	Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	Anon.	Anonymous
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo Anonymous Appears on: 286–289 Genres: Sequence Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sanctae Annae devotus decantet chorus] Cuius partus salutem produxit mundo
290–291	Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate	Anon.	Anonymous
Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate Anonymous Appears on: 290–291 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Confessio) Et pulchritudo in conspectu eius Vs: (Cantate domino canticum novum) Cantate
292–293	Salve Sancta parens enixa puerpera regem Vs: Senciant omnes Quicumque celebrant	Anon.	Anonymous
Salve Sancta parens enixa puerpera regem Vs: Senciant omnes Quicumque celebrant Anonymous Appears on: 292–293 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Salve) Sancta parens enixa puerpera regem Vs: (Senciant omnes) Quicumque celebrant
294–295	Alleluia. Sancta Dei genitrix virgo	Anon.	Anonymous
Alleluia. Sancta Dei genitrix virgo Anonymous Appears on: 294–295 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Sancta dei genitrix virgo
296–297	Gaudeamus omnes in Domino diem festum Vs: Exultate justi Rectos decet collaudacio	Anon.	Anonymous
Gaudeamus omnes in Domino diem festum Vs: Exultate justi Rectos decet collaudacio Anonymous Appears on: 296–297 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Gaudeamus) Omnes in domino diem festum Vs: (Exultate iusti) Rectos decet collaudacio
298–299	Alleluia. Vox exultationis et salutis	Anon.	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 298–299 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exultacionis et salutis
298–303	Omnes sancti seraphim cherubim throni Archangeli angeli vos decet laus et honores	Anon.	Anonymous
Omnes sancti seraphim cherubim throni Archangeli angeli vos decet laus et honores Anonymous Appears on: 298–303 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Omnes sancti seraphim cherubim throni] Archangeli angeli vos decet laus et honores
304–305	Alleluia. Qui creavit omnia caelum	Anon.	Anonymous
Alleluia. Qui creavit omnia caelum Anonymous Appears on: 304–305 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Qui creavit omnia celum
304–309	[Sanctissimae virginis] Venerantes hanc diem (also texted [Sanctae Annae Devotus] Cuius partus salutem)	Anon.	Anonymous
[Sanctissimae virginis] Venerantes hanc diem (also texted [Sanctae Annae Devotus] Cuius partus salutem) Anonymous Appears on: 304–309 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sanctissimae virginis votiva festa] Venerantes hanc diem preclaram omnes
310–311	Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anon.	Anonymous
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous Appears on: 310–311 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Rorate) Celi desuper et nubes pluant Vs: (Celi enarrant gloriam) Et opera manuum
312–315	Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua Domine	Anon.	Anonymous
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua Domine Anonymous Appears on: 312–315 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Terribilis est locus iste hic domus dei Vs: Quam dilecta tabernacula tua domine
314–317	Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur	Anon.	Anonymous
Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur Anonymous Appears on: 314–317 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Psallat ecclesia mater illibata et virgo] Hec domus aule celestis probatur
318–319	Michi autem nimis honorati sunt amici tui Vs: Domine probasti me et cognovisti me	Anon.	Anonymous
Michi autem nimis honorati sunt amici tui Vs: Domine probasti me et cognovisti me Anonymous Appears on: 318–319 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Michi autem nimis honorati sunt amici tui Vs: Domine probasti me et cognovisti me
320–321	Alleluia. Vox exultationis et salutis	Anon.	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 320–321 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exultacionis et salutis
324–325	Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis	Anon.	Anonymous
Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis Anonymous Appears on: 324–325 Genres: Mass Ordinary, Troped Kyrie Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Fons bonitatis
326	Alleluia. Vox exultationis et salutis	Anon.	Anonymous
Alleluia. Vox exultationis et salutis Anonymous Appears on: 326 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vox exultacionis et salutis [incomplete]
326	Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur	Anon.	Anonymous
Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur Anonymous Appears on: 326 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Psallat ecclesia mater illibata et virgo] Hec domus aule celestis probatur [incomplete]
327	Alleluia. Dilexit Andream Dominus in odorem	Anon.	Anonymous
Alleluia. Dilexit Andream Dominus in odorem Anonymous Appears on: 327 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dilexit Andream dominus in odorem [incomplete]
327–329	Deus in tua virtute sanctus Andreas	Anon.	Anonymous
Deus in tua virtute sanctus Andreas Anonymous Appears on: 327–329 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deus in tua virtute [sanctus Andreas] [incomplete]
330–331	Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao]	Anon.	Anonymous
Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] Anonymous Appears on: 330–331 Genres: Alleluia, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Tumba Sancti Nicolai
330–333	[Sancte Dei pontifex] Sanctus ab infantia	Anon.	Anonymous
[Sancte Dei pontifex] Sanctus ab infantia Anonymous Appears on: 330–333 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Sancte dei pontifex sis reorum opifex] Sanctus ab infancia refulsisti gracia
334–335	Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis]	Anon.	Anonymous
Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis] Anonymous Appears on: 334–335 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Post partum virgo inviolata
336–337	Mittit ad virginem -Vs. Fortem expediat	Anon.	Anonymous
Mittit ad virginem -Vs. Fortem expediat Anonymous Appears on: 336–337 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Mittit ad virginem non quemvis angelum] Fortem expediat pro nobis nunctium
338–343	Concentu parili hic te Maria veneratur Generosi Abrahe tu filia veneranda regia	Anon.	Anonymous
Concentu parili hic te Maria veneratur Generosi Abrahe tu filia veneranda regia Anonymous Appears on: 338–343 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Concentu parili hic te Maria veneratur] Generosi Abrahe tu filia veneranda regia
344–345	Audi filia Vultum tuum deprecabuntur omnes	Anon.	Anonymous
Audi filia Vultum tuum deprecabuntur omnes Anonymous Appears on: 344–345 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Audi filia) Vultum tuum deprecabuntur omnes
346–347	[Laudate Dominum] Quoniam confirmata est	Anon.	Anonymous
[Laudate Dominum] Quoniam confirmata est Anonymous Appears on: 346–347 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Laudate dominum) Quoniam confirmata est
348–349	Qui seminant Euntes ibant et flebant	Anon.	Anonymous
Qui seminant Euntes ibant et flebant Anonymous Appears on: 348–349 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Qui seminant) Euntes ibant et flebant
348–351	Gens fidelis iocundetur in hac die Idolorum nam cultores Christo reddit	Anon.	Anonymous
Gens fidelis iocundetur in hac die Idolorum nam cultores Christo reddit Anonymous Appears on: 348–351 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gens fidelis iocundetur in hac die] Idolorum nam cultores Christo reddit
352–353	Alleluia. Specie tua et pulchritudine tua	Anon.	Anonymous
Alleluia. Specie tua et pulchritudine tua Anonymous Appears on: 352–353 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Specie tua et pulchritu[dine tua]
354–357	Kyrie Angelicum: Kyrie eleison	Anon.	Anonymous
Kyrie Angelicum: Kyrie eleison Anonymous Appears on: 354–357 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Angelicum: Kyrie eleyson
358–359	Alleluia. Ave stillans melle alvearium	Anon.	Anonymous
Alleluia. Ave stillans melle alvearium Anonymous Appears on: 358–359 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ave stillans melle alvearium
360–363	Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas	Anon.	Anonymous
Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas Anonymous Appears on: 360–363 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Ave verbi dei parens virginum humilitas] Ave omni nevo carens humilis virginitas
362–363	Signa eos Qui in me credent	Anon.	Anonymous
Signa eos Qui in me credent Anonymous Appears on: 362–363 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Signa eos) Qui in me credent
364–365	Alleluia. Assumpta est Maria	Anon.	Anonymous
Alleluia. Assumpta est Maria Anonymous Appears on: 364–365 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Assumpta est Maria in celum
366–369	Congaudent angelorum chori gloriosae Que sine virili commixtione genuit	Anon.	Anonymous
Congaudent angelorum chori gloriosae Que sine virili commixtione genuit Anonymous Appears on: 366–369 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Congaudent angelorum chori gloriosae] Que sine virili commixtione genuit
370–371	Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera	Anon.	Anonymous
Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera Anonymous Appears on: 370–371 Genres: Introit Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Dilexisti) Iusticiam et odisti iniquitatem Vs: (Eructavit cor meum) Dico ego opera
372–373	Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum	[Josquin]	Despres, Josquin (ca. 1450–1521)
Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum Despres, Josquin (ca. 1450–1521) Appears on: 372–373 Genres: BVM, Motet, Salve Regina Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie vita dulcedo 25.4
374–377	Vidi aquam egredientem de templo	Anon.	Anonymous
Vidi aquam egredientem de templo Anonymous Appears on: 374–377 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vidi aquam egredientem de templo
376–379	Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia	Anon.	Anonymous
Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia Anonymous Appears on: 376–379 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gracia
380–381	Ps. 112: Laudate pueri Dominum Sit nomen Domini benedictum	Anon.	Anonymous
Ps. 112: Laudate pueri Dominum Sit nomen Domini benedictum Anonymous Appears on: 380–381 Genres: Motet, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 112: [Laudate pueri dominum] Sit nomen domini benedictum
382–389	Ps. 113: In exitu Israel de Aegypto Facta est Judea sanctificacio eius	Anon.	Anonymous
Ps. 113: In exitu Israel de Aegypto Facta est Judea sanctificacio eius Anonymous Appears on: 382–389 Genres: Motet, Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 113: [In exitu Israel de Aegypto] Facta est Iudea sanctificacio eius
390–391	Nunc scio vere quia misit Vs. Domine probasti me	Anon.	Anonymous
Nunc scio vere quia misit Vs. Domine probasti me Anonymous Appears on: 390–391 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Nunc scio vere) Quia misit dominus angelum Vs: (Domine probasti me) Tu cognovisti
392–393	Stirpe Maria regia procreata regem Laude digna angelorum sanctorum	Anon.	Anonymous
Stirpe Maria regia procreata regem Laude digna angelorum sanctorum Anonymous Appears on: 392–393 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Stirpe Maria regia procreata regem] Laude digna angelorum sanctorum
394–395	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Petrus de La Rue/ [Longaval/Obrecht/ Venture]	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Appears on: 394–395 Genres: Liturgical work, Motet, Passion Source Attribution: Petrus de La Rue/ [Longaval/Obrecht/ Venture] Voice: [no designation] Languages: Latin Voice Text: Passio domini nostri Jhesu Christi secundum Matheum II: Apprehendit ergo eum Pilatus III: Orabat autem Jhesu pro crucifigentibus
396–397	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 396–397 Genres: Passion
398–399	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Appears on: 398–399 Genres: Motet
400–405	Magnificat Sexti Toni: Et exultavit spiritus meus [K.320]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.320] Anonymous Appears on: 400–405 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
406–407	Ecce concipies et paries filium et vocabis	Anon.	Anonymous
Ecce concipies et paries filium et vocabis Anonymous Appears on: 406–407 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce concipies et paries filium et vocabis
408–409	Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	[Josquin/Ninot le Petit]	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 408–409 Genres: Motet Source Attribution: [Josquin/Ninot le Petit] Voice: [no designation] Languages: Latin Voice Text: Planxit autem David planctu huiuscemodi 14.9 II: Montes Gelboe nec ros nec pluvia III: Sagitta Jonathe nunquam rediit IV: Doleo super te frater mi Jonatha
410–411	Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	-	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 410–411 Genres: Motet
412–413	Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	-	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 412–413 Genres: Motet
414–415	Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	-	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 414–415 Genres: Motet
416–417	Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	[Josquin]	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi Despres, Josquin (ca. 1450–1521) Appears on: 416–417 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Liber generacionis Jhesu Christi filii 19.13 II: Salomon autem genuit Roboam III: Et post transmigracionem Babilonis
418–419	Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam Despres, Josquin (ca. 1450–1521) Appears on: 418–419 Genres: Motet
420–421	Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	-	Despres, Josquin (ca. 1450–1521)
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis Despres, Josquin (ca. 1450–1521) Appears on: 420–421 Genres: Motet
422–423	Veni sancte spiritus reple tuorum corda	Anon.	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 422–423 Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Veni sancte spiritus) Reple tuorum corda
424–427	Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli)	Anon.	Anonymous
Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Anonymous Appears on: 424–427 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Apparuerunt appostolis dispertite lingue II: Seditque supra singulos eorum III: Loquebantur variis linguis appostoli
428–429	Stabant juxta crucem Jesu mater eius Vs: Mulier ecce filius tuus ad discipulum	[Finck]	Finck, Heinrich
Stabant juxta crucem Jesu mater eius Vs: Mulier ecce filius tuus ad discipulum Finck, Heinrich Appears on: 428–429 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Stabant iuxta crucem Jesu mater eius Vs: Mulier ecce filius tuus ad discipulum
430	Dilectus meus misit manum suam	Anon.	Anonymous
Dilectus meus misit manum suam Anonymous Appears on: 430 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dilectus meus misit manum suam [incomplete]
431–435	Salve regina - 1a pars (of 5): Salve regina misercicordiae	[Martini]	Martini, Johannes (ca. 1430–1497)
Salve regina - 1a pars (of 5): Salve regina misercicordiae Martini, Johannes (ca. 1430–1497) Appears on: 431–435 Genres: Motet, Salve Regina Source Attribution: [Martini] Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordiae] ... Advocata nostra [incomplete] General Note incomplete: A&T from 'Advocata nostra', all voices from 'Benedictum fructum'
431–435	Salve regina - 2a pars (of 5): O crux ave	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 2a pars (of 5): O crux ave Martini, Johannes (ca. 1430–1497) Appears on: 431–435 Genres: Motet, Salve Regina
431–435	Salve regina - 3a pars (of 5): Vos amici	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 3a pars (of 5): Vos amici Martini, Johannes (ca. 1430–1497) Appears on: 431–435 Genres: Motet, Salve Regina
431–435	Salve regina - 4a pars (of 5): Gloria laus et honor	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 4a pars (of 5): Gloria laus et honor Martini, Johannes (ca. 1430–1497) Appears on: 431–435 Genres: Motet, Salve Regina
431–435	Salve regina - 5a pars (of 5): Da tuis fidelibus	-	Martini, Johannes (ca. 1430–1497)
Salve regina - 5a pars (of 5): Da tuis fidelibus Martini, Johannes (ca. 1430–1497) Appears on: 431–435 Genres: Motet, Salve Regina
434–435	Da pacem Domine in diebus nostris	Johannes Martini	Martini, Johannes (ca. 1430–1497)
Da pacem Domine in diebus nostris Martini, Johannes (ca. 1430–1497) Appears on: 434–435 Genres: Motet Source Attribution: Johannes Martini Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
436–445	Salve regina (II) [10 partes]	H. Isack	Isaac, Heinrich (ca. 1450–1517)
Salve regina (II) [10 partes] Isaac, Heinrich (ca. 1450–1517) Appears on: 436–445 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: H. Isack Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie vita dulcedo II: Ad te clamamus exules fili Eve III: Eya ergo advocata nostra illos
446–449	Gloria laus Et honor tibi sit rex Christe	[Finck]	Finck, Heinrich
Gloria laus Et honor tibi sit rex Christe Finck, Heinrich Appears on: 446–449 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: (Gloria laus) Et honor tibi sit rex Christe
450–453	Salve regina mater misericordiae	Anon.	Anonymous
Salve regina mater misericordiae Anonymous Appears on: 450–453 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordiae] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Ihesum benedictum fructum ventris
452–453	Da pacem Domine In diebus nostris	Anon.	Anonymous
Da pacem Domine In diebus nostris Anonymous Appears on: 452–453 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Da pacem domine) In diebus nostris
454–455	Scimus quoniam diligentibus Deum / Per omnia saecula saeculorum 20.12	Josquin	Despres, Josquin (ca. 1450–1521) (?)
Scimus quoniam diligentibus Deum / Per omnia saecula saeculorum 20.12 Despres, Josquin (ca. 1450–1521) (?) Appears on: 454–455 Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Scimus quoniam diligentibus deum/Per omnia secula seculorum 20.12
456–457	Ecce concipies et paries filium et vocabis	Anon.	Anonymous
Ecce concipies et paries filium et vocabis Anonymous Appears on: 456–457 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce concipies et paries filium et vocabis
458–459	Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Ja. Obrecht/[Ninot le Petit]	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 458–459 Genres: Motet Source Attribution: Ja. Obrecht/[Ninot le Petit] Voice: [no designation] Languages: Latin Voice Text: Si oblitus fuero tui Jerusalem alleluia II: Decantabat populus in Jherusalem
460–461	Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	-	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?) Appears on: 460–461 Genres: Motet
462–463	In diebus illis Petrus et Johannes	Anon.	Anonymous
In diebus illis Petrus et Johannes Anonymous Appears on: 462–463 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In diebus illis Petrus et Johannes
464–465	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater Isaac, Heinrich (ca. 1450–1517) Appears on: 464–465 Genres: Alma redemptoris mater, BVM, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alma redemptoris mater que pervia celi II: Tu que genuisti natura mirante
466–467	Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	-	Isaac, Heinrich (ca. 1450–1517)
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante Isaac, Heinrich (ca. 1450–1517) Appears on: 466–467 Genres: Alma redemptoris mater, BVM, Motet
468–469	In illo tempore dixit Jesus Petro	Anon.	Anonymous
In illo tempore dixit Jesus Petro Anonymous Appears on: 468–469 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In illo tempore dixit Jhesus Petro
470–471	In pace in idipsum dormiam et requiescam 17.5	[Josquin]	Despres, Josquin (ca. 1450–1521)
In pace in idipsum dormiam et requiescam 17.5 Despres, Josquin (ca. 1450–1521) Appears on: 470–471 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum dormiam et requiescam 17.5
472	In Gottes namen fahren wiyr und seinen Gnad	Anon.	Anonymous
In Gottes namen fahren wiyr und seinen Gnad Anonymous Appears on: 472 Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: In Gotes namen faren wyr und seynen genadt [incomplete]
473–475	Diffinivit Katholica ecclesia sancta	Anon.	Anonymous
Diffinivit Katholica ecclesia sancta Anonymous Appears on: 473–475 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Diffinivit Katholica ecclesia sancta [incomplete]
476–481	Super salutem et omnem pulchritudinem dilecta II: Gaudent chori angelorum confortes III: Paradisi porta per Evam cunctis clausa	Anon.	Anonymous
Super salutem et omnem pulchritudinem dilecta II: Gaudent chori angelorum confortes III: Paradisi porta per Evam cunctis clausa Anonymous Appears on: 476–481 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Super salutem et omnem pulchritudinem dilecta II: Gaudent chori angelorum confortes III: Paradisi porta per Evam cunctis clausa
480–485	Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini	Obrecht/[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 480–485 Genres: Motet Source Attribution: Obrecht/[Isaac] Voice: [no designation] Languages: Latin Voice Text: Judea et Jherusalem nolite timere II: Cras egrediemini et dominus erit III: Constantes estote videbitis auxilium
486–489	Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigeniti III: In principio erat verbum et verbum	Anon.	Anonymous
Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigeniti III: In principio erat verbum et verbum Anonymous Appears on: 486–489 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigeniti III: In principio erat verbum et verbum
490–493	Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium	Anon.	Anonymous
Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium Anonymous Appears on: 490–493 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Discubuit Jhesus et discipuli eius cum eo II: Et accepto pane gracias agens III: Fecit Asuerus grande convivium
494–499	Homo quidam fecit caenam magnam et misit II: Venite comedite panem meum et bibite III: Quia parata sunt omnibus firmiter	Anon.	Anonymous
Homo quidam fecit caenam magnam et misit II: Venite comedite panem meum et bibite III: Quia parata sunt omnibus firmiter Anonymous Appears on: 494–499 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Homo quidam fecit cenam magnam et misit II: Venite comedite panem meum et bibite III: Quia parata sunt omnibus firmiter
500–504	Te Deum laudamus Te aeternum patrem omnis [K.533]	Anon.	Anonymous
Te Deum laudamus Te aeternum patrem omnis [K.533] Anonymous Appears on: 500–504 Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te eternum patrem omnis
505	[Gaudeamus] Exaltata es sancta Dei genitrix Super choros angelorum	Anon.	Anonymous
[Gaudeamus] Exaltata es sancta Dei genitrix Super choros angelorum Anonymous Appears on: 505 Genres: Introit, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Exaltata es sancta dei genitrix) Super choros angelorum [= alternate versus for Introit on pp. 506-507]
505	Exsultate iusti in Domino: Rectos decet collaudatio	Anon.	Anonymous
Exsultate iusti in Domino: Rectos decet collaudatio Anonymous Appears on: 505 Genres: Introit, Verse Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: ([Exultate iusti in domino]) Rectos decet collaudacio [= alternate versus for Introit on pp. 506-507]
506–507	Gaudeamus omnes in Domino	Anon.	Anonymous
Gaudeamus omnes in Domino Anonymous Appears on: 506–507 Genres: Introit, Proper Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Gaudeamus) Omnes in domino diem festum Vs: (Eructavit cor meum) Dico ego opera
508–509	Alleluia. Concepcio gloriose virginis Marie	Anon.	Anonymous
Alleluia. Concepcio gloriose virginis Marie Anonymous Appears on: 508–509 Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Concepcio gloriose virginis Marie
510–513	Stabat mater dolorosa juxta crucem lachrimosa	Anon.	Anonymous
Stabat mater dolorosa juxta crucem lachrimosa Anonymous Appears on: 510–513 Genres: Motet, Stabat Mater Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Stabat mater dolorosa iuxta crucem lachrimosa
514–521	Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis Isaac, Heinrich (ca. 1450–1517) Appears on: 514–521 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Sancti spiritus assit nobis gracia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii iustis cedat emulus armis
522–523	Jesus Christus nostra salus quod reclamat	[Finck]	Finck, Heinrich
Jesus Christus nostra salus quod reclamat Finck, Heinrich Appears on: 522–523 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Jhesus Christus nostra salus quod reclamat 2 O quam sanctus panis iste tu solus 3 Hoc donum suavitatis charitasque 4 Ave deitatis forma ave unionis norma 5 Non est panis sed est deus homo 6 Non augetur consecratus nec consumptus 7 Esca digna angelorum pietatis lux 8 Salutare medicamen peccatorum
524–527	Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	[Finck]	Finck, Heinrich (?)
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) Finck, Heinrich (?) Appears on: 524–527 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa filie Jherusalem II: Nolite considerare quod fusca sim
528–531	Recordare virgo mater dum steteris II: Ab hac familia tu propicia	Anon.	Anonymous
Recordare virgo mater dum steteris II: Ab hac familia tu propicia Anonymous Appears on: 528–531 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Recordare virgo mater dum steteris II: Ab hac familia tu propicia
532–533	Nigra sum sed formosa filie Jerusalem	Anon.	Anonymous
Nigra sum sed formosa filie Jerusalem Anonymous Appears on: 532–533 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa filie Jherusalem
534–539	Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina]	Allexander Agricola	Agricola, Alexander (ca. 1445–1506)
Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina] Agricola, Alexander (ca. 1445–1506) Appears on: 534–539 Genres: Marian antiphon, Motet, Salve Regina Source Attribution: Allexander Agricola Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie vita dulcedo II: Eya ergo advocata nostra illos III: Et Jhesum benedictum fructum ventris
540–545	Quae est ista quae ascendit per desertum Vs. Ista est speciosa	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Quae est ista quae ascendit per desertum Vs. Ista est speciosa Isaac, Heinrich (ca. 1450–1517) Appears on: 540–545 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Que est ista que ascendit per desertum II: Et universi pulveris trinitatis III: Ista est speciosa inter filias
546–549	Missa Sub tuum praesidium: Kyrie	Jacobus Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Missa Sub tuum praesidium: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 546–549 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacobus Obrecht Voice: [no designation] Languages: Latin Voice Text: Missa super Sub tuum presidium
550–553	Missa Sub tuum praesidium: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Sub tuum praesidium: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 550–553 Genres: Gloria (et in terra pax), Mass Ordinary
554–557	Missa Sub tuum praesidium: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Sub tuum praesidium: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 554–557 Genres: Credo (patrem omnipotentem), Mass Ordinary
558–561	Missa Sub tuum praesidium: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Sub tuum praesidium: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 558–561 Genres: Mass Ordinary, Sanctus [& Benedictus]
562–565	Missa Sub tuum praesidium: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Sub tuum praesidium: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 562–565 Genres: Agnus Dei, Mass Ordinary
566–576	Te Deum laudamus [K.530]	Anon.	Anonymous
Te Deum laudamus [K.530] Anonymous Appears on: 566–576 Genres: Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te deum laudamus te dominum confitemur
577–583	Magnificat Secundi Toni: Et exultavit spiritus meus [K.202]	Anon.	Anonymous
Magnificat Secundi Toni: Et exultavit spiritus meus [K.202] Anonymous Appears on: 577–583 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Secundi toni]: Et exultavit spiritus meus
584	Ecce Dominus veniet et omnes sancti eius	Anon.	Anonymous
Ecce Dominus veniet et omnes sancti eius Anonymous Appears on: 584 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet et omnes sancti eius
586–589	Magnificat Sexti Toni: Et exultavit spiritus meus [K.321]	Anon.	Anonymous
Magnificat Sexti Toni: Et exultavit spiritus meus [K.321] Anonymous Appears on: 586–589 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
590–595	Magnificat Quinti Toni: Et exultavit spiritus meus [K.951]	Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Magnificat Quinti Toni: Et exultavit spiritus meus [K.951] Obrecht, Jacobus (ca. 1457–1505) Appears on: 590–595 Genres: BVM, Canticle, Magnificat Source Attribution: Obrecht Voice: [no designation] Languages: Latin Voice Text: [Magnificat Quinti toni]: Et exultavit spiritus meus
596–603	Magnificat sexti toni: Et exultavit [K.698]	Loyset Compere	Compère, Loyset (ca. 1445–1518)
Magnificat sexti toni: Et exultavit [K.698] Compère, Loyset (ca. 1445–1518) Appears on: 596–603 Genres: BVM, Canticle, Magnificat Source Attribution: Loyset Compere Voice: [no designation] Languages: Latin Voice Text: [Magnificat Sexti toni]: (Magnificat) Anima mea dominum
604–609	Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Anon.	Anonymous
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia Anonymous Appears on: 604–609 Genres: Motet, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie vita dulcedo
610–611	Quem terra pontus aethera colunt	Anon.	Anonymous
Quem terra pontus aethera colunt Anonymous Appears on: 610–611 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Quem terra pontus aethera colunt] 2 Cui luna sol et omnia deserviunt 5 Benedicta celi nunctio fecunda 7 Gloria tibi domine qui natus es
612–613	Omnes superni ordines quibus dicatur	Anon.	Anonymous
Omnes superni ordines quibus dicatur Anonymous Appears on: 612–613 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Omnes superni ordines quibus dicatur] 2 Primum virtutes ignee mox replete 6 Tu pater assis Abraham claram gerens 8 Deo patri sit gloria eiusque soli filio
614–615	[textless]	Anon.	-
[textless] - Appears on: 614–615 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless hymn
616–617	[textless]	Anon.	-
[textless] - Appears on: 616–617 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless hymn
618–619	Urbs beata Jerusalem dicta pacis visio	Anon.	Anonymous
Urbs beata Jerusalem dicta pacis visio Anonymous Appears on: 618–619 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jerusalem dicta pacis visio] 2 Nova veniens e celo nupciali thalamo 4 Tunsionibus pressuris expoliti lapides 6 Omnis illa deo digna et dilecta 8 Hic promereantur omnes petita
620–621	Jesu salvator saeculi redemptis ope	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Jesu salvator saeculi redemptis ope Stoltzer, Thomas (ca. 1480–1526) Appears on: 620–621 Genres: Hymn Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: [Jesu salvator saeculi redemptis ope] 2 Cetus omnes angelici patriarcharum 4 Chorus sacratus martirum confessio 6 Laus honor virtus gloria deo patri Concordances = RISM 1542-12 no. 104
622–623	Martyris Christi colimus triumphum	Anon.	Anonymous
Martyris Christi colimus triumphum Anonymous Appears on: 622–623 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Martyris Christi colimus triumphum] 2 Pontifex Sixtus monuit ministrum 4 Sprevit hic mundi peritura dona 6 Uritur postquam latus omne testis 8 Supplici voto rogitemus omnes
624–625	Ut queant laxis resonare fibris	[Adam von Fulda]	von Fulda, Adam (ca. 1445–1505)
Ut queant laxis resonare fibris von Fulda, Adam (ca. 1445–1505) Appears on: 624–625 Genres: Hymn Source Attribution: [Adam von Fulda] Voice: [no designation] Languages: Latin Voice Text: [Ut queant laxis resonare fibris] 2 Nuncius celso veniens Olympo 4 Ventris obstruso positus cubili 6 Prebuit hirtum tegemen camelus 8 Non fuit fasti spacium per orbis 10 Serta ter denis alios coronat 12 Ut pius mundi sator et redemptor 14 Gloriam patri resonemus omnes et tibi

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina] – 534–539
Anonymous	Alleluia. Anna mater eximia Abrahae – 8 Alleluia. Ascendit Deus in jubilatione – 164–165 Alleluia. Assumpta est Maria – 364–365 Alleluia. Ave stillans melle alvearium – 358–359 Alleluia. Ave veri Salomonis ferculum – 230–231 Alleluia. Benedictus es Domine Deus – 180–181 Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis – 72 Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis – 84–85 Alleluia. Concepcio gloriose virginis Marie – 508–509 Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus – 212–213 Alleluia. Dilexit Andream Dominus in odorem – 327 Alleluia. Dulce lignum dulces clavos – 198–199 Alleluia. Emitte spiritum tuum et creabuntur – 170–171 Alleluia. Gaudete justi in Domino – 104–105 Alleluia. Juravit Dominus et non penitebit – 254–255 Alleluia. Pascha nostrum immolatus est – 282–283 Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis] – 334–335 Alleluia. Protege pastor bone – 228–229 Alleluia. Qui creavit omnia caelum – 304–305 Alleluia. Sancta Dei genitrix virgo – 294–295 Alleluia. Specie tua et pulchritudine tua – 352–353 Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao] – 330–331 Alleluia. Veni sancte spiritus reple – 172–173 Alleluia. Vox exultationis et salutis – 298–299 Alleluia. Vox exultationis et salutis – 326 Alleluia. Vox exultationis et salutis – 320–321 Alleluia. Vox exultationis et salutis – 240–241 Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) – 424–427 Audi filia Vultum tuum deprecabuntur omnes – 344–345 Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas – 360–363 Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas – 230–233 Benedicite Deum caeli et coram omnibus – 186–187 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt – 182–187 Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo adjutori Jubilate deo – 188–189 Concentu parili hic de Maria veneranda – 264–271 Concentu parili hic te Maria veneratur Generosi Abrahe tu filia veneranda regia – 338–343 Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate – 262–263 Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate – 290–291 Congaudent angelorum chori gloriosae Que sine virili commixtione genuit – 366–369 Da pacem Domine In diebus nostris – 452–453 Deus in tua virtute sanctus Andreas – 327–329 Diffinivit Katholica ecclesia sancta – 473–475 Dilectus deo et hominibus et erit angelicus Verbum vite lingua eius et qui dilexerit – 256–258 Dilectus meus misit manum suam – 430 Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera – 370–371 Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium – 490–493 Ecce Dominus veniet et omnes sancti eius – 584 Ecce concipies et paries filium et vocabis – 456–457 Ecce concipies et paries filium et vocabis – 406–407 Et in terra pax [Gloria] [fragment] – 74–77 Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio – 226–227 Exsultate iusti in Domino: Rectos decet collaudatio – 505 Gaudeamus omnes in Domino – 506–507 Gaudeamus omnes in Domino diem festum Vs: Exultate justi Rectos decet collaudacio – 296–297 Gens fidelis iocundetur in hac die Idolorum nam cultores Christo reddit – 348–351 Haec dies quam fecit Dominus exultemus – 280–281 Homo quidam fecit caenam magnam et misit II: Venite comedite panem meum et bibite III: Quia parata sunt omnibus firmiter – 494–499 In Gottes namen fahren wiyr und seinen Gnad – 472 In diebus illis Petrus et Johannes – 462–463 In illo tempore dixit Jesus Petro – 468–469 Kyrie Angelicum: Kyrie eleison – 354–357 Kyrie eleison – 276–277 Luce lucens in aeterna lucis ductrix Felix Anna de caverna lati transfer – 245–251 Magnificat Secundi Toni: Et exultavit spiritus meus [K.202] – 577–583 Magnificat Sexti Toni: Et exultavit spiritus meus [K.320] – 400–405 Magnificat Sexti Toni: Et exultavit spiritus meus [K.321] – 586–589 Martyris Christi colimus triumphum – 622–623 Michi autem nimis honorati sunt amici tui Vs: Domine probasti me et cognovisti me – 318–319 Missa La sol fa re mi: Credo – 150–153 Missa La sol fa re mi: Gloria – 146–149 Missa La sol fa re mi: Kyrie – 144–147 Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis – 324–325 Mittit ad virginem -Vs. Fortem expediat – 336–337 Natus ante saecula Dei filius Per quem fit machina caeli et terre – 214–217 Nigra sum sed formosa filie Jerusalem – 532–533 Nos autem Gloriari oportet in cruce – 208–209 Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum – 197 Nunc scio vere quia misit Vs. Domine probasti me – 390–391 Omnes sancti seraphim cherubim throni Archangeli angeli vos decet laus et honores – 298–303 Omnes superni ordines quibus dicatur – 612–613 Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque – 252–253 Protexisti me Deus A conventu malignancium Vs: Exaudi Deus oracionem meam A timore – 284–285 Protexisti me Deus Vs. Exaudi Deus orationem mean – 80–81 Ps. 112: Laudate pueri Dominum Sit nomen Domini benedictum – 380–381 Ps. 113: In exitu Israel de Aegypto Facta est Judea sanctificacio eius – 382–389 Psallat ecclesia mater illibata et virgo – 242–244 Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur – 326 Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur – 314–317 Psallite Domino nostro qui ascendit – 168–169 Quem terra pontus aethera colunt – 610–611 Qui seminant Euntes ibant et flebant – 348–349 Recordare virgo mater dum steteris II: Ab hac familia tu propicia – 528–531 Responsum Accepit Simeon a spiritu sancto – 272–273 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti – 274–275 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me – 220–221 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera – 310–311 Salve Sancta parens enixa puerpera regem Vs: Senciant omnes Quicumque celebrant – 292–293 Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia – 376–379 Salve regina mater misericordiae – 450–453 Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia – 604–609 Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo – 286–289 Sancti Baptistae Christi praeconis Solemnia celebrantes moribus ipsum – 234–237 Sancti spiritus assit nobis gratia – 174–179 Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est – 1 Signa eos Qui in me credent – 362–363 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto – 154–155 Stabat mater dolorosa juxta crucem lachrimosa – 510–513 Stirpe Maria regia procreata regem Laude digna angelorum sanctorum – 392–393 Summi triumphi regis prosequamur laude – 164–169 Super salutem et omnem pulchritudinem dilecta II: Gaudent chori angelorum confortes III: Paradisi porta per Evam cunctis clausa – 476–481 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri – 218–219 Te Deum laudamus Te aeternum patrem omnis [K.533] – 500–504 Te Deum laudamus [K.530] – 566–576 Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua Domine – 312–315 Urbs beata Jerusalem dicta pacis visio – 618–619 Veni sancte spiritus reple tuorum corda – 422–423 Verbum bonum et suave personemus illud ave Per quod ave salutata mox concepit – 259–261 Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigeniti III: In principio erat verbum et verbum – 486–489 Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 222–223 Viderunt Omnes fines terre salutare – 216–217 Vidi aquam egredientem de templo – 374–377 [Gaudeamus] Exaltata es sancta Dei genitrix Super choros angelorum – 505 [Gloria] Laudamus te benedicimus te – 278–281 [Laudate Dominum] Quoniam confirmata est – 346–347 [Sancte Dei pontifex] Sanctus ab infantia – 330–333 [Sanctissimae virginis] Venerantes hanc diem (also texted [Sanctae Annae Devotus] Cuius partus salutem) – 304–309 [textless] – 616–617 [textless] – 614–615 [untexted fragment] – 6
Brumel, Antoine (ca. 1460–ca. 1513)	Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major – 200–207 Missa Bon temps reviendra tu jamais: Agnus Dei – 142–143 Missa Bon temps reviendra tu jamais: Credo – 130–135 Missa Bon temps reviendra tu jamais: Gloria – 126–129 Missa Bon temps reviendra tu jamais: Kyrie – 120–125 Missa Bon temps reviendra tu jamais: Sanctus – 136–141 O crux ave spes unica – 208–209
Compère, Loyset (ca. 1445–1518)	Magnificat sexti toni: Et exultavit [K.698] – 596–603 Missa L'homme armé 6.1: Agnus Dei – 66–69 Missa L'homme armé 6.1: Credo – 52–59 Missa L'homme armé 6.1: Gloria – 48–51 Missa L'homme armé 6.1: Kyrie – 46–47 Missa L'homme armé 6.1: Sanctus – 60–67
Despres, Josquin (ca. 1450–1521)	In pace in idipsum dormiam et requiescam 17.5 – 470–471 Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi – 416–417 Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam – 418–419 Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis – 420–421 (?) Missa L'homme armé 6.1: Agnus Dei – 66–69 (?) Missa L'homme armé 6.1: Credo – 52–59 (?) Missa L'homme armé 6.1: Gloria – 48–51 (?) Missa L'homme armé 6.1: Kyrie – 46–47 (?) Missa L'homme armé 6.1: Sanctus – 60–67 (?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 408–409 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 412–413 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 410–411 (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 414–415 Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum – 372–373 (?) Scimus quoniam diligentibus Deum / Per omnia saecula saeculorum 20.12 – 454–455
Fevin, Antoine de (ca. 1470–ca. 1512)	Missa Sine nomine: Agnus Dei – 116–117 Missa Sine nomine: Credo – 112–115 Missa Sine nomine: Gloria – 108–111 Missa Sine nomine: Kyrie – 106–107 Missa Sine nomine: Sanctus – 114–119
Finck, Heinrich	Gloria laus Et honor tibi sit rex Christe – 446–449 In medio ecclesiae apperuit os eius Vs: Bonum est confiteri Domino et psallere – 224–225 Jesus Christus nostra salus quod reclamat – 522–523 (?) Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim) – 524–527 Stabant juxta crucem Jesu mater eius Vs: Mulier ecce filius tuus ad discipulum – 428–429
Ghiselin (Verbonnet), Johannes	Missa La belle se siet: Credo – 96–99 Missa La belle se siet: Gloria – 92–95 Missa La belle se siet: Kyrie – 86–91 Missa La belle se siet: Sanctus – 98bis–103
Isaac, Heinrich (ca. 1450–1517)	Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater – 464–465 Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante – 466–467 Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate] – 190–196 (?) Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini – 480–485 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 210–211 Quae est ista quae ascendit per desertum Vs. Ista est speciosa – 540–545 Salve regina (II) [10 partes] – 436–445 Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis – 514–521 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] – 162–163
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 394–395 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 396–397 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 398–399
Martini, Johannes (ca. 1430–1497)	Da pacem Domine in diebus nostris – 434–435 Salve regina - 1a pars (of 5): Salve regina misercicordiae – 431–435 Salve regina - 2a pars (of 5): O crux ave – 431–435 Salve regina - 3a pars (of 5): Vos amici – 431–435 Salve regina - 4a pars (of 5): Gloria laus et honor – 431–435 Salve regina - 5a pars (of 5): Da tuis fidelibus – 431–435
Obrecht, Jacobus (ca. 1457–1505)	(?) Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini – 480–485 Magnificat Quinti Toni: Et exultavit spiritus meus [K.951] – 590–595 (?) Missa N'auray-je jamais: Agnus Dei – 2–3 (?) Missa N'auray-je jamais: Credo – 16–20 (?) Missa N'auray-je jamais: Gloria – 12–15 (?) Missa N'auray-je jamais: Kyrie – 9–11 (?) Missa N'auray-je jamais: Sanctus – 21–24 Missa Plurimorum carminum II: Credo – 32–39 Missa Plurimorum carminum II: Gloria – 29–31 Missa Plurimorum carminum II: Kyrie – 25–27 Missa Plurimorum carminum II: Sanctus – 40–45 Missa Sub tuum praesidium: Agnus Dei – 562–565 Missa Sub tuum praesidium: Credo – 554–557 Missa Sub tuum praesidium: Gloria – 550–553 Missa Sub tuum praesidium: Kyrie – 546–549 Missa Sub tuum praesidium: Sanctus – 558–561 (?) Missa Veci la danse: Credo – 156–161 (?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 394–395 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 396–397 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 398–399 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 458–459 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 460–461
Petit, Nino le (fl. c1500)	(?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 408–409 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 412–413 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 410–411 (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 414–415 (?) Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia – 458–459 (?) Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes – 460–461
Rener, Adam (ca. 1485–ca. 1520)	(?) Missa Veci la danse: Credo – 156–161
Reuber, W.	Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit – 238–239
Stoltzer, Thomas (ca. 1480–1526)	Jesu salvator saeculi redemptis ope – 620–621
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 394–395 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 396–397 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 398–399
von Fulda, Adam (ca. 1445–1505)	Ut queant laxis resonare fibris – 624–625

Composition	Composers (? Uncertain)	Folios / Pages
[Gaudeamus] Exaltata es sancta Dei genitrix Super choros angelorum	Anonymous	505
[Gloria] Laudamus te benedicimus te	Anonymous	278–281
[Laudate Dominum] Quoniam confirmata est	Anonymous	346–347
[Sancte Dei pontifex] Sanctus ab infantia	Anonymous	330–333
[Sanctissimae virginis] Venerantes hanc diem (also texted [Sanctae Annae Devotus] Cuius partus salutem)	Anonymous	304–309
[textless]	-	614–615
[textless]	-	616–617
[untexted fragment]	-	6
Alleluia. Anna mater eximia Abrahae	Anonymous	8
Alleluia. Ascendit Deus in jubilatione	Anonymous	164–165
Alleluia. Assumpta est Maria	Anonymous	364–365
Alleluia. Ave stillans melle alvearium	Anonymous	358–359
Alleluia. Ave veri Salomonis ferculum	Anonymous	230–231
Alleluia. Benedictus es Domine Deus	Anonymous	180–181
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	Anonymous	72
Alleluia. Caro mea, Alleluia. Nativitas gloriosae virginis	Anonymous	84–85
Alleluia. Concepcio gloriose virginis Marie	Anonymous	508–509
Alleluia. Dies sanctificatus illuxit nobis - Alleluia. Hic est discipulus	Anonymous	212–213
Alleluia. Dilexit Andream Dominus in odorem	Anonymous	327
Alleluia. Dulce lignum dulces clavos	Anonymous	198–199
Alleluia. Emitte spiritum tuum et creabuntur	Anonymous	170–171
Alleluia. Gaudete justi in Domino	Anonymous	104–105
Alleluia. Juravit Dominus et non penitebit	Anonymous	254–255
Alleluia. Pascha nostrum immolatus est	Anonymous	282–283
Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis]	Anonymous	334–335
Alleluia. Protege pastor bone	Anonymous	228–229
Alleluia. Qui creavit omnia caelum	Anonymous	304–305
Alleluia. Sancta Dei genitrix virgo	Anonymous	294–295
Alleluia. Specie tua et pulchritudine tua	Anonymous	352–353
Alleluia. Tumba Sancti Nicolai [Proprium de S. Nicolao]	Anonymous	330–331
Alleluia. Veni sancte spiritus reple	Anonymous	172–173
Alleluia. Vox exultationis et salutis	Anonymous	240–241
Alleluia. Vox exultationis et salutis	Anonymous	298–299
Alleluia. Vox exultationis et salutis	Anonymous	320–321
Alleluia. Vox exultationis et salutis	Anonymous	326
Alma redemptoris mater - 1a pars (of 2): Alma redemptoris mater	Isaac, Heinrich (ca. 1450–1517)	464–465
Alma redemptoris mater - 2a pars (of 2): Tu que genuisti natura mirante	Isaac, Heinrich (ca. 1450–1517)	466–467
Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli)	Anonymous	424–427
Audi filia Vultum tuum deprecabuntur omnes	Anonymous	344–345
Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas	Anonymous	230–233
Ave verbi Dei parens virginum humilitas Ave omni nevo carens humilis virginitas	Anonymous	360–363
Benedicite Deum caeli et coram omnibus	Anonymous	186–187
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt	Anonymous	182–187
Benedicta sit Sancta trinitas atque indivisa Vs: Benedicamus patrem Cum sancto spiritu [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	190–196
Cibavit eos Ex adipe frumenti alleluia Vs: Exultate deo adjutori Jubilate deo	Anonymous	188–189
Concentu parili hic de Maria veneranda	Anonymous	264–271
Concentu parili hic te Maria veneratur Generosi Abrahe tu filia veneranda regia	Anonymous	338–343
Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate	Anonymous	262–263
Confessio Et pulchritudo in conspectu eius Vs: Cantate Domino canticum novum Cantate	Anonymous	290–291
Congaudent angelorum chori gloriosae Que sine virili commixtione genuit	Anonymous	366–369
Da pacem Domine in diebus nostris	Martini, Johannes (ca. 1430–1497)	434–435
Da pacem Domine In diebus nostris	Anonymous	452–453
Deus in tua virtute sanctus Andreas	Anonymous	327–329
Diffinivit Katholica ecclesia sancta	Anonymous	473–475
Dilectus deo et hominibus et erit angelicus Verbum vite lingua eius et qui dilexerit	Anonymous	256–258
Dilectus meus misit manum suam	Anonymous	430
Dilexisti iusticiam et odisti iniquitatem Vs: Eructavit cor meum Dico ego opera	Anonymous	370–371
Discubuit Jesus et discipuli eius cum eo II: Et accepto pane gratias agens III: Fecit Asuerus grande convivium	Anonymous	490–493
Ecce concipies et paries filium et vocabis	Anonymous	406–407
Ecce concipies et paries filium et vocabis	Anonymous	456–457
Ecce Dominus veniet et omnes sancti eius	Anonymous	584
Et in terra pax [Gloria] [fragment]	Anonymous	74–77
Exclamaverunt Ad te Domine in tempore Vs: Exultate justi Rectos decet collaudacio	Anonymous	226–227
Exsultate iusti in Domino: Rectos decet collaudatio	Anonymous	505
Gaudeamus omnes in Domino	Anonymous	506–507
Gaudeamus omnes in Domino diem festum Vs: Exultate justi Rectos decet collaudacio	Anonymous	296–297
Gens fidelis iocundetur in hac die Idolorum nam cultores Christo reddit	Anonymous	348–351
Gloria laus Et honor tibi sit rex Christe	Finck, Heinrich	446–449
Haec dies quam fecit Dominus exultemus	Anonymous	280–281
Homo quidam fecit caenam magnam et misit II: Venite comedite panem meum et bibite III: Quia parata sunt omnibus firmiter	Anonymous	494–499
In diebus illis Petrus et Johannes	Anonymous	462–463
In Gottes namen fahren wiyr und seinen Gnad	Anonymous	472
In illo tempore dixit Jesus Petro	Anonymous	468–469
In medio ecclesiae apperuit os eius Vs: Bonum est confiteri Domino et psallere	Finck, Heinrich	224–225
In pace in idipsum dormiam et requiescam 17.5	Despres, Josquin (ca. 1450–1521)	470–471
Jesu salvator saeculi redemptis ope	Stoltzer, Thomas (ca. 1480–1526)	620–621
Jesus Christus nostra salus quod reclamat	Finck, Heinrich	522–523
Judaea et Jerusalem nolite timere (2p. Cras egrediemini et Dominus erit; 3p. Constantes estote auxilium Domini	Isaac, Heinrich (ca. 1450–1517) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	480–485
Kyrie Angelicum: Kyrie eleison	Anonymous	354–357
Kyrie eleison	Anonymous	276–277
Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major	Brumel, Antoine (ca. 1460–ca. 1513)	200–207
Liber generationis Jesu Christi 19.13 - 1a pars (of 3): Liber generationis Jesu Christi	Despres, Josquin (ca. 1450–1521)	416–417
Liber generationis Jesu Christi 19.13 - 2a pars (of 3): Salomon autem genuit Roboam	Despres, Josquin (ca. 1450–1521)	418–419
Liber generationis Jesu Christi 19.13 - 3a pars (of 3): Et post transmigracionem Babilonis	Despres, Josquin (ca. 1450–1521)	420–421
Luce lucens in aeterna lucis ductrix Felix Anna de caverna lati transfer	Anonymous	245–251
Magnificat Quinti Toni: Et exultavit spiritus meus [K.951]	Obrecht, Jacobus (ca. 1457–1505)	590–595
Magnificat Secundi Toni: Et exultavit spiritus meus [K.202]	Anonymous	577–583
Magnificat sexti toni: Et exultavit [K.698]	Compère, Loyset (ca. 1445–1518)	596–603
Magnificat Sexti Toni: Et exultavit spiritus meus [K.320]	Anonymous	400–405
Magnificat Sexti Toni: Et exultavit spiritus meus [K.321]	Anonymous	586–589
Martyris Christi colimus triumphum	Anonymous	622–623
Michi autem nimis honorati sunt amici tui Vs: Domine probasti me et cognovisti me	Anonymous	318–319
Missa Bon temps reviendra tu jamais: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	142–143
Missa Bon temps reviendra tu jamais: Credo	Brumel, Antoine (ca. 1460–ca. 1513)	130–135
Missa Bon temps reviendra tu jamais: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	126–129
Missa Bon temps reviendra tu jamais: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	120–125
Missa Bon temps reviendra tu jamais: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	136–141
Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis	Anonymous	324–325
Missa L'homme armé 6.1: Agnus Dei	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	66–69
Missa L'homme armé 6.1: Credo	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	52–59
Missa L'homme armé 6.1: Gloria	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	48–51
Missa L'homme armé 6.1: Kyrie	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	46–47
Missa L'homme armé 6.1: Sanctus	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	60–67
Missa La belle se siet: Credo	Ghiselin (Verbonnet), Johannes	96–99
Missa La belle se siet: Gloria	Ghiselin (Verbonnet), Johannes	92–95
Missa La belle se siet: Kyrie	Ghiselin (Verbonnet), Johannes	86–91
Missa La belle se siet: Sanctus	Ghiselin (Verbonnet), Johannes	98bis–103
Missa La sol fa re mi: Credo	Anonymous	150–153
Missa La sol fa re mi: Gloria	Anonymous	146–149
Missa La sol fa re mi: Kyrie	Anonymous	144–147
Missa N'auray-je jamais: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505) (?)	2–3
Missa N'auray-je jamais: Credo	Obrecht, Jacobus (ca. 1457–1505) (?)	16–20
Missa N'auray-je jamais: Gloria	Obrecht, Jacobus (ca. 1457–1505) (?)	12–15
Missa N'auray-je jamais: Kyrie	Obrecht, Jacobus (ca. 1457–1505) (?)	9–11
Missa N'auray-je jamais: Sanctus	Obrecht, Jacobus (ca. 1457–1505) (?)	21–24
Missa Plurimorum carminum II: Credo	Obrecht, Jacobus (ca. 1457–1505)	32–39
Missa Plurimorum carminum II: Gloria	Obrecht, Jacobus (ca. 1457–1505)	29–31
Missa Plurimorum carminum II: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	25–27
Missa Plurimorum carminum II: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	40–45
Missa Sine nomine: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512)	116–117
Missa Sine nomine: Credo	Fevin, Antoine de (ca. 1470–ca. 1512)	112–115
Missa Sine nomine: Gloria	Fevin, Antoine de (ca. 1470–ca. 1512)	108–111
Missa Sine nomine: Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512)	106–107
Missa Sine nomine: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	114–119
Missa Sub tuum praesidium: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	562–565
Missa Sub tuum praesidium: Credo	Obrecht, Jacobus (ca. 1457–1505)	554–557
Missa Sub tuum praesidium: Gloria	Obrecht, Jacobus (ca. 1457–1505)	550–553
Missa Sub tuum praesidium: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	546–549
Missa Sub tuum praesidium: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	558–561
Missa Veci la danse: Credo	Obrecht, Jacobus (ca. 1457–1505) (?) Rener, Adam (ca. 1485–ca. 1520) (?)	156–161
Mittit ad virginem -Vs. Fortem expediat	Anonymous	336–337
Natus ante saecula Dei filius Per quem fit machina caeli et terre	Anonymous	214–217
Nigra sum sed formosa filie Jerusalem	Anonymous	532–533
Nigra sum sed formosa filie Jerusalem (2p. Nolite considerare quod fusca sim)	Finck, Heinrich (?)	524–527
Nos autem Gloriari oportet in cruce	Anonymous	208–209
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum	Anonymous	197
Nunc scio vere quia misit Vs. Domine probasti me	Anonymous	390–391
O crux ave spes unica	Brumel, Antoine (ca. 1460–ca. 1513)	208–209
Omnes sancti seraphim cherubim throni Archangeli angeli vos decet laus et honores	Anonymous	298–303
Omnes superni ordines quibus dicatur	Anonymous	612–613
Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque	Anonymous	252–253
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525)	394–395
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)	396–397
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Obrecht, Jacobus (ca. 1457–1505) (?) Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?)	398–399
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	408–409
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	412–413
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	410–411
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	414–415
Protexisti me Deus A conventu malignancium Vs: Exaudi Deus oracionem meam A timore	Anonymous	284–285
Protexisti me Deus Vs. Exaudi Deus orationem mean	Anonymous	80–81
Ps. 112: Laudate pueri Dominum Sit nomen Domini benedictum	Anonymous	380–381
Ps. 113: In exitu Israel de Aegypto Facta est Judea sanctificacio eius	Anonymous	382–389
Psallat ecclesia mater illibata et virgo	Anonymous	242–244
Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur	Anonymous	314–317
Psallat ecclesia mater illibata et virgo Haec domus aule caelestis probatur	Anonymous	326
Psallite Domino nostro qui ascendit	Anonymous	168–169
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	210–211
Quae est ista quae ascendit per desertum Vs. Ista est speciosa	Isaac, Heinrich (ca. 1450–1517)	540–545
Quem terra pontus aethera colunt	Anonymous	610–611
Qui seminant Euntes ibant et flebant	Anonymous	348–349
Recordare virgo mater dum steteris II: Ab hac familia tu propicia	Anonymous	528–531
Responsum Accepit Simeon a spiritu sancto	Anonymous	272–273
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	Anonymous	220–221
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me Tu cognovisti	Anonymous	274–275
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera	Anonymous	310–311
Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia	Anonymous	376–379
Salve regina (4vv) 25.4 II: Eia ergo advocata III: Et Jesum benedictum	Despres, Josquin (ca. 1450–1521)	372–373
Salve regina (II) [10 partes]	Isaac, Heinrich (ca. 1450–1517)	436–445
Salve regina - 1a pars (of 5): Salve regina misercicordiae	Martini, Johannes (ca. 1430–1497)	431–435
Salve regina - 2a pars (of 5): O crux ave	Martini, Johannes (ca. 1430–1497)	431–435
Salve regina - 3a pars (of 5): Vos amici	Martini, Johannes (ca. 1430–1497)	431–435
Salve regina - 4a pars (of 5): Gloria laus et honor	Martini, Johannes (ca. 1430–1497)	431–435
Salve regina - 5a pars (of 5): Da tuis fidelibus	Martini, Johannes (ca. 1430–1497)	431–435
Salve regina II: Eya ergo advocata III: Et Jesum benedictum [Tenor from Frye's Ave regina]	Agricola, Alexander (ca. 1445–1506)	534–539
Salve regina mater misericordiae	Anonymous	450–453
Salve regina misericordiae Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia	Anonymous	604–609
Salve Sancta parens enixa puerpera regem Vs: Senciant omnes Quicumque celebrant	Anonymous	292–293
Sanctae Annae devotus decantet chorus Cuius partus salutem produxit mundo	Anonymous	286–289
Sancti Baptistae Christi praeconis Solemnia celebrantes moribus ipsum	Anonymous	234–237
Sancti spiritus assit nobis gratia	Anonymous	174–179
Sancti spiritus assit nobis gratia II: Imperii proceres Romani gloria regni III: Consulite in medio rebus succurite IV: Imperii justis cedat emulus armis	Isaac, Heinrich (ca. 1450–1517)	514–521
Scimus quoniam diligentibus Deum / Per omnia saecula saeculorum 20.12	Despres, Josquin (ca. 1450–1521) (?)	454–455
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est	Anonymous	1
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia	Petit, Nino le (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	458–459
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes	Obrecht, Jacobus (ca. 1457–1505) (?) Petit, Nino le (fl. c1500) (?)	460–461
Signa eos Qui in me credent	Anonymous	362–363
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto	Anonymous	154–155
Stabant juxta crucem Jesu mater eius Vs: Mulier ecce filius tuus ad discipulum	Finck, Heinrich	428–429
Stabat mater dolorosa juxta crucem lachrimosa	Anonymous	510–513
Stirpe Maria regia procreata regem Laude digna angelorum sanctorum	Anonymous	392–393
Summi triumphi regis prosequamur laude	Anonymous	164–169
Super salutem et omnem pulchritudinem dilecta II: Gaudent chori angelorum confortes III: Paradisi porta per Evam cunctis clausa	Anonymous	476–481
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri	Anonymous	218–219
Te Deum laudamus [K.530]	Anonymous	566–576
Te Deum laudamus Te aeternum patrem omnis [K.533]	Anonymous	500–504
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula Concupiscit	Reuber, W.	238–239
Terribilis est locus iste: hic domus Dei Vs: Quam dilecta tabernacula tua Domine	Anonymous	312–315
Urbs beata Jerusalem dicta pacis visio	Anonymous	618–619
Ut queant laxis resonare fibris	von Fulda, Adam (ca. 1445–1505)	624–625
Veni sancte spiritus reple tuorum corda	Anonymous	422–423
Verbum bonum et suave personemus illud ave Per quod ave salutata mox concepit	Anonymous	259–261
Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigeniti III: In principio erat verbum et verbum	Anonymous	486–489
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	222–223
Viderunt Omnes fines terre salutare	Anonymous	216–217
Vidi aquam egredientem de templo	Anonymous	374–377
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	162–163

‡ denotes primary source study

‡ Kindermann, Jürgen (editor). 2017. Annaberger Chorbuch I : Sächsische Landesbibliothek Mus. 1-D-505 (Ms. 1248). Breitkopf & Härtel. Notes: contents list; transcriptions; facsimiles (partial).

Just, Martin. 1983. Zur Examinatio von Varianten. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 129-52. Wiesbaden. Pages: 131-4,146-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Noblitt, Thomas L. 1983. Filiation vis-à-vis its Alternatives: Approaches to Textual Criticism. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 111-27. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 24-8. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Haar, James. 1976. Some Remarks on the 'Missa La sol fa re mi'. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 564-88. London, New York, and Toronto. Pages: 588. An edition by Jürgen Kindermann is in preparation as Vols. 72-3 of EDMR.

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270 [incorrectly referred to as MS 1126]. Notes: contents list (partial).

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 30.

Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 86-92. Notes: contents list.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 221-33. Notes: physical description (partial); contents list; concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Notes: physical description; contents list; concordances.

Cavanaugh, Philip Stephen. 1972. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: [incorrectly referred to as MS 1126].

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 122ff. Notes: mention of MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxxviii,85-6 [incorrectly referred to as MS 1126].

Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 169-208. Notes: concordances (partial).

Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 150 [incorrectly referred to as MS 1126]. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 119. Notes: concordances (partial); incipits (partial).

Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents. American Institute of Musicology. Pages: 32, passim.

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, viii, xvi, 34-40, 88-93. Notes: concordances (partial); transcription (partial).

Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 6, xxvi, xliii-xlv [incorrectly referred to as MS 1126]. Notes: physical description; facsimile (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV,77.

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: VIII,viiI, fasc. 6, xxvi.xliii-xlv [incorrectly referred to as MS 1126]. Notes: physical description.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description