A single Bassus partbook. Copied by two scribes. Probably originated in Silesia (SteudeMS); formerly in the Schlossbibliothek at Oels (= Olesnica).
| Archive | Sächsische Landesbibliothek, Dresden, Germany (D-Dl) |
|---|---|
| Shelfmark | MS Mus. 1/D/6 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Measurements | 218 x 164 mm |
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| Contents | Contains 173 compositions, 158 from 60 composers, 15 are anonymous. |
General Description
Binding
Rebound in modern grey covers
Notation
black void mensural
Foliation
modern pencil foliation
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Te Deums, 20 psalms, 2 Passions, 66 motets, 15 German sacred pieces = 106
(Barra/Elimon)-1, Breuer-2, Bucenus-1, Buissons-1, Burck-1, (Burckstaller)-1, Chaynée-1, Chastelain-1, Clemens non Papa-18, (Conseil)-1, Crecquillon-1, Deiss-2, Ducis-1, L. Episcopius-1, C. Festa-1, (Feys)-1, M. Gallus-1, Gosswin-1, Guyot [Castiletti]-1, Händl-1, (J. Hermann)-1, Isaac-1, Jaquet of Mantua [Jachet]-1, Jaquet of Mantua/(Berchem)-1, Josquin-5, Josquin/(Verdelot)-1, (Josquin/Caen)-1, (Josquin/Mouton/Silva)-1, Kinner-1, Knöfel [Kneuffelius]-8, D. Köler-5, Lassus-4, Le Maistre-1, Lebrun-1, Meiland-3, Philippe de Monte-1, Morel-1, Mouton-1, (Obrecht/Longaval/Venture)-1, Paminger-1, Quinos-1, Rener-1, Rissweck-1, Seinecker-1, Senfl-3, (Silva)-1, Stabile-1, Vaet-1, Walter-1, Wircker-1, anon-15
1 paper partbook (B-ii + 105 + v folios), 218 x 164. Rebound in modern gray covers. Copied by two scribes.
Ca. 1560-80 (SteudeMS). Probably originated in Silesia (SteudeMS); formerly in the Schlossbibliothek at Oels (= Olesnica).
Vol. 4
Composers: Change "Ducis-1" to "Ducis/(Maffoni)-1"; change "Senile" to "Senfl-2, Senfl/Josquin)-1"; change "(Silva)-1" to "(Silva)-2"; change "anon-10" to "anon-11."
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‡ denotes primary source study
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff,336ff,666,675,686-7,692,752-3,775,788,790. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 290-l. Notes: concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).
Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 303, 342-3. Notes: physical description (partial); contents list (partial); concordances (partial).
Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 121. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143ff. Notes: contents list (partial); concordances (partial).
Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6. Wiesbaden. Pages: 304. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried (editor). 1970-. Andreas de Silva: Opera Omnia. Corpus mensurabilis musicae, vol. 49. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xi, xvii, 2-7, 71-9. Notes: concordances (partial); transcription (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 320. Notes: concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XI, v. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description