Copied by three main scribes and three additional scribes (HardieP). Some pieces have instructions for organ accompaniment, giving type of organ and key or pitch. From the monastery of Santa Cruz, in Coimbra. Several pices in the first, unnumbered, folios attributed to Dom Bento on stylistic grounds by Rees 1995.
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.32 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 388 x 278 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 76 compositions, 37 from 20 composers, 39 are anonymous. |
General Description
Physical Description
Some folios are in poor condition, with notes and entire staves missing due to ink corrosion
Binding
Original covers of tan tooled leather, similar to those of CoimU 12
Notation
black void mensural
Foliation
Modern pencil foliation, 1-9 (first folio unnumbered - '0' in DIAMM inventory) + original foliation, 1-115 ('79' and '86' omitted; '109' applied to two consecutive folios).
Decoration
Some initials have miniatures, with representations of persons and scenes appropriate to the feast for which the piece is intended.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
12 Magnificats (1 incomplete), I hymn, 3 Lamentations, 1 Passion, 54 motets =71 + 1 duplicate = 72
(Anchieta/Compère/Peñalosa)-1, (Anchieta/Peñalosa)-1, (Escobar)-1, (Illario)-1, Morales-1, Morangam [Luis Moran]-6, (Peñalosa)-4, (Vasco Pirez)-1, anon-55
125 paper folios, 388 x 278. Some folios are in poor condition, with notes and entire staves missing because of ink corrosion. New pencil foliation for the first ten folios, then original ink foliation, 1-115. Original covers of tan tooled leather, similar to those of CoimU 12. No index. Some initials have miniatures, with representations of persons and scenes appropriate to the feast for which the piece is intended. Some pieces have instructions for organ accompaniment, giving type of organ and key or pitch.
Late 16th century. From the monastery of Santa Cruz, in Coimbra.
Vol. 4
Contents: Change "54 motets" to "53 motets, 1 litany."
Composers: (Anchieta/Compère/Penalosa/A. Ribera)-1, (Anchieta/Peñalosa)-1, (Arcadelt)-2, (Arcadelt/Verdelot)-1, (P. Díaz)-1, (Escobar)-1, (Escobar/Peñalosa)-1, (Gombert)-1, (Hellinck)-2, (Diario)-1, (Lhéritier/Verdelot)-1, Morales -1, Morangam [Luis Moran]-6 + 1?, (Peñalosa)-3, (Vasco Pirez)-1, (Willaert) -1, anon-45
Physical: 124 paper folios, 388 x 278. Modern pencil foliation, 1-9 (first folio unnumbered) + original foliation, 1-115 ("79" and "86" omitted; "109" applied to two consecutive folios). Copied by three main scribes and three additional scribes (HardieP).
The inventory could not be loaded.
‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.
Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 105,108-13,132-49,283-5,300-4. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.
Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 31. Notes: physical description; contents list; incipitsst of contents (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description