Copied by one main scribe and four additional scribes. From the monastery of Santa Cruz, in Coimbra.
P-Cug MM.12
Biblioteca Geral da Universidade, Coimbra, Portugal
choirbook: Late 15th-early 16th century
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.12 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 523 x 390 mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | Contains 78 compositions, 36 from 18 composers, 42 are anonymous. |
General Description
Physical Description
The manuscript is in poor condition, with many folios loose and corroded by the ink.
Binding
Original covers of tan tooled leather, with five metal studs, similar to covers of CoimU 32.
Watermark
(1) circle and cross, with letters "MT"; (2) circle and cross, with letters "PM" (HardieP).
Notation
black void mensural
Date
Second quarter of 16th century (HardieP).
Foliation
Original foliation, 1-210; f. 36 missing.
Index
Incomplete original index on front flyleaf.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
8 Masses, 12 Magnificats (1 incomplete), 1 Canticle, 2 psalms, 6 hymns, 35 motets = 64
(Anchieta/Compère/Peñalosa)-1, (Anchieta/Peñalosa)-1, Bento -1, Escobar-2, (Illario)-1, Morangam-7, Mouton-1, (Paiva)-2, Peñalosa-4, (Pregador)-1, A. Ribera-1, Vasco Pirez-3, Wreede-1, anon-38
i + 209 + i paper folios, 523 x 390. The manuscript is in poor condition, with many folios loose and corroded by the ink. Original foliation, 1-210; f. 36 missing. Original covers of tan tooled leather, with five metal studs, similar to covers of CoimU 32. Incomplete original index on front flyleaf.
Late 15th-early 16th century (MME). From the monastery of Santa Cruz, in Coimbra.
Vol. 4
Composers: Change "(Anchieta/Compère/Penalosa)-1" to "(Anchieta/Compère/ Peñalosa/A. Ribera)-1"; change "Peñalosa-4" to "Peñalosa-3"; add "(Escobar/Peñalosa)-1."
Physical: Copied by one main scribe and four additional scribes. Watermarks: (1) circle and cross, with letters "MT"; (2) circle and cross, with letters "PM" (HardieP).
Date: Second quarter of 16th century (HardieP).
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.
Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 102-8,134-49,283-5,300-4. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.
Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 49-51,342,461. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Bragard, Murray C. 1978. The Falsobordone: A Study in Renaissance and Baroque Music. Musicological Studies and Documents, vol. 34. American Institute of Musicology. Pages: 19,22ff,159-60. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131. Notes: contents list (partial); concordances (partial); incipits (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 34. Notes: mention of MS.
Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica. Lisbon. Pages: XXXVII,xxx-xxxi,18-9. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, ix, 27-8. Notes: transcription (partial); facsimile (partial).
Gerber, Rudolf. 1953. Spanische Hymnensätze um 1500. Archiv für Musikwissenschaft, 10: 165-84. Pages: 167. Notes: contents list (partial).
Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 3: 93-112. Pages: 104. Notes: mention of MS.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 119-22. Notes: physical description; contents list; concordances (partial).
Sampayo Ribeiro, Mário de. 1941. Os Manuscritos Musicais n.os 6 e 12 da Biblioteca Geral da Universidade de Coimbra. Coimbra. Pages: 33-99. Notes: physical description; mention of MS; discussion; contents list; facsimile (partial).
Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 18-9. Notes: physical description; contents list; incipitsst of contents (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description