From the monastery of Santa Cruz, in Coimbra.
P-Cug MM.9
Biblioteca Geral da Universidade, Coimbra, Portugal
choirbook: Second half of the 16th century
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.9 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 560 x 418 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 43 compositions, 16 from 11 composers, 27 are anonymous. |
General Description
Binding
Covers of light brown tooled leather, similar to those of CoimU 2 and CoimU 3.
Notation
black void mensural
Foliation
Original foliation, 1-158; eight folios at the end are unnumbered.
Decoration
Some initials are decorated with small but detailed miniatures.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Masses, 2 Magnificats, 1 Te Deum, 2 hymns, 3 Lamentations, 25 motets = 39
Bruxel-2, Morales-1, Morangam [Moran]-2, Paiva-1, Pregador-1, Richafort-1, Santa Maria-1, Vasco Pirez-1, Verdelot-1, anon-28
166 paper folios, 560 x 418. Original foliation, 1-158; eight folios at the end are unnumbered. Covers of light brown tooled leather, similar to those of CoimU 2 and CoimU 3. Some initials are decorated with small but detailed miniatures.
Second half of the 16th century. From the monastery of Santa Cruz, in Coimbra.
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‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 130. Notes: concordances (partial); incipits (partial).
Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 3: 93-112. Pages: 103-4. Notes: mention of MS.
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 45-6. Notes: physical description (partial); contents list.
Sampayo Ribeiro, Mário de. 1939. A Música em Coimbra. Coimbra. Pages: 16-7. Notes: mention of MS.
Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 15-6. Notes: physical description; contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description