P-Cug MM.9

Biblioteca Geral da Universidade, Coimbra, Portugal

Polyphonic Choirbook: Second half of the 16th century

Archive	Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark	MM.9
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	560 x 418 mm
Other Identifiers	CCM: CoimU 9
Notations	black void mensural
Relationships	Monastery of Santa Cruz (owner)
External Links	CMME online edition Images (Portuguese Early Music)
Provenance	Monastery of Santa Cruz , Coimbra, Portugal
Contents	44 pieces from 12 composers

General Description

From the monastery of Santa Cruz, in Coimbra.

DIAMM, 2017

Binding

Covers of light brown tooled leather, similar to those of CoimU 2 and CoimU 3.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation, 1-158; eight folios at the end are unnumbered.

DIAMM, 2017

Decoration

Some initials are decorated with small but detailed miniatures.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 2 Magnificats, 1 Te Deum, 2 hymns, 3 Lamentations, 25 motets = 39

Bruxel-2, Morales-1, Morangam [Moran]-2, Paiva-1, Pregador-1, Richafort-1, Santa Maria-1, Vasco Pirez-1, Verdelot-1, anon-28

166 paper folios, 560 x 418. Original foliation, 1-158; eight folios at the end are unnumbered. Covers of light brown tooled leather, similar to those of CoimU 2 and CoimU 3. Some initials are decorated with small but detailed miniatures.

Second half of the 16th century. From the monastery of Santa Cruz, in Coimbra.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–4, 6-7	Nos autem gloriari	-	Anonymous
Nos autem gloriari Anonymous Appears on: 1v–4, 6-7 Genres: Hymn General Note incomplete, f. 5 missing
7v–8	Per signum crucis	-	Anonymous
Per signum crucis Anonymous Appears on: 7v–8 Genres: Hymn
9v–15	Gaudeamus omnes	-	Anonymous
Gaudeamus omnes Anonymous Appears on: 9v–15 Genres: Hymn
16v–17	Diffusa est gratia	-	Anonymous
Diffusa est gratia Anonymous Appears on: 16v–17 Genres: Offertory Concordances Coimbra MM 44, ff. 203v-204
18v–23	Os justi	-	Anonymous
Os justi Anonymous Appears on: 18v–23 Genres: Hymn
23v–24	Beauts servus	-	Anonymous
Beauts servus Anonymous Appears on: 23v–24 Genres: Hymn
25v–29	Intret in conspectu	-	Anonymous
Intret in conspectu Anonymous Appears on: 25v–29 Genres: Hymn
30v–32	Multitudo languentium	-	Anonymous
Multitudo languentium Anonymous Appears on: 30v–32 Genres: Hymn
32v–33	Justorum animae	-	Anonymous
Justorum animae Anonymous Appears on: 32v–33 Genres: Hymn
34v–55	Missa O genitrix gloriosa	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Missa O genitrix gloriosa Richafort, Jean (ca. 1480–ca. 1550) Appears on: 34v–55 Genres: Mass Ordinary Source Attribution: Richafort
56v–67	Missa 'de leirea'	-	Anonymous
Missa 'de leirea' Anonymous Appears on: 56v–67 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
68v–76	Missa La bataglia/La bataille	-	Janequin, Clement (ca. 1485–ca. 1558)
Missa La bataglia/La bataille Janequin, Clement (ca. 1485–ca. 1558) Appears on: 68v–76 Genres: Kyrie eleison, Mass Ordinary
77v–87	Missa	Bruxel [=Bujel?]	Buxel
Missa Buxel Appears on: 77v–87 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Bruxel [=Bujel?]
88v–97	Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	[anon] * Missa da morte e fortuna	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie Berchem, Jacques (ca. 1505–1567) Appears on: 88v–97 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary Source Attribution: [anon] * Missa da morte e fortuna General Note the Credo of the mass is at ff. 159v-165
88v–97	Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes Berchem, Jacques (ca. 1505–1567) Appears on: 88v–97 Genres: Gloria (et in terra pax), Mass Ordinary
88v–97	Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces Berchem, Jacques (ca. 1505–1567) Appears on: 88v–97 Genres: Mass Ordinary, Sanctus [& Benedictus]
88v–97	Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie Berchem, Jacques (ca. 1505–1567) Appears on: 88v–97 Genres: Agnus Dei, Kyrie eleison, Mass Ordinary
98v–103	Missa Philomena prævia (Missa sobre filomena)	Verdeloth	Verdelot, Philippe (ca. 1480–ca. 1532)
Missa Philomena prævia (Missa sobre filomena) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 98v–103 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Verdeloth
103v–104	Alleluia	-	Anonymous
Alleluia Anonymous Appears on: 103v–104 Genres: Alleluia
104v–105	Alleluia	Pregador	Pregador
Alleluia Pregador Appears on: 104v–105 Genres: Alleluia Source Attribution: Pregador
105v–106	Alleluia	Buxel	Buxel
Alleluia Buxel Appears on: 105v–106 Genres: Alleluia Source Attribution: Buxel
106v–107	Alleluia	D. heliodoro p(adre) c(anonico)	Paiva, Heliodoro de
Alleluia Paiva, Heliodoro de Appears on: 106v–107 Genres: Alleluia Source Attribution: D. heliodoro p(adre) c(anonico)
107v–108	Alleluia	Moram [sic]	Moran, Luis
Alleluia Moran, Luis Appears on: 107v–108 Genres: Alleluia Source Attribution: Moram [sic]
108v–109	Alleluia	Vasco Pirez	Pires, Vasco
Alleluia Pires, Vasco Appears on: 108v–109 Genres: Alleluia Source Attribution: Vasco Pirez
109v–110	Alleluia Sexta antigua	-	Anonymous
Alleluia Sexta antigua Anonymous Appears on: 109v–110 Genres: Alleluia
110v–111	Alleluia. Christus resurgens ex mortuis (Octava antigua)	-	Anonymous
Alleluia. Christus resurgens ex mortuis (Octava antigua) Anonymous Appears on: 110v–111 Genres: Alleluia, Proper Concordances Lisbon ff. 24v-25
112v–113	Responses: Amen - Et cum spiritu tuo - etc	-	Anonymous
Responses: Amen - Et cum spiritu tuo - etc Anonymous Appears on: 112v–113 Genres: Response
113v–114	Responses: Amen - Et cum spiritu tuo - etc	-	Anonymous
Responses: Amen - Et cum spiritu tuo - etc Anonymous Appears on: 113v–114 Genres: Response Concordances Coimbra MM 44, ff. 139v-140
114v–115	O gloriosa Domina	-	Anonymous
O gloriosa Domina Anonymous Appears on: 114v–115 Genres: Hymn
115v–121	Magnificat primi toni: Anima Mea [K.914]	Morales	Morales, Cristóbal de (ca. 1500–1553)
Magnificat primi toni: Anima Mea [K.914] Morales, Cristóbal de (ca. 1500–1553) Appears on: 115v–121 Genres: BVM, Canticle, Magnificat Source Attribution: Morales
121v–127	Magnificat tone 3: Anima mea [K.930]	Moran	Moran, Luis
Magnificat tone 3: Anima mea [K.930] Moran, Luis Appears on: 121v–127 Genres: BVM, Canticle, Magnificat Source Attribution: Moran
127v–128	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 127v–128 Genres: Benedicamus Domino
128v–133	Lamentations (I): Incipiunt lamentationes	-	Anonymous
Lamentations (I): Incipiunt lamentationes Anonymous Appears on: 128v–133 Genres: Lamentations Concordances Coimbra 48, ff. 126v-127 ('Beth... inimici' only)
134v–138	Lamentations (II): Beth. Cogitavit Dominus	-	Anonymous
Lamentations (II): Beth. Cogitavit Dominus Anonymous Appears on: 134v–138 Genres: Lamentations
139v–142	Lamentations (III): Heth. Misericordie Domini	-	Anonymous
Lamentations (III): Heth. Misericordie Domini Anonymous Appears on: 139v–142 Genres: Lamentations
142v–143	Alleluia	dom francisco	Santa Maria, Dom Francisco de
Alleluia Santa Maria, Dom Francisco de Appears on: 142v–143 Genres: Alleluia Source Attribution: dom francisco
143v–147	[Te Deum] Te eternum [K.541]	-	Anonymous
[Te Deum] Te eternum [K.541] Anonymous Appears on: 143v–147 Genres: Te Deum
147v–148	Alleluia Adorare Dominum	-	Anonymous
Alleluia Adorare Dominum Anonymous Appears on: 147v–148 Genres: Alleluia
148v–151	Regina coeli	-	Anonymous
Regina coeli Anonymous Appears on: 148v–151 Genres: BVM, Marian antiphon, Regina caeli laetare
151v–154	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 151v–154 Genres: BVM, Marian antiphon, Salve Regina
154v–158	Salve regina	-	Anonymous
Salve regina Anonymous Appears on: 154v–158 Genres: Antiphon, BVM, Salve Regina
[159v]–[165]	Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces	-	Berchem, Jacques (ca. 1505–1567)
Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces Berchem, Jacques (ca. 1505–1567) Appears on: [159v]–[165] Genres: Credo (patrem omnipotentem), Mass Ordinary General Note the rest of the mass is at ff. 88v-97
[165v]	O beate pater	-	Anonymous
O beate pater Anonymous Appears on: [165v] Genres: Hymn General Note incomplete
[167v]+[166]+[5]+[12B]+[168]	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: [167v]+[166]+[5]+[12B]+[168] Genres: Ave maris stella, BVM, Hymn General Note incomplete

Composer	Compositions
Anonymous	Alleluia – 103v–104 Alleluia Adorare Dominum – 147v–148 Alleluia Sexta antigua – 109v–110 Alleluia. Christus resurgens ex mortuis (Octava antigua) – 110v–111 Ave maris stella – [167v]+[166]+[5]+[12B]+[168] Beauts servus – 23v–24 Benedicamus Domino – 127v–128 Diffusa est gratia – 16v–17 Gaudeamus omnes – 9v–15 Intret in conspectu – 25v–29 Justorum animae – 32v–33 Lamentations (I): Incipiunt lamentationes – 128v–133 Lamentations (II): Beth. Cogitavit Dominus – 134v–138 Lamentations (III): Heth. Misericordie Domini – 139v–142 Missa 'de leirea' – 56v–67 Multitudo languentium – 30v–32 Nos autem gloriari – 1v–4, 6-7 O beate pater – [165v] O gloriosa Domina – 114v–115 Os justi – 18v–23 Per signum crucis – 7v–8 Regina coeli – 148v–151 Responses: Amen - Et cum spiritu tuo - etc – 112v–113 Responses: Amen - Et cum spiritu tuo - etc – 113v–114 Salve regina – 154v–158 Salve regina – 151v–154 [Te Deum] Te eternum [K.541] – 143v–147
Berchem, Jacques (ca. 1505–1567)	Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie – 88v–97 Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie – 88v–97 Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces – [159v]–[165] Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes – 88v–97 Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces – 88v–97
Buxel	Alleluia – 105v–106 Missa – 77v–87
Janequin, Clement (ca. 1485–ca. 1558)	Missa La bataglia/La bataille – 68v–76
Morales, Cristóbal de (ca. 1500–1553)	Magnificat primi toni: Anima Mea [K.914] – 115v–121
Moran, Luis	Alleluia – 107v–108 Magnificat tone 3: Anima mea [K.930] – 121v–127
Paiva, Heliodoro de	Alleluia – 106v–107
Pires, Vasco	Alleluia – 108v–109
Pregador	Alleluia – 104v–105
Richafort, Jean (ca. 1480–ca. 1550)	Missa O genitrix gloriosa – 34v–55
Santa Maria, Dom Francisco de	Alleluia – 142v–143
Verdelot, Philippe (ca. 1480–ca. 1532)	Missa Philomena prævia (Missa sobre filomena) – 98v–103

Composition	Composers (? Uncertain)	Folios / Pages
[Te Deum] Te eternum [K.541]	Anonymous	143v–147
Alleluia	Anonymous	103v–104
Alleluia	Pregador	104v–105
Alleluia	Buxel	105v–106
Alleluia	Paiva, Heliodoro de	106v–107
Alleluia	Moran, Luis	107v–108
Alleluia	Pires, Vasco	108v–109
Alleluia	Santa Maria, Dom Francisco de	142v–143
Alleluia Adorare Dominum	Anonymous	147v–148
Alleluia Sexta antigua	Anonymous	109v–110
Alleluia. Christus resurgens ex mortuis (Octava antigua)	Anonymous	110v–111
Ave maris stella	Anonymous	[167v]+[166]+[5]+[12B]+[168]
Beauts servus	Anonymous	23v–24
Benedicamus Domino	Anonymous	127v–128
Diffusa est gratia	Anonymous	16v–17
Gaudeamus omnes	Anonymous	9v–15
Intret in conspectu	Anonymous	25v–29
Justorum animae	Anonymous	32v–33
Lamentations (I): Incipiunt lamentationes	Anonymous	128v–133
Lamentations (II): Beth. Cogitavit Dominus	Anonymous	134v–138
Lamentations (III): Heth. Misericordie Domini	Anonymous	139v–142
Magnificat primi toni: Anima Mea [K.914]	Morales, Cristóbal de (ca. 1500–1553)	115v–121
Magnificat tone 3: Anima mea [K.930]	Moran, Luis	121v–127
Missa	Buxel	77v–87
Missa 'de leirea'	Anonymous	56v–67
Missa La bataglia/La bataille	Janequin, Clement (ca. 1485–ca. 1558)	68v–76
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	Berchem, Jacques (ca. 1505–1567)	88v–97
Missa Mors et merci = Missa Lachet ber Chen: Agnus = Kyrie	Berchem, Jacques (ca. 1505–1567)	88v–97
Missa Mors et merci = Missa Lachet ber Chen: Credo: 5 partes Crucifixus: 3 voces	Berchem, Jacques (ca. 1505–1567)	[159v]–[165]
Missa Mors et merci = Missa Lachet ber Chen: Gloria: 2 partes	Berchem, Jacques (ca. 1505–1567)	88v–97
Missa Mors et merci = Missa Lachet ber Chen: Sanctus with: Pleni: 4 voces, Osanna I, Benedictus: 3 voces	Berchem, Jacques (ca. 1505–1567)	88v–97
Missa O genitrix gloriosa	Richafort, Jean (ca. 1480–ca. 1550)	34v–55
Missa Philomena prævia (Missa sobre filomena)	Verdelot, Philippe (ca. 1480–ca. 1532)	98v–103
Multitudo languentium	Anonymous	30v–32
Nos autem gloriari	Anonymous	1v–4, 6-7
O beate pater	Anonymous	[165v]
O gloriosa Domina	Anonymous	114v–115
Os justi	Anonymous	18v–23
Per signum crucis	Anonymous	7v–8
Regina coeli	Anonymous	148v–151
Responses: Amen - Et cum spiritu tuo - etc	Anonymous	112v–113
Responses: Amen - Et cum spiritu tuo - etc	Anonymous	113v–114
Salve regina	Anonymous	151v–154
Salve regina	Anonymous	154v–158

‡ denotes primary source study

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 130. Notes: concordances (partial); incipits (partial).

Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 93-112. Pages: 103-4. Notes: mention of MS.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: XVII, 45-6. Notes: physical description (partial); contents list.

Sampayo Ribeiro, Mário de. 1939. A Música em Coimbra. Coimbra. Pages: 16-7. Notes: mention of MS.

Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 15-6. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

P-Cug MM.9

Biblioteca Geral da Universidade, Coimbra, Portugal

Polyphonic Choirbook: Second half of the 16th century

General Description

Binding

Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

Concordances

General Note

Concordances

Concordances

Concordances

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017