The Masses and Lamentations were copied by a single scribe, possibly Dom Francisco de Santa Maria; the motets were added at the end by a different scribe. From the monastery of Santa Cruz, in Coimbra.
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.3 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 580 x 420 mm |
| Other Identifiers |
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| Contents | Contains 13 compositions, 7 from 1 composer, 6 are anonymous. |
General Description
Extent
ii + 84 + ii leaves
Physical Description
One folio is missing from the beginning of the manuscript. All edges have been trimmed.
Binding
Old but not original covers of light brown tooled leather over boards, added when the book was re-bound between 1937 and 1941.
Notation
black void mensural
Date
c. 1575
Foliation
Original ink foliation, 2–49; twenty-eight originally unnumbered folios have been bound between 23 and 24. Modern pencil foliation from the end of the first section of original foliation onwards, 24–85. (Census describes both systems of foliation incorrectly, stating that the modern folio numbers begin at 2 (rather than 24) and that the original ink foliation is 1–23 and 25–49.)
Decoration
Various types of initials: some black calligraphic, some block red, some small but elaborate calligraphic in red.
Surface
paper
Census Catalogue of Music Description
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6 Masses, 3 Lamentations, 4 motets = 13
Santa Maria-1, anon-12
i + 84 + i paper folios, 580 x 420. Modern pencil foliation, 2-85; partial original ink foliation, 1-23 and 25-49. Covers of light brown tooled leather, old but not original, similar to those of CoimU 2 and CoimU 9. The Masses and Lamentations were copied by a single scribe; the motets were added at the end by a different scribe. Various types of initials: some black calligraphic, some block red, some small but elaborate calligraphic in red.
Second half of the 16th century. From the monastery of Santa Cruz, in Coimbra.
The inventory could not be loaded.
‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Notes: physical description; inventory; concordances.
Luper, Albert T. 1950. Portuguese Polyphony in the Sixteenth and Early Seventeenth Centuries. Journal of the American Musicological Society, 3: 93-112. Pages: 103-4. Notes: mention of MS.
Sampayo Ribeiro, Mário de. 1939. A Música em Coimbra. Coimbra. Pages: 17. Notes: mention of MS.
Kastner, Macario Santiago. 1937. Inventário dos inéditos e impressos musicais. Coimbra. Pages: 13. Notes: physical description; contents list; incipitsst of contents (partial).
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Owen Rees, 2010
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description