H-Bn MS Bártfa Mus.Pr.1

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: After 1555 - After 1611

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa Mus.Pr.1
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	155 x 200 mm
Other Identifiers	CCM: BudOS P1 olim (Former shelfmark): Imp. I.N.
Notations	black void mensural
Copyists	Frisch, Johann Music scribal concordance [112] Music
Relationships	Church of St. Aegidi (owner)
Provenance	Nürnberg (Nuremberg), Bavaria, Germany
Contents	47 pieces from 14 composers

General Description

A single Discantus partbook, probably from a set of five or more, consisting of the print RISM 1545/5 plus manuscript additions. Copied by several scribes, one of whom was Johann Frisch (inscription on f. 29: 'Scripsit hoc Johannes Frisch manus ,Norimberg Anno 1610. 9 Novemb[ris]'); another one of the scribes also appears in BudOS 24 (Fox).

Portions of BudOS 8 may have been copied from BudOS P1 (MurIO), or alternatively BudOS P1 was copied from BudOS 8 (CC2). Part II was copied in Nuremberg.

From the Church of St. Aegidi in Bartfa {= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Binding

Rebound, with leather spine and corners.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Part I: After 1555; Part II: 1610; Part III: After 1611 (MurTVB).

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Decoration

Small ornamented initials (one red); one red rubric.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 11 Kyries, 5 Glorias, 3 Mass Proper cycles, 2 Mass Proper sections, 4 Magnificats, 18 motets (some with Latin/German texts), 2 German sacred pieces = 46

(Finck)-1, (Forster)-1, (Händl)-12, (Isaac)-5, (Judex)-1, (Knöfel)-1, (Lassus)-4, (M. Praetorius)-15, Rener-1, (Resinarius)-1, Spongopeus-1, (David Th.)-1, (Tonsor)-1, (Zallamella)-1, anon-8

1 paper partbook, consisting of the print RISM 1545/5, plus manuscript additions (D-40 folios), 155 x 200. New pencil foliation. Rebound, with leather spine and corners. Copied by several scribes, one of whom was Johann Frisch (inscription on f. 29: "Scripsit hoc Johannes Frisch manus Norimberg Anno 1610. 9 November"); another one of the scribes also appears in BudOS 24 (Fox). Portions of BudOS 8 were probably copied from BudOS PI (MurIO). Small ornamented initials (one red); one red rubric.

Part I: After 1555; Part II: 1610; Part III: After 1611 (MurTVB). Part II was copied in Nuremberg. From the Church of St. Aegidi in Bartfa {= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol. 4

Contents: 1 Mass, 5 Kyrie-Gloria pairs, 6 Kyries, 11 Mass Proper sections, 4 Magnificats, 18 motets, 2 German secular pieces = 47

Composers: (Finck)-1, (Gosswin)-1, (Händl)-4, (Isaac)-11, (Judex)-1, (Lassus)-4, (M. Praetorius)-10, Rener-1, (Resinarius)-1, Spongopeus-1, (Tonsor)-1, (Thusius?)-2, (Zallamella)-1, anon-8

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–4v	Missa Sine nomine (KGCSA)	-	Anonymous
Missa Sine nomine (KGCSA) Anonymous Appears on: 1–4v Genres: Mass Ordinary
5	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	-	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 5 Genres: Introit
5v	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: 5v Genres: Alleluia, Motet
6	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	-	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: 6 Genres: Motet
6v	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: 6v Genres: Motet
7	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 7 Genres: Introit
7v	Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 7v Genres: Alleluia, Motet
8–8v	Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	-	Isaac, Heinrich (ca. 1450–1517)
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac, Heinrich (ca. 1450–1517) Appears on: 8–8v Genres: Motet
9	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	-	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: 9 Genres: Introit
9v–10	Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	-	Isaac, Heinrich (ca. 1450–1517)
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus Isaac, Heinrich (ca. 1450–1517) Appears on: 9v–10 Genres: Sequence
10v–11	Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	-	Isaac, Heinrich (ca. 1450–1517)
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur Isaac, Heinrich (ca. 1450–1517) Appears on: 10v–11 Genres: Ave Maria, Motet
11v	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	-	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: 11v Genres: Introit
12	Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	-	Isaac, Heinrich (ca. 1450–1517)
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: 12 Genres: Introit
12v	Missa Pascale a4 ad organum: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 12v Genres: Kyrie eleison, Mass Ordinary
13	Deus noster refugium et virtus adjutor	-	Lassus, Orlande de (ca. 1532–1594)
Deus noster refugium et virtus adjutor Lassus, Orlande de (ca. 1532–1594) Appears on: 13 Genres: Motet
13v	Tristis est anima mea usque ad mortem	-	Lassus, Orlande de (ca. 1532–1594)
Tristis est anima mea usque ad mortem Lassus, Orlande de (ca. 1532–1594) Appears on: 13v Genres: Motet
14–14v	Magnificat Tertii Toni: Et exultavit [K.1003]	Rener	Rener, Adam (ca. 1485–ca. 1520)
Magnificat Tertii Toni: Et exultavit [K.1003] Rener, Adam (ca. 1485–ca. 1520) Appears on: 14–14v Genres: BVM, Canticle, Magnificat Source Attribution: Rener
14v	Gaudium Martini ingens	-	Anonymous
Gaudium Martini ingens Anonymous Appears on: 14v Genres: Motet
15–15v	Martine lieber Herre mein (3 partes)	-	Forster, Georg (ca. 1510–1568)
Martine lieber Herre mein (3 partes) Forster, Georg (ca. 1510–1568) Appears on: 15–15v Genres: Motet
16–16v	Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	-	Handl (Gallus), Jacobus (1550–1591)
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) Handl (Gallus), Jacobus (1550–1591) Appears on: 16–16v Genres: Motet
17	O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	-	Anonymous
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) Anonymous Appears on: 17 Genres: Motet
17v	Laetamini cum Jerusalem et exultate in ea	-	Handl (Gallus), Jacobus (1550–1591)
Laetamini cum Jerusalem et exultate in ea Handl (Gallus), Jacobus (1550–1591) Appears on: 17v Genres: Motet
17v–18	Quid admiramini quid opiniamini filiae	-	Handl (Gallus), Jacobus (1550–1591)
Quid admiramini quid opiniamini filiae Handl (Gallus), Jacobus (1550–1591) Appears on: 17v–18 Genres: Motet
18	Quoties diem illum considero quoties diem	-	Tonsor, Michael
Quoties diem illum considero quoties diem Tonsor, Michael Appears on: 18 Genres: Motet
18v	Docti fulgebunt sicut splendor firmamenti	-	Judex, Valentin
Docti fulgebunt sicut splendor firmamenti Judex, Valentin Appears on: 18v Genres: Motet
19	Domine quando veneris judicare terram	-	Handl (Gallus), Jacobus (1550–1591)
Domine quando veneris judicare terram Handl (Gallus), Jacobus (1550–1591) Appears on: 19 Genres: Motet
19v–20	Domine quid multiplicati sunt qui tribulant	-	Lassus, Orlande de (ca. 1532–1594)
Domine quid multiplicati sunt qui tribulant Lassus, Orlande de (ca. 1532–1594) Appears on: 19v–20 Genres: Motet
20v–21v	Barbara celarent darii ferioque (2 partes)	-	Anonymous
Barbara celarent darii ferioque (2 partes) Anonymous Appears on: 20v–21v Genres: Motet Concordances Levoca 13997 (no.17) General Note A setting of the mnemonic for remembering valid syllogisms!
22–22v	Ad te levavi oculos meos qui habitas in caelis	-	Goswin, Anthonius
Ad te levavi oculos meos qui habitas in caelis Goswin, Anthonius Appears on: 22–22v Genres: Motet
23	Laetentur caeli	-	Anonymous
Laetentur caeli Anonymous Appears on: 23 Genres: Psalm
23–24	Magnificat (5vv, tone 1) [K.184]	-	Anonymous
Magnificat (5vv, tone 1) [K.184] Anonymous Appears on: 23–24 Genres: BVM, Canticle, Magnificat
24v–25v	Magnificat (tone 6) [K.351]	-	Anonymous
Magnificat (tone 6) [K.351] Anonymous Appears on: 24v–25v Genres: BVM, Canticle, Magnificat
25v–26v	Magnificat (tone 8) [K.441]	-	Anonymous
Magnificat (tone 8) [K.441] Anonymous Appears on: 25v–26v Genres: BVM, Canticle, Magnificat
26v–27	Ingrediente Domino in sanctam civitatem	-	Zallamella, Pandolfo
Ingrediente Domino in sanctam civitatem Zallamella, Pandolfo Appears on: 26v–27 Genres: Motet
27v	Fili quid fecisti nobis ego et pater	-	Lassus, Orlande de (ca. 1532–1594)
Fili quid fecisti nobis ego et pater Lassus, Orlande de (ca. 1532–1594) Appears on: 27v Genres: Motet
28	Judaea et Jerusalem nolite timere	Spongopaeus	Spongopeus, Paul
Judaea et Jerusalem nolite timere Spongopeus, Paul Appears on: 28 Genres: Motet Source Attribution: Spongopaeus
28–29	Martinus Abrahae sinu laetus Caelum dives	-	Resinarius, Balthasar
Martinus Abrahae sinu laetus Caelum dives Resinarius, Balthasar Appears on: 28–29 Genres: Hymn General Note at end: "Scripsit haec Johannes Frisch manus, Norimberg Anno 1610. 9 Novemb[ris]"
29v	Kyrie summum (Kyrie fons bonitatis)	-	Praetorius, Michael
Kyrie summum (Kyrie fons bonitatis) Praetorius, Michael Appears on: 29v Genres: Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (no. 1)
30	Kyrie minus summum (Kyrie magne Deus)	-	Praetorius, Michael
Kyrie minus summum (Kyrie magne Deus) Praetorius, Michael Appears on: 30 Genres: Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (no. 2)
30v	Kyrie in festo BMV	-	Praetorius, Michael
Kyrie in festo BMV Praetorius, Michael Appears on: 30v Genres: Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (no. 3)
31–32	Kyrie Paschale; Et in terra [Gloria]	-	Praetorius, Michael
Kyrie Paschale; Et in terra [Gloria] Praetorius, Michael Appears on: 31–32 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (nos. 4-5)
32v–33	Kyrie II in festo BMV	-	Praetorius, Michael
Kyrie II in festo BMV Praetorius, Michael Appears on: 32v–33 Genres: Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (no. 6)
33v–34v	Kyrie in Adventu; Et in terra [Gloria]	-	Praetorius, Michael
Kyrie in Adventu; Et in terra [Gloria] Praetorius, Michael Appears on: 33v–34v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (nos. 7-8)
35	Kyrie Angelicum	-	Praetorius, Michael
Kyrie Angelicum Praetorius, Michael Appears on: 35 Genres: Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (no. 9)
35v–36v	Kyrie Dominicale; Et in terra [Gloria]	-	Praetorius, Michael
Kyrie Dominicale; Et in terra [Gloria] Praetorius, Michael Appears on: 35v–36v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (nos. 10-11)
37–38v	Kyrie Apostolicum; Et in terra [Gloria]	-	Praetorius, Michael
Kyrie Apostolicum; Et in terra [Gloria] Praetorius, Michael Appears on: 37–38v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (nos. 12-13)
39–40	Kyrie de Domina; Et in terra [Gloria]	-	Praetorius, Michael
Kyrie de Domina; Et in terra [Gloria] Praetorius, Michael Appears on: 39–40 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Concordances printed in Praetorius's "Missodia Sionia" 1611 (nos. 14-15)

Composer	Compositions
Anonymous	Barbara celarent darii ferioque (2 partes) – 20v–21v Gaudium Martini ingens – 14v Laetentur caeli – 23 Magnificat (5vv, tone 1) [K.184] – 23–24 Magnificat (tone 6) [K.351] – 24v–25v Magnificat (tone 8) [K.441] – 25v–26v Missa Sine nomine (KGCSA) – 1–4v O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) – 17
Finck, Heinrich	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – 6 Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – 6v
Forster, Georg (ca. 1510–1568)	Martine lieber Herre mein (3 partes) – 15–15v
Goswin, Anthonius	Ad te levavi oculos meos qui habitas in caelis – 22–22v
Handl (Gallus), Jacobus (1550–1591)	Domine quando veneris judicare terram – 19 Laetamini cum Jerusalem et exultate in ea – 17v Quid admiramini quid opiniamini filiae – 17v–18 Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) – 16–16v
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – 5v Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] – 7v Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur – 10v–11 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – 7 Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus – 9v–10 Missa Pascale a4 ad organum: Kyrie – 12v Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – 5 Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) – 8–8v Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] – 12 Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – 11v Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – 9
Judex, Valentin	Docti fulgebunt sicut splendor firmamenti – 18v
Lassus, Orlande de (ca. 1532–1594)	Deus noster refugium et virtus adjutor – 13 Domine quid multiplicati sunt qui tribulant – 19v–20 Fili quid fecisti nobis ego et pater – 27v Tristis est anima mea usque ad mortem – 13v
Praetorius, Michael	Kyrie Angelicum – 35 Kyrie Apostolicum; Et in terra [Gloria] – 37–38v Kyrie Dominicale; Et in terra [Gloria] – 35v–36v Kyrie II in festo BMV – 32v–33 Kyrie Paschale; Et in terra [Gloria] – 31–32 Kyrie de Domina; Et in terra [Gloria] – 39–40 Kyrie in Adventu; Et in terra [Gloria] – 33v–34v Kyrie in festo BMV – 30v Kyrie minus summum (Kyrie magne Deus) – 30 Kyrie summum (Kyrie fons bonitatis) – 29v
Rener, Adam (ca. 1485–ca. 1520)	Magnificat Tertii Toni: Et exultavit [K.1003] – 14–14v
Resinarius, Balthasar	Martinus Abrahae sinu laetus Caelum dives – 28–29
Spongopeus, Paul	Judaea et Jerusalem nolite timere – 28
Tonsor, Michael	Quoties diem illum considero quoties diem – 18
Zallamella, Pandolfo	Ingrediente Domino in sanctam civitatem – 26v–27

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos qui habitas in caelis	Goswin, Anthonius	22–22v
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	5v
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	7v
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	Isaac, Heinrich (ca. 1450–1517)	10v–11
Barbara celarent darii ferioque (2 partes)	Anonymous	20v–21v
Deus noster refugium et virtus adjutor	Lassus, Orlande de (ca. 1532–1594)	13
Docti fulgebunt sicut splendor firmamenti	Judex, Valentin	18v
Domine quando veneris judicare terram	Handl (Gallus), Jacobus (1550–1591)	19
Domine quid multiplicati sunt qui tribulant	Lassus, Orlande de (ca. 1532–1594)	19v–20
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	7
Fili quid fecisti nobis ego et pater	Lassus, Orlande de (ca. 1532–1594)	27v
Gaudium Martini ingens	Anonymous	14v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	6
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	6v
Ingrediente Domino in sanctam civitatem	Zallamella, Pandolfo	26v–27
Judaea et Jerusalem nolite timere	Spongopeus, Paul	28
Kyrie Angelicum	Praetorius, Michael	35
Kyrie Apostolicum; Et in terra [Gloria]	Praetorius, Michael	37–38v
Kyrie de Domina; Et in terra [Gloria]	Praetorius, Michael	39–40
Kyrie Dominicale; Et in terra [Gloria]	Praetorius, Michael	35v–36v
Kyrie II in festo BMV	Praetorius, Michael	32v–33
Kyrie in Adventu; Et in terra [Gloria]	Praetorius, Michael	33v–34v
Kyrie in festo BMV	Praetorius, Michael	30v
Kyrie minus summum (Kyrie magne Deus)	Praetorius, Michael	30
Kyrie Paschale; Et in terra [Gloria]	Praetorius, Michael	31–32
Kyrie summum (Kyrie fons bonitatis)	Praetorius, Michael	29v
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	Isaac, Heinrich (ca. 1450–1517)	9v–10
Laetamini cum Jerusalem et exultate in ea	Handl (Gallus), Jacobus (1550–1591)	17v
Laetentur caeli	Anonymous	23
Magnificat (5vv, tone 1) [K.184]	Anonymous	23–24
Magnificat (tone 6) [K.351]	Anonymous	24v–25v
Magnificat (tone 8) [K.441]	Anonymous	25v–26v
Magnificat Tertii Toni: Et exultavit [K.1003]	Rener, Adam (ca. 1485–ca. 1520)	14–14v
Martine lieber Herre mein (3 partes)	Forster, Georg (ca. 1510–1568)	15–15v
Martinus Abrahae sinu laetus Caelum dives	Resinarius, Balthasar	28–29
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	12v
Missa Sine nomine (KGCSA)	Anonymous	1–4v
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	Anonymous	17
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	5
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	Isaac, Heinrich (ca. 1450–1517)	8–8v
Quid admiramini quid opiniamini filiae	Handl (Gallus), Jacobus (1550–1591)	17v–18
Quoties diem illum considero quoties diem	Tonsor, Michael	18
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	12
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	11v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	9
Tristis est anima mea usque ad mortem	Lassus, Orlande de (ca. 1532–1594)	13v
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	Handl (Gallus), Jacobus (1550–1591)	16–16v

‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXX, 155-8.

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 317-8,331ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 128. Notes: concordances (partial); contents list (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334-5. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 42. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description