B-Bc MS 27766

Library Conservatoire royal de Bruxelles / Koninklijk Conservatorium Brussel, Brussels, Belgium

manuscript of polyphony: 1560

Archive	Library Conservatoire royal de Bruxelles / Koninklijk Conservatorium Brussel, Brussels, Belgium (B-Bc)
Shelfmark	MS 27766
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	420 x 280 mm
Other Identifiers	CCM: BrusC 27766
Notations	black void mensural
Copyists	Morus, Antonius Music
Relationships	Sostegni, Clemenza di (commissioned/made for) Biffoli, Angioletta di (commissioned/made for)
Provenance	Firenze (Florence), Italy
Contents	76 pieces from 10 composers

General Description

Copied by Antonius Morus, whose name appears in one of the initials; this scribe also copied BrusC 27731 (Rifkin), FlorBN II.I.285, and RomeV 35-40 (Perkins). Copied in Florence, for Angioletta di Biffoli and Clemenza di Sostegni. Both ladies belonged to prominent Florentine families.

DIAMM, 2017

Binding

Original leather covers stamped with names and arms of Angioletta di Biffoli and Clemenza di Sostegni; the arms also appear on f. 23' (Bori)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

1560 (date in manuscript).

DIAMM, 2017

Foliation

Original foliation, 1-166

DIAMM, 2017

Decoration

nked calligraphic initials often decorated with grotesque heads.

DIAMM, 2017

Index

Alphabetical index on ff. ii'-iii.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie, 4 Magnificats, 1 Te Deum, 15 psalms, 3 hymns, 47 motets, 3 Italian sacred pieces = 76

(Billon)-1, Bocchino-2, (Compère)-1, (C. Festa)-1, Morus [Sre Antonio]-1, Willaert [Adrino]-1, anon-69

iv + 166 + vi paper folios, 420 x 280. Original foliation, 1-166. Original leather covers stamped with names and arms of Angioletta di Biffoli and Clemenza di Sostegni; the arms also appear on f. 23' (Bori). Alphabetical index on ff. ii'-iii. Copied by Antonius Morus, whose name appears in one of the initials; this scribe also copied BrusC 27731 (Rifkin), FlorBN II.I.285, and RomeV 35-40 (Perkins). Inked calligraphic initials often decorated with grotesque heads.

1560 (date in manuscript). Copied in Florence, for Angioletta di Biffoli and Clemenza di Sostegni. Both ladies belonged to prominent Florentine families.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–14	Missa Recordare Virgo Mater	Anon.	Anonymous
Missa Recordare Virgo Mater Anonymous Appears on: 1v–14 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa Recordare Virgo Mater]
14v–16	Recordare virgo mater 25.1 II: Et ut advertas	[Josquin]	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)
Recordare virgo mater 25.1 II: Et ut advertas Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?) Appears on: 14v–16 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Recordare Virgo Mater 25.1 II: Et ut advertas
16v–18	Dixit Dominus Domino meo	Anon.	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 16v–18 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dixit Dominus Domino meo
18v–21	Confitebor tibi, Domine	Anon.	Anonymous
Confitebor tibi, Domine Anonymous Appears on: 18v–21 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi, Domine
21v–26	Beatus vir qui timet Dominum	Anon.	Anonymous
Beatus vir qui timet Dominum Anonymous Appears on: 21v–26 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui timet
26v–29	Laudate pueri Dominum	Anon.	Anonymous
Laudate pueri Dominum Anonymous Appears on: 26v–29 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate, pueri, Dominum
29v–33	Laudate Dominum omnes gentes, laudate eum	Anon.	Anonymous
Laudate Dominum omnes gentes, laudate eum Anonymous Appears on: 29v–33 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate Dominum, omnes gentes
33v–36	Magnificat (tone 1): Anima mea [K.169]	Anon.	Anonymous
Magnificat (tone 1): Anima mea [K.169] Anonymous Appears on: 33v–36 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Magnificat
36v–40	Te Deum laudamus [K.529]	Anon.	Anonymous
Te Deum laudamus [K.529] Anonymous Appears on: 36v–40 Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Te Deum laudamus
40v–41	Pange lingua gloriosi corporis misterium	Anon.	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 40v–41 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pange lingua
41v–43	Sancta Maria succurre miseris	Sre Antonio	Sre Antonio (=Antonius Morus?)
Sancta Maria succurre miseris Sre Antonio (=Antonius Morus?) Appears on: 41v–43 Genres: Motet Source Attribution: Sre Antonio Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre
43v–44	Vidi speciosam	Anon.	Anonymous
Vidi speciosam Anonymous Appears on: 43v–44 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vidi speciosam
44v–46	Sancta Maria succurre	Franc[isc]o Bocchino	Bocchino, Franc[isc]o
Sancta Maria succurre Bocchino, Franc[isc]o Appears on: 44v–46 Genres: Motet Source Attribution: Franc[isc]o Bocchino Voice: [no designation] Languages: Latin Voice Text: Sancta Maria succurre
46v–47	Sancta Dei genitrix	Anon.	Anonymous
Sancta Dei genitrix Anonymous Appears on: 46v–47 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sancta Dei genitrix
47v–48	Dixit Dominus Domino meo	Anon.	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 47v–48 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dixit Dominus Domino meo
48v–49	Laudate pueri Dominum	Anon.	Anonymous
Laudate pueri Dominum Anonymous Appears on: 48v–49 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate, pueri, Dominum
49v–50	Laetatus sum in his que	Anon.	Anonymous
Laetatus sum in his que Anonymous Appears on: 49v–50 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laetatus sum in his que
50v–51	Nisi Dominus edificaverit domum in vanum	Anon.	Anonymous
Nisi Dominus edificaverit domum in vanum Anonymous Appears on: 50v–51 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nisi Dominus edificaverit domum
51v–53	Lauda, Jerusalem, Dominum	Anon.	Anonymous
Lauda, Jerusalem, Dominum Anonymous Appears on: 51v–53 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Lauda, Jherusalem, Dominum
53v–55	Mundo spreto corde leto francisce magisterio	Anon.	Anonymous
Mundo spreto corde leto francisce magisterio Anonymous Appears on: 53v–55 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Mundo spreto corde leto francisce magisterio
55v–59	Magnificat (tone 8): Anima mea [K.427]	Anon.	Anonymous
Magnificat (tone 8): Anima mea [K.427] Anonymous Appears on: 55v–59 Genres: Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Magnifcat
59v–60	Salve sponsa Dei, virgo sacra, planta minorum	Anon.	Anonymous
Salve sponsa Dei, virgo sacra, planta minorum Anonymous Appears on: 59v–60 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve sponsa Dei, virgo sacra, planta minorum
60v–61	Da pacem Domine in diebus nostris	Anon.	Anonymous
Da pacem Domine in diebus nostris Anonymous Appears on: 60v–61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Da pacem Domine
61v–62	Mundo spreto	Anon.	Anonymous
Mundo spreto Anonymous Appears on: 61v–62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Mundo spreto
62v–64	In illo tempore Thomas II: Nisi vedero	Bocchinus meus F.	Bocchino, Franc[isc]o
In illo tempore Thomas II: Nisi vedero Bocchino, Franc[isc]o Appears on: 62v–64 Genres: Motet Source Attribution: Bocchinus meus F. Voice: [no designation] Languages: Latin Voice Text: In illo tempore Thomas II: Nisi vedero
64v–67	Verbum caro factum est de virgine Maria	Anon.	Anonymous
Verbum caro factum est de virgine Maria Anonymous Appears on: 64v–67 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est
67v–69	Quam pulcra es amica mea II: Labia tua	Anon./[Moulo/Josquin/ Mouton/Verdelot]	Anonymous
Quam pulcra es amica mea II: Labia tua Anonymous Appears on: 67v–69 Genres: Motet Source Attribution: Anon./[Moulo/Josquin/ Mouton/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es amica mea II: Labia tua
69v–70	Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate)	[Compère]	Compère, Loyset (ca. 1445–1518)
Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate) Compère, Loyset (ca. 1445–1518) Appears on: 69v–70 Genres: Motet Source Attribution: [Compère] Voice: [no designation] Languages: Latin Voice Text: Paranymphus salutat Virginem
70v–72	Portas caeli aperuit Dominus II: Hic est panis	Anon.	Anonymous
Portas caeli aperuit Dominus II: Hic est panis Anonymous Appears on: 70v–72 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Portas coeli aperuit Dominus II: Hic est panis
72v–73	Hodie Christus natus est hodie salvator	Anon.	Anonymous
Hodie Christus natus est hodie salvator Anonymous Appears on: 72v–73 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hodie Christus natus est
73v–74	Venite benedicti patris mei	Anon.	Anonymous
Venite benedicti patris mei Anonymous Appears on: 73v–74 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Venite benedictic patris mei
74v–75	Jesus autem cum jejunasset	Anon.	Anonymous
Jesus autem cum jejunasset Anonymous Appears on: 74v–75 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Jesus autem cum jejunasset
75v–76	Multiplicati sunt qui tribulant me	Anon.	Anonymous
Multiplicati sunt qui tribulant me Anonymous Appears on: 75v–76 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Multiplicati sunt qui tribulant me
76v–77	Ecce nunc tempus	Anon.	Anonymous
Ecce nunc tempus Anonymous Appears on: 76v–77 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce nunc tempus
77v–80	Sumens illud ave	Anon.	Anonymous
Sumens illud ave Anonymous Appears on: 77v–80 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sumens illud ave
80v–82	Qui paraclitus diceris	Anon.	Anonymous
Qui paraclitus diceris Anonymous Appears on: 80v–82 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui paraclitus diceris
82v–84	Vergine bella che di sol vestita	Anon.	Anonymous
Vergine bella che di sol vestita Anonymous Appears on: 82v–84 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Vergine bella che di sol vestita
84v–85	Adoramus te Christe	Anon.	Anonymous
Adoramus te Christe Anonymous Appears on: 84v–85 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe
85v–86	Inter natos mulierum	Anon.	Anonymous
Inter natos mulierum Anonymous Appears on: 85v–86 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum
86v–87	Hodie visitata est á3	Anon.	Anonymous
Hodie visitata est á3 Anonymous Appears on: 86v–87 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hodie visitata est (á3)
87v–88	Ecce quam bonum et quam jocundum habitare	Anon.	Anonymous
Ecce quam bonum et quam jocundum habitare Anonymous Appears on: 87v–88 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum
88v–89	Veni sponsa Christi	Anon.	Anonymous
Veni sponsa Christi Anonymous Appears on: 88v–89 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
89v–91	Haec dies quam fecit	Anon.	Anonymous
Haec dies quam fecit Anonymous Appears on: 89v–91 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hec dies quam fecit
91v–92	Sancta Maria Dei genitrix	Anon.	Anonymous
Sancta Maria Dei genitrix Anonymous Appears on: 91v–92 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sancta Maria Dei genitrix
92v–95	Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Adrino [Willaert]	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 92v–95 Genres: Ave Maria, Motet Source Attribution: Adrino [Willaert] Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena
95v–96	Jam sancte Clara	Anon.	Anonymous
Jam sancte Clara Anonymous Appears on: 95v–96 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Jam sancte Clara
96v–97	Mundi totius gloriam	Anon.	Anonymous
Mundi totius gloriam Anonymous Appears on: 96v–97 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mundi totius gloriam
97v–98	Haec in paternis laribus puella	Anon.	Anonymous
Haec in paternis laribus puella Anonymous Appears on: 97v–98 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hec in paternis laribus puella
98v–99	Sacra spirat infantia	Anon.	Anonymous
Sacra spirat infantia Anonymous Appears on: 98v–99 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sacra spirat infantia
99v–100	Hanc et papa Gregorius fovit	Anon.	Anonymous
Hanc et papa Gregorius fovit Anonymous Appears on: 99v–100 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Hanc et papa Gregorius fovit
100v–101	Duce caelesti numine	Anon.	Anonymous
Duce caelesti numine Anonymous Appears on: 100v–101 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Duce celesti numine
101v–102	Post vite clare terminum	Anon.	Anonymous
Post vite clare terminum Anonymous Appears on: 101v–102 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Post vite clare terminum
102v–104	Agnes ad agni nuptias	Anon.	Anonymous
Agnes ad agni nuptias Anonymous Appears on: 102v–104 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnes ad agni nuptias
104v–105	Honorat Christi dextera	Anon.	Anonymous
Honorat Christi dextera Anonymous Appears on: 104v–105 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Honorat Christi dextera
105v–106	Laudans laudare studeat	Anon.	Anonymous
Laudans laudare studeat Anonymous Appears on: 105v–106 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudans laudare studeat
106v–107	Kyrie eleison. Sancta Maria - litanies	Anon.	Anonymous
Kyrie eleison. Sancta Maria - litanies Anonymous Appears on: 106v–107 Genres: Kyrie eleison, Litany, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleison. Sancta Maria . . .(litanies)
107v–109	Dixit Dominus Domino meo	Anon.	Anonymous
Dixit Dominus Domino meo Anonymous Appears on: 107v–109 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dixit Dominus Domino meo
109v–111	Laudate pueri Dominum	Anon.	Anonymous
Laudate pueri Dominum Anonymous Appears on: 109v–111 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Laudate, pueri, Dominum
111v–113	Credidi propter quod locutus sum	Anon.	Anonymous
Credidi propter quod locutus sum Anonymous Appears on: 111v–113 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Credidi propter
113v–113bis.	In convertendo Dominus	Anon.	Anonymous
In convertendo Dominus Anonymous Appears on: 113v–113bis. Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In convertendo Dominus
113bis.v–118	Domine, probasti me	Anon.	Anonymous
Domine, probasti me Anonymous Appears on: 113bis.v–118 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine, probasti me
118v–124	Magnificat (tone 1): Anima mea [K.170]	Anon.	Anonymous
Magnificat (tone 1): Anima mea [K.170] Anonymous Appears on: 118v–124 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Magnificat
124v–127	Salve Regina, vita dulcedo	Anon.	Anonymous
Salve Regina, vita dulcedo Anonymous Appears on: 124v–127 Genres: Motet, Salve Regina Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Salve Regina], vita dulcedo
127v–129	Jesu benign' et pio	Anon.	Anonymous
Jesu benign' et pio Anonymous Appears on: 127v–129 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Jesu benignv et pio
129v–131	Non e alcun di gloria degno	Anon.	Anonymous
Non e alcun di gloria degno Anonymous Appears on: 129v–131 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Non e alcun di gloria degno
135v–149	Missa à 3	Anon.	Anonymous
Missa à 3 Anonymous Appears on: 135v–149 Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa] (á3)
149v–151	In illo tempore vidit Jesus á3 II: Et videntes pharisei	Anon.	Anonymous
In illo tempore vidit Jesus á3 II: Et videntes pharisei Anonymous Appears on: 149v–151 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In illo tempore vidit Jesus (á3) II: Et videntes pharisei
151v–152	Salve sancte pater Francisce	Anon.	Anonymous
Salve sancte pater Francisce Anonymous Appears on: 151v–152 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve sancte pater . . .Francisce (á3)
152v–153	Ave regina caelorum á3	Anon.	Anonymous
Ave regina caelorum á3 Anonymous Appears on: 152v–153 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ave regina celorum (á3)
153v–154	O crux splendidior á3	Anon.	Anonymous
O crux splendidior á3 Anonymous Appears on: 153v–154 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O crux splendidior (á3)
154v–155	Adoramus te Christe	Anon.	Anonymous
Adoramus te Christe Anonymous Appears on: 154v–155 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Adoramus te Christe (á3)
155v–156	Verbum caro factum est á3	Anon.	Anonymous
Verbum caro factum est á3 Anonymous Appears on: 155v–156 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est (á3)
156v–157	Verbum caro factum est á3	Anon.	Anonymous
Verbum caro factum est á3 Anonymous Appears on: 156v–157 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum caro factum est (á3)
157v–158	Quam pulcra es et decora á3	[C. Festa]	Festa, Costanzo (ca. 1485–1545)
Quam pulcra es et decora á3 Festa, Costanzo (ca. 1485–1545) Appears on: 157v–158 Genres: Motet Source Attribution: [C. Festa] Voice: [no designation] Languages: Latin Voice Text: Quam pulcra es et decora (á3)
158v–164	Magnificat à 3 (tone 1) [K.616]	[Billon]	Billon, Jhan de
Magnificat à 3 (tone 1) [K.616] Billon, Jhan de Appears on: 158v–164 Genres: BVM, Canticle, Magnificat Source Attribution: [Billon] Voice: [no designation] Languages: Latin Voice Text: Magnificat (á3)
165v–166	Popule meus	Anon.	Anonymous
Popule meus Anonymous Appears on: 165v–166 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Popule meus (á2)

Composer	Compositions
Anonymous	Adoramus te Christe – 84v–85 Adoramus te Christe – 154v–155 Agnes ad agni nuptias – 102v–104 Ave regina caelorum á3 – 152v–153 Beatus vir qui timet Dominum – 21v–26 Confitebor tibi, Domine – 18v–21 Credidi propter quod locutus sum – 111v–113 Da pacem Domine in diebus nostris – 60v–61 Dixit Dominus Domino meo – 107v–109 Dixit Dominus Domino meo – 47v–48 Dixit Dominus Domino meo – 16v–18 Domine, probasti me – 113bis.v–118 Duce caelesti numine – 100v–101 Ecce nunc tempus – 76v–77 Ecce quam bonum et quam jocundum habitare – 87v–88 Haec dies quam fecit – 89v–91 Haec in paternis laribus puella – 97v–98 Hanc et papa Gregorius fovit – 99v–100 Hodie Christus natus est hodie salvator – 72v–73 Hodie visitata est á3 – 86v–87 Honorat Christi dextera – 104v–105 In convertendo Dominus – 113v–113bis. In illo tempore vidit Jesus á3 II: Et videntes pharisei – 149v–151 Inter natos mulierum – 85v–86 Jam sancte Clara – 95v–96 Jesu benign' et pio – 127v–129 Jesus autem cum jejunasset – 74v–75 Kyrie eleison. Sancta Maria - litanies – 106v–107 Laetatus sum in his que – 49v–50 Lauda, Jerusalem, Dominum – 51v–53 Laudans laudare studeat – 105v–106 Laudate Dominum omnes gentes, laudate eum – 29v–33 Laudate pueri Dominum – 109v–111 Laudate pueri Dominum – 26v–29 Laudate pueri Dominum – 48v–49 Magnificat (tone 1): Anima mea [K.169] – 33v–36 Magnificat (tone 1): Anima mea [K.170] – 118v–124 Magnificat (tone 8): Anima mea [K.427] – 55v–59 Missa Recordare Virgo Mater – 1v–14 Missa à 3 – 135v–149 Multiplicati sunt qui tribulant me – 75v–76 Mundi totius gloriam – 96v–97 Mundo spreto – 61v–62 Mundo spreto corde leto francisce magisterio – 53v–55 Nisi Dominus edificaverit domum in vanum – 50v–51 Non e alcun di gloria degno – 129v–131 O crux splendidior á3 – 153v–154 Pange lingua gloriosi corporis misterium – 40v–41 Popule meus – 165v–166 Portas caeli aperuit Dominus II: Hic est panis – 70v–72 Post vite clare terminum – 101v–102 Quam pulcra es amica mea II: Labia tua – 67v–69 Qui paraclitus diceris – 80v–82 Sacra spirat infantia – 98v–99 Salve Regina, vita dulcedo – 124v–127 Salve sancte pater Francisce – 151v–152 Salve sponsa Dei, virgo sacra, planta minorum – 59v–60 Sancta Dei genitrix – 46v–47 Sancta Maria Dei genitrix – 91v–92 Sumens illud ave – 77v–80 Te Deum laudamus [K.529] – 36v–40 Veni sponsa Christi – 88v–89 Venite benedicti patris mei – 73v–74 Verbum caro factum est de virgine Maria – 64v–67 Verbum caro factum est á3 – 156v–157 Verbum caro factum est á3 – 155v–156 Vergine bella che di sol vestita – 82v–84 Vidi speciosam – 43v–44
Billon, Jhan de	Magnificat à 3 (tone 1) [K.616] – 158v–164
Bocchino, Franc[isc]o	In illo tempore Thomas II: Nisi vedero – 62v–64 Sancta Maria succurre – 44v–46
Compère, Loyset (ca. 1445–1518)	Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate) – 69v–70
Despres, Josquin (ca. 1450–1521)	(?) Recordare virgo mater 25.1 II: Et ut advertas – 14v–16
Festa, Costanzo (ca. 1485–1545)	Quam pulcra es et decora á3 – 157v–158
Mouton, Jean (ca. 1459–1522)	Recordare virgo mater 25.1 II: Et ut advertas – 14v–16
Obrecht, Jacobus (ca. 1457–1505)	(?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 92v–95
Sre Antonio (=Antonius Morus?)	Sancta Maria succurre miseris – 41v–43
Willaert, Adrian (ca. 1490–1562)	(?) Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum – 92v–95

Composition	Composers (? Uncertain)	Folios / Pages
Adoramus te Christe	Anonymous	84v–85
Adoramus te Christe	Anonymous	154v–155
Agnes ad agni nuptias	Anonymous	102v–104
Ave regina caelorum á3	Anonymous	152v–153
Beatus vir qui timet Dominum	Anonymous	21v–26
Confitebor tibi, Domine	Anonymous	18v–21
Credidi propter quod locutus sum	Anonymous	111v–113
Da pacem Domine in diebus nostris	Anonymous	60v–61
Dixit Dominus Domino meo	Anonymous	16v–18
Dixit Dominus Domino meo	Anonymous	47v–48
Dixit Dominus Domino meo	Anonymous	107v–109
Domine, probasti me	Anonymous	113bis.v–118
Duce caelesti numine	Anonymous	100v–101
Ecce nunc tempus	Anonymous	76v–77
Ecce quam bonum et quam jocundum habitare	Anonymous	87v–88
Haec dies quam fecit	Anonymous	89v–91
Haec in paternis laribus puella	Anonymous	97v–98
Hanc et papa Gregorius fovit	Anonymous	99v–100
Hodie Christus natus est hodie salvator	Anonymous	72v–73
Hodie visitata est á3	Anonymous	86v–87
Honorat Christi dextera	Anonymous	104v–105
In convertendo Dominus	Anonymous	113v–113bis.
In illo tempore Thomas II: Nisi vedero	Bocchino, Franc[isc]o	62v–64
In illo tempore vidit Jesus á3 II: Et videntes pharisei	Anonymous	149v–151
Inter natos mulierum	Anonymous	85v–86
Jam sancte Clara	Anonymous	95v–96
Jesu benign' et pio	Anonymous	127v–129
Jesus autem cum jejunasset	Anonymous	74v–75
Kyrie eleison. Sancta Maria - litanies	Anonymous	106v–107
Laetatus sum in his que	Anonymous	49v–50
Lauda, Jerusalem, Dominum	Anonymous	51v–53
Laudans laudare studeat	Anonymous	105v–106
Laudate Dominum omnes gentes, laudate eum	Anonymous	29v–33
Laudate pueri Dominum	Anonymous	26v–29
Laudate pueri Dominum	Anonymous	48v–49
Laudate pueri Dominum	Anonymous	109v–111
Magnificat (tone 1): Anima mea [K.169]	Anonymous	33v–36
Magnificat (tone 1): Anima mea [K.170]	Anonymous	118v–124
Magnificat (tone 8): Anima mea [K.427]	Anonymous	55v–59
Magnificat à 3 (tone 1) [K.616]	Billon, Jhan de	158v–164
Missa Recordare Virgo Mater	Anonymous	1v–14
Missa à 3	Anonymous	135v–149
Multiplicati sunt qui tribulant me	Anonymous	75v–76
Mundi totius gloriam	Anonymous	96v–97
Mundo spreto	Anonymous	61v–62
Mundo spreto corde leto francisce magisterio	Anonymous	53v–55
Nisi Dominus edificaverit domum in vanum	Anonymous	50v–51
Non e alcun di gloria degno	Anonymous	129v–131
O crux splendidior á3	Anonymous	153v–154
Pange lingua gloriosi corporis misterium	Anonymous	40v–41
Paranymphus salutat virginem intemeratam (2p. Ecce virgo decora virginitate)	Compère, Loyset (ca. 1445–1518)	69v–70
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum	Willaert, Adrian (ca. 1490–1562) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	92v–95
Popule meus	Anonymous	165v–166
Portas caeli aperuit Dominus II: Hic est panis	Anonymous	70v–72
Post vite clare terminum	Anonymous	101v–102
Quam pulcra es amica mea II: Labia tua	Anonymous	67v–69
Quam pulcra es et decora á3	Festa, Costanzo (ca. 1485–1545)	157v–158
Qui paraclitus diceris	Anonymous	80v–82
Recordare virgo mater 25.1 II: Et ut advertas	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)	14v–16
Sacra spirat infantia	Anonymous	98v–99
Salve Regina, vita dulcedo	Anonymous	124v–127
Salve sancte pater Francisce	Anonymous	151v–152
Salve sponsa Dei, virgo sacra, planta minorum	Anonymous	59v–60
Sancta Dei genitrix	Anonymous	46v–47
Sancta Maria Dei genitrix	Anonymous	91v–92
Sancta Maria succurre	Bocchino, Franc[isc]o	44v–46
Sancta Maria succurre miseris	Sre Antonio (=Antonius Morus?)	41v–43
Sumens illud ave	Anonymous	77v–80
Te Deum laudamus [K.529]	Anonymous	36v–40
Veni sponsa Christi	Anonymous	88v–89
Venite benedicti patris mei	Anonymous	73v–74
Verbum caro factum est de virgine Maria	Anonymous	64v–67
Verbum caro factum est á3	Anonymous	155v–156
Verbum caro factum est á3	Anonymous	156v–157
Vergine bella che di sol vestita	Anonymous	82v–84
Vidi speciosam	Anonymous	43v–44

‡ denotes primary source study

Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 212-42. Pages: 215-8,221. Notes: physical description; mention of MS; discussion.

Sutherland, David Angus. 1968. Francesco de Layolle (1492-1540): Life and Secular Works. University of Michigan, Unpublished Ph.D. dissertation. Pages: 85-6. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 126. Notes: contents list (partial); concordances (partial); incipits (partial).

Borren, Charles van den. 1933-34. Inventaire des manuscrits de musique polyphonique qui se trouvent en Belgique. Acta Musicologica, V:66-71,120-7,177-83;VI:23-9,65-73,116-21. Pages: VI, 23-6. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description