The Masses were copied by a single scribe; each of the hymns is in a different hand (William McMurtry). The scribe who wrote ff. 94'-96 also wrote ff. 58-61 in BolSP 21; and the scribe of ff. 99'-102 also wrote the 4vv Magnificat in BolSP 36. Copied and used at San Petronio in Bologna.
I-Bsp MS I.XXV (I.25)
Archivio Musicale di S Petronio, Bologna, Italy
manuscript of polyphony: Mid-16th century
| Archive | Archivio Musicale di S Petronio, Bologna, Italy (I-Bsp) |
|---|---|
| Shelfmark | MS I.XXV (I.25) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 575 x 415 mm |
| Other Identifiers |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Provenance |
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| Contents | Contains uninventoried compositions from 2 composers. |
General Description
Physical Description
First two original folios now missing
Binding
Covers from ca. 1957, when the manuscript was restored.
Notation
black void mensural
Foliation
Ink foliation, possibly original
Decoration
Inked calligraphic initials; some folios have illuminated ornamental borders
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Masses, 3 hymns = 9
Berchem-1, Berchem/(Jaquet of Mantua)-1, (Berchem/Jaquet of Mantua)-1, Jaquet of Mantua [Jachet]-3, anon-3
102 paper folios, 575 x 415. Ink foliation, possibly original. Covers from ca. 1957, when the manuscript was restored. No index. The Masses were copied by a single scribe; each of the hymns is in a different hand (William McMurtry). Inked calligraphic initials; some folios have illuminated ornamental borders.
Mid-16th century. Copied and used at San Petronio in Bologna.
Vol 4
Physical: ii + 100 + ii paper folios, 575 x 415. First two original folios now missing. Modern foliation, 1-102, on upper right rectos, includes modern flyleaves at front. Rebound in modern covers ca. 1957. No index. Masses copied by a single scribe. Hymns are later additions by three other scribes; one of these also wrote ff. 58-61 of BolSP 21, another also wrote portions of BolSP 36-7. Inked calligraphic initials; a few openings have illuminated borders.
Date: Second quarter of 16th century.
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‡ denotes primary source study
Jackson, Philip T. 1978. Two Descendants of Josquin's 'Hercules' Mass. Music and Letters, 59: 188-205. Notes: contents list (partial); mention of MS; discussion.
McMurtry, William M. 1977. Ferdinand, Duke of Calabria, and the Estensi: A Relationship Honored in Music. The Sixteenth Century Journal, 8/3: 17-30. Pages: 27-30. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae, vol. 54. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiii; VI, xxv-xxvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description