I-Bc U.92

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

manuscript of polyphony: 1604 (date in manuscript)

Archive Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark U.92
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Format portrait
Measurements 165 x 117 mm
Other Identifiers
  • CCM: BolC U92
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Fornovo, Italy
Contents 17 pieces from 3 composers
General Description

Copied by Tomaso Graziani? Copied at Fornovo (southwest of Mantua).

DIAMM, 2017
Binding

Original parchment covers, inscribed "Missa Adriani 6 voc. super Mente Tota / Madrig. a 4 di Costanzo Porta / Partitura". Spine also bears the same information.

DIAMM, 2023
Liminary Note

18th century note note on flyleaf records that the book was transcribed in 1604: "Queste musiche furon trascritte l'anno 1604 come si vede annotato a carte 53 e 88 tergo"

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Ruling

6 staves per page for the Mass, 4 staves per page for the madrigals. Laid out in score.

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 11 Italian secular pieces = 12

C. Porta-11, Willaert [Adrianus]-1

88 paper folios, 165 x 117. In score format. Copied by Tomaso Graziani?

1604 (date in manuscript). Copied at Fornovo (southwest of Mantua).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–7v Missa Mente tota supplicamus: Kyrie Adrianus
Appears on: 1–7v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Adrianus
7v–20 Missa Mente tota supplicamus: Gloria -
Appears on: 7v–20
Genres: Gloria (et in terra pax), Mass Ordinary
20–36 Missa Mente tota supplicamus: Credo -
Appears on: 20–36
Genres: Credo (patrem omnipotentem), Mass Ordinary
36v–45 Missa Mente tota supplicamus: Sanctus -
Appears on: 36v–45
Genres: Mass Ordinary, Sanctus [& Benedictus]
45–53 Missa Mente tota supplicamus: Agnus Dei -
Appears on: 45–53
Genres: Agnus Dei, Mass Ordinary
54–57v Il giusto Dio quand' i nostri peccati Costanzo Porta
Appears on: 54–57v
Genres: Madrigal (Italian)
Source Attribution: Costanzo Porta
57v–61 Non mi duol il morire [Costanzo Porta]
Appears on: 57v–61
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
61–63v Han' si piu chiari spirti [Costanzo Porta]
Appears on: 61–63v
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
64–67v Sdegn' et Amor [Costanzo Porta]
Appears on: 64–67v
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
67v–69v Se 'l breve son - 1a pars (of 2): Se 'l breve son [Costanzo Porta]
Appears on: 67v–69v
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
70–71v Se 'l breve son - 2a pars (of 2): -
Appears on: 70–71v
Genres: Madrigal (Italian)
72–74v Se le mie acerbe pene [Costanzo Porta]
Appears on: 72–74v
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
74v–76 [madrigal] - 1a pars (of 2): [Costanzo Porta]
Appears on: 74v–76
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
76–79 [madrigal] - 2a pars (of 2): - Anonymous
Appears on: 76–79
Genres: Madrigal (Italian)
80–83v La rugiadosa [Costanzo Porta]
Appears on: 80–83v
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
83v–86 Il mio bel sol - 1a pars (of 2): Il mio bel sol co' mille inganni suoi [Costanzo Porta]
Appears on: 83v–86
Genres: Madrigal (Italian)
Source Attribution: [Costanzo Porta]
86–88v Il mio bel sol - 2a pars (of 2): Hor di me temer finge -
Appears on: 86–88v
Genres: Madrigal (Italian)

denotes primary source study

Mischiati, Oscar. 1975. Un' Antologia Manoscritta in Partitura del Secolo XVI: II Ms. Bourdeney della Bibliothèque Nationale di Parigi. Revista Italiana di Musicologia, 265-328. Pages: 270-l. Notes: mention of MS.

Lowinsky, Edward E. 1960. Early Scores in Manuscript. Journal of the American Musicological Society, 126-73. Pages: 137ff. Notes: physical description; contents list.

Garbelotto, Antonio. 1955. Padre Costanza Porta da Cremona O.F.M.Conv. Grande Polifonista del 1500.  Rome. Pages: 182. Notes: contents list.

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: III, 151-2. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description