US-BLl Music MS 9

Indiana University, Lilly Library, Bloomington, United States

manuscript of polyphony: Late 16th century

Archive	Indiana University, Lilly Library, Bloomington, United States (US-BLl)
Shelfmark	Music MS 9
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	315 x 215 mm
Other Identifiers	CCM: BloomL 9
Notations	black void mensural
Relationships	Harper (of New York), Lathrop C. (owner) San Mateo Ixtatan, Guatemala (copied at)
Provenance	San Mateo Ixtatán, Guatemala
Contents	51 pieces from 10 composers

General Description

Copied at San Mateo Ixtatán, Guatemala.

DIAMM, 2017

Physical Description

Manuscript is in too poor condition to permit an accurate count of number of folios; some folios are stuck together, many are largely disintegrated

DIAMM, 2017

Binding

Original covers of crude brown leather (deerskin?), with some hair remaining; secured by four leather thongs at spine

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

No pagination or foliation

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 psalm, 2 hymns, 7 motets, 4 French secular pieces, 2 textless pieces = 16 (also several falsobordone settings and several Mass fragments)

(Escobar)-1, (Mouton)-1, (Sermisy)-2, (Wreede)-1, anon-11

Ca. 35 paper folios, 315 x 215. Manuscript is in too poor condition to permit an accurate count of number of folios; some folios are stuck together, many are largely disintegrated. No pagination or foliation. Original covers of crude brown leather, perhaps deerskin, with some hair remaining, secured by four leather thongs at spine. No index.

Late 16th century. Copied at San Mateo Ixtatán, Guatemala. Purchased by Indiana University in 1969 from Lathrop C. Harper, New York.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4	Gallas das	Anon.	Anonymous
Gallas das Anonymous Appears on: 4 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gallas das
4	Adoramus te Christe	Anon.	Anonymous
Adoramus te Christe Anonymous Appears on: 4 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Adoramus te
3v, 4v	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	[Jean Mouton]	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?) Appears on: 3v, 4v Genres: Motet Source Attribution: [Jean Mouton] Voice: [no designation] Languages: Latin Voice Text: [Quaeramus cum pastoribus]
7	Pabanilla	Anon.	Anonymous
Pabanilla Anonymous Appears on: 7 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: [Pabanilla]
7v–8	Octavo tono: Gloria Patri	Anon.	Anonymous
Octavo tono: Gloria Patri Anonymous Appears on: 7v–8 Genres: Doxology, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Octavo tono: Gloria Patri
7v–8	Secundo donos	Anon.	Anonymous
Secundo donos Anonymous Appears on: 7v–8 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Secundo donos
7v–8	Sexdo dono	Anon.	Anonymous
Sexdo dono Anonymous Appears on: 7v–8 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Sexdo dono
8v–9	Dercero donos	Anon.	Anonymous
Dercero donos Anonymous Appears on: 8v–9 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dercero donos
8v–9	Primero donos	Anon.	Anonymous
Primero donos Anonymous Appears on: 8v–9 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Primero donos
8v–9	Guardo donos	Anon.	Anonymous
Guardo donos Anonymous Appears on: 8v–9 Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Guardo donos
9v–10	Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	[Claudin de Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant Sermisy, Claudin de (ca. 1490–1562) Appears on: 9v–10 Genres: Chanson Source Attribution: [Claudin de Sermisy] Voice: [no designation] Languages: French Voice Text: Tan q vivrei [Tant que vivray]
9v–10	Septimo donos	Anon.	Anonymous
Septimo donos Anonymous Appears on: 9v–10 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Septimo donos
10v–11	Lautemus Si j'ai pour vous	[Claudin de Sermisy]	Sermisy, Claudin de (ca. 1490–1562)
Lautemus Si j'ai pour vous Sermisy, Claudin de (ca. 1490–1562) Appears on: 10v–11 Genres: Contrafactum, Motet Source Attribution: [Claudin de Sermisy] Voice: [no designation] Languages: Latin Voice Text: Lautemus [Si j'ay pour vous]
11v	Audi rogante Primero por gesolreut c'est grand pitié guant argent fault -- J.C.	Anon.	Anonymous
Audi rogante Primero por gesolreut c'est grand pitié guant argent fault -- J.C. Anonymous Appears on: 11v Genres: Chanson, Contrafactum, Motet Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Audi rogante [Primero por gesolreut] [C'est grand pitié guant argent fault -- J.C.]
12	Miserere mei	Anon.	Anonymous
Miserere mei Anonymous Appears on: 12 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Miserere mey
12	Paratum cor meum / Le contente est riche	[Claudin de Sermisy/Nicholas Gombert]	Sermisy, Claudin de (ca. 1490–1562)
Paratum cor meum / Le contente est riche Sermisy, Claudin de (ca. 1490–1562) Appears on: 12 Genres: Motet Source Attribution: [Claudin de Sermisy/Nicholas Gombert] Voice: [no designation] Languages: Latin, French Voice Text: [Paratum cor meum/Le contente est riche]
12	Amen	Anon.	Anonymous
Amen Anonymous Appears on: 12 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Hebrew Voice Text: Amen
12v–13	Clamabat autem mulier Cananaea ad Dominum	[Pedro Escobar]	Escobar, Pedro de
Clamabat autem mulier Cananaea ad Dominum Escobar, Pedro de Appears on: 12v–13 Genres: Motet Source Attribution: [Pedro Escobar] Voice: [no designation] Languages: Latin Voice Text: [Clamabat autem mulier]
13v–14	Principatus	Anon.	Anonymous
Principatus Anonymous Appears on: 13v–14 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Principatus]
13v–14	Ipsum	Anon.	Anonymous
Ipsum Anonymous Appears on: 13v–14 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ipsum
14v–15	Mulier quit prolas	Anon.	Anonymous
Mulier quit prolas Anonymous Appears on: 14v–15 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Mulier quit prolas]
15v	Qui do Domine	[Diego Fernantez]	Fernandez, Diego (–1551)
Qui do Domine Fernandez, Diego (–1551) Appears on: 15v Genres: Motet Source Attribution: [Diego Fernantez] Voice: [no designation] Languages: Latin Voice Text: Qui do Domine
15v	Laetandus sum Je ne scay pas	[Alonso de Avila]	Avila, Alonso de
Laetandus sum Je ne scay pas Avila, Alonso de Appears on: 15v Genres: Motet Source Attribution: [Alonso de Avila] Voice: [no designation] Languages: Latin, French Voice Text: Laetadus sum [Je ne scay pas]
16v–17	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	[Mouton/Josquin]	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?) Appears on: 16v–17 Genres: Motet Source Attribution: [Mouton/Josquin] Voice: [no designation] Languages: Latin Voice Text: Quaeramus [cum pastoribus] 26.10
17v–18	Alleonor Pange lingua	Anon.	Anonymous
Alleonor Pange lingua Anonymous Appears on: 17v–18 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleonor [Pange lingua]
17v–18	Deo gratias	Anon.	Anonymous
Deo gratias Anonymous Appears on: 17v–18 Genres: Deo gratias Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deo gratias
18v–19	Qui regis Israel	Anon.	Anonymous
Qui regis Israel Anonymous Appears on: 18v–19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Qui regis Israel
18v–19	Grucifige	Anon.	Anonymous
Grucifige Anonymous Appears on: 18v–19 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grucifige
19v–20	Quindo Domine	Anon.	Anonymous
Quindo Domine Anonymous Appears on: 19v–20 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quindo Domine
19v–20	Gloriosa	Anon.	Anonymous
Gloriosa Anonymous Appears on: 19v–20 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloriosa]
19v–20	Salv me fag	Anon.	Anonymous
Salv me fag Anonymous Appears on: 19v–20 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salv me fag
20v–21	Gloriosa	Anon.	Anonymous
Gloriosa Anonymous Appears on: 20v–21 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: G[lor]iosa
20v–21	Pange lingua gloriosi (I)	[Johannes Urreda]	Urrede (Wrede), Juan de (fl. 1451-c1482)
Pange lingua gloriosi (I) Urrede (Wrede), Juan de (fl. 1451-c1482) Appears on: 20v–21 Genres: Hymn Source Attribution: [Johannes Urreda] Voice: [no designation] Languages: Latin Voice Text: Pange lingua
21v–22	Patris sapientia veritas divina	[Armiso/Antonio de Ribera]	Ribera, Antonio de
Patris sapientia veritas divina Ribera, Antonio de Appears on: 21v–22 Genres: Motet Source Attribution: [Armiso/Antonio de Ribera] Voice: [no designation] Languages: Latin Voice Text: [Patris sapientia--part two]
22v–23	Ces facheux sots qui mesdisent d'aymer	Anon.	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 22v–23 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: [Ces facheux sotz]
23v–24	Renfort des gens pour aller vendenger	[Matheo Fernandez]	Fernandez, Matheo
Renfort des gens pour aller vendenger Fernandez, Matheo Appears on: 23v–24 Genres: Chanson Source Attribution: [Matheo Fernandez] Voice: [no designation] Languages: French Voice Text: ... [Renfort des gens pour aller vendenger -- J.C., 1528/5, #10]
24v–25	Pange lingua gloriosi corporis misterium	Anon.	Anonymous
Pange lingua gloriosi corporis misterium Anonymous Appears on: 24v–25 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pange lingua
25v	various inscriptions	-	-
various inscriptions Appears on: 25v Voice: [no designation] Languages: insufficient Voice Text: various inscriptions
26	Kyrie chant	Anon.	Anonymous
Kyrie chant Anonymous Appears on: 26 Genres: Chant, Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [chant]
26–26v	Et in terra pax [Gloria] chant,	Anon.	Anonymous
Et in terra pax [Gloria] chant, Anonymous Appears on: 26–26v Genres: Chant, Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et in terra [chant, incomplete]
28	Alleluia	Anon.	Anonymous
Alleluia Anonymous Appears on: 28 Genres: Alleluia, Chant Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia [chant]
28–28v, 31-33, 27v	Patrem omnipotentem [Credo]	Anon.	Anonymous
Patrem omnipotentem [Credo] Anonymous Appears on: 28–28v, 31-33, 27v Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Patre[m omnipotentem]
29–30v	folio fragments	-	Anonymous
folio fragments Anonymous Appears on: 29–30v Genres: textless Voice: [no designation] Languages: insufficient Voice Text: folio fragments
33–33v	Sanctus chant	Anon.	Anonymous
Sanctus chant Anonymous Appears on: 33–33v Genres: Chant, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus [chant]
33v–34	Agnus Dei chant	Anon.	Anonymous
Agnus Dei chant Anonymous Appears on: 33v–34 Genres: Agnus Dei, Chant, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Agnus [chant]
35–36	Pange lingua chant	Anon.	Anonymous
Pange lingua chant Anonymous Appears on: 35–36 Genres: Chant Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pange lingua [chant]
36–36v	Requiem aeternam, chant	Anon.	Anonymous
Requiem aeternam, chant Anonymous Appears on: 36–36v Genres: Chant, Requiem Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Requiem aeternam, chant]
37–37v	Absolve, Domine	Anon.	Anonymous
Absolve, Domine Anonymous Appears on: 37–37v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Absolve, Domine]
37v	Domine Jesu Christe	Anon.	Anonymous
Domine Jesu Christe Anonymous Appears on: 37v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Domine Jesu Christe]
38–41, 49v	Garven Mass	Anon.	Anonymous
Garven Mass Anonymous Appears on: 38–41, 49v Genres: Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Garven Mass]
42–50v	folio fragments chant	-	Anonymous
folio fragments chant Anonymous Appears on: 42–50v Genres: Chant Voice: [no designation] Languages: insufficient Voice Text: folio fragments [chant]

Composer	Compositions
Anonymous	Absolve, Domine – 37–37v Adoramus te Christe – 4 Agnus Dei chant – 33v–34 Alleluia – 28 Alleonor Pange lingua – 17v–18 Amen – 12 Audi rogante Primero por gesolreut c'est grand pitié guant argent fault -- J.C. – 11v Ces facheux sots qui mesdisent d'aymer – 22v–23 Deo gratias – 17v–18 Dercero donos – 8v–9 Domine Jesu Christe – 37v Et in terra pax [Gloria] chant, – 26–26v Gallas das – 4 Garven Mass – 38–41, 49v Gloriosa – 19v–20 Gloriosa – 20v–21 Grucifige – 18v–19 Guardo donos – 8v–9 Ipsum – 13v–14 Kyrie chant – 26 Miserere mei – 12 Mulier quit prolas – 14v–15 Octavo tono: Gloria Patri – 7v–8 Pabanilla – 7 Pange lingua chant – 35–36 Pange lingua gloriosi corporis misterium – 24v–25 Patrem omnipotentem [Credo] – 28–28v, 31-33, 27v Primero donos – 8v–9 Principatus – 13v–14 Qui regis Israel – 18v–19 Quindo Domine – 19v–20 Requiem aeternam, chant – 36–36v Salv me fag – 19v–20 Sanctus chant – 33–33v Secundo donos – 7v–8 Septimo donos – 9v–10 Sexdo dono – 7v–8 folio fragments – 29–30v folio fragments chant – 42–50v [No description] – 25v
Avila, Alonso de	Laetandus sum Je ne scay pas – 15v
Despres, Josquin (ca. 1450–1521)	(?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 3v, 4v (?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 16v–17
Escobar, Pedro de	Clamabat autem mulier Cananaea ad Dominum – 12v–13
Fernandez, Diego (–1551)	Qui do Domine – 15v
Fernandez, Matheo	Renfort des gens pour aller vendenger – 23v–24
Mouton, Jean (ca. 1459–1522)	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 16v–17 Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 3v, 4v
Ribera, Antonio de	Patris sapientia veritas divina – 21v–22
Sermisy, Claudin de (ca. 1490–1562)	Lautemus Si j'ai pour vous – 10v–11 Paratum cor meum / Le contente est riche – 12 Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant – 9v–10
Urrede (Wrede), Juan de (fl. 1451-c1482)	Pange lingua gloriosi (I) – 20v–21

Composition	Composers (? Uncertain)	Folios / Pages
Absolve, Domine	Anonymous	37–37v
Adoramus te Christe	Anonymous	4
Agnus Dei chant	Anonymous	33v–34
Alleluia	Anonymous	28
Alleonor Pange lingua	Anonymous	17v–18
Amen	Anonymous	12
Audi rogante Primero por gesolreut c'est grand pitié guant argent fault -- J.C.	Anonymous	11v
Ces facheux sots qui mesdisent d'aymer	Anonymous	22v–23
Clamabat autem mulier Cananaea ad Dominum	Escobar, Pedro de	12v–13
Deo gratias	Anonymous	17v–18
Dercero donos	Anonymous	8v–9
Domine Jesu Christe	Anonymous	37v
Et in terra pax [Gloria] chant,	Anonymous	26–26v
folio fragments	Anonymous	29–30v
folio fragments chant	Anonymous	42–50v
Gallas das	Anonymous	4
Garven Mass	Anonymous	38–41, 49v
Gloriosa	Anonymous	19v–20
Gloriosa	Anonymous	20v–21
Grucifige	Anonymous	18v–19
Guardo donos	Anonymous	8v–9
Ipsum	Anonymous	13v–14
Kyrie chant	Anonymous	26
Laetandus sum Je ne scay pas	Avila, Alonso de	15v
Lautemus Si j'ai pour vous	Sermisy, Claudin de (ca. 1490–1562)	10v–11
Miserere mei	Anonymous	12
Mulier quit prolas	Anonymous	14v–15
Octavo tono: Gloria Patri	Anonymous	7v–8
Pabanilla	Anonymous	7
Pange lingua chant	Anonymous	35–36
Pange lingua gloriosi (I)	Urrede (Wrede), Juan de (fl. 1451-c1482)	20v–21
Pange lingua gloriosi corporis misterium	Anonymous	24v–25
Paratum cor meum / Le contente est riche	Sermisy, Claudin de (ca. 1490–1562)	12
Patrem omnipotentem [Credo]	Anonymous	28–28v, 31-33, 27v
Patris sapientia veritas divina	Ribera, Antonio de	21v–22
Primero donos	Anonymous	8v–9
Principatus	Anonymous	13v–14
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)	3v, 4v
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Mouton, Jean (ca. 1459–1522) Despres, Josquin (ca. 1450–1521) (?)	16v–17
Qui do Domine	Fernandez, Diego (–1551)	15v
Qui regis Israel	Anonymous	18v–19
Quindo Domine	Anonymous	19v–20
Renfort des gens pour aller vendenger	Fernandez, Matheo	23v–24
Requiem aeternam, chant	Anonymous	36–36v
Salv me fag	Anonymous	19v–20
Sanctus chant	Anonymous	33–33v
Secundo donos	Anonymous	7v–8
Septimo donos	Anonymous	9v–10
Sexdo dono	Anonymous	7v–8
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant	Sermisy, Claudin de (ca. 1490–1562)	9v–10

‡ denotes primary source study

Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 50-4; L 61-2.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description