D-B MS Mus. 40208

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: Late 16th century

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 40208
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	153 x 206 mm
Other Identifiers	CCM: BerlS 40208
Provenance	Bavaria, Germany
Contents	88 pieces from 26 composers

General Description

A single Discantus partbook. Copied by one main scribe and several additional scribes; scribal concordances with BerlS 40212. Of German origin. Many pieces have text incipits only.

DIAMM, 2017

Binding

Rebound in modern covers of mottled cardboard

DIAMM, 2017

Watermark

generally resembles Briquet #1242; same mark also found in BerlS 40212.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 12

DIAMM, 2017

Foliation

Original ink foliation, 1-75, with several errors and inconsistencies. Openings rather than folios are listed in the catalogue (1 left-right, 2 left-right, ...) but are rendered as conventional foliation in this inventory (0v-1r, 1v-2r, ...)

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Index

Original index on ff. [i-iii] groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies). 2a & 3a partes are included alphabetically in the list.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 motets, 27 French secular pieces, 23 Italian secular pieces, 5 German pieces (many of the preceding have text incipits only), 4 textless pieces = 72

Arcadelt-2, (Certon)-1, Clemens non Papa-2, Crecquillon-4, A. Ferrabosco I-1, Godard-1, Hassler-2, (Jonckers)-1, Kerle-3, Lassus-11, Marenzio-2, Rogier-1, Rore-2, (Sandrin/Manchicourt)-1, Orazio Vecchi-24, anon-14

1 paper partbook (D-80 folios), 153 x 206. Original foliation; original numbering of pieces, 1-75; pieces #24, #56, and #57 are missing. Rebound, with cardboard covers. Original index. Same scribe and watermarks as in BerlS 40212.

Late 16th century.

Vol. 4

1 hymn, 12 motets, 2 German sacred pieces, 33 Italian secular pieces, 27 French secular pieces, 3 German secular pieces = 78

Arcadelt-1, Arcadelt/Berchem-1, (Baston/Clemens non Papa/ Janequin/Pathie?)-1, (Certon)-2, Clemens non Papa-3, Crecquillon-5, D. Ferrabosco-1, (Figulus)-1, Godard/(Lortin)-1, Hassler-4, Ivo de Vento-2, (Janequin)-2, (Jonckers)-1, Kerle-3, Lassus [Orlando]-12, (Manchicourt/Sandrin)-1, Marenzio-1, Pathie [Rogier]-1, Rore-2, (Susato)-1, Orazio Vecchi-25, (Walter) -1, (Zirler)-1, anon-5

1 paper partbook (D-? + iv + 74 + i folios), 153x206. Original ink foliation, 1-75, with several errors and inconsistencies. Rebound in modern covers of mottled cardboard. Original index on ff. [i-iii] groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies). Copied by one main scribe and several additional scribes; scribal concordances with BerlS 40212. Staff height 12. No initials or decoration. Watermark generally resembles Briquet #1242; same mark also found in BerlS 40212. Many pieces have text incipits only.

Late 16th century. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
i–iii	index	-	-
index Appears on: i–iii
0v–1	Angelus ad pastores ait	Jacob Kerle	Kerle, Jacobus de
Angelus ad pastores ait Kerle, Jacobus de Appears on: 0v–1 Genres: Motet Source Attribution: Jacob Kerle
1v–2	O quam gloriosum	Jacob Kerle	Kerle, Jacobus de
O quam gloriosum Kerle, Jacobus de Appears on: 1v–2 Genres: Motet Source Attribution: Jacob Kerle
2–3	Alleluia. Surrexit Dominus de sepulchro	Orlando [Jacobus de Kerle]	Kerle, Jacobus de
Alleluia. Surrexit Dominus de sepulchro Kerle, Jacobus de Appears on: 2–3 Genres: Motet Source Attribution: Orlando [Jacobus de Kerle] Concordances Repeated at f. 25r, where it is correctly assigned to de Kerle
3v–4	Quia vidisti me Thoma	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quia vidisti me Thoma Lassus, Orlande de (ca. 1532–1594) Appears on: 3v–4 Genres: Motet Source Attribution: Orlando
4v–5	Quasi cedrus exaltata	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quasi cedrus exaltata Lassus, Orlande de (ca. 1532–1594) Appears on: 4v–5 Genres: Motet Source Attribution: Orlando
5v–6	Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 5v–6 Genres: Monophonic conductus Source Attribution: Clemens non Papa
6v–7	Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 6v–7 Genres: Motet
7v–9v	O magnum mysterium - 1a pars (of 2): O magnum mysterium	-	Anonymous
O magnum mysterium - 1a pars (of 2): O magnum mysterium Anonymous Appears on: 7v–9v Genres: Motet
7v–9v	O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum	-	Anonymous
O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum Anonymous Appears on: 7v–9v Genres: Motet
10	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	-	Figulus, Wolfgang (ca. 1525–1589)
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem Figulus, Wolfgang (ca. 1525–1589) Appears on: 10 Genres: Hymn
10v	Fit porta Chrsti pervia	-	Anonymous
Fit porta Chrsti pervia Anonymous Appears on: 10v Genres: Motet
12	Gelobet seist Du, Jesu Christ, dass Du Mensch	-	Walter, Johann (1496–1570)
Gelobet seist Du, Jesu Christ, dass Du Mensch Walter, Johann (1496–1570) Appears on: 12 Genres: Chorale, Sacred Song
12v–13	Der Fridel lueff - 1a pars (of 2): Der Fridel lueff einmal gen Holcz	-	Vento, Ivo de
Der Fridel lueff - 1a pars (of 2): Der Fridel lueff einmal gen Holcz Vento, Ivo de Appears on: 12v–13 Genres: Lied
13v–14	Der Fridel lueff - 2a pars (of 2): Das Gredel hub an zu lachen	-	Vento, Ivo de
Der Fridel lueff - 2a pars (of 2): Das Gredel hub an zu lachen Vento, Ivo de Appears on: 13v–14 Genres: Lied
14v–15	Der Lipp und VI - 1a pars (of 2): Der Lipp und VI	-	Vento, Ivo de
Der Lipp und VI - 1a pars (of 2): Der Lipp und VI Vento, Ivo de Appears on: 14v–15 Genres: Lied
15v–16	Der Lipp und VI - 2a pars (of 2): Der VI sprach	-	Vento, Ivo de
Der Lipp und VI - 2a pars (of 2): Der VI sprach Vento, Ivo de Appears on: 15v–16 Genres: Lied
16v–17	Assumpta est Maria	-	Anonymous
Assumpta est Maria Anonymous Appears on: 16v–17 Genres: Motet
17v–18	Ancor che co'l partire io mi sento morire	Cipriano Rore	Rore, Cipriano de (ca. 1515–1565)
Ancor che co'l partire io mi sento morire Rore, Cipriano de (ca. 1515–1565) Appears on: 17v–18 Genres: Italian secular Source Attribution: Cipriano Rore
18v–19	Signor mio caro - 2a pars (of 2): Carita di signore amor di donna	Cipriano Rore	Rore, Cipriano de (ca. 1515–1565)
Signor mio caro - 2a pars (of 2): Carita di signore amor di donna Rore, Cipriano de (ca. 1515–1565) Appears on: 18v–19 Genres: Madrigal (Italian) Source Attribution: Cipriano Rore
19v–20	O s'io potessi donna dir quel che nel mirar	Arcadelt - Giachet Berchem	Arcadelt, Jacques (ca. 1507–1568) (?) Berchem, Jacques (ca. 1505–1567) (?)
O s'io potessi donna dir quel che nel mirar Arcadelt, Jacques (ca. 1507–1568) (?) Berchem, Jacques (ca. 1505–1567) (?) Appears on: 19v–20 Genres: Italian secular, Madrigal (Italian) Source Attribution: Arcadelt - Giachet Berchem
20v–21	Quand' io pens' al martire amor che tu	Arcadelt	Arcadelt, Jacques (ca. 1507–1568)
Quand' io pens' al martire amor che tu Arcadelt, Jacques (ca. 1507–1568) Appears on: 20v–21 Genres: Madrigal (Italian) Source Attribution: Arcadelt
21v–22	Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri	Ferrabosco	Ferrabosco, Domenico Maria
Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri Ferrabosco, Domenico Maria Appears on: 21v–22 Genres: Madrigal (Italian) Source Attribution: Ferrabosco
22v–23	Io mi son giovinetta - 2a pars (of 2): Io vo per verdi prati riguardando	-	Ferrabosco, Domenico Maria
Io mi son giovinetta - 2a pars (of 2): Io vo per verdi prati riguardando Ferrabosco, Domenico Maria Appears on: 22v–23 Genres: Madrigal (Italian)
25–26	Alleluia. Surrexit Dominus de sepulchro	Jacobus Kerle	Kerle, Jacobus de
Alleluia. Surrexit Dominus de sepulchro Kerle, Jacobus de Appears on: 25–26 Genres: Motet Source Attribution: Jacobus Kerle
26v–27	Veni sponsa Christi Barbara	-	Anonymous
Veni sponsa Christi Barbara Anonymous Appears on: 26v–27 Genres: Motet
27v–28v	Cantate Domino canticum novum	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Cantate Domino canticum novum Vecchi, Orazio (1550–1605) Appears on: 27v–28v Genres: Motet Source Attribution: Oratio Vecchi
29	Mentr' io campai	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Mentr' io campai Vecchi, Orazio (1550–1605) Appears on: 29 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
29v	Occhi ridenti	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Occhi ridenti Vecchi, Orazio (1550–1605) Appears on: 29v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
30	Son questi i crespi crini	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Son questi i crespi crini Vecchi, Orazio (1550–1605) Appears on: 30 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
30v	Madonn' io v'ho da dir	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Madonn' io v'ho da dir Vecchi, Orazio (1550–1605) Appears on: 30v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
31	Chi mira gl' occhi	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Chi mira gl' occhi Vecchi, Orazio (1550–1605) Appears on: 31 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
31v	Chi vuol veder	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Chi vuol veder Vecchi, Orazio (1550–1605) Appears on: 31v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
32	Cosa non vada	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Cosa non vada Vecchi, Orazio (1550–1605) Appears on: 32 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
32v	Cruda mia tiranella	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Cruda mia tiranella Vecchi, Orazio (1550–1605) Appears on: 32v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
33	Corse a la mort' il povero	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Corse a la mort' il povero Vecchi, Orazio (1550–1605) Appears on: 33 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
33v–34	Amor spiega l'insegna	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Amor spiega l'insegna Vecchi, Orazio (1550–1605) Appears on: 33v–34 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
34v–35	Il cor che mi rubasti	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Il cor che mi rubasti Vecchi, Orazio (1550–1605) Appears on: 34v–35 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
35	Tra verdi campi	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Tra verdi campi Vecchi, Orazio (1550–1605) Appears on: 35 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
35v–36	Vaghe ninfe i pastori	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Vaghe ninfe i pastori Vecchi, Orazio (1550–1605) Appears on: 35v–36 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
36v–37	Hor ch'io son giunto	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Hor ch'io son giunto Vecchi, Orazio (1550–1605) Appears on: 36v–37 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
37v	Mentre il buon Tirsi	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Mentre il buon Tirsi Vecchi, Orazio (1550–1605) Appears on: 37v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
38	Lucilla io vo	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Lucilla io vo Vecchi, Orazio (1550–1605) Appears on: 38 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
38v–39	Non e cosa ch'io miro	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Non e cosa ch'io miro Vecchi, Orazio (1550–1605) Appears on: 38v–39 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
39v–40	Rendimi il gentil viso	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Rendimi il gentil viso Vecchi, Orazio (1550–1605) Appears on: 39v–40 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
40v	Donna se vaga sei	Orazio Vecchi	Vecchi, Orazio (1550–1605)
Donna se vaga sei Vecchi, Orazio (1550–1605) Appears on: 40v Genres: Madrigal (Italian) Source Attribution: Orazio Vecchi
41	Deh preg' Amor	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Deh preg' Amor Vecchi, Orazio (1550–1605) Appears on: 41 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
41v	So ben mi c'ha bon tempo	Oratio Vecchi	Vecchi, Orazio (1550–1605)
So ben mi c'ha bon tempo Vecchi, Orazio (1550–1605) Appears on: 41v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
42	Partiro si si, ch'io mi partiro	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Partiro si si, ch'io mi partiro Vecchi, Orazio (1550–1605) Appears on: 42 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
42v	No saro pio ritrosa	Oratio Vecchi	Vecchi, Orazio (1550–1605)
No saro pio ritrosa Vecchi, Orazio (1550–1605) Appears on: 42v Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
43	Trista novella di donna bella	Oratio Vecchi	Vecchi, Orazio (1550–1605)
Trista novella di donna bella Vecchi, Orazio (1550–1605) Appears on: 43 Genres: Madrigal (Italian) Source Attribution: Oratio Vecchi
43v	Io mi sento morire	Hasler	Hassler, Hans Leo (1564–1612)
Io mi sento morire Hassler, Hans Leo (1564–1612) Appears on: 43v Genres: Madrigal (Italian) Source Attribution: Hasler
44	Chiara e lucente stella	Leo Hasler	Hassler, Hans Leo (1564–1612)
Chiara e lucente stella Hassler, Hans Leo (1564–1612) Appears on: 44 Genres: Madrigal (Italian) Source Attribution: Leo Hasler
44v	L'altro hier di sera	-	Hassler, Hans Leo (1564–1612)
L'altro hier di sera Hassler, Hans Leo (1564–1612) Appears on: 44v Genres: Madrigal (Italian)
45	Avecque vous mon amour finira Puisque mon coeur	Orlando	Lassus, Orlande de (ca. 1532–1594)
Avecque vous mon amour finira Puisque mon coeur Lassus, Orlande de (ca. 1532–1594) Appears on: 45 Genres: Chanson Source Attribution: Orlando
45v–46	Las voules vous qu'une personne chante	Orlando	Lassus, Orlande de (ca. 1532–1594)
Las voules vous qu'une personne chante Lassus, Orlande de (ca. 1532–1594) Appears on: 45v–46 Genres: Chanson Source Attribution: Orlando
46v–47	Je layme bien et l'aymeray en ce propos	Orlando	Lassus, Orlande de (ca. 1532–1594)
Je layme bien et l'aymeray en ce propos Lassus, Orlande de (ca. 1532–1594) Appears on: 46v–47 Genres: Chanson Source Attribution: Orlando
47v–48	Vrai dieu disoit une fillette donnes confort	Orlando	Lassus, Orlande de (ca. 1532–1594)
Vrai dieu disoit une fillette donnes confort Lassus, Orlande de (ca. 1532–1594) Appears on: 47v–48 Genres: Chanson Source Attribution: Orlando
48	Helas quel jour seray-je à mon vouloir	-	Lassus, Orlande de (ca. 1532–1594)
Helas quel jour seray-je à mon vouloir Lassus, Orlande de (ca. 1532–1594) Appears on: 48 Genres: Chanson
48v–49	Un doulx nenni avec un doulx soubrire	Orlando	Lassus, Orlande de (ca. 1532–1594)
Un doulx nenni avec un doulx soubrire Lassus, Orlande de (ca. 1532–1594) Appears on: 48v–49 Genres: Chanson Source Attribution: Orlando
49v–50	Ce faux amour d'arc et de fléches s'arme	Orlando	Lassus, Orlande de (ca. 1532–1594)
Ce faux amour d'arc et de fléches s'arme Lassus, Orlande de (ca. 1532–1594) Appears on: 49v–50 Genres: Chanson Source Attribution: Orlando
50v–51	Bon jour mon coeur bon jour ma douce vie	Orlando	Lassus, Orlande de (ca. 1532–1594)
Bon jour mon coeur bon jour ma douce vie Lassus, Orlande de (ca. 1532–1594) Appears on: 50v–51 Genres: Chanson Source Attribution: Orlando
51v–52	Quand mon mari vient de dehors ma rente	Orlando	Lassus, Orlande de (ca. 1532–1594)
Quand mon mari vient de dehors ma rente Lassus, Orlande de (ca. 1532–1594) Appears on: 51v–52 Genres: Chanson Source Attribution: Orlando
52v–53	Degg'io dunque - 1a pars (of 3): Degg'io dunque partire	Luca Marenzio	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 1a pars (of 3): Degg'io dunque partire Marenzio, Luca (ca. 1553–1599) Appears on: 52v–53 Genres: Madrigal (Italian) Source Attribution: Luca Marenzio
53v–54	Degg'io dunque - 2a pars (of 3): Io partiro ma il core	-	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 2a pars (of 3): Io partiro ma il core Marenzio, Luca (ca. 1553–1599) Appears on: 53v–54 Genres: Madrigal (Italian)
54v–55	Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio	-	Marenzio, Luca (ca. 1553–1599)
Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio Marenzio, Luca (ca. 1553–1599) Appears on: 54v–55 Genres: Madrigal (Italian)
55v–57	[blank staves]	-	-
[blank staves] Appears on: 55v–57
57v–58	Alix avoit aux dens la male rage	Crequilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Alix avoit aux dens la male rage Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 57v–58 Genres: Chanson Source Attribution: Crequilon
58v–59	Ce mois de may sur la rousée jouer irons	Godhart	Godard, Robert (?) Lortin (?)
Ce mois de may sur la rousée jouer irons Godard, Robert (?) Lortin (?) Appears on: 58v–59 Genres: Chanson Source Attribution: Godhart
59v–60	Je fille quant Dieu ne donne de quoi	-	Jonckers, Maistre Gosse
Je fille quant Dieu ne donne de quoi Jonckers, Maistre Gosse Appears on: 59v–60
60	C'est grand pitié quand argent fault	-	Anonymous
C'est grand pitié quand argent fault Anonymous Appears on: 60 Genres: Chanson
60v	Doulce memoire en plaisir consommée	-	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)
Doulce memoire en plaisir consommée Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?) Appears on: 60v Genres: Chanson
61	Fini le bien le mal soudain commence	-	Certon, Pierre (–ca. 1572)
Fini le bien le mal soudain commence Certon, Pierre (–ca. 1572) Appears on: 61 Genres: Chanson
61v–62	Bewahr mich Herr und sei nicht fern	-	Zirler, Stephan (ca. 1518–1568)
Bewahr mich Herr und sei nicht fern Zirler, Stephan (ca. 1518–1568) Appears on: 61v–62 Genres: Sacred Song
62v–63	Frais et gaillard [=Frisque et gaillard] un jour entre cent mille	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Frais et gaillard [=Frisque et gaillard] un jour entre cent mille Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 62v–63 Genres: Chanson
63v–64	Un gay berger prioit une bergère	Crequilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Un gay berger prioit une bergère Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 63v–64 Genres: Chanson Source Attribution: Crequilon
64v–65	Martin menoit son pourceau au marche	-	Janequin, Clement (ca. 1485–ca. 1558)
Martin menoit son pourceau au marche Janequin, Clement (ca. 1485–ca. 1558) Appears on: 64v–65 Genres: Chanson
65v–66	Or viens que viens	-	Anonymous
Or viens que viens Anonymous Appears on: 65v–66 Genres: Chanson
66v–67	Gentil gallant	-	Anonymous
Gentil gallant Anonymous Appears on: 66v–67 Genres: Chanson
67v–68	Je prens en gre le dure mort (4vv)	-	Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?)
Je prens en gre le dure mort (4vv) Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?) Appears on: 67v–68 Genres: Motet
68v–69	Petite fleur	-	Anonymous
Petite fleur Anonymous Appears on: 68v–69 Genres: Chanson
69v–70	Pour un plaisir qui si peu dure	Crecquilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Pour un plaisir qui si peu dure Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 69v–70 Genres: Chanson Source Attribution: Crecquilon
70v–71	Rossignolet qui chante au vert bois	Clemens	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Rossignolet qui chante au vert bois Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 70v–71 Genres: Chanson Source Attribution: Clemens
71v–72	Toutes les nuits que sans vous je me couche	Crecquilon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Toutes les nuits que sans vous je me couche Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 71v–72 Genres: Chanson Source Attribution: Crecquilon
72v–73	Ich bring mein Bruder ein guten Trunk	-	Hassler, Hans Leo (1564–1612)
Ich bring mein Bruder ein guten Trunk Hassler, Hans Leo (1564–1612) Appears on: 72v–73 Genres: Lied
73v–74	D'amour me plains et non de vous m'amie	Rogier [Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
D'amour me plains et non de vous m'amie Pathie, Rogier (ca. 1510–ca. 1564) Appears on: 73v–74 Genres: Chanson Source Attribution: Rogier [Pathie]
74v–75	Si tu te plains d'amours tant seulement	-	Susato, Tylman
Si tu te plains d'amours tant seulement Susato, Tylman Appears on: 74v–75 Genres: Chanson
75v–76v	[blank staves]	-	-
[blank staves] Appears on: 75v–76v

Composer	Compositions
Anonymous	Assumpta est Maria – 16v–17 C'est grand pitié quand argent fault – 60 Fit porta Chrsti pervia – 10v Gentil gallant – 66v–67 O magnum mysterium - 1a pars (of 2): O magnum mysterium – 7v–9v O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum – 7v–9v Or viens que viens – 65v–66 Petite fleur – 68v–69 Veni sponsa Christi Barbara – 26v–27 [No description] – 55v–57 [No description] – i–iii [No description] – 75v–76v
Arcadelt, Jacques (ca. 1507–1568)	(?) O s'io potessi donna dir quel che nel mirar – 19v–20 Quand' io pens' al martire amor che tu – 20v–21
Baston, Josquin (fl. 1542–63)	(?) Je prens en gre le dure mort (4vv) – 67v–68
Berchem, Jacques (ca. 1505–1567)	(?) O s'io potessi donna dir quel che nel mirar – 19v–20
Certon, Pierre (–ca. 1572)	Fini le bien le mal soudain commence – 61
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Frais et gaillard [=Frisque et gaillard] un jour entre cent mille – 62v–63 (?) Je prens en gre le dure mort (4vv) – 67v–68 Rossignolet qui chante au vert bois – 70v–71 Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras – 5v–6 Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est – 6v–7
Crecquillon, Thomas (ca. 1505–ca. 1557)	Alix avoit aux dens la male rage – 57v–58 Pour un plaisir qui si peu dure – 69v–70 Toutes les nuits que sans vous je me couche – 71v–72 Un gay berger prioit une bergère – 63v–64
Ferrabosco, Domenico Maria	Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri – 21v–22 Io mi son giovinetta - 2a pars (of 2): Io vo per verdi prati riguardando – 22v–23
Figulus, Wolfgang (ca. 1525–1589)	Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem – 10
Godard, Robert	(?) Ce mois de may sur la rousée jouer irons – 58v–59
Hassler, Hans Leo (1564–1612)	Chiara e lucente stella – 44 Ich bring mein Bruder ein guten Trunk – 72v–73 Io mi sento morire – 43v L'altro hier di sera – 44v
Janequin, Clement (ca. 1485–ca. 1558)	(?) Je prens en gre le dure mort (4vv) – 67v–68 Martin menoit son pourceau au marche – 64v–65
Jonckers, Maistre Gosse	Je fille quant Dieu ne donne de quoi – 59v–60
Kerle, Jacobus de	Alleluia. Surrexit Dominus de sepulchro – 2–3 Alleluia. Surrexit Dominus de sepulchro – 25–26 Angelus ad pastores ait – 0v–1 O quam gloriosum – 1v–2
Lassus, Orlande de (ca. 1532–1594)	Avecque vous mon amour finira Puisque mon coeur – 45 Bon jour mon coeur bon jour ma douce vie – 50v–51 Ce faux amour d'arc et de fléches s'arme – 49v–50 Helas quel jour seray-je à mon vouloir – 48 Je layme bien et l'aymeray en ce propos – 46v–47 Las voules vous qu'une personne chante – 45v–46 Quand mon mari vient de dehors ma rente – 51v–52 Quasi cedrus exaltata – 4v–5 Quia vidisti me Thoma – 3v–4 Un doulx nenni avec un doulx soubrire – 48v–49 Vrai dieu disoit une fillette donnes confort – 47v–48
Lortin	(?) Ce mois de may sur la rousée jouer irons – 58v–59
Manchicourt, Pierre de	(?) Doulce memoire en plaisir consommée – 60v
Marenzio, Luca (ca. 1553–1599)	Degg'io dunque - 1a pars (of 3): Degg'io dunque partire – 52v–53 Degg'io dunque - 2a pars (of 3): Io partiro ma il core – 53v–54 Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio – 54v–55
Pathie, Rogier (ca. 1510–ca. 1564)	D'amour me plains et non de vous m'amie – 73v–74 (?) Je prens en gre le dure mort (4vv) – 67v–68
Rore, Cipriano de (ca. 1515–1565)	Ancor che co'l partire io mi sento morire – 17v–18 Signor mio caro - 2a pars (of 2): Carita di signore amor di donna – 18v–19
Sandrin, Pierre (ca. 1490–ca. 1560)	(?) Doulce memoire en plaisir consommée – 60v
Susato, Tylman	Si tu te plains d'amours tant seulement – 74v–75
Vecchi, Orazio (1550–1605)	Amor spiega l'insegna – 33v–34 Cantate Domino canticum novum – 27v–28v Chi mira gl' occhi – 31 Chi vuol veder – 31v Corse a la mort' il povero – 33 Cosa non vada – 32 Cruda mia tiranella – 32v Deh preg' Amor – 41 Donna se vaga sei – 40v Hor ch'io son giunto – 36v–37 Il cor che mi rubasti – 34v–35 Lucilla io vo – 38 Madonn' io v'ho da dir – 30v Mentr' io campai – 29 Mentre il buon Tirsi – 37v No saro pio ritrosa – 42v Non e cosa ch'io miro – 38v–39 Occhi ridenti – 29v Partiro si si, ch'io mi partiro – 42 Rendimi il gentil viso – 39v–40 So ben mi c'ha bon tempo – 41v Son questi i crespi crini – 30 Tra verdi campi – 35 Trista novella di donna bella – 43 Vaghe ninfe i pastori – 35v–36
Vento, Ivo de	Der Fridel lueff - 1a pars (of 2): Der Fridel lueff einmal gen Holcz – 12v–13 Der Fridel lueff - 2a pars (of 2): Das Gredel hub an zu lachen – 13v–14 Der Lipp und VI - 1a pars (of 2): Der Lipp und VI – 14v–15 Der Lipp und VI - 2a pars (of 2): Der VI sprach – 15v–16
Walter, Johann (1496–1570)	Gelobet seist Du, Jesu Christ, dass Du Mensch – 12
Zirler, Stephan (ca. 1518–1568)	Bewahr mich Herr und sei nicht fern – 61v–62

Composition	Composers (? Uncertain)	Folios / Pages
Alix avoit aux dens la male rage	Crecquillon, Thomas (ca. 1505–ca. 1557)	57v–58
Alleluia. Surrexit Dominus de sepulchro	Kerle, Jacobus de	2–3
Alleluia. Surrexit Dominus de sepulchro	Kerle, Jacobus de	25–26
Amor spiega l'insegna	Vecchi, Orazio (1550–1605)	33v–34
Ancor che co'l partire io mi sento morire	Rore, Cipriano de (ca. 1515–1565)	17v–18
Angelus ad pastores ait	Kerle, Jacobus de	0v–1
Assumpta est Maria	Anonymous	16v–17
Avecque vous mon amour finira Puisque mon coeur	Lassus, Orlande de (ca. 1532–1594)	45
Bewahr mich Herr und sei nicht fern	Zirler, Stephan (ca. 1518–1568)	61v–62
Bon jour mon coeur bon jour ma douce vie	Lassus, Orlande de (ca. 1532–1594)	50v–51
C'est grand pitié quand argent fault	Anonymous	60
Cantate Domino canticum novum	Vecchi, Orazio (1550–1605)	27v–28v
Ce faux amour d'arc et de fléches s'arme	Lassus, Orlande de (ca. 1532–1594)	49v–50
Ce mois de may sur la rousée jouer irons	Godard, Robert (?) Lortin (?)	58v–59
Chi mira gl' occhi	Vecchi, Orazio (1550–1605)	31
Chi vuol veder	Vecchi, Orazio (1550–1605)	31v
Chiara e lucente stella	Hassler, Hans Leo (1564–1612)	44
Corse a la mort' il povero	Vecchi, Orazio (1550–1605)	33
Cosa non vada	Vecchi, Orazio (1550–1605)	32
Cruda mia tiranella	Vecchi, Orazio (1550–1605)	32v
D'amour me plains et non de vous m'amie	Pathie, Rogier (ca. 1510–ca. 1564)	73v–74
Degg'io dunque - 1a pars (of 3): Degg'io dunque partire	Marenzio, Luca (ca. 1553–1599)	52v–53
Degg'io dunque - 2a pars (of 3): Io partiro ma il core	Marenzio, Luca (ca. 1553–1599)	53v–54
Degg'io dunque - 3a pars (of 3): Ma voi caro ben mio	Marenzio, Luca (ca. 1553–1599)	54v–55
Deh preg' Amor	Vecchi, Orazio (1550–1605)	41
Der Fridel lueff - 1a pars (of 2): Der Fridel lueff einmal gen Holcz	Vento, Ivo de	12v–13
Der Fridel lueff - 2a pars (of 2): Das Gredel hub an zu lachen	Vento, Ivo de	13v–14
Der Lipp und VI - 1a pars (of 2): Der Lipp und VI	Vento, Ivo de	14v–15
Der Lipp und VI - 2a pars (of 2): Der VI sprach	Vento, Ivo de	15v–16
Donna se vaga sei	Vecchi, Orazio (1550–1605)	40v
Doulce memoire en plaisir consommée	Manchicourt, Pierre de (?) Sandrin, Pierre (ca. 1490–ca. 1560) (?)	60v
Fini le bien le mal soudain commence	Certon, Pierre (–ca. 1572)	61
Fit porta Chrsti pervia	Anonymous	10v
Frais et gaillard [=Frisque et gaillard] un jour entre cent mille	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	62v–63
Gelobet seist Du, Jesu Christ, dass Du Mensch	Walter, Johann (1496–1570)	12
Gentil gallant	Anonymous	66v–67
Helas quel jour seray-je à mon vouloir	Lassus, Orlande de (ca. 1532–1594)	48
Hor ch'io son giunto	Vecchi, Orazio (1550–1605)	36v–37
Ich bring mein Bruder ein guten Trunk	Hassler, Hans Leo (1564–1612)	72v–73
Il cor che mi rubasti	Vecchi, Orazio (1550–1605)	34v–35
Io mi sento morire	Hassler, Hans Leo (1564–1612)	43v
Io mi son giovinetta - 1a pars (of 2): Io mi son giovinetta et volontieri	Ferrabosco, Domenico Maria	21v–22
Io mi son giovinetta - 2a pars (of 2): Io vo per verdi prati riguardando	Ferrabosco, Domenico Maria	22v–23
Je fille quant Dieu ne donne de quoi	Jonckers, Maistre Gosse	59v–60
Je layme bien et l'aymeray en ce propos	Lassus, Orlande de (ca. 1532–1594)	46v–47
Je prens en gre le dure mort (4vv)	Janequin, Clement (ca. 1485–ca. 1558) (?) Baston, Josquin (fl. 1542–63) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Pathie, Rogier (ca. 1510–ca. 1564) (?)	67v–68
L'altro hier di sera	Hassler, Hans Leo (1564–1612)	44v
Las voules vous qu'une personne chante	Lassus, Orlande de (ca. 1532–1594)	45v–46
Lucilla io vo	Vecchi, Orazio (1550–1605)	38
Madonn' io v'ho da dir	Vecchi, Orazio (1550–1605)	30v
Martin menoit son pourceau au marche	Janequin, Clement (ca. 1485–ca. 1558)	64v–65
Mentr' io campai	Vecchi, Orazio (1550–1605)	29
Mentre il buon Tirsi	Vecchi, Orazio (1550–1605)	37v
No saro pio ritrosa	Vecchi, Orazio (1550–1605)	42v
Non e cosa ch'io miro	Vecchi, Orazio (1550–1605)	38v–39
O magnum mysterium - 1a pars (of 2): O magnum mysterium	Anonymous	7v–9v
O magnum mysterium - 2a pars (of 2): Domine audivi auditum tuum	Anonymous	7v–9v
O quam gloriosum	Kerle, Jacobus de	1v–2
O s'io potessi donna dir quel che nel mirar	Arcadelt, Jacques (ca. 1507–1568) (?) Berchem, Jacques (ca. 1505–1567) (?)	19v–20
Occhi ridenti	Vecchi, Orazio (1550–1605)	29v
Or viens que viens	Anonymous	65v–66
Partiro si si, ch'io mi partiro	Vecchi, Orazio (1550–1605)	42
Petite fleur	Anonymous	68v–69
Pour un plaisir qui si peu dure	Crecquillon, Thomas (ca. 1505–ca. 1557)	69v–70
Puer natus in Bethlehem unde gaudet / Ein kind geborn zu Bethlehem	Figulus, Wolfgang (ca. 1525–1589)	10
Quand mon mari vient de dehors ma rente	Lassus, Orlande de (ca. 1532–1594)	51v–52
Quand' io pens' al martire amor che tu	Arcadelt, Jacques (ca. 1507–1568)	20v–21
Quasi cedrus exaltata	Lassus, Orlande de (ca. 1532–1594)	4v–5
Quia vidisti me Thoma	Lassus, Orlande de (ca. 1532–1594)	3v–4
Rendimi il gentil viso	Vecchi, Orazio (1550–1605)	39v–40
Rossignolet qui chante au vert bois	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	70v–71
Si tu te plains d'amours tant seulement	Susato, Tylman	74v–75
Signor mio caro - 2a pars (of 2): Carita di signore amor di donna	Rore, Cipriano de (ca. 1515–1565)	18v–19
So ben mi c'ha bon tempo	Vecchi, Orazio (1550–1605)	41v
Son questi i crespi crini	Vecchi, Orazio (1550–1605)	30
Toutes les nuits que sans vous je me couche	Crecquillon, Thomas (ca. 1505–ca. 1557)	71v–72
Tra verdi campi	Vecchi, Orazio (1550–1605)	35
Trista novella di donna bella	Vecchi, Orazio (1550–1605)	43
Un doulx nenni avec un doulx soubrire	Lassus, Orlande de (ca. 1532–1594)	48v–49
Un gay berger prioit une bergère	Crecquillon, Thomas (ca. 1505–ca. 1557)	63v–64
Vaghe ninfe i pastori	Vecchi, Orazio (1550–1605)	35v–36
Veni sponsa Christi Barbara	Anonymous	26v–27
Virgines prudentes - 1a pars (of 2): Virgines prudentes ornate lampades vestras	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	5v–6
Virgines prudentes - 2a pars (of 2): Media autem nocte clamor factus est	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	6v–7
Vrai dieu disoit une fillette donnes confort	Lassus, Orlande de (ca. 1532–1594)	47v–48

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance. Kassel and Basel. Pages: 820. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-B MS Mus. 40208

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: Late 16th century

General Description

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

Concordances