D-B MS Mus. 40195

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: First half of 16th century

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 40195
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	128 x 145 mm
Other Identifiers	CCM: BerlS 40195
Relationships	Diterich, Sebastian (owner)
Provenance	Bavaria, Germany
Contents	32 pieces from 12 composers

General Description

An Altus partbook. One scribe in Part I; Part II is in a different and later hand. Most pieces have text incipits or titles only. Of German origin. Early, perhaps original owner was Sebastian Diterich, whose name appears on new f. 1. According to an East Berlin library card file, the manuscript was once included with a copy of the Altus part of the print RISM D3015, under the call number 'Mus. ant. Pract. D. 240.'

DIAMM, 2017

Binding

Rebound in modern covers of multi-colored cardboard.

DIAMM, 2017

Watermark

circle surmounted by star (only fragments visible)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 13

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces in Part I, 1-23 (last four pieces not numbered)

DIAMM, 2017

Foliation

New pencil foliation

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Part I: 20 French secular pieces, 2 German secular pieces (all with text incipits only), 1 textless piece = 23. Part II: 3 motets, 1 Italian secular piece = 4. Total for manuscript = 27

(Bauldeweyn)-1, Eckel-1, (Mouton)-1, (Sermisy)-1, (Verdelot? [Deslouges])-1, (Ysore)-1, anon-21

1 paper partbook (A-19 folios), 128 x 145. New pencil foliation. Original numbering of pieces in Part I, 1-23. Rebound, with cardboard covers. One scribe in Part I; Part II is in a different and later hand.

16th century. According to an East Berlin library card file, the manuscript was once included with a copy of the altus part of the print RISM D3015, under the call number "Mus. ant. Pract. D. 240."

Vol. 4

4 motets, 19 French secular pieces, 2 German secular pieces, 1 Italian secular piece, 1 textless piece = 27

(Bauldeweyn)-1, Eckel-1, (Mouton)-1, (Sermisy)-1, (Unterholtzer) -1, (Verdelot)-1, (Ysore)-1, anon-20

1 paper partbook (A-i + 19 folios), 128 x 145. New pencil foliation, 1-19. Original numbering of pieces, 1-23 (last four pieces not numbered). Rebound in modern covers of multi-colored cardboard. No index. Copied by a single scribe. Staff height 13. No initials or decoration. Watermark: circle surmounted by star (only fragments visible). Most pieces have text incipits or titles only, often corrupt.

First half of 16th century. Of German origin. Early, perhaps original owner was Sebastian Diterich, whose name appears on new f. 1.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3v	[blank pages]	-	-
[blank pages] Appears on: 1–3v General Note f. 1 has the ownership inscription
4	La pimpinella	-	Anonymous
La pimpinella Anonymous Appears on: 4 Genres: Chanson
4v	Maul doit oit soil (=Maudit soit?)	-	Anonymous
Maul doit oit soil (=Maudit soit?) Anonymous Appears on: 4v Genres: Chanson
5	C'est une dure departie de cellui ou j'aimis	-	Sermisy, Claudin de (ca. 1490–1562)
C'est une dure departie de cellui ou j'aimis Sermisy, Claudin de (ca. 1490–1562) Appears on: 5 Genres: Chanson Voice: Altus Languages: French Voice Text: Cest vne dure
5–6	Die Jungfrau die war edel	-	Anonymous
Die Jungfrau die war edel Anonymous Appears on: 5–6 Genres: Lied Voice: Altus Languages: German Voice Text: Die Junckfraw die war edel
6–6v	Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis)	-	Anonymous
Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) Anonymous Appears on: 6–6v Genres: Chanson Voice: Altus Languages: French Voice Text: Je ne scay pas comment Concordances Berlin 40194 (4vv) & RISM 1529-4 (3vv)
6v	Le trop long temps	-	Anonymous
Le trop long temps Anonymous Appears on: 6v Genres: Chanson Concordances 3vv setting in RISM 1529-4 ; this could be from a 4vv setting of the same piece?
7	J'ai grand desir	-	Anonymous
J'ai grand desir Anonymous Appears on: 7 Genres: Chanson Voice: Altus Languages: French Voice Text: Jay grant desir Concordances = RISM 1530-5?
7–7v	Si par souffrir on peult vaincre fortune	-	Anonymous
Si par souffrir on peult vaincre fortune Anonymous Appears on: 7–7v Genres: Chanson Voice: Altus Languages: French Voice Text: Si par souffer
7v	Veu le credit	-	Anonymous
Veu le credit Anonymous Appears on: 7v Genres: Chanson Concordances RISM 1530-5?
8	Arriere l'amoureux affaire je ne sçaurois	-	Anonymous
Arriere l'amoureux affaire je ne sçaurois Anonymous Appears on: 8 Genres: Chanson Voice: Altus Languages: French Voice Text: Arrierre
8–8v	Sans vous changer	-	Ysoré, Guillaume (?)
Sans vous changer Ysoré, Guillaume (?) Appears on: 8–8v Genres: Chanson Voice: Altus Languages: French Voice Text: Sans vou sanger
8v–9	Ami souffrez que je vous aime	-	Isaac, Heinrich (ca. 1450–1517) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?)
Ami souffrez que je vous aime Isaac, Heinrich (ca. 1450–1517) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?) Appears on: 8v–9 Genres: Chanson Voice: Altus Languages: French Voice Text: Amy souffre
9	S'esbahist on se j'ai perdu le taint	-	Anonymous
S'esbahist on se j'ai perdu le taint Anonymous Appears on: 9 Genres: Chanson Voice: Altus Languages: French Voice Text: Ses basist
9v	Ces facheux sots qui mesdisent d'aymer	-	Anonymous
Ces facheux sots qui mesdisent d'aymer Anonymous Appears on: 9v Genres: Chanson Voice: Altus Languages: French Voice Text: Cest facheutz [sots]
10	Adieu [mes] amours, de vous suis las, trop m'avez tenu	-	Anonymous
Adieu [mes] amours, de vous suis las, trop m'avez tenu Anonymous Appears on: 10 Genres: Chanson Voice: Altus Languages: French Voice Text: Adieu mes amours
10–10v	Helas si je vivais	-	Anonymous
Helas si je vivais Anonymous Appears on: 10–10v Genres: Chanson Voice: Altus Languages: French Voice Text: Hellas se je vivois
10v–11	Ami souffre	-	Anonymous
Ami souffre Anonymous Appears on: 10v–11 Genres: Chanson Voice: Altus Languages: French Voice Text: Amy souffre
11–11v	[untexted chanson]	-	Anonymous
[untexted chanson] Anonymous Appears on: 11–11v Genres: textless
11v–12	Fortune laissez moi la vie Puisque tu veulx	-	Anonymous
Fortune laissez moi la vie Puisque tu veulx Anonymous Appears on: 11v–12 Genres: Chanson Voice: Altus Languages: French Voice Text: Fortune layse-moi la vie
12–12v	La la la l'oisillon du bois madame	-	Mouton, Jean (ca. 1459–1522)
La la la l'oisillon du bois madame Mouton, Jean (ca. 1459–1522) Appears on: 12–12v Genres: Chanson Voice: Altus Languages: French Voice Text: La la la [L'oisillon du bois]
12v–13	Seul demeure	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Seul demeure Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 12v–13 Genres: Chanson Voice: Altus Languages: French Voice Text: Seul demeure
13–13v	Es soldt ein meisken holen wein	-	Sampson
Es soldt ein meisken holen wein Sampson Appears on: 13–13v Genres: Song Voice: Altus Languages: Dutch Voice Text: Es wolt eyn metleyn holen Weyn
13v–14v	L'arez l'amis	-	Anonymous
L'arez l'amis Anonymous Appears on: 13v–14v Genres: Chanson Voice: Altus Languages: French Voice Text: Lares lamis
15	Laus Deo pax vivis	-	Anonymous
Laus Deo pax vivis Anonymous Appears on: 15 Genres: Motet Voice: Altus Languages: Latin Voice Text: Laus Deo pax uiuis Voice: [no designation] Languages: Latin Voice Text: Laus deo pax vivis
15–15v	Oime patientia	-	Unterholzer, Rupertus
Oime patientia Unterholzer, Rupertus Appears on: 15–15v Genres: Motet
15v–16	Quam pulchra es - 1a pars (of 2): Quam pulchra es	-	Bauldeweyn, Noel (ca. 1480–1529)
Quam pulchra es - 1a pars (of 2): Quam pulchra es Bauldeweyn, Noel (ca. 1480–1529) Appears on: 15v–16 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es et quam decora
16–16v	Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur	-	Bauldeweyn, Noel (ca. 1480–1529)
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur Bauldeweyn, Noel (ca. 1480–1529) Appears on: 16–16v Genres: Motet
16v–17	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	-	Eckel, Matthias
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Eckel, Matthias Appears on: 16v–17 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus
17	Si bona suscepimus - 2a pars (of 2): Sit nomen Domini benedictum	-	Eckel, Matthias
Si bona suscepimus - 2a pars (of 2): Sit nomen Domini benedictum Eckel, Matthias Appears on: 17 Genres: Motet
17v–18	[blank pages]	-	-
[blank pages] Appears on: 17v–18
18v–19v	[blank staves]	-	-
[blank staves] Appears on: 18v–19v

Composer	Compositions
Anonymous	Adieu [mes] amours, de vous suis las, trop m'avez tenu – 10 Ami souffre – 10v–11 Arriere l'amoureux affaire je ne sçaurois – 8 Ces facheux sots qui mesdisent d'aymer – 9v Die Jungfrau die war edel – 5–6 Fortune laissez moi la vie Puisque tu veulx – 11v–12 Helas si je vivais – 10–10v J'ai grand desir – 7 Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis) – 6–6v L'arez l'amis – 13v–14v La pimpinella – 4 Laus Deo pax vivis – 15 Le trop long temps – 6v Maul doit oit soil (=Maudit soit?) – 4v S'esbahist on se j'ai perdu le taint – 9 Si par souffrir on peult vaincre fortune – 7–7v Veu le credit – 7v [untexted chanson] – 11–11v [No description] – 18v–19v [No description] – 1–3v [No description] – 17v–18
Bauldeweyn, Noel (ca. 1480–1529)	Quam pulchra es - 1a pars (of 2): Quam pulchra es – 15v–16 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur – 16–16v
Eckel, Matthias	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini – 16v–17 Si bona suscepimus - 2a pars (of 2): Sit nomen Domini benedictum – 17
Heurteur, Guillaume le (fl. 1530-1545)	(?) Ami souffrez que je vous aime – 8v–9
Isaac, Heinrich (ca. 1450–1517)	(?) Ami souffrez que je vous aime – 8v–9
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Ami souffrez que je vous aime – 8v–9
Mouton, Jean (ca. 1459–1522)	La la la l'oisillon du bois madame – 12–12v
Sampson	Es soldt ein meisken holen wein – 13–13v
Sermisy, Claudin de (ca. 1490–1562)	(?) Ami souffrez que je vous aime – 8v–9 C'est une dure departie de cellui ou j'aimis – 5
Unterholzer, Rupertus	Oime patientia – 15–15v
Verdelot, Philippe (ca. 1480–ca. 1532)	Seul demeure – 12v–13
Ysoré, Guillaume	(?) Sans vous changer – 8–8v

Composition	Composers (? Uncertain)	Folios / Pages
[untexted chanson]	Anonymous	11–11v
Adieu [mes] amours, de vous suis las, trop m'avez tenu	Anonymous	10
Ami souffre	Anonymous	10v–11
Ami souffrez que je vous aime	Isaac, Heinrich (ca. 1450–1517) (?) Sermisy, Claudin de (ca. 1490–1562) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Heurteur, Guillaume le (fl. 1530-1545) (?)	8v–9
Arriere l'amoureux affaire je ne sçaurois	Anonymous	8
C'est une dure departie de cellui ou j'aimis	Sermisy, Claudin de (ca. 1490–1562)	5
Ces facheux sots qui mesdisent d'aymer	Anonymous	9v
Die Jungfrau die war edel	Anonymous	5–6
Es soldt ein meisken holen wein	Sampson	13–13v
Fortune laissez moi la vie Puisque tu veulx	Anonymous	11v–12
Helas si je vivais	Anonymous	10–10v
J'ai grand desir	Anonymous	7
Je ne scay pas comment a mon entendement (= Kyrie Fons bonitatis)	Anonymous	6–6v
L'arez l'amis	Anonymous	13v–14v
La la la l'oisillon du bois madame	Mouton, Jean (ca. 1459–1522)	12–12v
La pimpinella	Anonymous	4
Laus Deo pax vivis	Anonymous	15
Le trop long temps	Anonymous	6v
Maul doit oit soil (=Maudit soit?)	Anonymous	4v
Oime patientia	Unterholzer, Rupertus	15–15v
Quam pulchra es - 1a pars (of 2): Quam pulchra es	Bauldeweyn, Noel (ca. 1480–1529)	15v–16
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur	Bauldeweyn, Noel (ca. 1480–1529)	16–16v
S'esbahist on se j'ai perdu le taint	Anonymous	9
Sans vous changer	Ysoré, Guillaume (?)	8–8v
Seul demeure	Verdelot, Philippe (ca. 1480–ca. 1532)	12v–13
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	Eckel, Matthias	16v–17
Si bona suscepimus - 2a pars (of 2): Sit nomen Domini benedictum	Eckel, Matthias	17
Si par souffrir on peult vaincre fortune	Anonymous	7–7v
Veu le credit	Anonymous	7v

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München. Pages: 279-281.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 79. Notes: contents list (partial); incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-B MS Mus. 40195

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: First half of 16th century

General Description

Binding

Watermark

Notation

Ruling

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

Concordances

Concordances

Concordances

Concordances

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017