PL-Kj Berlin MS Mus. 40027

Biblioteka Jagiellonska, Kraków, Poland

manuscript of polyphony: First quarter of 17th century

Archive	Biblioteka Jagiellonska, Kraków, Poland (PL-Kj)
Shelfmark	Berlin MS Mus. 40027
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	308 x 195 mm
Other Identifiers	CCM: BerlPS 40027 olim (Former shelfmark): Preussische Staatsbibliothek (until 1945), Z27
Notations	black void mensural
Copyists	Gumpelzhaimer, Adam (1559–1625) Music Faust, Johann Music
Relationships	Gumpelzhaimer, Adam (1559–1625) (owner) Poelchau, Georg (1773–1836) (owner)
External Links	images
Provenance	Bavaria, Germany
Contents	156 pieces from 29 composers

General Description

A book mainly of motets in 8vv, 5-6vv, and 3vv, in score format. Copied by several scribes, including Adam Gumpelzhaimer and Johann Faust in Augsburg. Original owner was Adam Gumpelzhaimer (1559-1625), cantor at school and church of St. Anna, Augsburg. Later owned by the collector Georg Poelchau (1773-1836); passed to Preussische Staatsbibliothek in Berlin in 1841.

DIAMM, 2025

Physical Description

Original folios torn out after p.273, 564 and 590

DIAMM, 2025

Binding

Wood covers, with leather spine and two metal clasps.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Date M.DC.XXIV (1624) on inside front cover

DIAMM, 2025

Ruling

Two sets of staves drawn across both pages of each opening up to p.273; thereafter two or three sets of staves on a page are filled before moving to the facing page.

DIAMM, 2025

Foliation

Original ink pagination, 1-121 + modern ink pagination, 122-589 (last page not numbered); new pp. 499-[590] also have original ink foliation, 8-57 (ff. 43-47 torn out).

DIAMM, 2025

Index

No index remains

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

154 motets and madrigals

Animuccia, Bagni, Borsaro, Erbach, Flandrus, Franzoni, G. Gabrieli, Giacobbi, Gussago, Hassler, Leoni, Lichtlein, Philippe de Monte, Osculati, Pallavicino, Rore, Sermisy, Viadana, Vincentius, Vulpius, Walliser, Zindelin, anonymous

295 paper folios, 308 x 195. Some folios have been removed. Wood covers, with leather spine and two metal clasps.

Date April 1624 found in manuscript. Formerly owned by Adam Gumpelzhaimer.

Vol 4

1 Mass (mostly without text), 7 hymns (6 without text), 102 motets (1 incomplete), 3 German sacred pieces, 1 Italian sacred piece, 18 Italian secular pieces, 9 textless pieces =141

Aichinger-1, F. Anerio-3, P. Animuccia-5, P. Animuccia/(Rore)-1, (Baccusi?)-1, Bagni-1, Borsaro-1, Claudin(?)-1,* Erbach-3, Flandrus-2, Franzoni-7, G. Gabrieli-1, Giacobbi-1, (Giovanelli)-4, Gussago-1, Hassler-11, Leoni-18, Lichtlein-13, (Marenzio)-1, Philippe de Monte-25, Osculati-1, (Palestrina)-2, Pallavicino-2, (Rore)-1, (Verovio)-1, Viadana-2, Vincentius-1, Vulpius-1, Walliser-1, Zindelin-2, anon-26

*Textless piece on p.506 attributed to "Claudin." In view of the repertorial context, it seems unlikely that "Claudin" is Sermisy, and piece is not concordant with any of Sermisy's known chansons.

295 paper folios, 308 x 195. Original folios torn out at various places. Original ink pagination, 1-121 + modern ink pagination, 122-589 (last page not numbered); new pp. 499-[590] also have original ink foliation, 8-57 (ff. 43-47 torn out). Original covers of wooden boards, with spine of white tooled leather; two metal clasps. No index remains. Score format. Copied by several scribes, including Adam Gumpelzhaimer (see below) and Johann Faust (DTB). A few inked initials; edges of folios decorated in red.

First quarter of 17th century (date 1624 inside front cover refers to time of completion and binding). Copied in Augsburg. Original owner was Adam Gumpelzhaimer (1559-1625), cantor at school and church of St. Anna, Augsburg. Later owned by the collector Georg Poelchau (1773-1836); passed to Preussische Staatsbibliothek in Berlin in 1841.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–5	Adjuro vos filiae Jerusalem	Leonis Leonio	Leoni, Leone
Adjuro vos filiae Jerusalem Leoni, Leone Appears on: 1–5 Genres: Motet Source Attribution: Leonis Leonio Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Adjuro vos filiae Hierusalem
6–9	O quam dulcia faucibus meis	Leonis	Leoni, Leone
O quam dulcia faucibus meis Leoni, Leone Appears on: 6–9 Genres: Motet Source Attribution: Leonis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: O quam dulcia faucibus meis eloquia tua
10–13	Congratulamini mihi omnes	L. Leonis	Leoni, Leone
Congratulamini mihi omnes Leoni, Leone Appears on: 10–13 Genres: Motet Source Attribution: L. Leonis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Congratulamini mihi omnes
12–15	Anima mea desideravit te in nocte	[Leoni]	Leoni, Leone
Anima mea desideravit te in nocte Leoni, Leone Appears on: 12–15 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Anima mea desideravit te in nocte
16–17	O Domine Jesu Christe adoro te	L. Leonis	Leoni, Leone
O Domine Jesu Christe adoro te Leoni, Leone Appears on: 16–17 Genres: Motet Source Attribution: L. Leonis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe adoro te in cruce pendentem
18–21	Petre amas me	L. Leonis	Leoni, Leone
Petre amas me Leoni, Leone Appears on: 18–21 Genres: Motet Source Attribution: L. Leonis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Petre amas me pasce agnos meos
21–25	Nigra sum sed formosa	L. Leonis (later pencil)	Leoni, Leone
Nigra sum sed formosa Leoni, Leone Appears on: 21–25 Genres: Motet Source Attribution: L. Leonis (later pencil) Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa filae Hierusalem
26–29	Osculetur me osculo oris sui	L. Leonis (later pencil)	Leoni, Leone
Osculetur me osculo oris sui Leoni, Leone Appears on: 26–29 Genres: Motet Source Attribution: L. Leonis (later pencil) Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Osculetir me osculo oris sui
29–33	Ego dormio et cor meum vigilat	[Leoni]	Leoni, Leone
Ego dormio et cor meum vigilat Leoni, Leone Appears on: 29–33 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Ego dormio et cor meum vigilat
34–41	Domine quis habitabit	L. Leonis (later pencil)	Leoni, Leone
Domine quis habitabit Leoni, Leone Appears on: 34–41 Genres: Motet Source Attribution: L. Leonis (later pencil) Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Domine quis habitabit in tabernacula aut quis requiescet
42–43	O sacrum et admirabile convivium	[Leoni]	Leoni, Leone
O sacrum et admirabile convivium Leoni, Leone Appears on: 42–43 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: O sacrum et admirabile convivium
44–45	Peccavi super numerum arenae	Leonis Leonii	Leoni, Leone
Peccavi super numerum arenae Leoni, Leone Appears on: 44–45 Genres: Motet Source Attribution: Leonis Leonii Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Peccavi super numerum arenae maris
46–51	Angelus Domini descendit de caelo	[Leoni]	Leoni, Leone
Angelus Domini descendit de caelo Leoni, Leone Appears on: 46–51 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Angelus Domini descendit de caelo et accedens
52–55	Veni sponsa Christi	[Leoni]	Leoni, Leone
Veni sponsa Christi Leoni, Leone Appears on: 52–55 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi Accipe coronam
55–59	Saulus cum iter faceret	[Leoni]	Leoni, Leone
Saulus cum iter faceret Leoni, Leone Appears on: 55–59 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Saulus cum iter faceret et propinquaret Damasco
58–61	Audivi vocem angelorum	[Leoni]	Leoni, Leone
Audivi vocem angelorum Leoni, Leone Appears on: 58–61 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Audivi vocem Angelorum multorum
62–65	Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas	[Leoni]	Leoni, Leone
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas Leoni, Leone Appears on: 62–65 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Tribularer si nescirem misericordias tuas
64–67	Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam	[Leoni]	Leoni, Leone
Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam Leoni, Leone Appears on: 64–67 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Qui Cananeam et publicanum vocasti ad poenitentiam
68–71	Sic Deus dilexit mundum	[Leoni]	Leoni, Leone
Sic Deus dilexit mundum Leoni, Leone Appears on: 68–71 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Sic Deus dilexit mundum ut filium suum
70–73	Vide Domine afflictionem populi tui	[Leoni]	Leoni, Leone
Vide Domine afflictionem populi tui Leoni, Leone Appears on: 70–73 Genres: Motet Source Attribution: [Leoni] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Vide Domine afflictionem populi tui
74–77	Canite tuba in Sion	Benedicti Pallavicini	Pallavicino, Benedetto
Canite tuba in Sion Pallavicino, Benedetto Appears on: 74–77 Genres: Motet Source Attribution: Benedicti Pallavicini Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Canite tuba in Sion Quia prope est dies Domini
78–81	Laetentur caeli et exultet terra	Caesarii Gussaghi	Gussago, Cesario
Laetentur caeli et exultet terra Gussago, Cesario Appears on: 78–81 Genres: Motet Source Attribution: Caesarii Gussaghi Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Laetentur coeli et exultet terra
82–85	Hodie nobis caelorum rex	Ludovici Viadanae	Viadana, Lodovico (ca. 1560–1627)
Hodie nobis caelorum rex Viadana, Lodovico (ca. 1560–1627) Appears on: 82–85 Genres: Motet Source Attribution: Ludovici Viadanae Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Hodie nobis coelorum Rex de Vergine nasci
86–91	Claritas Domini circumfulsit pastores	Casparis Vincentii	Vincentius, Caspar
Claritas Domini circumfulsit pastores Vincentius, Caspar Appears on: 86–91 Genres: Motet Source Attribution: Casparis Vincentii Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Claritas Domini circumfulsit pastores vigilantes
92–103	Cum natus esset Jesus in Bethlehem Juda	Christoph Thomae Walliseri	Walliser, Christoph Thomas (1568–1648)
Cum natus esset Jesus in Bethlehem Juda Walliser, Christoph Thomas (1568–1648) Appears on: 92–103 Genres: Motet Source Attribution: Christoph Thomae Walliseri Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Cum natus esset Jesus in Bethlehem Jude
102–105	Parvulus hodie natus est nobis	Hieronymi Jacobii	Giacobbi, Girolamo (1567–1628)
Parvulus hodie natus est nobis Giacobbi, Girolamo (1567–1628) Appears on: 102–105 Genres: Motet Source Attribution: Hieronymi Jacobii Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Parvulus hodie natus est nobis et filius datus
106–109	Quem vidistis pastores dicite	Julii Osculati	Osculati, Giulio
Quem vidistis pastores dicite Osculati, Giulio Appears on: 106–109 Genres: Motet Source Attribution: Julii Osculati Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Quem vidistis pastores dicite
110–115	Sit nomen Domini benedictum	Archangeli Borsari	Borsaro, Arcangelo
Sit nomen Domini benedictum Borsaro, Arcangelo Appears on: 110–115 Genres: Motet Source Attribution: Archangeli Borsari Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Sir nomen DOmini benedictum Quia est admirabile
116–121	Beata nobis gaudia	Philippus Zindelin Constan.	Zindelin, Philipp
Beata nobis gaudia Zindelin, Philipp Appears on: 116–121 Genres: Motet Source Attribution: Philippus Zindelin Constan. Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Beata nobis gaudia Anni reduxit orbita
122–125	blank staves	-	-
blank staves Appears on: 122–125
126–131	Domine Jesu Christe adoro te	Johan: Leo Hasler	Hassler, Hans Leo (1564–1612)
Domine Jesu Christe adoro te Hassler, Hans Leo (1564–1612) Appears on: 126–131 Genres: Motet Source Attribution: Johan: Leo Hasler Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe adoro te in cruce vulneratum
131–133	Vocem jucunditatis annunciate	Benedicti Bagni	Bagni, Benedetto (fl. c1608)
Vocem jucunditatis annunciate Bagni, Benedetto (fl. c1608) Appears on: 131–133 Genres: Motet Source Attribution: Benedicti Bagni Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Vocem iucundutatis annunciate & audiatur
134–135	blank staves	-	-
blank staves Appears on: 134–135
136–139	Si acuero ut fulgur	Ludovicus Viadana	Viadana, Lodovico (ca. 1560–1627)
Si acuero ut fulgur Viadana, Lodovico (ca. 1560–1627) Appears on: 136–139 Genres: Motet Source Attribution: Ludovicus Viadana Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Si acuero ut fulgur gaudium meum occidam
140–143	Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies Pentecostes	Melchior Vulpius cantor Vinaviensis	Vulpius, Melchior (ca. 1570–1615)
Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies Pentecostes Vulpius, Melchior (ca. 1570–1615) Appears on: 140–143 Genres: Motet Source Attribution: Melchior Vulpius cantor Vinaviensis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Hodie completi sunt dies pentecostes General Note only the 1a pars is copied
144–147	Tantum ergo sacramentum (8vv)	-	Anonymous
Tantum ergo sacramentum (8vv) Anonymous Appears on: 144–147 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Tantum ergo sacramentum veneremur cernui
148–152	Jubilate Deo omnis terra (8vv)	-	Anonymous
Jubilate Deo omnis terra (8vv) Anonymous Appears on: 148–152 Genres: Motet Number of voices: 8 General Note note at top "cum instrumentis"
152–161	Benedicam Dominum (8vv)	-	Anonymous
Benedicam Dominum (8vv) Anonymous Appears on: 152–161 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Benedicam Dominum qui tribuit mihi intellectum
162–167	Domine in virtute tua (8vv)	-	Anonymous
Domine in virtute tua (8vv) Anonymous Appears on: 162–167 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Domine in virtute tua laetabitur rex
166–171	Laetetur cor querentium Dominum (8vv)	-	Anonymous
Laetetur cor querentium Dominum (8vv) Anonymous Appears on: 166–171 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Laetetur cor querentium Dominum General Note Note at top "cum instrumentis"
170–176	Diligam te Domine fortitudo mea (8vv)	-	Anonymous
Diligam te Domine fortitudo mea (8vv) Anonymous Appears on: 170–176 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Diligam te Domine fortitudo mea General Note Note at top "cum instrumentis"
176–179	Omnes gentes plaudite manibus (8vv)	-	Anonymous
Omnes gentes plaudite manibus (8vv) Anonymous Appears on: 176–179 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Omnes gentes plaudite manibus
180–183	Salvator mundi salva nos	Christian Erbach	Erbach, Christian (ca. 1568–1635)
Salvator mundi salva nos Erbach, Christian (ca. 1568–1635) Appears on: 180–183 Genres: Motet Source Attribution: Christian Erbach Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Salvator mundi salva nos qui per crucem General Note at top "in nupt. Hieron. Zeller" (for the marriage of Hieronymus Zeller)
182–185	Crux fidelis inter omnes	-	Anonymous
Crux fidelis inter omnes Anonymous Appears on: 182–185 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Crux fidelis inter omnes arbor una nobilis
186–189	Cantate Domino canticum novum	Arnoldi Flandri	Flandrus, Arnoldus
Cantate Domino canticum novum Flandrus, Arnoldus Appears on: 186–189 Genres: Motet Source Attribution: Arnoldi Flandri Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Cantate Domino canticum novum
188–192	Jubilate Deo omnis terra	Arnoldus Flandr:	Flandrus, Arnoldus
Jubilate Deo omnis terra Flandrus, Arnoldus Appears on: 188–192 Genres: Motet Source Attribution: Arnoldus Flandr: Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Jubilate Deo omnis terra servite Dominum
192–197	Hodie verbum caro factum est	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Hodie verbum caro factum est Lichtlein, Wilhelm Appears on: 192–197 Genres: Motet Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Hodie verbum caro factum est
197–203	Deus meus respice in me	Wilhelmi Liechtlein orga: / WL	Lichtlein, Wilhelm
Deus meus respice in me Lichtlein, Wilhelm Appears on: 197–203 Genres: Motet Source Attribution: Wilhelmi Liechtlein orga: / WL Number of voices: 8
203–210	Domine Deus noster	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Domine Deus noster Lichtlein, Wilhelm Appears on: 203–210 Genres: Motet Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Domine Deus noster quam admirabile est nomen tuum
210–217	Pater noster qui es in caelis	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Pater noster qui es in caelis Lichtlein, Wilhelm Appears on: 210–217 Genres: Motet, Pater noster Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in caelis
216–221	Cantate Domino canticum novum	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Cantate Domino canticum novum Lichtlein, Wilhelm Appears on: 216–221 Genres: Motet Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Cantate Domino canticum novum
222–227	Deus misereatur nostri	Wilhelmi Liechtlein orga: / WL	Lichtlein, Wilhelm
Deus misereatur nostri Lichtlein, Wilhelm Appears on: 222–227 Genres: Motet Source Attribution: Wilhelmi Liechtlein orga: / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Deus misereatur nostri et benedicat nobis
226–231	Jubilate Deo omnnis terra	Wilhelmi Liechtlein orga: / WL	Lichtlein, Wilhelm
Jubilate Deo omnnis terra Lichtlein, Wilhelm Appears on: 226–231 Genres: Motet Source Attribution: Wilhelmi Liechtlein orga: / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Jubilate Deo omnis terra
232–240	Missus est angelus Gabriel	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Missus est angelus Gabriel Lichtlein, Wilhelm Appears on: 232–240 Genres: Motet Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel Angelus a Deo
240–245	Ecce rex tuus veniet	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Ecce rex tuus veniet Lichtlein, Wilhelm Appears on: 240–245 Genres: Motet Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Ecce Rex tuus veniet General Note The middle section of the preceding motet has the text "Ecce rex tuus veniet..."; this motet begins with the same text set to the same music
244–249	Ecce angelus Domini astitit	Wilhelmi Liechtlein orga: / WL	Lichtlein, Wilhelm
Ecce angelus Domini astitit Lichtlein, Wilhelm Appears on: 244–249 Genres: Motet Source Attribution: Wilhelmi Liechtlein orga: / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Ecce Angelus Domini astitit illic
250–253	Post dies octo puer qui natus est nobis	Wilhelmi Liechtlein / WL	Lichtlein, Wilhelm
Post dies octo puer qui natus est nobis Lichtlein, Wilhelm Appears on: 250–253 Genres: Monophonic conductus Source Attribution: Wilhelmi Liechtlein / WL Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Post dies octo puer qui natus est nobis
254–255	blank staves (end of 8vv motets)	-	-
blank staves (end of 8vv motets) Appears on: 254–255
256–273	Audite principes (16vv)	Giov: Gabrieli	Gabrieli, Giovanni (ca. 1554–1612)
Audite principes (16vv) Gabrieli, Giovanni (ca. 1554–1612) Appears on: 256–273 Genres: Motet Source Attribution: Giov: Gabrieli Number of voices: 16 Voice: [no designation] Languages: Latin Voice Text: Audite principes et auribus percipe omnes General Note 2x8vv choirs. Incomplete, end lost with several pages torn out after p.273
274–275	Come havra vita amor la vita mia	Philippus de Monte	Monte, Philippe de
Come havra vita amor la vita mia Monte, Philippe de Appears on: 274–275 Genres: Italian secular Source Attribution: Philippus de Monte Number of voices: 6 Voice: [no designation] Languages: Italian Voice Text: Come havra vita amor la vita mia
276–278	Se barbara si chiama	Philippus de Monte	Monte, Philippe de
Se barbara si chiama Monte, Philippe de Appears on: 276–278 Genres: Madrigal (Italian) Source Attribution: Philippus de Monte Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Se barbara si chiama Se barbare anco
279–286	Domine Deus salutis mei (2p. Ubi sunt miserationes)	Philippus de monte	Monte, Philippe de
Domine Deus salutis mei (2p. Ubi sunt miserationes) Monte, Philippe de Appears on: 279–286 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine Deus salutis mei in die clamavi et nocte (2p. Ubi sunt miserationes tue domine)
287–294	Humiliatus sum (2p. Suscipe me)	Philippus de monte	Monte, Philippe de
Humiliatus sum (2p. Suscipe me) Monte, Philippe de Appears on: 287–294 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Humiliatus sum usquequaque domine (2p. Suscipe me secundum eloquium tuum)
295–299	Specie tua et pulchritudine tuo	Philippus de monte	Monte, Philippe de
Specie tua et pulchritudine tuo Monte, Philippe de Appears on: 295–299 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Specie tua et pulchritudine tuo incende
299–304	Adjutor meus et liberator meus	Philippus de monte	Monte, Philippe de
Adjutor meus et liberator meus Monte, Philippe de Appears on: 299–304 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Adiutor meus et liberator meus
304–311	Regnum mundi (2p. Eructavit cor meum)	[de Monte]	Monte, Philippe de
Regnum mundi (2p. Eructavit cor meum) Monte, Philippe de Appears on: 304–311 Genres: Motet Source Attribution: [de Monte] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Regnum mundi et omnem ornatum seculi contempsi
312–320	Laudate DOminum de caelis (2p. Laudate eum caeli caelorum)	Philippus de monte	Monte, Philippe de
Laudate DOminum de caelis (2p. Laudate eum caeli caelorum) Monte, Philippe de Appears on: 312–320 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Laudate dominum de celis (2p. Laudate eum celi celorum)
321–328	Timete Dominum (2p. Dominus spes sanctorum)	Philippus de monte	Monte, Philippe de
Timete Dominum (2p. Dominus spes sanctorum) Monte, Philippe de Appears on: 321–328 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Timete dominum omnes sancti eius (2p. Domine spes sanctorum et turris)
329–336	Ne timeas Maria (2p. Ecce ancilla Domini)	[de Monte]	Monte, Philippe de
Ne timeas Maria (2p. Ecce ancilla Domini) Monte, Philippe de Appears on: 329–336 Genres: Motet Source Attribution: [de Monte] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ne timeas Maria invenisti gratiam (2p. Ecce ancilla domini fiat mihi)
337–344	Deprecatus sum (2p. Bonitatem fecisti)	Philippus de monte	Monte, Philippe de
Deprecatus sum (2p. Bonitatem fecisti) Monte, Philippe de Appears on: 337–344 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Deprecatus sum faciem tuam (2p. Bonitatem fecisti cum servo tuo)
345–354	Inclina cor meum	Philippus de monte	Monte, Philippe de
Inclina cor meum Monte, Philippe de Appears on: 345–354 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Inclina cor meum Layout On pp. 344-363, a 5vv motet is copied across the 5 staves at the top of each opening, and a 7vv motet across the 7 lower staves
344–351	Pulchra es et decora (7vv)	Philippus de monte	Monte, Philippe de
Pulchra es et decora (7vv) Monte, Philippe de Appears on: 344–351 Genres: Motet Source Attribution: Philippus de monte Number of voices: 7 Voice: [no designation] Languages: Latin Voice Text: Pulchra es et decora Layout On pp. 344-363, a 5vv motet is copied across the 5 staves at the top of each opening, and a 7vv motet across the 7 lower staves
352–362	Audi filia et vide et inclina aurem tuam (7vv)	Philippus de monte	Monte, Philippe de
Audi filia et vide et inclina aurem tuam (7vv) Monte, Philippe de Appears on: 352–362 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Audi filia & vide & inclina aurem tuam Layout On pp. 344-363, a 5vv motet is copied across the 5 staves at the top of each opening, and a 7vv motet across the 7 lower staves
355–363	In multitudine misericordiae tuae	[de Monte]	Monte, Philippe de
In multitudine misericordiae tuae Monte, Philippe de Appears on: 355–363 Genres: Motet Source Attribution: [de Monte] Number of voices: 7 Voice: [no designation] Languages: Latin Voice Text: In multitudine misericordie tue Layout On pp. 344-363, a 5vv motet is copied across the 5 staves at the top of each opening, and a 7vv motet across the 7 lower staves
363–370	Quasi cedrus exaltata (2p. Quasi oliva speciosa)	Philippus de monte	Monte, Philippe de
Quasi cedrus exaltata (2p. Quasi oliva speciosa) Monte, Philippe de Appears on: 363–370 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Quasi cedrus exaltata sum in Libano (2p. Quasi oliva speciosa in Canopis)
370–378	Ad te DOmine levavi (2p. Reminiscere miserationum tuarum)	Philippus de monte	Monte, Philippe de
Ad te DOmine levavi (2p. Reminiscere miserationum tuarum) Monte, Philippe de Appears on: 370–378 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ad te domine levavi animam meam (2p. Reminiscere miserationum tuarum domine)
378–386	Assumpta est Maria (In odorem unguentorum)	Philippus de monte	Monte, Philippe de
Assumpta est Maria (In odorem unguentorum) Monte, Philippe de Appears on: 378–386 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Assumpta est Maria in caelum (2p. In odorem unguentorum tuorum currimus)
386–393	Domine Deus meus ad te clamavi (2p. Inclina ad me aurem tuam)	Philippus de monte	Monte, Philippe de
Domine Deus meus ad te clamavi (2p. Inclina ad me aurem tuam) Monte, Philippe de Appears on: 386–393 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine Deus meus ad te clamavi (2p. Inclina ad me aurem tuam)
394–397	Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata	[de Rore]	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata Rore, Cipriano de (ca. 1515–1565) Appears on: 394–397 Genres: Madrigal (Italian), Sacred Song Source Attribution: [de Rore] Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine bella che di sol vestita
398–401	Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una Rore, Cipriano de (ca. 1515–1565) Appears on: 398–401 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine saggia e del bel numer' una
402–405	Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera Rore, Cipriano de (ca. 1515–1565) Appears on: 402–405 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine pura d'ogni part' intera
406–409	Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena Rore, Cipriano de (ca. 1515–1565) Appears on: 406–409 Genres: Madrigal, Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine santa d'ogni gratia piena
410–413	Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio Rore, Cipriano de (ca. 1515–1565) Appears on: 410–413 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine sol' al mondo senza esempio
414–417	Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno Rore, Cipriano de (ca. 1515–1565) Appears on: 414–417 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine chiara e stabil' in eterno
418–421	Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparse	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparse Rore, Cipriano de (ca. 1515–1565) Appears on: 418–421 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine quante lagrim' ho gia sparse
422–425	Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha Rore, Cipriano de (ca. 1515–1565) Appears on: 422–425 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine tal' e terra
426–429	Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza Rore, Cipriano de (ca. 1515–1565) Appears on: 426–429 Genres: Madrigal, Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine in cui ho tutta mia speranza
430–433	Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli Rore, Cipriano de (ca. 1515–1565) Appears on: 430–433 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Vergine humana e nemica d'orgoglio
433–436	Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser	-	Rore, Cipriano de (ca. 1515–1565)
Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser Rore, Cipriano de (ca. 1515–1565) Appears on: 433–436 Genres: Madrigal (Italian), Sacred Song Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Il di s'appressa et non puot' esser longe
436–440	Quando 'l voler (2p. Onde come colui)	[de Monte]	Monte, Philippe de
Quando 'l voler (2p. Onde come colui) Monte, Philippe de Appears on: 436–440 Genres: Madrigal (Italian) Source Attribution: [de Monte] Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Quando 'l voler che con duo sproni ardenti (2p. Onde come colui che 'l colpo teme)
440–446	Domine Deus meus in te speravi (2p. Domine Deus meus si feci istud)	Philippus de monte	Monte, Philippe de
Domine Deus meus in te speravi (2p. Domine Deus meus si feci istud) Monte, Philippe de Appears on: 440–446 Genres: Motet Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine Deus meus in te speravi (2p. Domine Deus meus si feci istud)
447–453	Venite et videte opera Domini	Philippus de Monte	Monte, Philippe de
Venite et videte opera Domini Monte, Philippe de Appears on: 447–453 Genres: Motet Source Attribution: Philippus de Monte Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Venite et videte opera domini quiposuit prodigia sua
454–459	Ad te Dominum levavi animam mean (8vv)	Philippus de monte	Monte, Philippe de
Ad te Dominum levavi animam mean (8vv) Monte, Philippe de Appears on: 454–459 Genres: Motet Source Attribution: Philippus de monte Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Ad te dominum levavi animam meam General Note 4vv are in canon 4-ex-1, plus 4 free voices
460–461	Chi vuol veder quantunque puo	Philippus de monte	Monte, Philippe de
Chi vuol veder quantunque puo Monte, Philippe de Appears on: 460–461 Genres: Madrigal (Italian) Source Attribution: Philippus de monte Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Chi vuol veder quantunque puo natura e'l ciel
465–469	I dolci colli ov' io lasciai (2p. Et qual cervo ferito)	Philippus de monte	Monte, Philippe de
I dolci colli ov' io lasciai (2p. Et qual cervo ferito) Monte, Philippe de Appears on: 465–469 Genres: Madrigal (Italian) Source Attribution: Philippus de monte Number of voices: 6 Voice: [no designation] Languages: Italian Voice Text: I dolci colli ov'io lasciai me stesso (2p. et qual cervo ferito di saetta)
470–472	Venit lumen tuum Jerusalem et gloria	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Venit lumen tuum Jerusalem et gloria Animuccia, Paolo (ca. 1500–1569) Appears on: 470–472 Genres: Motet Source Attribution: Paulus Animuccia Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Venit lumen tuum Hierusalem
473–479	Jubilate Deo omnis terra (2p. Populus eius et oves)	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Jubilate Deo omnis terra (2p. Populus eius et oves) Animuccia, Paolo (ca. 1500–1569) Appears on: 473–479 Genres: Motet Source Attribution: Paulus Animuccia Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Jubilate deo omnis terra servite domino in letitia (2p. Populus eius et oves pascue eius)
480–482	Voce mea ad Dominum clamavi voce mea	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Voce mea ad Dominum clamavi voce mea Animuccia, Paolo (ca. 1500–1569) Appears on: 480–482 Genres: Motet Source Attribution: Paulus Animuccia Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Voce mea ad dominum clamavi
483–487	Pater noster qui es in caelis	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Pater noster qui es in caelis Animuccia, Paolo (ca. 1500–1569) Appears on: 483–487 Genres: Motet, Pater noster Source Attribution: Paulus Animuccia Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in caelis
488–491	Peccavi domine peccavi et iniquitatem meam	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Peccavi domine peccavi et iniquitatem meam Animuccia, Paolo (ca. 1500–1569) Appears on: 488–491 Genres: Motet Source Attribution: Paulus Animuccia Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Peccavi domine et iniquitatem meam agnosco
492–495	Beata es Maria que Dominum portasti	Paulus Animuccia	Animuccia, Paolo (ca. 1500–1569)
Beata es Maria que Dominum portasti Animuccia, Paolo (ca. 1500–1569) Appears on: 492–495 Genres: Motet Source Attribution: Paulus Animuccia Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Beata es Maria que dominum portasti General Note canon 2-ex-1 with 4 free voices
496–497	Beata es Maria 'alio modo'	-	Anonymous
Beata es Maria 'alio modo' Anonymous Appears on: 496–497 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none General Note Headed 'alio modo', but textless: presumably an alternative settng of the previous motet text
[-]	(3vv settings follow)	-	-
(3vv settings follow) Appears on: [-]
499	Ahi, che quest' occhi miei ch' erano lieti	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Ahi, che quest' occhi miei ch' erano lieti Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 499 Genres: Madrigal (Italian) Source Attribution: [Palestrina] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Ahi che quest'occhi miei ch'erano lieti
499	Si vaga e la mia fiamma che piu mi strugge	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Si vaga e la mia fiamma che piu mi strugge Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 499 Genres: Madrigal (Italian) Source Attribution: [Giovannelli] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Si vaga e la mia fiama che piu mi strugge
500	Fiamme che da begl' occhi	[Anerio]	Anerio, Felice (ca. 1560–1614)
Fiamme che da begl' occhi Anerio, Felice (ca. 1560–1614) Appears on: 500 Genres: Madrigal (Italian) Source Attribution: [Anerio] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Fiame che da begl'occhi
500	Jesu decus angelicum in aure dulce canticum	Felice Anerio	Anerio, Felice (ca. 1560–1614)
Jesu decus angelicum in aure dulce canticum Anerio, Felice (ca. 1560–1614) Appears on: 500 Genres: Lauda Source Attribution: Felice Anerio Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Jesu decus angelicum in aure dulce canticum
500	Qual paura donna o qual tormento	[Marenzio]	Marenzio, Luca (ca. 1553–1599)
Qual paura donna o qual tormento Marenzio, Luca (ca. 1553–1599) Appears on: 500 Genres: Madrigal (Italian) Source Attribution: [Marenzio] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Qual paura donna o qual tormento
501	Jesu sole serenior et balsamo suavior	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Jesu sole serenior et balsamo suavior Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 501 Genres: Lauda Source Attribution: [Giovannelli] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Jesu sole serenior et balsamo suavior
501	Tu mentis delectatio amoris consummatio	[Giovannelli]	Giovannelli, Ruggiero (ca. 1560–1625)
Tu mentis delectatio amoris consummatio Giovannelli, Ruggiero (ca. 1560–1625) Appears on: 501 Genres: Lauda Source Attribution: [Giovannelli] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Tu mentis delectatio Amoris consumatio
501–502	Gesu sommo conforto tu sei	[Verovio]	Verovio, Simone
Gesu sommo conforto tu sei Verovio, Simone Appears on: 501–502 Genres: Lauda Source Attribution: [Verovio] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Giesu sommo conforto tu sei tut' il mio Amore
502	Jesu rex admirabilis et triumphator nobilis	-	Anonymous
Jesu rex admirabilis et triumphator nobilis Anonymous Appears on: 502 Genres: Hymn Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Jesu rex admirabilis et triumphator nobilis
502	untexted	-	-
untexted Appears on: 502 Number of voices: 3 Voice: [no designation] Languages: none Voice Text: [perhaps another hymn?]
502–503	untexted	-	-
untexted Appears on: 502–503 Number of voices: 3 Voice: [no designation] Languages: none Voice Text: [perhaps another hymn?]
504	Herr Gott himmlischer Vater	-	Anonymous
Herr Gott himmlischer Vater Anonymous Appears on: 504 Genres: Sacred Song Number of voices: 3 Voice: [no designation] Languages: German Voice Text: Heer gott himlischer Vatther [text incipit only]
504–505	Danket dem Herrn	-	Anonymous
Danket dem Herrn Anonymous Appears on: 504–505 Genres: Sacred Song Number of voices: 3 Voice: [no designation] Languages: German Voice Text: Danckhet dem Heeren [text incipit only]
505	Wir danken dir Herr Gott	-	Anonymous
Wir danken dir Herr Gott Anonymous Appears on: 505 Genres: Sacred Song Number of voices: 3 Voice: [no designation] Languages: German Voice Text: Wir danckh[e]n dir Heer gott himlischer Vatter durch Jesu Chris[t]
506	untexted	Claudin	'Claudin' [not Sermisy]
untexted 'Claudin' [not Sermisy] Appears on: 506 Genres: textless Source Attribution: Claudin Number of voices: 3 Voice: [no designation] Languages: none General Note In view of the repertorial context, it seems unlikely that “Claudin” is Sermisy, and piece is not concordant with any of Sermisy’s known chansons.
507–508	Valde honorandus et beatus Johannes	Guilh: Lichtlin	Lichtlein, Wilhelm
Valde honorandus et beatus Johannes Lichtlein, Wilhelm Appears on: 507–508 Genres: Motet Source Attribution: Guilh: Lichtlin Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Valde honorandus et beatus Johannes
508–509	Virgo gloriosa Cecilia	Wilhelmus Lichtlein Org:	Lichtlein, Wilhelm
Virgo gloriosa Cecilia Lichtlein, Wilhelm Appears on: 508–509 Genres: Motet Source Attribution: Wilhelmus Lichtlein Org: Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Virgo gloriosa Cecilia
510	Io soffriro cor mio	Amante Franzoni	Franzoni, Amante
Io soffriro cor mio Franzoni, Amante Appears on: 510 Genres: Madrigal (Italian) Source Attribution: Amante Franzoni Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Io soffriro cor mio [text incipit only] General Note This and the following 6 pieces are Franzoni's set of 7 "Madrigale spirituali"
510	Moriro	[Franzoni]	Franzoni, Amante
Moriro Franzoni, Amante Appears on: 510 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Moriro [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
510	Poss' io prima	[Franzoni]	Franzoni, Amante
Poss' io prima Franzoni, Amante Appears on: 510 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Poss'io prima [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
511	Io non credea gia	[Franzoni]	Franzoni, Amante
Io non credea gia Franzoni, Amante Appears on: 511 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Io non credea gia [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
511	Dunque fuggi	[Franzoni]	Franzoni, Amante
Dunque fuggi Franzoni, Amante Appears on: 511 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Dunque fuggi [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
511	I bei legami	[Franzoni]	Franzoni, Amante
I bei legami Franzoni, Amante Appears on: 511 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: I Bei legami [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
511	Infelice pastore	[Franzoni]	Franzoni, Amante
Infelice pastore Franzoni, Amante Appears on: 511 Genres: Madrigal (Italian) Source Attribution: [Franzoni] Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Infelice pastore [text incipit only] General Note from Franzoni's set of 7 "Madrigale spirituali"
[-]	(end of 3vv works; following pieces are for 4-5vv)	-	-
(end of 3vv works; following pieces are for 4-5vv) Appears on: [-]
512–514	blank staves	-	-
blank staves Appears on: 512–514
515	Lucis creator optime	J. L. Has:	Hassler, Hans Leo (1564–1612)
Lucis creator optime Hassler, Hans Leo (1564–1612) Appears on: 515 Genres: Hymn Source Attribution: J. L. Has: Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Lucis creator optime, Lucem dierum proferens General Note First of a set of 7 4-voice hymn settings, one for each day of the week. This one is 'Dominica' (Sunday) and the only one that is texted.
515–516	[textless hymn - feria secunda]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - feria secunda] Hassler, Hans Leo (1564–1612) Appears on: 515–516 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
516	[textless hymn - feria tertia]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - feria tertia] Hassler, Hans Leo (1564–1612) Appears on: 516 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
516–517	[textless hymn - feria quarta]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - feria quarta] Hassler, Hans Leo (1564–1612) Appears on: 516–517 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
517–518	[textless hymn - feria quinta]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - feria quinta] Hassler, Hans Leo (1564–1612) Appears on: 517–518 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
518–519	[textless hymn - feria sexta]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - feria sexta] Hassler, Hans Leo (1564–1612) Appears on: 518–519 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
519	[textless hymn - sabbato]	[Hassler]	Hassler, Hans Leo (1564–1612)
[textless hymn - sabbato] Hassler, Hans Leo (1564–1612) Appears on: 519 Genres: Hymn Source Attribution: [Hassler] Number of voices: 4 Voice: [no designation] Languages: none
519–523	Kyrie solenne	C. Er: [Christian Erbach]	Erbach, Christian (ca. 1568–1635)
Kyrie solenne Erbach, Christian (ca. 1568–1635) Appears on: 519–523 Genres: Kyrie eleison, Mass Ordinary Source Attribution: C. Er: [Christian Erbach] Number of voices: 4 Voice: [no designation] Languages: none Voice Text: [untexted] General Note Apparently in 8 sections (Kyrie I in 2 sections, Christe in 3, Kyrie II in 3), according to pencilled headings: the same 12-14 breve c.f. recurs in all sections but in different voices.
523–542	Missa Sine nomine	-	Anonymous
Missa Sine nomine Anonymous Appears on: 523–542 Genres: Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: none General Note Multi-section textless composition. Some pencilled headings in the early sections (Kyrie - Et in terra - Benedicimus te) may or may not be authoritative. c.f. maintained throughout the mass, though present in different voices.
542–544	[untexted]	Christian Erbacher	Erbach, Christian (ca. 1568–1635)
[untexted] Erbach, Christian (ca. 1568–1635) Appears on: 542–544 Genres: textless Source Attribution: Christian Erbacher Number of voices: 4 Voice: [no designation] Languages: none
544–546	[untexted]	J. L. H. (=Hassler)	Hassler, Hans Leo (1564–1612)
[untexted] Hassler, Hans Leo (1564–1612) Appears on: 544–546 Genres: textless Source Attribution: J. L. H. (=Hassler) Number of voices: 4 Voice: [no designation] Languages: none
547–549	Sincerae animulae candidi puelluli (2p. Ferox tirannus)	-	Anonymous
Sincerae animulae candidi puelluli (2p. Ferox tirannus) Anonymous Appears on: 547–549 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Sincerae animulae candidi puelluli vix nati (2p. Ferox tirannus ferreique pectoris qui parricidas)
550–552	Summe pater rerum cuius bonitate	-	Anonymous
Summe pater rerum cuius bonitate Anonymous Appears on: 550–552 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Summe pater rerum cuius bonitate
552–554	Decantabat populus laudem Deo	-	Anonymous
Decantabat populus laudem Deo Anonymous Appears on: 552–554 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Decantabat populus laudem deo
554–556	Vos qui reliquistis omnia	-	Anonymous
Vos qui reliquistis omnia Anonymous Appears on: 554–556 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Vos qui reliquistis omnia et secuti estis me
556–557	Rorate caeli desuper	-	Anonymous
Rorate caeli desuper Anonymous Appears on: 556–557 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Rorate coeli desuper
558–560	Osculetur me osculo oris sui	-	Anonymous
Osculetur me osculo oris sui Anonymous Appears on: 558–560 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Osculetur me osculo oris sui
560–562	Quem vidistis pastores	-	Anonymous
Quem vidistis pastores Anonymous Appears on: 560–562 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Quem vidistis pastores
562–564	Cantabant sancti canticum novum	-	Anonymous
Cantabant sancti canticum novum Anonymous Appears on: 562–564 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Cantabant sancti canticum novum ante sedem Dei
564	[untexted]	Benedetto Pallavicino	Pallavicino, Benedetto
[untexted] Pallavicino, Benedetto Appears on: 564 Genres: textless Source Attribution: Benedetto Pallavicino Number of voices: 5 Voice: [no designation] Languages: none General Note incomplete - pages torn out between pp.564-565
565–567	Nobilitas virtus pietas iunguntur amore	Gregorii Aichinger organista	Aichinger, Gregor (ca. 1564–1628)
Nobilitas virtus pietas iunguntur amore Aichinger, Gregor (ca. 1564–1628) Appears on: 565–567 Genres: Motet Source Attribution: Gregorii Aichinger organista Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Nobilitas virtus pietas iunguntur amore
568–570	Plaude triumphalem retulit Leonarde	[Hassler]	Hassler, Hans Leo (1564–1612)
Plaude triumphalem retulit Leonarde Hassler, Hans Leo (1564–1612) Appears on: 568–570 Genres: Motet Source Attribution: [Hassler] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Plaude triumphalem retulit Leonarde coronam
571–574	Vincula dum Christus terit	Joan: Leo Hasler	Hassler, Hans Leo (1564–1612)
Vincula dum Christus terit Hassler, Hans Leo (1564–1612) Appears on: 571–574 Genres: Motet Source Attribution: Joan: Leo Hasler Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: 2 texts underlaid: Vincla philippi / Vincla dum Christo terit
575–580	Domine Deus meus ne quaeso	Philip Zindelin	Zindelin, Philipp
Domine Deus meus ne quaeso Zindelin, Philipp Appears on: 575–580 Genres: Motet Source Attribution: Philip Zindelin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Domine Deus meus ne queso intres in iudicium cum puero tuo
581	untexted fragment	-	-
untexted fragment Appears on: 581 Number of voices: 3 Voice: [no designation] Languages: none General Note a fragment for 3vv, with 13 bars of Cantus, 7 of Cantus II and 6 of Altus/Tenor
582–586	[Nun freut euch lieben Christen?]	-	Anonymous
[Nun freut euch lieben Christen?] Anonymous Appears on: 582–586 Genres: Hymn Number of voices: 6 Voice: [no designation] Languages: none General Note The shape of the opening phrase is common to several settings of Nun freut euch, suggesting this textless setting may be of that hymn.
587–590	[Nun freut euch lieben Christen?]	-	Anonymous
[Nun freut euch lieben Christen?] Anonymous Appears on: 587–590 Genres: Hymn Number of voices: 5 Voice: [no designation] Languages: none General Note Incomplete, pages torn out at end of book. General Note The shape of the opening phrase is common to several settings of Nun freut euch, suggesting this textless setting may be of that hymn.

Composer	Compositions
'Claudin' [not Sermisy]	untexted – 506
Aichinger, Gregor (ca. 1564-1628)	Nobilitas virtus pietas iunguntur amore – 565–567
Anerio, Felice (ca. 1560-1614)	Fiamme che da begl' occhi – 500 Jesu decus angelicum in aure dulce canticum – 500
Animuccia, Paolo (ca. 1500-1569)	Beata es Maria que Dominum portasti – 492–495 Jubilate Deo omnis terra (2p. Populus eius et oves) – 473–479 Pater noster qui es in caelis – 483–487 Peccavi domine peccavi et iniquitatem meam – 488–491 Venit lumen tuum Jerusalem et gloria – 470–472 Voce mea ad Dominum clamavi voce mea – 480–482
Anonymous	Beata es Maria 'alio modo' – 496–497 Benedicam Dominum (8vv) – 152–161 Cantabant sancti canticum novum – 562–564 Crux fidelis inter omnes – 182–185 Danket dem Herrn – 504–505 Decantabat populus laudem Deo – 552–554 Diligam te Domine fortitudo mea (8vv) – 170–176 Domine in virtute tua (8vv) – 162–167 Herr Gott himmlischer Vater – 504 Jesu rex admirabilis et triumphator nobilis – 502 Jubilate Deo omnis terra (8vv) – 148–152 Laetetur cor querentium Dominum (8vv) – 166–171 Missa Sine nomine – 523–542 Omnes gentes plaudite manibus (8vv) – 176–179 Osculetur me osculo oris sui – 558–560 Quem vidistis pastores – 560–562 Rorate caeli desuper – 556–557 Sincerae animulae candidi puelluli (2p. Ferox tirannus) – 547–549 Summe pater rerum cuius bonitate – 550–552 Tantum ergo sacramentum (8vv) – 144–147 Vos qui reliquistis omnia – 554–556 Wir danken dir Herr Gott – 505 [Nun freut euch lieben Christen?] – 587–590 [Nun freut euch lieben Christen?] – 582–586 [No description] – 512–514 [No description] – 134–135 [No description] – 122–125 [No description] – 254–255 [No description] – 502 [No description] – 502–503 [No description] – 581
Bagni, Benedetto (c1608)	Vocem jucunditatis annunciate – 131–133
Borsaro, Arcangelo	Sit nomen Domini benedictum – 110–115
Erbach, Christian (ca. 1568-1635)	Kyrie solenne – 519–523 Salvator mundi salva nos – 180–183 [untexted] – 542–544
Flandrus, Arnoldus	Cantate Domino canticum novum – 186–189 Jubilate Deo omnis terra – 188–192
Franzoni, Amante	Dunque fuggi – 511 I bei legami – 511 Infelice pastore – 511 Io non credea gia – 511 Io soffriro cor mio – 510 Moriro – 510 Poss' io prima – 510
Gabrieli, Giovanni (ca. 1554-1612)	Audite principes (16vv) – 256–273
Giacobbi, Girolamo (1567-1628)	Parvulus hodie natus est nobis – 102–105
Giovannelli, Ruggiero (ca. 1560-1625)	Jesu sole serenior et balsamo suavior – 501 Si vaga e la mia fiamma che piu mi strugge – 499 Tu mentis delectatio amoris consummatio – 501
Gussago, Cesario	Laetentur caeli et exultet terra – 78–81
Hassler, Hans Leo (1564-1612)	Domine Jesu Christe adoro te – 126–131 Lucis creator optime – 515 Plaude triumphalem retulit Leonarde – 568–570 Vincula dum Christus terit – 571–574 [textless hymn - feria quarta] – 516–517 [textless hymn - feria quinta] – 517–518 [textless hymn - feria secunda] – 515–516 [textless hymn - feria sexta] – 518–519 [textless hymn - feria tertia] – 516 [textless hymn - sabbato] – 519 [untexted] – 544–546
Leoni, Leone	Adjuro vos filiae Jerusalem – 1–5 Angelus Domini descendit de caelo – 46–51 Anima mea desideravit te in nocte – 12–15 Audivi vocem angelorum – 58–61 Congratulamini mihi omnes – 10–13 Domine quis habitabit – 34–41 Ego dormio et cor meum vigilat – 29–33 Nigra sum sed formosa – 21–25 O Domine Jesu Christe adoro te – 16–17 O quam dulcia faucibus meis – 6–9 O sacrum et admirabile convivium – 42–43 Osculetur me osculo oris sui – 26–29 Peccavi super numerum arenae – 44–45 Petre amas me – 18–21 Saulus cum iter faceret – 55–59 Sic Deus dilexit mundum – 68–71 Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas – 62–65 Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam – 64–67 Veni sponsa Christi – 52–55 Vide Domine afflictionem populi tui – 70–73
Lichtlein, Wilhelm	Cantate Domino canticum novum – 216–221 Deus meus respice in me – 197–203 Deus misereatur nostri – 222–227 Domine Deus noster – 203–210 Ecce angelus Domini astitit – 244–249 Ecce rex tuus veniet – 240–245 Hodie verbum caro factum est – 192–197 Jubilate Deo omnnis terra – 226–231 Missus est angelus Gabriel – 232–240 Pater noster qui es in caelis – 210–217 Post dies octo puer qui natus est nobis – 250–253 Valde honorandus et beatus Johannes – 507–508 Virgo gloriosa Cecilia – 508–509
Marenzio, Luca (ca. 1553-1599)	Qual paura donna o qual tormento – 500
Monte, Philippe de	Ad te DOmine levavi (2p. Reminiscere miserationum tuarum) – 370–378 Ad te Dominum levavi animam mean (8vv) – 454–459 Adjutor meus et liberator meus – 299–304 Assumpta est Maria (In odorem unguentorum) – 378–386 Audi filia et vide et inclina aurem tuam (7vv) – 352–362 Chi vuol veder quantunque puo – 460–461 Come havra vita amor la vita mia – 274–275 Deprecatus sum (2p. Bonitatem fecisti) – 337–344 Domine Deus meus ad te clamavi (2p. Inclina ad me aurem tuam) – 386–393 Domine Deus meus in te speravi (2p. Domine Deus meus si feci istud) – 440–446 Domine Deus salutis mei (2p. Ubi sunt miserationes) – 279–286 Humiliatus sum (2p. Suscipe me) – 287–294 I dolci colli ov' io lasciai (2p. Et qual cervo ferito) – 465–469 In multitudine misericordiae tuae – 355–363 Inclina cor meum – 345–354 Laudate DOminum de caelis (2p. Laudate eum caeli caelorum) – 312–320 Ne timeas Maria (2p. Ecce ancilla Domini) – 329–336 Pulchra es et decora (7vv) – 344–351 Quando 'l voler (2p. Onde come colui) – 436–440 Quasi cedrus exaltata (2p. Quasi oliva speciosa) – 363–370 Regnum mundi (2p. Eructavit cor meum) – 304–311 Se barbara si chiama – 276–278 Specie tua et pulchritudine tuo – 295–299 Timete Dominum (2p. Dominus spes sanctorum) – 321–328 Venite et videte opera Domini – 447–453
Osculati, Giulio	Quem vidistis pastores dicite – 106–109
Palestrina, Giovanni Pierluigi da (1525-1594)	Ahi, che quest' occhi miei ch' erano lieti – 499
Pallavicino, Benedetto	Canite tuba in Sion – 74–77 [untexted] – 564
Rore, Cipriano de (ca. 1515-1565)	Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli – 430–433 Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser – 433–436 Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata – 394–397 Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una – 398–401 Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera – 402–405 Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena – 406–409 Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio – 410–413 Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno – 414–417 Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparse – 418–421 Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha – 422–425 Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza – 426–429
Verovio, Simone	Gesu sommo conforto tu sei – 501–502
Viadana, Lodovico (ca. 1560-1627)	Hodie nobis caelorum rex – 82–85 Si acuero ut fulgur – 136–139
Vincentius, Caspar	Claritas Domini circumfulsit pastores – 86–91
Vulpius, Melchior (ca. 1570-1615)	Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies Pentecostes – 140–143
Walliser, Christoph Thomas (1568-1648)	Cum natus esset Jesus in Bethlehem Juda – 92–103
Zindelin, Philipp	Beata nobis gaudia – 116–121 Domine Deus meus ne quaeso – 575–580

Composition	Composers (? Uncertain)	Folios / Pages
[Nun freut euch lieben Christen?]	Anonymous	582–586
[Nun freut euch lieben Christen?]	Anonymous	587–590
[textless hymn - feria quarta]	Hassler, Hans Leo (1564–1612)	516–517
[textless hymn - feria quinta]	Hassler, Hans Leo (1564–1612)	517–518
[textless hymn - feria secunda]	Hassler, Hans Leo (1564–1612)	515–516
[textless hymn - feria sexta]	Hassler, Hans Leo (1564–1612)	518–519
[textless hymn - feria tertia]	Hassler, Hans Leo (1564–1612)	516
[textless hymn - sabbato]	Hassler, Hans Leo (1564–1612)	519
[untexted]	Erbach, Christian (ca. 1568–1635)	542–544
[untexted]	Hassler, Hans Leo (1564–1612)	544–546
[untexted]	Pallavicino, Benedetto	564
Ad te DOmine levavi (2p. Reminiscere miserationum tuarum)	Monte, Philippe de	370–378
Ad te Dominum levavi animam mean (8vv)	Monte, Philippe de	454–459
Adjuro vos filiae Jerusalem	Leoni, Leone	1–5
Adjutor meus et liberator meus	Monte, Philippe de	299–304
Ahi, che quest' occhi miei ch' erano lieti	Palestrina, Giovanni Pierluigi da (1525–1594)	499
Angelus Domini descendit de caelo	Leoni, Leone	46–51
Anima mea desideravit te in nocte	Leoni, Leone	12–15
Assumpta est Maria (In odorem unguentorum)	Monte, Philippe de	378–386
Audi filia et vide et inclina aurem tuam (7vv)	Monte, Philippe de	352–362
Audite principes (16vv)	Gabrieli, Giovanni (ca. 1554–1612)	256–273
Audivi vocem angelorum	Leoni, Leone	58–61
Beata es Maria 'alio modo'	Anonymous	496–497
Beata es Maria que Dominum portasti	Animuccia, Paolo (ca. 1500–1569)	492–495
Beata nobis gaudia	Zindelin, Philipp	116–121
Benedicam Dominum (8vv)	Anonymous	152–161
Canite tuba in Sion	Pallavicino, Benedetto	74–77
Cantabant sancti canticum novum	Anonymous	562–564
Cantate Domino canticum novum	Flandrus, Arnoldus	186–189
Cantate Domino canticum novum	Lichtlein, Wilhelm	216–221
Chi vuol veder quantunque puo	Monte, Philippe de	460–461
Claritas Domini circumfulsit pastores	Vincentius, Caspar	86–91
Come havra vita amor la vita mia	Monte, Philippe de	274–275
Congratulamini mihi omnes	Leoni, Leone	10–13
Crux fidelis inter omnes	Anonymous	182–185
Cum natus esset Jesus in Bethlehem Juda	Walliser, Christoph Thomas (1568–1648)	92–103
Danket dem Herrn	Anonymous	504–505
Decantabat populus laudem Deo	Anonymous	552–554
Deprecatus sum (2p. Bonitatem fecisti)	Monte, Philippe de	337–344
Deus meus respice in me	Lichtlein, Wilhelm	197–203
Deus misereatur nostri	Lichtlein, Wilhelm	222–227
Diligam te Domine fortitudo mea (8vv)	Anonymous	170–176
Domine Deus meus ad te clamavi (2p. Inclina ad me aurem tuam)	Monte, Philippe de	386–393
Domine Deus meus in te speravi (2p. Domine Deus meus si feci istud)	Monte, Philippe de	440–446
Domine Deus meus ne quaeso	Zindelin, Philipp	575–580
Domine Deus noster	Lichtlein, Wilhelm	203–210
Domine Deus salutis mei (2p. Ubi sunt miserationes)	Monte, Philippe de	279–286
Domine in virtute tua (8vv)	Anonymous	162–167
Domine Jesu Christe adoro te	Hassler, Hans Leo (1564–1612)	126–131
Domine quis habitabit	Leoni, Leone	34–41
Dunque fuggi	Franzoni, Amante	511
Ecce angelus Domini astitit	Lichtlein, Wilhelm	244–249
Ecce rex tuus veniet	Lichtlein, Wilhelm	240–245
Ego dormio et cor meum vigilat	Leoni, Leone	29–33
Fiamme che da begl' occhi	Anerio, Felice (ca. 1560–1614)	500
Gesu sommo conforto tu sei	Verovio, Simone	501–502
Herr Gott himmlischer Vater	Anonymous	504
Hodie completi sunt - 1a pars (of 2): Hodie completi sunt dies Pentecostes	Vulpius, Melchior (ca. 1570–1615)	140–143
Hodie nobis caelorum rex	Viadana, Lodovico (ca. 1560–1627)	82–85
Hodie verbum caro factum est	Lichtlein, Wilhelm	192–197
Humiliatus sum (2p. Suscipe me)	Monte, Philippe de	287–294
I bei legami	Franzoni, Amante	511
I dolci colli ov' io lasciai (2p. Et qual cervo ferito)	Monte, Philippe de	465–469
In multitudine misericordiae tuae	Monte, Philippe de	355–363
Inclina cor meum	Monte, Philippe de	345–354
Infelice pastore	Franzoni, Amante	511
Io non credea gia	Franzoni, Amante	511
Io soffriro cor mio	Franzoni, Amante	510
Jesu decus angelicum in aure dulce canticum	Anerio, Felice (ca. 1560–1614)	500
Jesu rex admirabilis et triumphator nobilis	Anonymous	502
Jesu sole serenior et balsamo suavior	Giovannelli, Ruggiero (ca. 1560–1625)	501
Jubilate Deo omnis terra	Flandrus, Arnoldus	188–192
Jubilate Deo omnis terra (2p. Populus eius et oves)	Animuccia, Paolo (ca. 1500–1569)	473–479
Jubilate Deo omnis terra (8vv)	Anonymous	148–152
Jubilate Deo omnnis terra	Lichtlein, Wilhelm	226–231
Kyrie solenne	Erbach, Christian (ca. 1568–1635)	519–523
Laetentur caeli et exultet terra	Gussago, Cesario	78–81
Laetetur cor querentium Dominum (8vv)	Anonymous	166–171
Laudate DOminum de caelis (2p. Laudate eum caeli caelorum)	Monte, Philippe de	312–320
Lucis creator optime	Hassler, Hans Leo (1564–1612)	515
Missa Sine nomine	Anonymous	523–542
Missus est angelus Gabriel	Lichtlein, Wilhelm	232–240
Moriro	Franzoni, Amante	510
Ne timeas Maria (2p. Ecce ancilla Domini)	Monte, Philippe de	329–336
Nigra sum sed formosa	Leoni, Leone	21–25
Nobilitas virtus pietas iunguntur amore	Aichinger, Gregor (ca. 1564–1628)	565–567
O Domine Jesu Christe adoro te	Leoni, Leone	16–17
O quam dulcia faucibus meis	Leoni, Leone	6–9
O sacrum et admirabile convivium	Leoni, Leone	42–43
Omnes gentes plaudite manibus (8vv)	Anonymous	176–179
Osculetur me osculo oris sui	Leoni, Leone	26–29
Osculetur me osculo oris sui	Anonymous	558–560
Parvulus hodie natus est nobis	Giacobbi, Girolamo (1567–1628)	102–105
Pater noster qui es in caelis	Lichtlein, Wilhelm	210–217
Pater noster qui es in caelis	Animuccia, Paolo (ca. 1500–1569)	483–487
Peccavi domine peccavi et iniquitatem meam	Animuccia, Paolo (ca. 1500–1569)	488–491
Peccavi super numerum arenae	Leoni, Leone	44–45
Petre amas me	Leoni, Leone	18–21
Plaude triumphalem retulit Leonarde	Hassler, Hans Leo (1564–1612)	568–570
Poss' io prima	Franzoni, Amante	510
Post dies octo puer qui natus est nobis	Lichtlein, Wilhelm	250–253
Pulchra es et decora (7vv)	Monte, Philippe de	344–351
Qual paura donna o qual tormento	Marenzio, Luca (ca. 1553–1599)	500
Quando 'l voler (2p. Onde come colui)	Monte, Philippe de	436–440
Quasi cedrus exaltata (2p. Quasi oliva speciosa)	Monte, Philippe de	363–370
Quem vidistis pastores	Anonymous	560–562
Quem vidistis pastores dicite	Osculati, Giulio	106–109
Regnum mundi (2p. Eructavit cor meum)	Monte, Philippe de	304–311
Rorate caeli desuper	Anonymous	556–557
Salvator mundi salva nos	Erbach, Christian (ca. 1568–1635)	180–183
Saulus cum iter faceret	Leoni, Leone	55–59
Se barbara si chiama	Monte, Philippe de	276–278
Si acuero ut fulgur	Viadana, Lodovico (ca. 1560–1627)	136–139
Si vaga e la mia fiamma che piu mi strugge	Giovannelli, Ruggiero (ca. 1560–1625)	499
Sic Deus dilexit mundum	Leoni, Leone	68–71
Sincerae animulae candidi puelluli (2p. Ferox tirannus)	Anonymous	547–549
Sit nomen Domini benedictum	Borsaro, Arcangelo	110–115
Specie tua et pulchritudine tuo	Monte, Philippe de	295–299
Summe pater rerum cuius bonitate	Anonymous	550–552
Tantum ergo sacramentum (8vv)	Anonymous	144–147
Timete Dominum (2p. Dominus spes sanctorum)	Monte, Philippe de	321–328
Tribularer si nescirem - 1a pars (of 2): Tribularer si nescirem misericordias tuas	Leoni, Leone	62–65
Tribularer si nescirem - 2a pars (of 2): Qui Cananaeam et publicanum vocasti ad poenitentiam	Leoni, Leone	64–67
Tu mentis delectatio amoris consummatio	Giovannelli, Ruggiero (ca. 1560–1625)	501
untexted	'Claudin' [not Sermisy]	506
Valde honorandus et beatus Johannes	Lichtlein, Wilhelm	507–508
Veni sponsa Christi	Leoni, Leone	52–55
Venit lumen tuum Jerusalem et gloria	Animuccia, Paolo (ca. 1500–1569)	470–472
Venite et videte opera Domini	Monte, Philippe de	447–453
Vergine bella - 10a pars (of 11): Vergine humana e nemica d'orgogli	Rore, Cipriano de (ca. 1515–1565)	430–433
Vergine bella - 11a pars (of 11): Il di s'appressa et non puote esser	Rore, Cipriano de (ca. 1515–1565)	433–436
Vergine bella - 1a pars (of 11): Vergine bella che di sol vestita coronata	Rore, Cipriano de (ca. 1515–1565)	394–397
Vergine bella - 2a pars (of 11): Vergine saggia e del bel numer' una	Rore, Cipriano de (ca. 1515–1565)	398–401
Vergine bella - 3a pars (of 11): Vergine pura d'ogni parte intera	Rore, Cipriano de (ca. 1515–1565)	402–405
Vergine bella - 4a pars (of 11): Vergine santa d'ogni gratia piena	Rore, Cipriano de (ca. 1515–1565)	406–409
Vergine bella - 5a pars (of 11): Vergine sola al mondo senza esempio	Rore, Cipriano de (ca. 1515–1565)	410–413
Vergine bella - 6a pars (of 11): Vergine chiara e stabile in eterno	Rore, Cipriano de (ca. 1515–1565)	414–417
Vergine bella - 7a pars (of 11): Vergine quante lagrime ho gia sparse	Rore, Cipriano de (ca. 1515–1565)	418–421
Vergine bella - 8a pars (of 11): Vergine tal' e terra e post'ha	Rore, Cipriano de (ca. 1515–1565)	422–425
Vergine bella - 9a pars (of 11): Vergine in cui ho tutta mia speranza	Rore, Cipriano de (ca. 1515–1565)	426–429
Vide Domine afflictionem populi tui	Leoni, Leone	70–73
Vincula dum Christus terit	Hassler, Hans Leo (1564–1612)	571–574
Virgo gloriosa Cecilia	Lichtlein, Wilhelm	508–509
Voce mea ad Dominum clamavi voce mea	Animuccia, Paolo (ca. 1500–1569)	480–482
Vocem jucunditatis annunciate	Bagni, Benedetto (fl. c1608)	131–133
Vos qui reliquistis omnia	Anonymous	554–556
Wir danken dir Herr Gott	Anonymous	505

‡ denotes primary source study

Lowinsky, Edward E. 1960. Early Scores in Manuscript. Journal of the American Musicological Society, 13: 126-73. Pages: 145,172-3. Notes: mention of MS.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: V,ll 15. Notes: mention of MS.

Sandberger, Adolf (editor). 1900-38. Denkmäler der Tonkunst in Bayern. [= Denkmäler Deutscher Tonkunst: Zweite Folge]. Braunschweig. Pages: XIX,xviii-xix,lxiv. Notes: physical description (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description