Copied by Leonhard Paminger. Copied in Passau; presented to the city council of Nuremberg by Sophonias Paminger in 1599. The manuscript is related to MunBS 35-8 and VienNB 18745; the majority of the pieces are concordant with Book III of Isaac's Choralis Constantinus, with complementary additions by Paminger.
D-B MS Mus. 40024
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany
manuscript of polyphony: Before 1537
| Archive | Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B) |
|---|---|
| Shelfmark | MS Mus. 40024 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 418 x 278 mm |
| Other Identifiers |
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| Copyists | |
| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 156 compositions from 6 composers. |
General Description
Binding
Original covers of white tooled leather on wood, with medallions of Erasmus, Huss, Johann Friedrich I, Elector of Saxony, Luther, and Melanchthon, and the coat of arms of the city of Nuremberg; two ornamented brass clasps.
Notation
not indicated
Date
Before 1537 (PätC)
Foliation
Original foliation, 1-173
Decoration
Portrait and coat of arms of Paminger (woodcuts from 1573-80 prints) pasted inside back cover, presumably by Sophonias Paminger.
Surface
paper
Census Catalogue of Music Description
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156 Mass Proper sections (112 items for the Common of the Saints, 44 for the Proper of the Saints)
Block/(Isaac)-1, Isaac-109, (Isaac/Senfl)-1, Paminger-39, Schach/(Isaac)-1, Senfl-4, Slaconius/(Isaac)-1
ii + 240 paper folios, 418 x 278. Original foliation, 1-173. Original covers of white tooled leather on wood, with medallions of Erasmus, Huss, Johann Friedrich I, Elector of Saxony, Luther, and Melanchthon, and the coat of arms of the city of Nuremberg; two ornamented brass clasps. Copied by Leonhard Paminger. Portrait and coat of arms of Paminger (woodcuts from 1573-80 prints) pasted inside back cover, presumably by Sophonias Paminger.
Before 1537 (PätC). Copied in Passau; presented to the city council of Nuremberg by Sophonias Paminger in 1599. The manuscript is related to MunBS 35-8 and VienNB 18745; the majority of the pieces are concordant with Book III of Isaac's Choralis Constantinus.
Vol 4
BerlDS 40024
Composers: Change "Block(Isaac)-1" to "G. Block/(Isaac)-1." Date/provenance: Change "VienNB 18745" to "VienNB Mus. 18745."
The inventory could not be loaded.
‡ denotes primary source study
Gasch, Stefan. 2011. Beyond Munich: Senfl’s Propers in Prints and Manuscripts. Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages, 319-343. Turnhout. Pages: 321-326.
Burn, David J. 2002. The Mass-Proper Cycles of Henricus Isaac: Genesis, Transmission, and Authenticity. University of Oxford, Ph.D. Pages: I:110-115.
Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe, vol. Handschriften, 13. München.
Gerstenberg, Walter. 1974. Das Alleluja in Senfls Propriumskompositionen. Studies in Renaissance and Baroque Music in Honor of Arthur Mendel, 25-30. Kassel, Basel, Tours, London. Notes: mention of MS.
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 110ff, 140-5. Notes: contents list; concordances; mention of MS; discussion.
Pätzig, Gerhard-Rudolf. 1964. Das Chorbuch Mus. ms. 40024 der Deutschen Staatsbibliothek Berlin: Eine wichtige Quelle zum Schaffen Isaacs aus der Hand Leonhard Pämingers. Festschrift Walter Gerstenberg zum 60. Geburtstag, 122-42. Wolfenbüttel and Zürich. Notes: physical description; contents list; concordances (partial); incipits (partial).
Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: 11-3, 61-5,186-91. Notes: physical description; contents list; concordances (partial).
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I,446. Notes: mention of MS.
Weinmann, Karl. 1907. Leonhard Paminger: Ein biobibliographischer Beitrag zur Musikgeschichte des 16. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 20: 122-35. Pages: 133. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description