I-BGc MS 1208 D

Civica Biblioteca 'Angelo Mai', Bergamo, Italy

manuscript of polyphony: Second quarter of 16th century

Archive	Civica Biblioteca 'Angelo Mai', Bergamo, Italy (I-BGc)
Shelfmark	MS 1208 D
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	558-83 x 405-20 mm
Other Identifiers	CCM: BergBC 1208
Copyists	None Music
Relationships	Church of Santa Maria Maggiore (copied at)
External Links	Biblioteca Digitale Lombarda
Provenance	Church of Santa Maria Maggiore , Bergamo, Italy
Contents	48 pieces from 8 composers

General Description

Composite of many originally separate fascicles, gatherings, and individual folios later reordered in present form. Scribal concordances with BergBC 1207 and 1209; one of the scribes may have been Gaspar de Albertis. Common watermarks with BergBC 1207 and 1209.

Contains secondo coro parts of some double-choir pieces, of which primo coro is in BergBC 1207.

Copied in Bergamo, for use at Church of Santa Maria Maggiore; remained there until transferred recently to Biblioteca Civica.

DIAMM, 2017

Binding

Original covers of parchment over pasteboard, badly decayed.

DIAMM, 2017

Watermark

(1-2) anchor in circle, surmounted by six-pointed star (two different marks, neither in Briquet; both also found in BergBC 1207); (3) similar to Briquet #545; (4) resembles Briquet #6291; (5) bull's head (also found in BergBC 1207); (6) resembles Briquet #10681 (CrawGA)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

19, 24

DIAMM, 2017

Foliation

Early ink and modern pencil foliation, 1-134, on lower right rectos replaces second system of modern foliation on right center rectos. (Latter foliation, cited in many studies, is one number higher than first foliation).

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Magnificats, 1 Canticle, 8 psalms, 1 hymn, 4 sets of Lamentations, portions of 3 Passions, 14 motets = 36

G. Albertis-24, G. Fogliano-1, Hesdin-1, Verdelot-1, anon-9

135 + ii paper folios, 600 x 440. Modern pencil foliation. Original covers of parchment over pasteboard, badly decayed. No index. Scribal concordances with BergBC 1207 and 1209; one of the scribes may have been Gaspar de Albertis. Common watermarks with BergBC 1207 and 1209.

Completed ca. 1545 (date 1541 found on f. 124). Copied at Santa Maria Maggiore, Bergamo; remained there until transferred recently to Biblioteca Civica.

Vol 4

BergBC 1208

BERGAMO. Biblioteca Civica. MS 1208 D

4 Mass Proper sections, 5 Magnificats, 1 canticle, 8 psalms, 1 hymn, 7 Lamentations, 3 Passions, 1 Passion fragment, 8 motets = 38

G. Albertis-27 + 3?, G. Fogliano-1, Hesdin-1, (Jaquet of Mantua) -1, (Stoltzer)-1, Verdelot-1, (Willaert)-1, anon-2

i + 134 + i paper folios, 558-83 x 405-20. Composite of many originally separate fascicles, gatherings, and individual folios later reordered in present form; see CrawGA for discussion. Early ink and modern pencil foliation, 1-134, on lower right rectos replaces second system of modern foliation on right center rectos. (Latter foliation, cited in many studies, is one number higher than first foliation). Rebound in modern covers of dark brown tooled leather on boards. No index.

Copied by Gaspar de Albertis, who also wrote most of BergBC 1207 and BergBC 1209 (CrawGA). Staff heights 19, 24. Inked calligraphic initials. Watermarks: (1-2) anchor in circle, surmounted by six-pointed star (two different marks, neither in Briquet; both also found in BergBC 1207); (3) similar to Briquet #545; (4) resembles Briquet #6291; (5) bull's head (also found in BergBC 1207); (6) resembles Briquet #10681 (CrawGA).

Second quarter of 16th century (date 1541 in manuscript). Copied in Bergamo, for use at Church of Santa Maria Maggiore; remained there until transferred recently to Biblioteca Civica.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes)	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) Stoltzer, Thomas (ca. 1480–1526) Appears on: 1v–2 Genres: Motet Source Attribution: [Stoltzer]
2v–4	Maria Magdalena et altera Maria (2p. Et valde mane una sabbatorum)	[anon]	Anonymous
Maria Magdalena et altera Maria (2p. Et valde mane una sabbatorum) Anonymous Appears on: 2v–4 Genres: Motet Source Attribution: [anon]
4v–5	Ad te levavi Animam meam	Gas: de Alber:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Ad te levavi Animam meam Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 4v–5 Genres: Introit Source Attribution: Gas: de Alber:
5v–6	Populus Syon ecce Dominus	Gasp: de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Populus Syon ecce Dominus Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 5v–6 Genres: Introit Source Attribution: Gasp: de Albertis
6v–7	Gaudete in Domino	Gas: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Gaudete in Domino Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 6v–7 Genres: Introit Source Attribution: Gas: de Al:
7v–8	[blank pages]	-	-
[blank pages] Appears on: 7v–8
8v–10	Ave virgo gratiosa (2p. Audi mater gloriosa)	Hesdin	Hesdin, Nicolle des Celliers de (–1538)
Ave virgo gratiosa (2p. Audi mater gloriosa) Hesdin, Nicolle des Celliers de (–1538) Appears on: 8v–10 Genres: Motet Source Attribution: Hesdin
10v–11	[blank pages]	-	-
[blank pages] Appears on: 10v–11
11v–12	Puer natus est nobis Et filius	Gasp: de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Puer natus est nobis Et filius Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 11v–12 Genres: Introit Source Attribution: Gasp: de Albertis
12v–13	[blank pages]	-	-
[blank pages] Appears on: 12v–13
13v–15	Christus Jesus splendor (2p. Et audientes discipuli)	Gaspar de Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Christus Jesus splendor (2p. Et audientes discipuli) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 13v–15 Genres: Motet Source Attribution: Gaspar de Alb:
15v–16	[blank pages]	-	-
[blank pages] Appears on: 15v–16
16v–19	Dixit Dominus Domino meo Donec ponam inimicos (Primi toni)	Gasp: de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Dixit Dominus Domino meo Donec ponam inimicos (Primi toni) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 16v–19 Genres: Psalm Source Attribution: Gasp: de Albertis General Note Even-numbered verses
19v–22	Laudate pueri Dominum Sit nomen Dominum benedictum	Gasp: de Alb[er]tis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Laudate pueri Dominum Sit nomen Dominum benedictum Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 19v–22 Genres: Psalm Source Attribution: Gasp: de Alb[er]tis General Note Even-numbered verses
22v–25	Laetatus sum Stantes erant (tone 4)	Gasp: Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Laetatus sum Stantes erant (tone 4) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 22v–25 Genres: Psalm Source Attribution: Gasp: Al: General Note Even-numbered verses
25v–27	Nisi Dominus aedificaverit Nisi Dominus (tone 6)	Gas: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Nisi Dominus aedificaverit Nisi Dominus (tone 6) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 25v–27 Genres: Psalm Source Attribution: Gas: de Al: General Note Even-numbered verses
27v–30	Lauda Jerusalem Quoniam confortavit (tone 8)	Gas: de Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Lauda Jerusalem Quoniam confortavit (tone 8) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 27v–30 Genres: Psalm Source Attribution: Gas: de Alb: General Note Even-numbered verses
30v–33	Ave maris stella	[Albertis?]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
Ave maris stella Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 30v–33 Genres: Hymn Source Attribution: [Albertis?] General Note odd-numbered verses
33v–34	[blank pages]	-	-
[blank pages] Appears on: 33v–34
34v–38	Memento Domine Et omnis mansuetudinis (tone 5)	Gas: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Memento Domine Et omnis mansuetudinis (tone 5) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 34v–38 Genres: Psalm Source Attribution: Gas: de Al:
38v–43	In exity Israel Domus Jacob (tone 4)	Gaspar de Alb[er]tis	Albertis, Gasparo de (ca. 1489–ca. 1560)
In exity Israel Domus Jacob (tone 4) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 38v–43 Genres: Psalm Source Attribution: Gaspar de Alb[er]tis
43v–44	[blank pages]	-	-
[blank pages] Appears on: 43v–44
44v–47	Magnificat: Et exultavit (Tertii toni) (8vv) [K.578]	Gasp: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat: Et exultavit (Tertii toni) (8vv) [K.578] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 44v–47 Genres: BVM, Canticle, Magnificat Source Attribution: Gasp: de Al: General Note The other 4vv should be in MS 1207D, but are missing
47v–53	Magnificat: Et exultavit spiritus meus (Primi toni) [K.157]	-	Mantua, Jacquet de (1483–1559)
Magnificat: Et exultavit spiritus meus (Primi toni) [K.157] Mantua, Jacquet de (1483–1559) Appears on: 47v–53 Genres: BVM, Canticle, Magnificat
53v–54	[blank pages]	-	-
[blank pages] Appears on: 53v–54
54v–57	Magnificat: Anima mea (primi toni) [K.576]	Gaspar de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat: Anima mea (primi toni) [K.576] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 54v–57 Genres: BVM, Canticle, Magnificat Source Attribution: Gaspar de Albertis General Note possibly combines with K.577 (copied in MS 1209 D) to be performed as an 8vv, 2-choir, setting
57v–58	[blank pages]	-	-
[blank pages] Appears on: 57v–58
58v–61	Salve regina (4vv) (2p. Eya ergo advocata; 3p. Et Jesum benedictum)	Verdelott	Verdelot, Philippe (ca. 1480–ca. 1532)
Salve regina (4vv) (2p. Eya ergo advocata; 3p. Et Jesum benedictum) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 58v–61 Genres: Motet, Salve Regina Source Attribution: Verdelott Concordances 1549/12 & 1549/15 (no.1 in each, attr. Verdelot in the latter)
61v	[blank page]	-	-
[blank page] Appears on: 61v
62–69	Incipit lamentatio (III) [Maundy Thursday 1-3]	Gasp: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Incipit lamentatio (III) [Maundy Thursday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 62–69 Genres: Lamentations Source Attribution: Gasp: Alb: General Note Gimells for A & B on f. 62; the Lamentation begins on f. 62v
69v–75	Sequitur de lamentatione (II) [Good Friday 1-3]	[Albertis?]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
Sequitur de lamentatione (II) [Good Friday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 69v–75 Genres: Lamentations Source Attribution: [Albertis?]
75v–81	De lamentatione Hieremie [Holy Saturday 1-3]	[Albertis?]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
De lamentatione Hieremie [Holy Saturday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 75v–81 Genres: Lamentations Source Attribution: [Albertis?]
81v–87	Incipit lamentatio (IV) [Maundy Thursday 1-3]	Gasp: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Incipit lamentatio (IV) [Maundy Thursday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 81v–87 Genres: Lamentations Source Attribution: Gasp: Alb:
87v–91	Sequitur de lamentatione (III) [Good Friday 1-3]	Gas: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Sequitur de lamentatione (III) [Good Friday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 87v–91 Genres: Lamentations Source Attribution: Gas: Alb:
91v–97	Sequitur de lamentatione (IV) [Holy Saturday 1-3]	Gas: Albe:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Sequitur de lamentatione (IV) [Holy Saturday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 91v–97 Genres: Lamentations Source Attribution: Gas: Albe:
97v–104	Passio secundum Matthaeum (Non in die festo) (5vv)	Gasp: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Matthaeum (Non in die festo) (5vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 97v–104 Genres: Passion Source Attribution: Gasp: Alb:
104v–109, 112v	Passio secundum Joannem (Quem quaeritis) (6vv)	Gasp: Alb[er]t[is]	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Joannem (Quem quaeritis) (6vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 104v–109, 112v Genres: Passion Source Attribution: Gasp: Alb[er]t[is] General Note Voice of Christ, and end of turba 'Post haec autem'
109v–110	Sepulto Domino signatum est monumentum	Gasp: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Sepulto Domino signatum est monumentum Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 109v–110 Genres: Motet Source Attribution: Gasp: Alb:
110v–112	Adoramus te (2p. O Domine Jesu)	Jacobus Foglianus	Fogliano, Giacomo (1468–1548)
Adoramus te (2p. O Domine Jesu) Fogliano, Giacomo (1468–1548) Appears on: 110v–112 Genres: Motet Source Attribution: Jacobus Foglianus
113	[blank page]	-	-
[blank page] Appears on: 113
113v–118	Passio secundum Joannem (Quem quaeritis) (6vv)	Gasp: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Joannem (Quem quaeritis) (6vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 113v–118 Genres: Passion Source Attribution: Gasp: Alb[er]ti
118v–119	[blank pages]	-	-
[blank pages] Appears on: 118v–119
119v–121	Magnificat Sexti toni (8vv) [K.581]	Gasp: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat Sexti toni (8vv) [K.581] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 119v–121 Genres: BVM, Canticle, Magnificat Source Attribution: Gasp: Alb[er]ti General Note the other 4vv are copied in MS 1207D (ff. 101v-103)
121v–123	Magnificat Octavi toni (8vv) [K.582]	Gasp: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat Octavi toni (8vv) [K.582] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 121v–123 Genres: BVM, Canticle, Magnificat Source Attribution: Gasp: Alb[er]ti General Note the other 4vv are copied in MS 1207D, at ff. 99v-101
123v–129	Incipit lamentatio (V) [Maundy Thursday 1-3]	Gasp: de Alb[er]tis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Incipit lamentatio (V) [Maundy Thursday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 123v–129 Genres: Lamentations Source Attribution: Gasp: de Alb[er]tis
129v–131	Miserere mei Deus Secundum magnam (tone 7)	-	Anonymous
Miserere mei Deus Secundum magnam (tone 7) Anonymous Appears on: 129v–131 Genres: Psalm General Note Even-numbered verses
131v–133	Ecce lignum crucis II. Crux fidelis	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Ecce lignum crucis II. Crux fidelis Willaert, Adrian (ca. 1490–1562) Appears on: 131v–133 Genres: Motet Source Attribution: [Willaert]
133v–134	Nunc dimittis (8vv)	Gasp: de Alb[er]t	Albertis, Gasparo de (ca. 1489–ca. 1560)
Nunc dimittis (8vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 133v–134 Genres: Canticle, Nunc Dimittis Source Attribution: Gasp: de Alb[er]t General Note An 8vv setting in which alternate verses are sung by choirs I & II. These are the odd-numbered verses (Primus chorus) - the even-numbered voices are at the end of MS 1207D (ff. 117v-118)

Composer	Compositions
Albertis, Gasparo de (ca. 1489–ca. 1560)	Ad te levavi Animam meam – 4v–5 (?) Ave maris stella – 30v–33 Christus Jesus splendor (2p. Et audientes discipuli) – 13v–15 (?) De lamentatione Hieremie [Holy Saturday 1-3] – 75v–81 Dixit Dominus Domino meo Donec ponam inimicos (Primi toni) – 16v–19 Gaudete in Domino – 6v–7 In exity Israel Domus Jacob (tone 4) – 38v–43 Incipit lamentatio (III) [Maundy Thursday 1-3] – 62–69 Incipit lamentatio (IV) [Maundy Thursday 1-3] – 81v–87 Incipit lamentatio (V) [Maundy Thursday 1-3] – 123v–129 Laetatus sum Stantes erant (tone 4) – 22v–25 Lauda Jerusalem Quoniam confortavit (tone 8) – 27v–30 Laudate pueri Dominum Sit nomen Dominum benedictum – 19v–22 Magnificat Octavi toni (8vv) [K.582] – 121v–123 Magnificat Sexti toni (8vv) [K.581] – 119v–121 Magnificat: Anima mea (primi toni) [K.576] – 54v–57 Magnificat: Et exultavit (Tertii toni) (8vv) [K.578] – 44v–47 Memento Domine Et omnis mansuetudinis (tone 5) – 34v–38 Nisi Dominus aedificaverit Nisi Dominus (tone 6) – 25v–27 Nunc dimittis (8vv) – 133v–134 Passio secundum Joannem (Quem quaeritis) (6vv) – 113v–118 Passio secundum Joannem (Quem quaeritis) (6vv) – 104v–109, 112v Passio secundum Matthaeum (Non in die festo) (5vv) – 97v–104 Populus Syon ecce Dominus – 5v–6 Puer natus est nobis Et filius – 11v–12 Sepulto Domino signatum est monumentum – 109v–110 (?) Sequitur de lamentatione (II) [Good Friday 1-3] – 69v–75 Sequitur de lamentatione (III) [Good Friday 1-3] – 87v–91 Sequitur de lamentatione (IV) [Holy Saturday 1-3] – 91v–97
Anonymous	Maria Magdalena et altera Maria (2p. Et valde mane una sabbatorum) – 2v–4 Miserere mei Deus Secundum magnam (tone 7) – 129v–131 [No description] – 33v–34 [No description] – 43v–44 [No description] – 53v–54 [No description] – 57v–58 [No description] – 61v [No description] – 113 [No description] – 118v–119 [No description] – 7v–8 [No description] – 10v–11 [No description] – 12v–13 [No description] – 15v–16
Fogliano, Giacomo (1468–1548)	Adoramus te (2p. O Domine Jesu) – 110v–112
Hesdin, Nicolle des Celliers de (–1538)	Ave virgo gratiosa (2p. Audi mater gloriosa) – 8v–10
Mantua, Jacquet de (1483–1559)	Magnificat: Et exultavit spiritus meus (Primi toni) [K.157] – 47v–53
Stoltzer, Thomas (ca. 1480–1526)	Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes) – 1v–2
Verdelot, Philippe (ca. 1480–ca. 1532)	Salve regina (4vv) (2p. Eya ergo advocata; 3p. Et Jesum benedictum) – 58v–61
Willaert, Adrian (ca. 1490–1562)	Ecce lignum crucis II. Crux fidelis – 131v–133

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi Animam meam	Albertis, Gasparo de (ca. 1489–ca. 1560)	4v–5
Adoramus te (2p. O Domine Jesu)	Fogliano, Giacomo (1468–1548)	110v–112
Ave maris stella	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	30v–33
Ave virgo gratiosa (2p. Audi mater gloriosa)	Hesdin, Nicolle des Celliers de (–1538)	8v–10
Christus Jesus splendor (2p. Et audientes discipuli)	Albertis, Gasparo de (ca. 1489–ca. 1560)	13v–15
De lamentatione Hieremie [Holy Saturday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	75v–81
Dixit Dominus Domino meo Donec ponam inimicos (Primi toni)	Albertis, Gasparo de (ca. 1489–ca. 1560)	16v–19
Ecce lignum crucis II. Crux fidelis	Willaert, Adrian (ca. 1490–1562)	131v–133
Gaudete in Domino	Albertis, Gasparo de (ca. 1489–ca. 1560)	6v–7
In exity Israel Domus Jacob (tone 4)	Albertis, Gasparo de (ca. 1489–ca. 1560)	38v–43
Incipit lamentatio (III) [Maundy Thursday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	62–69
Incipit lamentatio (IV) [Maundy Thursday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	81v–87
Incipit lamentatio (V) [Maundy Thursday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	123v–129
Laetatus sum Stantes erant (tone 4)	Albertis, Gasparo de (ca. 1489–ca. 1560)	22v–25
Lauda Jerusalem Quoniam confortavit (tone 8)	Albertis, Gasparo de (ca. 1489–ca. 1560)	27v–30
Laudate Dominum omnes gentes laudate eum (2p. Laudate Dominum omnes gentes)	Stoltzer, Thomas (ca. 1480–1526)	1v–2
Laudate pueri Dominum Sit nomen Dominum benedictum	Albertis, Gasparo de (ca. 1489–ca. 1560)	19v–22
Magnificat Octavi toni (8vv) [K.582]	Albertis, Gasparo de (ca. 1489–ca. 1560)	121v–123
Magnificat Sexti toni (8vv) [K.581]	Albertis, Gasparo de (ca. 1489–ca. 1560)	119v–121
Magnificat: Anima mea (primi toni) [K.576]	Albertis, Gasparo de (ca. 1489–ca. 1560)	54v–57
Magnificat: Et exultavit (Tertii toni) (8vv) [K.578]	Albertis, Gasparo de (ca. 1489–ca. 1560)	44v–47
Magnificat: Et exultavit spiritus meus (Primi toni) [K.157]	Mantua, Jacquet de (1483–1559)	47v–53
Maria Magdalena et altera Maria (2p. Et valde mane una sabbatorum)	Anonymous	2v–4
Memento Domine Et omnis mansuetudinis (tone 5)	Albertis, Gasparo de (ca. 1489–ca. 1560)	34v–38
Miserere mei Deus Secundum magnam (tone 7)	Anonymous	129v–131
Nisi Dominus aedificaverit Nisi Dominus (tone 6)	Albertis, Gasparo de (ca. 1489–ca. 1560)	25v–27
Nunc dimittis (8vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	133v–134
Passio secundum Joannem (Quem quaeritis) (6vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	104v–109, 112v
Passio secundum Joannem (Quem quaeritis) (6vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	113v–118
Passio secundum Matthaeum (Non in die festo) (5vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	97v–104
Populus Syon ecce Dominus	Albertis, Gasparo de (ca. 1489–ca. 1560)	5v–6
Puer natus est nobis Et filius	Albertis, Gasparo de (ca. 1489–ca. 1560)	11v–12
Salve regina (4vv) (2p. Eya ergo advocata; 3p. Et Jesum benedictum)	Verdelot, Philippe (ca. 1480–ca. 1532)	58v–61
Sepulto Domino signatum est monumentum	Albertis, Gasparo de (ca. 1489–ca. 1560)	109v–110
Sequitur de lamentatione (II) [Good Friday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	69v–75
Sequitur de lamentatione (III) [Good Friday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	87v–91
Sequitur de lamentatione (IV) [Holy Saturday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	91v–97

‡ denotes primary source study

Crawford, David Eugene, and J Scott Messing. 1994. Gaspar de Albertis' SixteenthCentury Choirbooks at Bergamo. RMS. American Institute of Musicology. Notes: physical description; contents list; concordances; incipits (partial); facsimile (partial); mention of MS; discussion.

Carver, Anthony F. 1975. The Psalms of Willaert and His North Italian Contemporaries. Acta Musicologica, 270-83. Pages: 272,278-9. Notes: mention of MS.

Ravizza, Victor. 1972. Gasparo Alberti: Ein wenig bekannter Komponist und dessen Portrait. Festschrift Arnold Geering zum 70. Geburtstag, 63-80. Bern. Notes: contents list.

Ravizza, Victor. 1972. Frühe Doppelchörigkeit in Bergamo. Die Musikforschung, 127-42. Notes: physical description; mention of MS; discussion.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 245,306-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xii, 75-83. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 122. Notes: contents list (partial); concordances (partial); incipits (partial).

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: I, xi, xvii, xix, 64-9,147-56 III,xiv,75-107. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1958. A Forgotten Master of the Early 16th Century: Gaspar de Albertis. The Musical Quarterly, 311-28. Pages: 312-6. Notes: physical description; contents list; incipitsst of contents (partial).

d'Alessi, Giovanni. 1952. Precursors of Adriano Willaert in the practice of "coro spezzato". Journal of the American Musicological Society, 187ff. Pages: 191-2. Notes: physical description.

Caversazzi, Ciro. 1930. Scoperta di Manoscritti musicali del Secolo XVI. Bergomum Bolletino della Civica Biblioteca , 26-33. Notes: physical description; contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-BGc MS 1208 D

Civica Biblioteca 'Angelo Mai', Bergamo, Italy

manuscript of polyphony: Second quarter of 16th century

General Description

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Ruling

Foliation

Surface

Census Catalogue of Music Description

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Concordances

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017