I-BGc MS 1207 D

Civica Biblioteca 'Angelo Mai', Bergamo, Italy

manuscript of polyphony: C. 1524-45

Archive	Civica Biblioteca 'Angelo Mai', Bergamo, Italy (I-BGc)
Shelfmark	MS 1207 D
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	580 x 430 mm
Other Identifiers	CCM: BergBC 1207
Copyists	? None Music
Relationships	Church of Santa Maria Maggiore (copied at)
External Links	Biblioteca Digitale Lombarda
Provenance	Church of Santa Maria Maggiore , Bergamo, Italy
Contents	37 pieces from 5 composers

General Description

Composite of many originally separate fascicles, gatherings, and individual folios later reordered in present form; see CrawGA for discussion. Scribal concordances with BergBC 1208 and 1209; one of the scribes may have been Gaspar de Albertis.

Contains primo coro parts of some double-choir pieces, of which secondo coro is in BergBC 1208.

Copied at Santa Maria Maggiore, Bergamo (JepGA); remained there until transferred recently to Biblioteca Civica.

DIAMM, 2017

Binding

Rebound in modern covers, with metal bosses and clasps

DIAMM, 2017

Watermark

(1-3) anchor in circle, surmounted by six-pointed star (three different marks, none in Briquet; some also found in BergBC 1208); (4) anchor in circle, surmounted by unidentified design; (5) similar to Briquet #545; (6) resembles Briquet #6291; (7) bull's head (also found in BergBC 1208); (8) flower with eight petals (also found in BergBC 1209); (9) crossbow? (CrawGA)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Completed ca. 1545 (dates 1524 and 1542 found in manuscript)

DIAMM, 2017

Ruling

17, 19, 24

DIAMM, 2017

Foliation

Modern pencil foliation 1-118, replaces earlier, incomplete ink foliation.

DIAMM, 2017

Decoration

Inked calligraphic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie, 2 Magnificats, 4 Canticles, 9 psalms, 4 sets of Lamentations, 5 Passion sections, 4 motets = 31

G. Albertis-24, L. Padovano-1, anon-6

ii + 118 paper folios, 580 x 430. Modern pencil foliation. Modern covers. Scribal concordances with BergBC 1208 and 1209; one of the scribes may have been Gaspar de Albertis. Common watermarks with BergBC 1208 and 1209.

Completed ca. 1545 (dates 1524 and 1542 found in manuscript). Copied at Santa Maria Maggiore, Bergamo (JepGA); remained there until transferred recently to Biblioteca Civica.

Vol 4

BergBC 1207

BERGAMO. Biblioteca Civica. MS 1207 D

2 Masses, 1 Kyrie, 2 Magnificats, 4 canticles, 9 psalms, 5 Lamentations,

3 Passions, 1 Passion fragment, 4 motets (1 incomplete) = 31

G. Albertis-27 + 1?, (Jhan of Ferrara)-1, L. Padovano [Lurus Pa]/ (Mouton)-1, anon-1

ii + 118 + ii paper folios, 560-80 x 400-30. Composite of many originally separate fascicles, gatherings, and individual folios later reordered in present form; see CrawGA for discussion. Modern pencil foliation, 1-118, replaces earlier, incomplete ink foliation. Rebound in modern covers, with metal bosses and clasps. No index. Main scribe identified on f. 100' as Gaspar de Albertis, who also wrote most of BergBC 1208 and BergBC 1209; two additional scribes, one of whom also wrote ff. 16'-26 of BergBC 1209 (CrawGA). Staff heights 17, 19, 24. Inked calligraphic initials. Watermarks: (1-3) anchor in circle, surmounted by six-pointed star (three different marks, none in Briquet; some also found in BergBC 1208); (4) anchor in circle, surmounted by unidentified design; (5) similar to Briquet #545; (6) resembles Briquet #6291; (7) bull's head (also found in BergBC 1208); (8) flower with eight petals (also found in BergBC 1209); (9) crossbow? (CrawGA).

Ca. 1524-45 (dates 1524 and 1542 in manuscript). Copied in Bergamo, for use at Church of Santa Maria Maggiore; remained there until transferred recently to Biblioteca Civica.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2v	[blank pages]	-	-
[blank pages] Appears on: 1–2v
3	Kyrie	-	Anonymous
Kyrie Anonymous Appears on: 3 Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Greek Voice Text: Kyrie eleison [Altus & Bassus only] General Note Altus & Bassus only
3v–4	[blank pages]	-	-
[blank pages] Appears on: 3v–4
4v–10	Sequitur de lamentatione (I) [Good Friday 1-3]	Gasp: de Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Sequitur de lamentatione (I) [Good Friday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 4v–10 Genres: Lamentations Source Attribution: Gasp: de Alb:
10v–13	Miserere mei Deus (I) Secundum magnam (tone 7)	Gas: A[l]bert:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Miserere mei Deus (I) Secundum magnam (tone 7) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 10v–13 Genres: Psalm Source Attribution: Gas: A[l]bert:
13v–16	Miserere mei Deus (II) Secundum magnam (tone 7)	[Albertis?]	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
Miserere mei Deus (II) Secundum magnam (tone 7) Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 13v–16 Genres: Psalm Source Attribution: [Albertis?]
16v–19	Miserere mei Deus Secundum magnam (tone 7) (8vv)	Gas: Alb:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Miserere mei Deus Secundum magnam (tone 7) (8vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 16v–19 Genres: Psalm Source Attribution: Gas: Alb: General Note "Chor: prim: cum 4 vocibus". The other 4vv are not copied in MS 1208D
19v	Sequitur de lamentatione (I) [Good Friday 1-3]	[Albertis]	Albertis, Gasparo de (ca. 1489–ca. 1560)
Sequitur de lamentatione (I) [Good Friday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 19v Genres: Lamentations Source Attribution: [Albertis] General Note fragment of Superius only
20v–21	[blank pages]	-	-
[blank pages] Appears on: 20v–21
20, 21v–29	Passio secundum Matthaeum (Non in die festo) (5vv)	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Matthaeum (Non in die festo) (5vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 20, 21v–29 Genres: Passion Source Attribution: Gas: Alb[er]ti General Note Choir I of the 'turba' setting; the Voice of Christ sections are in MS 1208D (ff. 97v-104)
29v–35, 45v-46	Passio secundum Joannem (Quem quaeritis) (6vv)	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Joannem (Quem quaeritis) (6vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 29v–35, 45v-46 Genres: Passion Source Attribution: Gas: Alb[er]ti General Note fragments of the Voice of Christ on 29v; 30 is blank; complete 'turba' setting on 30v-35. MS 1208D has the Voice of Christ & a fragment of the 'turba' (ff. 104v-109)
35v–37	Miserere mei Deus (III) Secundum magnam (tone 7)	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Miserere mei Deus (III) Secundum magnam (tone 7) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 35v–37 Genres: Psalm Source Attribution: Gas: Alb[er]ti
37v–39	Nunc dimittis Secundum verbum (odd verses) (tone 3)	Gas: Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Nunc dimittis Secundum verbum (odd verses) (tone 3) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 37v–39 Genres: Canticle, Nunc Dimittis Source Attribution: Gas: Al:
39v–45	Incipit lamentatio (I) [Maundy Thursday 1-3]	Gaspar de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Incipit lamentatio (I) [Maundy Thursday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 39v–45 Genres: Lamentations Source Attribution: Gaspar de Albertis
46v–52	Incipit lamentatio (II) [Maundy Thursday 1-3]	Gaspar de Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Incipit lamentatio (II) [Maundy Thursday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 46v–52 Genres: Lamentations Source Attribution: Gaspar de Alb[er]ti
52v–58	Heth. Cogitavit Dominus [Good Friday 1-3]	Gaspar de Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Heth. Cogitavit Dominus [Good Friday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 52v–58 Genres: Lamentations Source Attribution: Gaspar de Albertis
58v–64	Heth. Misericordiae Domini [Holy Saturday 1-3]	Gas: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Heth. Misericordiae Domini [Holy Saturday 1-3] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 58v–64 Genres: Lamentations Source Attribution: Gas: de Al:
64v–66	Benedictus Dominus Quia visitavit (odd verses) (tone 6)	Gas: de Al:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Benedictus Dominus Quia visitavit (odd verses) (tone 6) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 64v–66 Genres: Psalm Source Attribution: Gas: de Al:
66–69	Adoramus te - 1a pars (of 3): Adoramus te o maxime mundi redemptor (In adoratione crucis)	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Adoramus te - 1a pars (of 3): Adoramus te o maxime mundi redemptor (In adoratione crucis) Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 66–69 Genres: Motet Source Attribution: [Jhan of Ferrara]
66–69	Adoramus te - 2a pars (of 3): Te precamur per flagella	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Adoramus te - 2a pars (of 3): Te precamur per flagella Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 66–69 Genres: Motet
66–69	Adoramus te - 3a pars (of 3): Salvator mundi aspice	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Adoramus te - 3a pars (of 3): Salvator mundi aspice Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 66–69 Genres: Motet
69v–70v	[blank pages]	-	-
[blank pages] Appears on: 69v–70v
71–81	Missa de Beata Vergine KGCSA	Gas: A:	Albertis, Gasparo de (ca. 1489–ca. 1560)
Missa de Beata Vergine KGCSA Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 71–81 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Gas: A:
81–94	Missa de Sancto Roccho	Gas[par] B[er]gam[ensis]	Albertis, Gasparo de (ca. 1489–ca. 1560)
Missa de Sancto Roccho Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 81–94 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Gas[par] B[er]gam[ensis]
94v	Hodie Christus natus est	L[a]urus Pa:	Padovano [Patavus], Laurus Mouton, Jean (ca. 1459–1522) (?)
Hodie Christus natus est Padovano [Patavus], Laurus Mouton, Jean (ca. 1459–1522) (?) Appears on: 94v Genres: Motet Source Attribution: L[a]urus Pa:
95	[blank page]	-	-
[blank page] Appears on: 95
95v–99v	Passio secundum Joannem (Quem quaeritis) (6vv)	Gas: Albertis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Passio secundum Joannem (Quem quaeritis) (6vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 95v–99v Genres: Passion Source Attribution: Gas: Albertis
100–102	Magnificat Octavi toni (8vv) [K.582]	Gasp: Alb[er]tis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat Octavi toni (8vv) [K.582] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 100–102 Genres: BVM, Canticle, Magnificat Source Attribution: Gasp: Alb[er]tis General Note the other 4vv are copied in MS 1208D at ff. 122v-124
102v–104	Magnificat Sexti toni (8vv) [K.581]	Gaspar Alb[er]tis	Albertis, Gasparo de (ca. 1489–ca. 1560)
Magnificat Sexti toni (8vv) [K.581] Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 102v–104 Genres: BVM, Canticle, Magnificat Source Attribution: Gaspar Alb[er]tis General Note the other 4vv are copied in MS 1208D, at ff. 120v-122
104v–106	De profundis Domine exaudi	Gasp: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
De profundis Domine exaudi Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 104v–106 Genres: Psalm Source Attribution: Gasp: Alb[er]ti General Note odd verses
106v–108	Cum invocarem exaudivit me Miserere mei et exaudi orationem	Gasp: Albt.	Albertis, Gasparo de (ca. 1489–ca. 1560)
Cum invocarem exaudivit me Miserere mei et exaudi orationem Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 106v–108 Genres: Psalm Source Attribution: Gasp: Albt. General Note even verses
108v–110	In te Domine speravi Inclina ad me aurem tuam	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
In te Domine speravi Inclina ad me aurem tuam Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 108v–110 Genres: Psalm Source Attribution: Gas: Alb[er]ti General Note even verses
110v–113	Qui habitat in adjutorium Dicet Domino susceptor meus	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
Qui habitat in adjutorium Dicet Domino susceptor meus Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 110v–113 Genres: Psalm Source Attribution: Gas: Alb[er]ti General Note even-numbered verses
113v–114	Ecce nunc benedicite Qui statis in domo Domini	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)
Ecce nunc benedicite Qui statis in domo Domini Albertis, Gasparo de (ca. 1489–ca. 1560) (?) Appears on: 113v–114 Genres: Psalm Source Attribution: Gas: Alb[er]ti General Note even-numbered verses
114v–115	Nunc dimittis Quia viderunt (even verses) (tone 3)	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Nunc dimittis Quia viderunt (even verses) (tone 3) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 114v–115 Genres: Canticle, Nunc Dimittis Source Attribution: Gas: Alb[er]ti General Note even-numbered verses
115v–117	Altera autem die	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Altera autem die Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 115v–117 Genres: Motet Source Attribution: Gas: Alb[er]ti
117v–118	Nunc dimittis (8vv)	Gas: Alb[er]ti	Albertis, Gasparo de (ca. 1489–ca. 1560)
Nunc dimittis (8vv) Albertis, Gasparo de (ca. 1489–ca. 1560) Appears on: 117v–118 Genres: Canticle, Nunc Dimittis Source Attribution: Gas: Alb[er]ti General Note An 8vv setting in which alternate verses are sung by choirs I & II. These are the even-numbered verses - the odd-numbered voices are at the end of MS 1208D (ff. 133v-134)

Composer	Compositions
Albertis, Gasparo de (ca. 1489–ca. 1560)	Altera autem die – 115v–117 Benedictus Dominus Quia visitavit (odd verses) (tone 6) – 64v–66 Cum invocarem exaudivit me Miserere mei et exaudi orationem – 106v–108 De profundis Domine exaudi – 104v–106 (?) Ecce nunc benedicite Qui statis in domo Domini – 113v–114 Heth. Cogitavit Dominus [Good Friday 1-3] – 52v–58 Heth. Misericordiae Domini [Holy Saturday 1-3] – 58v–64 (?) In te Domine speravi Inclina ad me aurem tuam – 108v–110 Incipit lamentatio (I) [Maundy Thursday 1-3] – 39v–45 Incipit lamentatio (II) [Maundy Thursday 1-3] – 46v–52 Magnificat Octavi toni (8vv) [K.582] – 100–102 Magnificat Sexti toni (8vv) [K.581] – 102v–104 Miserere mei Deus (I) Secundum magnam (tone 7) – 10v–13 (?) Miserere mei Deus (II) Secundum magnam (tone 7) – 13v–16 Miserere mei Deus (III) Secundum magnam (tone 7) – 35v–37 Miserere mei Deus Secundum magnam (tone 7) (8vv) – 16v–19 Missa de Beata Vergine KGCSA – 71–81 Missa de Sancto Roccho – 81–94 Nunc dimittis (8vv) – 117v–118 Nunc dimittis Quia viderunt (even verses) (tone 3) – 114v–115 Nunc dimittis Secundum verbum (odd verses) (tone 3) – 37v–39 Passio secundum Joannem (Quem quaeritis) (6vv) – 29v–35, 45v-46 Passio secundum Joannem (Quem quaeritis) (6vv) – 95v–99v Passio secundum Matthaeum (Non in die festo) (5vv) – 20, 21v–29 (?) Qui habitat in adjutorium Dicet Domino susceptor meus – 110v–113 Sequitur de lamentatione (I) [Good Friday 1-3] – 19v Sequitur de lamentatione (I) [Good Friday 1-3] – 4v–10
Anonymous	Kyrie – 3 [No description] – 69v–70v [No description] – 95 [No description] – 20v–21 [No description] – 3v–4 [No description] – 1–2v
Ferrara, Maistre Jhan of (ca. 1485–1538)	Adoramus te - 1a pars (of 3): Adoramus te o maxime mundi redemptor (In adoratione crucis) – 66–69 Adoramus te - 2a pars (of 3): Te precamur per flagella – 66–69 Adoramus te - 3a pars (of 3): Salvator mundi aspice – 66–69
Mouton, Jean (ca. 1459–1522)	(?) Hodie Christus natus est – 94v
Padovano [Patavus], Laurus	Hodie Christus natus est – 94v

Composition	Composers (? Uncertain)	Folios / Pages
Adoramus te - 1a pars (of 3): Adoramus te o maxime mundi redemptor (In adoratione crucis)	Ferrara, Maistre Jhan of (ca. 1485–1538)	66–69
Adoramus te - 2a pars (of 3): Te precamur per flagella	Ferrara, Maistre Jhan of (ca. 1485–1538)	66–69
Adoramus te - 3a pars (of 3): Salvator mundi aspice	Ferrara, Maistre Jhan of (ca. 1485–1538)	66–69
Altera autem die	Albertis, Gasparo de (ca. 1489–ca. 1560)	115v–117
Benedictus Dominus Quia visitavit (odd verses) (tone 6)	Albertis, Gasparo de (ca. 1489–ca. 1560)	64v–66
Cum invocarem exaudivit me Miserere mei et exaudi orationem	Albertis, Gasparo de (ca. 1489–ca. 1560)	106v–108
De profundis Domine exaudi	Albertis, Gasparo de (ca. 1489–ca. 1560)	104v–106
Ecce nunc benedicite Qui statis in domo Domini	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	113v–114
Heth. Cogitavit Dominus [Good Friday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	52v–58
Heth. Misericordiae Domini [Holy Saturday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	58v–64
Hodie Christus natus est	Padovano [Patavus], Laurus Mouton, Jean (ca. 1459–1522) (?)	94v
In te Domine speravi Inclina ad me aurem tuam	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	108v–110
Incipit lamentatio (I) [Maundy Thursday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	39v–45
Incipit lamentatio (II) [Maundy Thursday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	46v–52
Kyrie	Anonymous	3
Magnificat Octavi toni (8vv) [K.582]	Albertis, Gasparo de (ca. 1489–ca. 1560)	100–102
Magnificat Sexti toni (8vv) [K.581]	Albertis, Gasparo de (ca. 1489–ca. 1560)	102v–104
Miserere mei Deus (I) Secundum magnam (tone 7)	Albertis, Gasparo de (ca. 1489–ca. 1560)	10v–13
Miserere mei Deus (II) Secundum magnam (tone 7)	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	13v–16
Miserere mei Deus (III) Secundum magnam (tone 7)	Albertis, Gasparo de (ca. 1489–ca. 1560)	35v–37
Miserere mei Deus Secundum magnam (tone 7) (8vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	16v–19
Missa de Beata Vergine KGCSA	Albertis, Gasparo de (ca. 1489–ca. 1560)	71–81
Missa de Sancto Roccho	Albertis, Gasparo de (ca. 1489–ca. 1560)	81–94
Nunc dimittis (8vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	117v–118
Nunc dimittis Quia viderunt (even verses) (tone 3)	Albertis, Gasparo de (ca. 1489–ca. 1560)	114v–115
Nunc dimittis Secundum verbum (odd verses) (tone 3)	Albertis, Gasparo de (ca. 1489–ca. 1560)	37v–39
Passio secundum Joannem (Quem quaeritis) (6vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	29v–35, 45v-46
Passio secundum Joannem (Quem quaeritis) (6vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	95v–99v
Passio secundum Matthaeum (Non in die festo) (5vv)	Albertis, Gasparo de (ca. 1489–ca. 1560)	20, 21v–29
Qui habitat in adjutorium Dicet Domino susceptor meus	Albertis, Gasparo de (ca. 1489–ca. 1560) (?)	110v–113
Sequitur de lamentatione (I) [Good Friday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	4v–10
Sequitur de lamentatione (I) [Good Friday 1-3]	Albertis, Gasparo de (ca. 1489–ca. 1560)	19v

‡ denotes primary source study

Crawford, David Eugene, and J Scott Messing. 1994. Gaspar de Albertis' SixteenthCentury Choirbooks at Bergamo. RMS. American Institute of Musicology. Notes: physical description; contents list; concordances; incipits (partial); facsimile (partial); mention of MS; discussion.

Carver, Anthony F. 1975. The Psalms of Willaert and His North Italian Contemporaries. Acta Musicologica, 270-83. Pages: 272,278-9. Notes: mention of MS.

Ravizza, Victor. 1972. Gasparo Alberti: Ein wenig bekannter Komponist und dessen Portrait. Festschrift Arnold Geering zum 70. Geburtstag, 63-80. Bern. Notes: contents list.

Ravizza, Victor. 1972. Frühe Doppelchörigkeit in Bergamo. Die Musikforschung, 127-42. Notes: physical description; mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 277-8. Notes: contents list (partial); concordances (partial); incipits (partial).

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.viii.xiv,75-107,116-36. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Jeppesen, Knud. 1958. A Forgotten Master of the Early 16th Century: Gaspar de Albertis. The Musical Quarterly, 311-28. Pages: 311-5. Notes: physical description; contents list; incipitsst of contents (partial).

d'Alessi, Giovanni. 1952. Precursors of Adriano Willaert in the practice of "coro spezzato". Journal of the American Musicological Society, 187ff. Pages: 191-2. Notes: physical description.

Caversazzi, Ciro. 1930. Scoperta di Manoscritti musicali del Secolo XVI. Bergomum Bolletino della Civica Biblioteca , 26-33. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

I-BGc MS 1207 D

Civica Biblioteca 'Angelo Mai', Bergamo, Italy

manuscript of polyphony: C. 1524-45

General Description

Binding

Watermark

Notation

Date

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017