E-Boc MS 11bis

Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain

partbooks: Early 17th century, c.1612-1626

Archive Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain (E-Boc)
Shelfmark MS 11bis
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements 315 x 210 mm
Other Identifiers
  • CCM: BarcOC libis
  • olim (Former shelfmark): 12-VII-27
Notations
  • black void mensural
External Links
Provenance
  • Barcelona, Spain
Contents 23 pieces from 5 composers
General Description

4 partbooks (Discantus, Altus, Tenor and Bassus), bound in a single volume. Copied by several - probably 3 - scribes. Of Spanish origin, probably from Barcelona.

DIAMM, 2017
Binding

Each book has covers of parchment cut from chant manuscripts; the four books are bound in one volume with modern covers of white paste-board.

DIAMM, 2017
Watermark

Latin cross in a circle with letters beneath, PP or PR. Loosely-similar marks in Briquet are dated 1582-1600, in Piccard 1577-1631; Valls (Historia del papel en Espana) has similar examples 1603-1623.

DIAMM, 2020
Notation

black void mensural

DIAMM, 2017
Foliation

16ff in each book. Original ink pagination. (Inventory follows pagination of the Discantus book.) The two lamentations by Pujol are on a bifolio inserted into the sextern which otherwise comprises each book.

DIAMM, 2020
Census Catalogue of Music Description

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1 psalm, 11 Lamentations, 2 Passions, 9 motets = 23

Borgueras-1, Morales-1, Palestrina-2, Pujol-3, anon-16

4 paper partbooks (DATB-ii + 16 + ii folios each), 315 x 210. Original ink pagination. Each book has covers of parchment cut from chant manuscripts; the four books are bound in one volume with modern covers of white paste-board. No index. Copied by several scribes.

Early 17th century. Of Spanish origin, probably from Barcelona.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere Palestrina
Appears on: 1
Genres: Lamentations
Source Attribution: Palestrina
Concordances

= RISM P742 (1588) no.1 = RISM P743 (1589) no.1 = San Giovanni Laterano ms 59 f. (1v & f. 28v)

2 Lamentations bk.1/2 - Vau. Et egressus est - Zain. Recordata est - Jerusalem convertere -
Appears on: 2
Genres: Lamentations
Concordances

= RISM P742 (1588) no.2 = RISM P743 (1589) no.2 = San Giovanni Laterano ms 59 (ff. 29v-31)

3–4 Jod. Manum suam - Lamed. O vos omnes - Jerusalem convertere Joan Pujol
Appears on: 3–4
Genres: Lamentations
Source Attribution: Joan Pujol
4–5 Aleph. Ego vir videns - Aleph. Meminavit - Beth. Vetustatem fecit - Jerusalem convertere Joan Pujol
Appears on: 4–5
Genres: Lamentations
Source Attribution: Joan Pujol
General Note

3rd section headed "Aleph. Vetustatem fecit" in Discantus, "Beth..." in the other 3 partbooks

7 Lamentations bk.1/3 - Jod. Manum suam - Caph. Omnis populus - Lameth. O vos omnes - Jerusalem convertere (anon)
Appears on: 7
Genres: Lamentations
Source Attribution: (anon)
Concordances

= RISM P742 (1588) no.3 = RISM P743 (1589) no.3

8 Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere (anon)
Appears on: 8
Genres: Lamentations
Source Attribution: (anon)
Concordances

= RISM P742 (1588) no.4 = RISM P743 (1589) no.4 = San Giovanni Laterano ms 59 (ff. 3v-5, 34v-36)

9 Lamentations bk.1/5 - Lamed. Matribus suis - Mem. Cui comparabo - Jerusalem convertere -
Appears on: 9
Genres: Lamentations
Concordances

= RISM P742 (1588) no.5 = RISM P743 (1589) no.5 = San Giovanni Laterano ms 59 (ff. 33v-34, 36v-37)

10 Lamentations bk.1/6 - Aleph. Ego vir videns - Aleph. Meminavit - Beth. Vetustatem fecit - Jerusalem convertere -
Appears on: 10
Genres: Lamentations
General Note

lacks Tenor voice (Jerusalem convertere is 5vv in print)

Concordances

= RISM P742 (1588) no.1 = RISM P743 (1589) no.1

11 Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere (anon)
Appears on: 11
Genres: Lamentations
Source Attribution: (anon)
Concordances

= RISM P742 (1588) no.7 = RISM P743 (1589) no.7 = San Giovanni Laterano ms 59 (f. 1r)

12 Lamentations bk.1/8 - Aleph. Quomodo obscuratum - Beth. Filii Sion - Gimel. Sed et lamiae - Jerusalem convertere (anon)
Appears on: 12
Genres: Lamentations
Source Attribution: (anon)
Concordances

= RISM P742 (1588) no.8 = RISM P743 (1589) no.8

13 Lamentations bk.1/9 - Incipit oratio - Recordare Domine - Jerusalem convertere (anon)
Appears on: 13
Genres: Lamentations
Source Attribution: (anon)
Concordances

= RISM P742 (1588) no.9 = RISM P743 (1589) no.9

14 Vere languores nostros Joannis Pujol
Appears on: 14
Genres: Motet
Source Attribution: Joannis Pujol
14–15 Tristis est anima mea (anon)
Appears on: 14–15
Genres: Motet
Source Attribution: (anon)
15–16 Stabat mater (anon)
Appears on: 15–16
Genres: Motet
Source Attribution: (anon)
16 Adoramus te Christe (anon)
Appears on: 16
Genres: Motet
Source Attribution: (anon)
Concordances

printed 5 times between 1587 & 1604, but appears in only 3 mss - this one, E-Bbc 586 & Casanatense 2760

17–18 Passio Domini secundum Matthaeum Borgueras
Appears on: 17–18
Genres: Passion
Source Attribution: Borgueras
19–20 Passio Domini secundum Joannem - Anonymous
Appears on: 19–20
Genres: Passion
20 Miserere mei Joan Pujol
Appears on: 20
Genres: Motet
Source Attribution: Joan Pujol
21 Asperges me (4vv) Christophori morales
Appears on: 21
Genres: Motet
Source Attribution: Christophori morales
22 Paratur nobis mens - Anonymous

Paratur nobis mens

Anonymous
Appears on: 22
Genres: Motet
23 Comedetis carnes - Anonymous

Comedetis carnes

Anonymous
Appears on: 23
Genres: Motet
25 O quam suavis - Anonymous

O quam suavis

Anonymous
Appears on: 25
Genres: Motet
26 Accepit Jesus - Anonymous

Accepit Jesus

Anonymous
Appears on: 26
Genres: Motet
Composer Compositions
Anonymous
Borgueres, Joan
Morales, Cristóbal de (ca. 1500–1553)
Palestrina, Giovanni Pierluigi da (1525–1594)
Pujol, Joan Pau
Composition Composers (? Uncertain) Folios / Pages
Accepit Jesus Anonymous 26
Adoramus te Christe 16
Aleph. Ego vir videns - Aleph. Meminavit - Beth. Vetustatem fecit - Jerusalem convertere 4–5
Asperges me (4vv) 21
Comedetis carnes Anonymous 23
Jod. Manum suam - Lamed. O vos omnes - Jerusalem convertere 3–4
Lamentations bk.1/1 - Incipit lamentatio - Aleph. Quomodo sedet - Beth. Plorans ploravit - Jerusalem convertere 1
Lamentations bk.1/2 - Vau. Et egressus est - Zain. Recordata est - Jerusalem convertere 2
Lamentations bk.1/3 - Jod. Manum suam - Caph. Omnis populus - Lameth. O vos omnes - Jerusalem convertere 7
Lamentations bk.1/4 - De lamentatione Jeremiae prophetae - Heth. Cogitavit - Teth. Defixae sunt - Jerusalem convertere 8
Lamentations bk.1/5 - Lamed. Matribus suis - Mem. Cui comparabo - Jerusalem convertere 9
Lamentations bk.1/6 - Aleph. Ego vir videns - Aleph. Meminavit - Beth. Vetustatem fecit - Jerusalem convertere 10
Lamentations bk.1/7 - De lamentatione - Heth. Misericordiae - Teth. Bonus est - Jerusalem convertere 11
Lamentations bk.1/8 - Aleph. Quomodo obscuratum - Beth. Filii Sion - Gimel. Sed et lamiae - Jerusalem convertere 12
Lamentations bk.1/9 - Incipit oratio - Recordare Domine - Jerusalem convertere 13
Miserere mei 20
O quam suavis Anonymous 25
Paratur nobis mens Anonymous 22
Passio Domini secundum Joannem Anonymous 19–20
Passio Domini secundum Matthaeum 17–18
Stabat mater 15–16
Tristis est anima mea 14–15
Vere languores nostros 14

denotes primary source study

Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:214-221, II:155-162. Notes: physical description; contents list; concordances.

Anglès, Higinio (editor). 1926-32. Johannis Pujol (1573P-1626): Opera omnia.  Barcelona. Pages: 1:XIX-XX.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description