E-Boc MS 7 - DIAMM

E-Boc MS 7

Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain

manuscript of polyphony: before 1583

Archive	Documentation Center of the Orfeo Català (CEDOC) [formerly: Biblioteca de l'Orfeó Català], Barcelona, Spain (E-Boc)
Shelfmark	MS 7
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	412 x 285 mm
Other Identifiers	CCM: BarcOC 7 olim (Former shelfmark): Ms. M 12-VII-24
Notations	black void mensural
External Links	Musica Hispanica: Spanish Early Music Manuscripts Database Books of Hispanic Polyphony IMAGES
Provenance	Catedral Basílica Metropolitana de Barcelona , Barcelona, Spain
Contents	37 pieces from 5 composers

General Description

Copied in Barcelona. Ownership or user entry on fol. 1r: Al molt magnifih seny nor mosen | Jau me serra beneficiat de la seu de bar | celona vuy A desset d febrer 1583. This entry and the first section of the manuscript were written by the same scribe and added to the MS. later. The MS.’s main body was completed earlier.

Cristina Urchueguía; transl. Henry Hope, 2011

Binding

Modern pasteboard covers over fragments of original covers of tan leather

Cristina Urchueguía; transl. Henry Hope, 2011

Notation

black void mensural

Cristina Urchueguía; transl. Henry Hope, 2011

Foliation

Modern pencil foliation; some folios have original ink foliation, not continuous and not in the same order as the new foliation

Cristina Urchueguía; transl. Henry Hope, 2011

Decoration

The manuscript is in poor condition, with many folios crumbling, and ink corrosion causing holes.

Cristina Urchueguía; transl. Henry Hope, 2011

Surface

paper

Cristina Urchueguía; transl. Henry Hope, 2011

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Kyries, 1 Magnificat, 2 hymns, 8 Lamentations, 20 motets = 33

Josquin-1, Martinus-1, Morales-3, anon-27

69 paper folios, 412 x 285. The manuscript is in poor condition, with many folios crumbling, and ink corrosion causing holes. Modern pencil foliation; some folios have original ink foliation, not continuous and not in the same order as the new foliation. Modern pasteboard covers over fragments of original covers of tan leather. No index.

1583 (date in manuscript). Copied in Barcelona. Inscription on f. 1: "Al molt magnifi … segnor mosen Jamme (?) Serra beneficiat de 1a Sen. de Barcelona vuy A desset d febrer 1583."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Judicii signum tellus	Anon.	Anonymous
Judicii signum tellus Anonymous Appears on: 1 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Judicii signum tellus
1v–5	Salve regina (I) Vita dulcedo II: Et Jesum benedictum	J. Martinus	Martini, Johannes (ca. 1430–1497) (?) Martí, Joan (?)
Salve regina (I) Vita dulcedo II: Et Jesum benedictum Martini, Johannes (ca. 1430–1497) (?) Martí, Joan (?) Appears on: 1v–5 Genres: Motet, Salve Regina Source Attribution: J. Martinus Voice: [no designation] Languages: Latin Voice Text: [Salve regina] Vita dulcedo General Note "Joan Martí was organist at Tarragona Cathedral in 1598 and in 1627. He could possibly be identified with a musician named 'J. Martinus' who composed two Salve Regina in E-Boc 7." (hispanicpolyphony.eu)
5v–8	Salve regina (II) Vita dulcedo II: Et Jesum benedictum	J. Martinus	Martí, Joan (?) Martini, Johannes (ca. 1430–1497) (?)
Salve regina (II) Vita dulcedo II: Et Jesum benedictum Martí, Joan (?) Martini, Johannes (ca. 1430–1497) (?) Appears on: 5v–8 Genres: Motet, Salve Regina Source Attribution: J. Martinus Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie General Note "Joan Martí was organist at Tarragona Cathedral in 1598 and in 1627. He could possibly be identified with a musician named 'J. Martinus' who composed two Salve Regina in E-Boc 7." (hispanicpolyphony.eu)
8v–9	Extraneus factus sum	Anon.	Anonymous
Extraneus factus sum Anonymous Appears on: 8v–9 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Extraneus factus sum
9v–10	Amici mei et proximi	Anon.	Anonymous
Amici mei et proximi Anonymous Appears on: 9v–10 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Amici mei et proximi
10v–12	Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina	Jusq[ui]n	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina Despres, Josquin (ca. 1450–1521) Appears on: 10v–12 Genres: Motet, Salve Regina Source Attribution: Jusq[ui]n Voice: [no designation] Languages: Latin Voice Text: Salve regina misericordie 25.5
11v–12	Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos	-	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos Despres, Josquin (ca. 1450–1521) Appears on: 11v–12 Genres: Motet, Salve Regina
11v–12	Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum	-	Despres, Josquin (ca. 1450–1521)
Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum Despres, Josquin (ca. 1450–1521) Appears on: 11v–12 Genres: Motet, Salve Regina
13v–14	Ps. 118: Deficit in salutare Defecerunt oculi	Anon.	Anonymous
Ps. 118: Deficit in salutare Defecerunt oculi Anonymous Appears on: 13v–14 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 118: [Deficit in salutare] Defecerunt oculi
14v–16	De profundis	-	Anonymous
De profundis Anonymous Appears on: 14v–16 Genres: Psalm
16v–18	Ps. 14: Domine quis habitabit in tabernaculo	Anon.	Anonymous
Ps. 14: Domine quis habitabit in tabernaculo Anonymous Appears on: 16v–18 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 14: Domine quis habitabit in tabernaculo
18v–19	Libera me domine ... Dies illa dies ire ... Kyrie eleison	Anon.	Anonymous
Libera me domine ... Dies illa dies ire ... Kyrie eleison Anonymous Appears on: 18v–19 Genres: Kyrie eleison, Requiem Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Libera me domine ... Dies illa dies ire ... Kyrie eleyson Concordances the untexted piece at ff. 47v-48 is concordant, but has a different, and incomplete, Altus
20v–21	Ps. 50: Miserere mei Deus Tibi soli peccavi et malum coram	Anon.	Anonymous
Ps. 50: Miserere mei Deus Tibi soli peccavi et malum coram Anonymous Appears on: 20v–21 Genres: Miserere mei Deus, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 50: [Miserere mei deus] Tibi [soli] peccavi [et malum coram]
22v–24	O crux ave spes unica	Anon.	Anonymous
O crux ave spes unica Anonymous Appears on: 22v–24 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O] crux ave spes unica
24v–25	O crux ave spes unica	Anon.	Anonymous
O crux ave spes unica Anonymous Appears on: 24v–25 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [O] crux ave spes unica Concordances E-Boc 59, ff. 131v-132)
25v–27	Lamentation Lamech. O vos omnes qui transitis Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Lamech. O vos omnes qui transitis Jerusalem convertere ad Dominum Anonymous Appears on: 25v–27 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentations] [L]amech. O vos omnes qui transitis Ierusalem convertere ad dominum
27v–29	Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum Anonymous Appears on: 27v–29 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] Thau. Completa est iniquitas tua Ierusalem convertere ad dominum
29v–31	Lamentation Vau. Et egressus est a filia Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Vau. Et egressus est a filia Jerusalem convertere ad Dominum Anonymous Appears on: 29v–31 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] [V]au. Et egressus est a filia Ierusalem convertere ad dominum
31v–33	Lamentation Zain. Recordata est Jerusalem Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Zain. Recordata est Jerusalem Jerusalem convertere ad Dominum Anonymous Appears on: 31v–33 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lamentation] [Zain]. Recordata est Hierusalem Ierusalem convertere ad dominum General Note Puentes-Blanco inventories this as part of the preceding Lamentation
33v–35	Lamentation Ain. Cum adhuc subsisteremus Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Ain. Cum adhuc subsisteremus Jerusalem convertere ad Dominum Anonymous Appears on: 33v–35 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] [A]in. Cum adhuc subsisteremus Ierusalem convertere ad dominum
35v–36	Lamentation Gymel. Migravit Iudas propter Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Gymel. Migravit Iudas propter Jerusalem convertere ad Dominum Anonymous Appears on: 35v–36 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] [G]ymel. Migravit Iudas propter Ierusalem convertere ad dominum
36v–39	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales	Morales, Cristóbal de (ca. 1500–1553)
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum Morales, Cristóbal de (ca. 1500–1553) Appears on: 36v–39 Genres: Lamentations, Motet Source Attribution: Morales Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] Coph. Vocavi amicus meos et ipsi Ierusalem convertere ad dominum Concordances I-Fn Magl. 56 (12v-16r) F-PAbm 6829 (82v-85r) E-Bbc 708 (25v-27r) E-Bbc 1967 (184v-189r
40v–42	Lamentation Aleph. Quomodo sedet sola civitas Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Aleph. Quomodo sedet sola civitas Jerusalem convertere ad Dominum Anonymous Appears on: 40v–42 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] Aleph. Quomodo sedet sola civitas Ierusalem convertere ad dominum
42v–44	Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum	Anon.	Anonymous
Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum Anonymous Appears on: 42v–44 Genres: Lamentations, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] Tau. Completa est iniquitas tua Ierusalem convertere ad dominum
44v–46	Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion	Anon.	Anonymous
Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion Anonymous Appears on: 44v–46 Genres: Lamentations Source Attribution: Anon. Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentation] Aleph. Quomodo obscuratum est aurum Ierusalem convertere ad dominum
47v–48	Libera me domine ... Dies illa dies ire ... Kyrie eleison	Anon.	-
Libera me domine ... Dies illa dies ire ... Kyrie eleison - Appears on: 47v–48 Genres: Kyrie eleison, Requiem Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless Concordances concordant with the 'Libera me' at f. 18v-19, but here untexted; in this copy the Altus is different, and incomplete.
48v–49	Regina caeli laetare alleluia	Anon.	Anonymous
Regina caeli laetare alleluia Anonymous Appears on: 48v–49 Genres: Marian antiphon Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Regina celi letare alleluia
51v–53	Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe Morales, Cristóbal de (ca. 1500–1553) Appears on: 51v–53 Genres: Motet Source Attribution: Morales Voice: [no designation] Languages: Latin Voice Text: Per tuam crucem salva nos Christe
52v–54	Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	-	Morales, Cristóbal de (ca. 1500–1553)
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne Morales, Cristóbal de (ca. 1500–1553) Appears on: 52v–54 Genres: Motet
54v–66	Magnificat tertii toni: Anima mea [K.916]	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Anima mea [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 54v–66 Genres: BVM, Canticle, Magnificat Source Attribution: [Morales] Voice: [no designation] Languages: Latin Voice Text: [Magnificat Tertii toni]: Anima mea dominum General Note setting of all the verses, interleaving the two Morales settings of odd and even verses.
54v–66	Magnificat tertii toni: Et exultavit [K.916]	-	Morales, Cristóbal de (ca. 1500–1553)
Magnificat tertii toni: Et exultavit [K.916] Morales, Cristóbal de (ca. 1500–1553) Appears on: 54v–66 General Note setting of all the verses, interleaving the two Morales settings of odd and even verses.
67v–68	Benedicamus Domino Deo dicamus gratias	Anon.	Anonymous
Benedicamus Domino Deo dicamus gratias Anonymous Appears on: 67v–68 Genres: Benedicamus Domino, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Benedicamus domino] Deo dicamus gratias General Note 'Benedicamus' is headed 'Duo' but only a single voice is copied; the 'Deo dicamus' is for 4vv
68v–69	Ps. 109: Dixit Dominus Domino meo	Anon.	Anonymous
Ps. 109: Dixit Dominus Domino meo Anonymous Appears on: 68v–69 Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 109: Dixit dominus domino meo
68v–69	Ps. 50: Miserere mei Deus miserere mei	Anon.	Anonymous
Ps. 50: Miserere mei Deus miserere mei Anonymous Appears on: 68v–69 Genres: Miserere mei Deus, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 50: Miserere mei deus miserere mei
69v	Sancte Michael	Anon.*	Anonymous
Sancte Michael Anonymous Appears on: 69v Genres: Motet Source Attribution: Anon.* Voice: [no designation] Languages: Latin Voice Text: Sancte Michael *Perhaps Pars II of Compèrevs "Ave Maria", concordance not verifiable at present.
69v	Miserere mei	Anon.	Anonymous
Miserere mei Anonymous Appears on: 69v Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino
69v	Ps. 4: Cum invocarem exaudivit me	Anon.	Anonymous
Ps. 4: Cum invocarem exaudivit me Anonymous Appears on: 69v Genres: Psalm Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 4: Cum invocarem exaudivit me

Composer	Compositions
Anonymous	Amici mei et proximi – 9v–10 Benedicamus Domino Deo dicamus gratias – 67v–68 De profundis – 14v–16 Extraneus factus sum – 8v–9 Judicii signum tellus – 1 Lamentation Ain. Cum adhuc subsisteremus Jerusalem convertere ad Dominum – 33v–35 Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion – 44v–46 Lamentation Aleph. Quomodo sedet sola civitas Jerusalem convertere ad Dominum – 40v–42 Lamentation Gymel. Migravit Iudas propter Jerusalem convertere ad Dominum – 35v–36 Lamentation Lamech. O vos omnes qui transitis Jerusalem convertere ad Dominum – 25v–27 Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum – 27v–29 Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum – 42v–44 Lamentation Vau. Et egressus est a filia Jerusalem convertere ad Dominum – 29v–31 Lamentation Zain. Recordata est Jerusalem Jerusalem convertere ad Dominum – 31v–33 Libera me domine ... Dies illa dies ire ... Kyrie eleison – 47v–48 Libera me domine ... Dies illa dies ire ... Kyrie eleison – 18v–19 Miserere mei – 69v O crux ave spes unica – 24v–25 O crux ave spes unica – 22v–24 Ps. 109: Dixit Dominus Domino meo – 68v–69 Ps. 118: Deficit in salutare Defecerunt oculi – 13v–14 Ps. 14: Domine quis habitabit in tabernaculo – 16v–18 Ps. 4: Cum invocarem exaudivit me – 69v Ps. 50: Miserere mei Deus Tibi soli peccavi et malum coram – 20v–21 Ps. 50: Miserere mei Deus miserere mei – 68v–69 Regina caeli laetare alleluia – 48v–49 Sancte Michael – 69v
Despres, Josquin (ca. 1450–1521)	Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina – 10v–12 Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos – 11v–12 Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum – 11v–12
Martini, Johannes (ca. 1430–1497)	(?) Salve regina (I) Vita dulcedo II: Et Jesum benedictum – 1v–5 (?) Salve regina (II) Vita dulcedo II: Et Jesum benedictum – 5v–8
Martí, Joan	(?) Salve regina (I) Vita dulcedo II: Et Jesum benedictum – 1v–5 (?) Salve regina (II) Vita dulcedo II: Et Jesum benedictum – 5v–8
Morales, Cristóbal de (ca. 1500–1553)	Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum – 36v–39 Magnificat tertii toni: Anima mea [K.916] – 54v–66 Magnificat tertii toni: Et exultavit [K.916] – 54v–66 Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe – 51v–53 Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne – 52v–54

Composition	Composers (? Uncertain)	Folios / Pages
Amici mei et proximi	Anonymous	9v–10
Benedicamus Domino Deo dicamus gratias	Anonymous	67v–68
De profundis	Anonymous	14v–16
Extraneus factus sum	Anonymous	8v–9
Judicii signum tellus	Anonymous	1
Lamentation Ain. Cum adhuc subsisteremus Jerusalem convertere ad Dominum	Anonymous	33v–35
Lamentation Aleph. Quomodo obscuratum est aurum / Heth. Filii Sion	Anonymous	44v–46
Lamentation Aleph. Quomodo sedet sola civitas Jerusalem convertere ad Dominum	Anonymous	40v–42
Lamentation Gymel. Migravit Iudas propter Jerusalem convertere ad Dominum	Anonymous	35v–36
Lamentation Lamech. O vos omnes qui transitis Jerusalem convertere ad Dominum	Anonymous	25v–27
Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum	Anonymous	27v–29
Lamentation Tau. Completa est iniquitas tua Jerusalem convertere ad Dominum	Anonymous	42v–44
Lamentation Vau. Et egressus est a filia Jerusalem convertere ad Dominum	Anonymous	29v–31
Lamentation Zain. Recordata est Jerusalem Jerusalem convertere ad Dominum	Anonymous	31v–33
Lamentations (1): Coph. Vocavi amicus meos et ipsi Jerusalem convertere ad Dominum	Morales, Cristóbal de (ca. 1500–1553)	36v–39
Libera me domine ... Dies illa dies ire ... Kyrie eleison	Anonymous	18v–19
Libera me domine ... Dies illa dies ire ... Kyrie eleison	-	47v–48
Magnificat tertii toni: Anima mea [K.916]	Morales, Cristóbal de (ca. 1500–1553)	54v–66
Magnificat tertii toni: Et exultavit [K.916]	Morales, Cristóbal de (ca. 1500–1553)	54v–66
Miserere mei	Anonymous	69v
O crux ave spes unica	Anonymous	22v–24
O crux ave spes unica	Anonymous	24v–25
Per tuam crucem - 1a pars (of 2): Per tuam crucem salva nos Christe	Morales, Cristóbal de (ca. 1500–1553)	51v–53
Per tuam crucem - 2a pars (of 2): Miserere nostri Jesu benigne	Morales, Cristóbal de (ca. 1500–1553)	52v–54
Ps. 109: Dixit Dominus Domino meo	Anonymous	68v–69
Ps. 118: Deficit in salutare Defecerunt oculi	Anonymous	13v–14
Ps. 14: Domine quis habitabit in tabernaculo	Anonymous	16v–18
Ps. 4: Cum invocarem exaudivit me	Anonymous	69v
Ps. 50: Miserere mei Deus miserere mei	Anonymous	68v–69
Ps. 50: Miserere mei Deus Tibi soli peccavi et malum coram	Anonymous	20v–21
Regina caeli laetare alleluia	Anonymous	48v–49
Salve regina (5vv) 25.5 - 1a pars (of 3): Salve regina	Despres, Josquin (ca. 1450–1521)	10v–12
Salve regina (5vv) 25.5 - 2a pars (of 3): Eya ergo advocata nostra illos	Despres, Josquin (ca. 1450–1521)	11v–12
Salve regina (5vv) 25.5 - 3a pars (of 3): Et Jesum benedictum	Despres, Josquin (ca. 1450–1521)	11v–12
Salve regina (I) Vita dulcedo II: Et Jesum benedictum	Martini, Johannes (ca. 1430–1497) (?) Martí, Joan (?)	1v–5
Salve regina (II) Vita dulcedo II: Et Jesum benedictum	Martí, Joan (?) Martini, Johannes (ca. 1430–1497) (?)	5v–8
Sancte Michael	Anonymous	69v

‡ denotes primary source study

Puentes-Blanco, Andrea. 2018. Música y devoción en Barcelona (ca. 1550-1626): estudio de libros de polifonía, contextos y prácticas musicales. Universitat de Barcelona, Ph. D. Pages: I:82-97, II:142-149. Notes: physical description; contents list; concordances.

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 122.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description